#MOMENTSOFTERRORMONDAY! SHOCK WAVES : FRIGHTENED CHASED AND A SCAR!!

#MOMENTSOFTERRORMONDAY! OUR usual MONDAY POST, but this week chosen one of the more unusual films that PETER CUSHING starred in during his long career, SHOCK WAVES. Everything about this low budget film is divided within the FAN community. It's a film that people either LOVE passionately, or simply HATE. In someways, you can understand why. It's still a mystery why CUSHING committed to a film, that on a brief paper synopsis, SHOULD have gained the same reaction he and his agent gave to John Carpenter's HALLOWEEN a few years later. BUT for no more really than his travel fair, bed and breakfast, CUSHING gained very little, at the time. 

ABOVE : PETER CUSHING reflected in the MAKE UP mirror, having his facial scar

applied to his look of SCAR in 'SHOCK WAVES' (1975)

LATER AFTER HE RETIRED, CUSHING explained he committed to the film, as he wanted to help, what appeared to be a team of dedicated amateur film makers. Considering CUSHING was a man who had always pushed AGAINST any proposed film work, that took him OUT of the country...MIAMI was a long way to go, when he was no longer a young man, and his health wasn't the best. BUT HE did it. And for those who LOVE this film, that is not their gain, but in later years, just like other characters like Tarkin, Dr Who and Sherlock Holmes...it helped bring him ANOTHER following. 

SHOCK WAVES was shot on 16mm, but later given the full treatment by BLUE UNDERGROUND who remastered the master print, cleared the sound, and presented the quite amazing BLU RAY of the film, to a HUGE SUCCESS. BLUE UNDERGROUND did even more with another, of the radar PETER CUSHING film called CORRUPTION. Remastered, and presented with a HUGE extra features support, BOTH films, are some of the best jobs ever made on a lesser known PETER CUSHING film . .

NOT ALL THE PC VAMPIRE SUPPORT WAS NICE! CALLUM MCKELVIE LOOKS BEYOND ROLES THAT WERE VAN HELSING NICE TIMES!

WHEN ONE THINKS of Cushing and Vampires, inevitably are minds are drawn to his excellent portrayal of Van Helsing in several of Hammers Dracula films. For many fans it’s one of his best roles and (if we count the two generations as one) a part he would return to four times. However, as defining as his portrayal as Van Helsing is, it somewhat over shadows that fact that he was in roughly four other vampire films (excluding Dr Terrors House of Horrors and The House that Dripped Blood simply as he does not appear in the segments featuring bloodsuckers). 

THIS WEEK AND THE NEXT I’ll be examining these ‘Other Vampire films’, starting with his two entries into the Karstein trilogy 'The Vampire Lovers' and 'Twins of Evil'. I’ve joined these two together, not only because they book ending entries in a trilogy, but also because they both feature Cushing as a sort of Pseudo-Vampire Hunter. Both roles are worlds away from a Van Helsing stereotype and at least one is remembered amongst his finest work.

THE 'KARNSTEIN TRILIOGY'  stands as one of Hammers finest achievements simply for the fact that it marks one of the few occasions, as the studio moved into the 1970’s that one it’s attempts to try something bold and new with its formula worked. Now in terms of some of the attempts that would be made later (Kung-Fu vampires anyone?) the changes here are not that extreme and merely reflect the studios reaction to an allowance of more extreme content.

MOST OBVIOUSLY it is the films explicit portrayal of Lesbianism that gained it a certain level of attention. The film is stolen by Ingrid Pitt’s first performance for the studio and first major role in a horror movie (though she was in 1966’s Sound of Horror). Whilst not her greatest work for Hammer (that would come later in Countess Dracula) it’s a strong start and one can easily see why she became a horror icon and early scream queen.

ABOVE: PETER CUSHING and INGRID PITT together in HAMMER FILMS 'THE VAMPIRE LOVERS'. BOTH look comfortable in the roles. BOTH had also become great friends, along with Peter Cushing's wife, HELEN . . . 

PETER CUSHING'S ROLE in the film on the other hand is somewhat small, though integral and although he looks superb in his military uniform, it’s not usually counted amongst his best roles. None the less it’s an interesting take on the role of the Vampire hunter within a hammer film and the quest is made deeply personal to the General, whose niece is a victim of Carmilla. 

THUS THE GENERAL is the character who puts an end to Camilla’s bloodsucking ways and in perhaps the most famous scene in the film, decapitates her. It’s a great moment and Cushing imbues it with a sort of grim satisfaction, we may have seen the gentle side of the General to begin with but we now understand why he’s a war hero.

BELOW: JUST weeks after the tragic death of his wife, HELEN, PETER CUSHING plays a NEW HAMMER VAMPIRE FILM role. GUSTAV WEIL, the savior and helper? OR is he just as EVIL as the VAMPIRE COUNT? 

THE FINAL FILM in the Karstein series, 'Twins of Evil', sees Cushing in a role far removed from that in 'The Vampire Lovers'. Here he plays Gustav Weil, a vicious religious fanatic who prowls the local countryside in search of witches to burn. Clearly inspired by 1968’s Witchfinder General and many films that followed in its wake including 'Mark of the Devil' and 'Blood on Satan’s Claw', it’s a rare chance to see Cushing being genuinely terrifying.

EVEN IN FILMS where Cushing plays a villain, there’s usually an element of charm in his performance (his earliest portrayals of Baron Frankenstein) that have his character play out more as an anti-hero. Indeed only Hammer films, Frankenstein Must Be Destroyed in 1969, shows him in a position where he plays a character so utterly ruthless as to be genuinely frightening.

OF COURSE as his two young nieces find themselves under the sway of the evil Count Karstein, like the General Weil finds himself turning to the Vampire Hunting trade. In this film’s final moments, Cushing finds himself once again decapitating a vampire and it’s equally spectacular.

PETER CUSHING'S TWO non-Dracula vampire films for Hammer stand among some of the studios most interesting work. Cushing gives great performances in both and though one is clearly superior to the other, are interesting portrayals of Vampire hunters not in the Van Helsing mode.

WRITTEN by CALLUM MCKELVIE
TECH DEVELOPMENT: JAMIE SUMERVILLE
EDITED: MARCUS BROOKS
THE VAMPIRE LOVERS TRAILER: UvaSEP  HERE!

REMINDER OF TUESDAYS TOUGHIE : ANSWER TUESDAY 6TH MARCH!

 

REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA

CRACKING THE TOP FIVE NON HORROR MOVIES OF PETER CUSHING FOR OUR BEST OF LIST!

THESE DAYS IT CAN quite often appear to ‘Joe Public’ that the name Peter Cushing is tied to three things; Star Wars, some quirky Doctor Who off shoots and a number of Gothic Horror pictures from the 50’s, 60’s and 70’s. Of course as fans we know this not to be true, though even then it appears that most of the aficionados of his work tend to admire his horror performances most. That’s unsurprising and personally I’m as guilty of this as anybody else, particularly as I am a horror fan first and foremost. That said, I thought I’d break away from the spooky and the space age this week and instead compile a handy list of the ‘best of the rest’ as it were. Some of the performances listed here are some of the finest throughout Cushing’s entire career and I’ve compiled this as a hand starting point for anyone thinking to check out his work, away from crypts and castles. As with my other lists this is unashamedly personal and is in no order. BY THE WAY, some of the films I have chosen for my list, can also be watched in their ENTIRETY on the PLAY LISTS at our  Peter Cushing Appreciation Society YOU TUBE Channel!

Cash on Demand (1961)

A tense two-hander between Cushing and another Hammer regular, Andre Morell, the film is a clever re-working of the Scrooge story within a ‘thriller’ context. Set in a bank, Cushing plays the tough and austere Manager who undergoes rigorous psychological torment by Morell’s Colonel Gore-Hepburn. 

HEPBURN ARRIVES AT THE BANK and announces to Cushing that he intends to rob him and has his wife and child hostage. Should he not comply, Hepburn will be forced to send the signal that will lead to their termination. Cushing’s portrayal of a man undergoing unbelievable stress and torment manages to be one of the most horrifying things the actor has ever produced. 

CONTRASTING THIS is Morell’s performance as the sadistic but undeniably charming Hepburn who manages to remain calm, whilst breaking PC down piece by piece. Set mostly within the one room the film can be incredibly uncomfortable at times, with Morell’s calmness bouncing well off of Cushing’s hysteria.

1984 (1954)

Ok so an obvious one and one that some may consider science-fiction, though I would wholeheartedly disagree. Similar to the above, this performance showcases the softer side of Cushing and again features Morell as his tormenter, giving the two an odd similarity. 

HOWEVER WHEREAS Cash on Demand still has elements of a moral superiority in its message, inherent in any Scrooge adaptation, the message of Orwell’s novel is far darker and depressing. Again Cushing astounds as a man put through unspeakable psychological tortures but this time the result proves far more terrifying than before. Lacking a proper DVD release, it’s a real shame that such a classic of British TV has yet to be given even this simple treatment. 

Sherlock Holmes and the Masks of Death (1984)

Ok, ok this is certainly an odd one I would never deny that. Cushing’s role as ‘the great detective’ is one that spans a number of portrayals but most notably Hammer’s Hound of the Baskervilles (1959) and the BBC series in 1968. 



UNFORTUNATELY THIS MEANS that Masks of Death is more often than not, overlooked. Admittedly it suffers from a somewhat plodding script and perhaps fails to get any attention at all, due to its unavailability on DVD or Blu-Ray. What really makes this odd little TV-movie however, is Cushing’s portrayal of a much older Holmes builds on his earlier performances but manages to provide something…softer, gentler. John Mills plays his Watson this time and the two work wonders together, making one wish for a mini-series or something of the sort. The plot attempts to root itself firmly in history, though the details are a little shaky…to say the least but it’s an interesting little film and a fun example of Cushing’s Holmes work.

The Violent Playground (1958)
Another somewhat bleak film, Peter Cushing provides a memorable turn as a Priest attempting to heal the social ill’s surrounding a Liverpool street gang led by David McCallum. 

THE HIGHLIGHTS are doubtless the sequences in which Cushing attempts to reason with McCallum who appears to have some sort of a bond with the Priest. This builds to a superb climax in which McCallum takes a number of school children hostage with a machine gun and Cushing attempts to talk him down. Brutal, gritty and uncomfortable the least said about this one before watching the better.

Sword of Sherwood Forest (1960) 
Considering that (bar the one entry) this list has so far been made up mostly of quite depressing drama fare, it seemed right to end it on a good old fashioned swashbuckler. In Sword of Sherwood Forest, Cushing takes on the role of the Sherriff of Nottingham and clearly has a whale of a time. 

WHILST I WOULD HATE to describe any of Cushing’s performances as ‘Pantomime’ that’s the word that comes to mind here, but not through insult, through the sheer amount of fun he is clearly having. The biggest disappointment is admittedly Cushing’s death scene, which whilst firmly cementing his as the secondary villain is particularly lacklustre and seems an unfair dispatch for the character. Sharing the screen with such celebrated actors as Richard Greene, Oliver Reed, Nigel Green and Niall MacGinnis the film may not be wholly successful but is the perfect Saturday afternoon entertainment.  

 

WELL I HOPE you enjoyed my list.Of course the great shame with much of PC's early non-horror work is that a great deal of it was for the BBC, who either wren't in the habit of recording or later decided it would be fun to burn the few recordings they had. Although pieces like this won't make the list for obvious reasons, I sure would have loved to have seen his Pride and Prejudice. It may be an odd choice from these lost days but I'd give my left arm to see the 1953 adaptation of Number Three. As for my list here, I am sure there are a couple you may disagree with! Over at the facebook fan page, many are sharing THEIR TOP FIVES. It's lively! Maybe you'd like to join the thread? That's it for this week, more next week, I hope you join me!  Callum McKelvie

REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA 

REQUESTED GIF:DRACULA NEVER HAS THE WORD CELLAR HAD SO MUCH MEANING!

REQUESTED: Here's that great scene with Peter Cushing, Michael Gough and Olga Dickie from Hammer films, 'Dracula /Horror of Dracula' (1958) Never has the word 'CELLAR' had so much meaning in a Hammer film! BTW ... if good comic art, illustrated stories and Peter Cushing's portrayal of Holmes, Van Helsing and Frankenstein are your THING...our NEXT post today, will certainly tic ALL those boxes!

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