ROY ASHTON MAKE UP ARTIST REMEMBERED

REMEMBERING Master Make Up Artist, Roy Ashton, who was born today 17th April 1909! There is so much you could say about Roy, but his work kind of says it all! So many amazing creations in what was the golden era of Hammer films, Amicus and Tyburn too! I was very humbled to spend time with him at his home and while he was working, and during these times saw at first hand what a true gentleman he was and quite the perfectionist, with a lovely dry wit and friendly character. Roy sadly left us in 1995, but left behind for us, a wonderful and original body of work, that still entertains and frightens us today! Personally, his letters I still treasure, his work I still very much am in awe of, for sure

OVER AT THE FACEBOOK PCASUK FAN PAGE I have asked everyone to tell us and share their favourite 'Ashton Creation' in the comments below. BELOW is an impressive filmography of Roy's work. A #HappyBirthday, Roy Ashton a true magician and creator of things of nightmares and dreams too 

The Curse of Frankenstein (1957)
The Horror Dracula (1958)
The Revenge of Frankenstein (1958)
The Hound of the Baskervilles (1959)
The Man Who Could Cheat Death (1959)
The Mummy (1959)
The Stranglers of Bombay (1959)
The Two Faces of Dr. Jekyll (1960)
The Curse of the Werewolf (1960)
The Terror of the Tongs (1961)
These Are the Damned (1962)
The Phantom of the Opera (1962)
Night Creatures (1962) Captain Clegg
The Pirates of Blood River (1962)
 

ABOVE: A WHILE AGO in one of our weekly PCASUK TUESDAY TOUGHY questions, we celebrated ROY ASHTON'S work with PETER CUSHING in 'Tales from the Crypt' (1972)

Paranoiac (1963)
The Old Dark House (1963)
The Crimson Blade (1963)
Nightmare (1964)
The Evil of Frankenstein (1964)
The Kiss of the Vampire (1964)
The Gorgon (1964)
 

Dr. Terror’s House of Horrors (1964)
The Curse of the Mummy’s Tomb (1964)
The Devil-Ship Pirates (1964)
The Skull (1965)
She (1965)
The Plague of the Zombies (1966)
The Reptile (1966)
The Devil Rides Out (1968)
The House That Dripped Blood (1970)
Hands of the Ripper (1971)
The Devils (1971)
Tales from the Crypt (1972)
The Creeping Flesh (1972)
Asylum (1972)
The Vault of Horror (1973)
The Ghoul (1975)

SEE OUR POSTS every day at the FACEBOOK PCASUK FAN PAGE HERE! and the EXPANDED version here!! EXTRA IMAGES and FEATURES every day here at our WEBSITE!

FRIENDS : CUSHING TALKS LEE AND LEE TALKS CUSHING : AWARDS AND PRAISE FOR PC

PETER CUSHING was a such a humble guy, when he received awards, praise and such, he still seriously thought about, IF he did actually deserved such recognition!. Even his appearance on #ThisIsYourLife, they broke with convention and gave him the heads up. But he did receive several awards over the years, quite a few career changing ones in the 50's... more nods and acknowledgments in the later.. His award for his performance in #TalesfromtheCrypt was very well deserved . . as were the others. BUT do you think there were performances that slipped by, that should have been awarded? Over at the FACEBOOK PCAS FAN PAGE we are asking, are there roles that you have watched, where you think, THAT should have been given more recognition and maybe a well deserved award?? I would love to read your suggestions . . no matter what role you think worthy 🤔😊 - Marcus

ABOVE AND BELOW : The thoughts of Christopher Lee on his good friend, Peter Cushing and Peter Cushing's thoughts on Christopher Lee. . .

HEADS UP AND DATES FOR THE PCAS WARNER BROTHERS DRACULA REMASTERED BLU RAY COMPETITIONS

HERE IS YOUR HEADS UP of when the first TWO competitons will kick start on here the PCASUK Website AND the facebook PCASUK Fan Page. The 'Dracula AD 1972' competition will be launched on TUESDAY October 30th and the Satanic Rites of Dracula Competiton will be launched the following day on WEDNESDAY October 31st... Halloween! 🙂 The competition for the framed and signed colour photograph of Christopher Lee from Dracula AD 1972, will launch the FIRST WEEK of November 😉 The PCAS Competitions are OPEN to EVERYONE. Whoever and Wherever YOU maybe! So brace yourself and get ready 😉 Any questions or queries, please post in the thread below 😉 - Marcus

DRACULA RESSURECTED: ABOVE OUR REVIEW OF THE WARNER BROTHERS REMASTERED BLU RAY OF DRACULA AD 1972 : CLICK HERE!

REMEMBERING JON PERTWEE AND VAN HELSING'S TERROR TALES NOW AVAILABLE IN HARDBACK WHILE STOCKS LAST!

IN THE USA, for decades there was never a shortage of comics and magazines, with a Hammer film or Cushing and Lee angle, along with the usual Universal Monsters focus too, when the 70's arrived, the UK started some very interesting comics and magazines too.  One of which was House of Hammer, a magazine edited by Dez Skinn and published by Top Sellers / Warners. Launched in 1976, the format of the mag was to lead with a comic strip adaptation of a Hammer movie, run several articles and interviews pertaining to Hammer horror films, and end with a short, complete twist-in-the-tail comic strip entitled Van Helsing's Terror Tales.

THE VAN HELSING monthly strip, was maybe one of the most popular strips in the magazine. It featured artwork by some of the UK's top creators such as Brian Lewis, John Bolton, Angus McKie, Trevor Goring, Martin Asbury, Jim Baikie, Patrick White, and more. 

NOW, DEZ SKINN has unearthed those horror classics from the vault and is publishing them in one 80 page limited edition hardback book. (The signed edition is limited to just 100 copies.) The hardback features some of the best, and there are some great pieces that I personally remember from that time. The comic strips were always really well presented . . 

IF YOU WOULD LIKE to order your very own, HARDBACK COPY, just follow the details and the order email adress on the panel above, while stocks last . .  

TODAY WE REMEMBER Jon Pertwee who we sadly lost on this day in May 1996. Pertwee became best known for spending 18 years (1959–1977) playing Chief petty officer Pertwee in the popular series The Navy Lark on BBC Radio. But achieved world wide recognition from playing the Third Doctor in Dr Who whom he played from 1970 to 1974.

WITH Geoffrey Bayldon his co-star in Wurzel Gummidge in 'The House That Dripped Blood' (1970)

WITH Ingrid Pitt In The House That Dripped Blood

AFTER DOCTOR WHO He had continued success in TV playing the title character in the television series Worzel Gummidge from 1979 to 1981 (reprising the role from 1987 to 1989). What are some of your favourite Pertwee performances?

. . . AND With A Broken Tardis! From Spearhead from Space 

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach all lovers of Peter Cushing's work AND Help Keep The Memory Alive!

CALLUM MCKELVIE ON 'NIGHT OF BIG HEAT' PLUS EXCLUSIVE COMPETITON TO WIN THE CUSHING /LEE ISLAND DOUBLE BILL!

FOLLOWING ON from my look at Island of Terror, in PART ONE, this week I’m tackling its spiritual successor, NIGHT OF THE BIG HEAT. As discussed last week, these two films represent a section of only a small number of Science Fiction films that Cushing lent his talents too and it’s hard to discuss one without the other. Both were made by the short-lived Planet films and Night, featuring the same director (Terrence Fisher), Composer (Malcolm Lockyer) and of course Cushing again, does feel in many ways like a natural successor to the previous film.

PLANET FILMS EVEN SEEM to have gone a little further this time, with Cushing only having a small role and Christopher Lee taking the lead, having those two names on the poster would mean box office dynamite, surely? Unfortunately, I must confess to being somewhat ‘cold’ when it comes to Night of the Big Heat. Whilst not a bad film, in many ways it pales in comparison to Island of Terror.

FOR A START there’s the story. Night, is a fairly basic alien invasion story utilising elements from an earlier (and much better) British Science Fiction film, The Day the Earth Caught Fire (1961), by having the temperature slowly rise. Christopher Lee plays Godfrey Hanson, a scientist staying in a small hotel owned by Patrick Allen’s Jeff Callum on the isolated island of Fara, somewhere off the English coast. Jane Merrow shows up as an old flame of Cullum’s with whom he had an affair and who seems determined to cause trouble for him and his marriage. However they all have bigger fish to fry when Hanson reveals that the rising heat is actually being caused by an alien invasion…..and it’s only going to get hotter.

ONE OF THE BIGGEST PROBLEMS with Night, is that at points it actually strays a little too close to Island. For example, the opening scene in which the radar equipment is destroyed and we have a freeze frame into titles, exactly like Island, really isn’t necessary. In Island, this was effective as it still didn’t spoil the mystery of the plot- we knew there was an explosion in a lab, but we don’t know yet what that lab is and Islands superior script is far too intelligent to reveal anything to its viewers off the bat. 

IN 'NIGHT' A SIGNIFICANT amount of time is devoted to the characters attempting to get to the radar station (indeed Cushing dies for it) but we as an audience know that there’s no point because we saw it destroyed in the opening 2 seconds. Then there’s also the end, whilst the trick of having it all seems hopeless and then having an almost surprise revelation. Again, in Island, that revelation felt a great deal more intelligent than it does here and the sudden rain storm saving the day, is faintly ridiculous. 

OF COURSE I’m not ignoring the fact that Island was an original story whilst Night is based on a novel by John Lyminton. Having not read that book I can’t comment if these problems are inherent within it, or whether they are unique to this adaptation. However its literary heritage in 50’s British Sci-Fi does lead to one of the strengths of Night, and that is of course it’s wonderfully John Wyndham-esque atmosphere. The old trope of the heroes spending much of the end of the world in a pub is seen here and it’s as effective now as in any other British Sci-Fi flick (such as another of Fishers sci-fi films, The Earth Dies Screaming from 1964).  

ABOVE OUR EXCLUSIVE PCAS COMPETITION : WIN THE MOVIES FROM THIS PCAS FEATURE! : ENTER NOW : GOOD LUCK!

THERE ARE SOME POSITIVE things that this film manages to duplicate from Island. That being the sense of danger. Lee’s character of Hanson makes it through most of the film, then dies minutes before the end. Killing off essentially your biggest name and one of the two leads minutes before the resolution is a brave move and again makes the viewer think that there really is no hope. Lee plays the part of Hanson as well as he plays any role, though unfortunately he’s not really given anything new to do and so it’s hardly a standout role in his career. 

PATRICK ALLEN IS A GOOD leading man- though he struggles with a character that for the most part comes across as inherently unlikeable. This is due mostly to the ‘affair’ subplot which, whilst actually being one of the most enjoyable parts of the film, doesn’t really set his character up as the most likeable of individuals and really should have been revealed later. As stated in my review of Island, Cushing has a small but enjoyable role- though it’s really too dismissible to really stand out in his filmography. His death lingers due to a wonderfully charming performance, his easily the most likeable character in the entire film. However special mention has to be made of Jane Merrow, who plays the role of Angela Roberts with such a maliciousness that she is utterly watchable the entire time.

IN SOME WAYS I feel I have been way to negative towards Night, and perhaps it will be a film that I’ll revisit in my column again someday because for the most part- it’s bloody good fun. This isn’t like Incense for the Damned (1970) or Tender Dracula (1974) where there really is little to no joy to be had, in fact I feel ashamed even mentioning those movies in this review because Night of the Big Heat isn’t even a bad film. It’s a perfectly well made science fiction horror film, let down by a few small elements that don’t allow it the originality that made Island of Terror, so damn good.

WRITTEN BY CALLUM MCKELVIE: If you would like to share YOUR THOUGHTS with CALLUM about the film or the feature you can contact him HERE: spookycallum58@gmail.com 

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach all lovers of Peter Cushing's work AND Help Keep The Memory Alive!

#MOMENTSOFTERRORMONDAY! SHOCK WAVES : FRIGHTENED CHASED AND A SCAR!!

#MOMENTSOFTERRORMONDAY! OUR usual MONDAY POST, but this week chosen one of the more unusual films that PETER CUSHING starred in during his long career, SHOCK WAVES. Everything about this low budget film is divided within the FAN community. It's a film that people either LOVE passionately, or simply HATE. In someways, you can understand why. It's still a mystery why CUSHING committed to a film, that on a brief paper synopsis, SHOULD have gained the same reaction he and his agent gave to John Carpenter's HALLOWEEN a few years later. BUT for no more really than his travel fair, bed and breakfast, CUSHING gained very little, at the time. 

ABOVE : PETER CUSHING reflected in the MAKE UP mirror, having his facial scar

applied to his look of SCAR in 'SHOCK WAVES' (1975)

LATER AFTER HE RETIRED, CUSHING explained he committed to the film, as he wanted to help, what appeared to be a team of dedicated amateur film makers. Considering CUSHING was a man who had always pushed AGAINST any proposed film work, that took him OUT of the country...MIAMI was a long way to go, when he was no longer a young man, and his health wasn't the best. BUT HE did it. And for those who LOVE this film, that is not their gain, but in later years, just like other characters like Tarkin, Dr Who and Sherlock Holmes...it helped bring him ANOTHER following. 

SHOCK WAVES was shot on 16mm, but later given the full treatment by BLUE UNDERGROUND who remastered the master print, cleared the sound, and presented the quite amazing BLU RAY of the film, to a HUGE SUCCESS. BLUE UNDERGROUND did even more with another, of the radar PETER CUSHING film called CORRUPTION. Remastered, and presented with a HUGE extra features support, BOTH films, are some of the best jobs ever made on a lesser known PETER CUSHING film . .

WATCH TALES OF THE UNEXPECTED : PLUS HORROR GIFS WEDNESDAY!

TALES OF THE UNEXPECTED in 1983. ....it may not ring a bell for many here, as it was a UK Television show, but it was syndicated to the US and most of Europe. Cushing's role, was one of his last performances before the camera. There would only be three more roles for Cushing after this, in 'Helen Keller: The Miracle Continues', 'Masks of Death' as Sherlock Holmes and 'Biggles', his last film performance for cinema.

KARL VON BADEN is a role that Cushing could have played in his sleep just five years previous, that is not to say it's a weak performance, but the script gives him little to do, and it's Cushing who looks weak and frail at this point. It's a story that relies on flashbacks, and much of his screen time is played sitting down. He looks tired, but that helps to bring a poignancy to his role. Cushing shares most of his scenes with another television veteran, John Bailey. Anthony Higgins who plays Cassan in the story, would go on to play Sherlock Holmes in an updated Sherlock series and would also play Moriarty in the film 'Young Sherlock'. Vorpal Blade is a tale set in a sedate rose garden and a castle in Heidelberg... the episode was directed by John Jacobs who produced the other Anglia television series 'Orson Welles Great Mysteries'...in which Cushing also appeared, a wonderful episode entitled, 'La Grande Breteche' in 1973.

NAME THE FILMS THAT the above GIFS were taken from and the PETER CUSHING ROLES in the film plus the YEARS they were produced!