INGRID PITT UNCUT! FLASHBACK FILES INTERVIEW 2000 : MAYBE OLDER BUT SHE STILL HAS BITE!

NAME DROP ALERT! 😖😟😆Back in the day, I had the very good fortune, to met up with Ingrid Pitt from around 1980 until 1995, we did some great and very amusing interviews too. Ingrid was a beautiful woman, very special and made everyone who met her feel very special too! I always thought, that the best chat was before and after the interviews though.

DURING THE YEARS when she was still working as an actress, you knew she told you 'things' that were off the record, that would make your ears singe, she spoke her mind and wasn't afraid to 'lay it out' with those she trusted... she never told you 'don't share that' but you just knew, and also wanted to protect her reputation and other people's involved! as Ingrid got older, she was further away from the industry and was writing... and was easier to meet, approach at conventions and events... and this is how THIS priceless interview I imagine, came into being...

MY GOOD FRIEND, Roel Haanen of the 'Netherlands' . . editor of a website called, 'Flash Back Files', had in his possession a mass of interviews with film folk, actors, directors, writers, that he had once had published in a Dutch print magazine which still exists. The problem was, it has a small readership in The Netherlands, so the rest of the world, didn't get the opportunity to be able to read the interviews.

CUT TO THIS YEAR, and Roel gets in touch to say, he is making good progress with the interviews and has started REPOSTING them onto a new site, translated into English for the first time and available to everyone, for free! He had a great interview with Ingrid Pitt, he would love to relaunch on the site... and I knew what was coming next... but this time, as he had more room on his page, UNCUT! 

ROEL ASKED IF THERE would ever be room on our PCASUK FB Fan Page and website, to share a link for the interview. After reading the interview and coming up for air, I said we would love to help and that I would even create a new banner, rather than just a link, he and the interview, along with Ingrid's very funny and 'gloves off' banter was the Ingrid, I remembered and deserved it!

IT REALLY WAS WONDERFUL to see that, even though she was older, wiser and still having fun.. she had lost none of her edge. She was as intelligent, quick and witty... with just as much bite, as she ever had!

BLESS INGRID AND THANK YOU ROEL for this opportunity, to share this gem here! This is YOUR LINK IS RIGHT HERE! Enjoy, you'll learn much... 😏😃Have Fun. We sure do miss her . . . - Marcus 

 

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LUCKY WINNER OF SECOND SIGHT FILMS HOUSE THAT DRIPPED BLOOD' COMPETITION REVEALED!

CONGRATULATIONS ROXANNE 😀The ANSWER to this competition was C) WAXWORKS! Hmm we had some very interesting answers though, so for some not that easy 😉😊 Many thank s to all of you who entered and of course to our very supportive sponsor, SECOND SIGHT FILMS. YOU read our PCAS feature and review of this release RIGHT HERE! 

YOU CAN ORDER YOUR COPY of Second Sight Films REMASTERED BLU RAY of Amicus films, 'THE HOUSE THAT DRIPPED BLOOD' DIRECTLY  HERE!

FULL REVIEW : 'THE HOUSE THAT DRIPPED BLOOD' SECOND SIGHT FILMS BLU RAY : GALLERY AND GIFS

FOLLOWING THE SUCCESS of their SELL OUT releases of Limited Edition Blu-rays, of the classic Amicus horrors films, 'ASYLUM' and 'THE HOUSE THAT DRIPPED BLOOD' SECOND SIGHT FILMS are delighted to announce that BOTH films are set to arrive as Standard Edition Blu-rays, complete with a slew of special features and new reversible sleeve artwork created by Graham Humphreys on 6 January 2020. Below is our PCASUK REVIEW and Gallery FEATURE on the STANDARD RELEASES. BOTH can be PRE ORDERED NOW HERE AND HERE. You can also read our review of the STANDARD RELEASE of 'ASYLUM' in this PCASUK REVIEW FEATURE HERE!

A FAIR FEW YEARS AGO, and more than I care to remember, my four children all then in their early teens  . . it's a long story... requested to have a peep at the kind of films, that their Dad prattled endlessly on the phone about, and why they were off limits to the likes of their sensitive nervous systems, and 'for a time when you are older'. Well, they announced, 'That time has surely come??' They had a point. More than once, during chill-time after family dinner, I sat and watched their tv choices, made up of various teen dramas, music shows and videos and was stunned to see what was considered to be 'children's television'! Is it OK to now say KNICKERS before the nine o'clock water-shed now?? They informed me it was . .  and that there was worse! It had all been checked by Mum, so I was sadly . . behind 'with the times'. 

EITHER WAY, I did take time to think on what should I let them view from the 'Collection of Peter Cushing Hammer and Amicus Horrors' VHS tapes. 'At The Earth's Core'? No, a little too soft. 'Frankenstein Must Be Destroyed'? No, Baron FAR too angry. The 1958 'Dracula'? Nope, the ending would give them nightmares, for weeks 'The Vampire Lovers? . . . you are kidding me? Cruising the VHS spines, eventually brought me to Amicus films 1971, 'The House That Dripped Blood' starring both Peter Cushing AND Christopher Lee. It has tension, some black comedy, a bit of a fakie Cushing head on a plate, but no boobs, wobbly bits, romping and funny enough, not a drop of blood and consisted in true Amicus fashion  a framework of FOUR stories. So, they shouldn't get bored! Perfect! Problem was this film was one of the very first I proudly captured on VHS during a TV broadcast, one my fav Amicus films.. and so, was well worn and grainy from obsessive playing and pausing, funny enough on the Ingrid Pitt scenes! 😊😉 

IT WOULD HAVE TO DO, they were happy to watch pop videos that looked like they were shot during the San Francisco earthquake of 1906, with a cameraman tied to a Full Power Gymo Hip Vibrating  Machine, while being deliberately dazzled by light-house strength flood lights, compared to THAT viewing this would be dream like. The result? They LOVED it, but would have liked to have watched it, without the GRAIN, 'A bit like those old newspaper photographs we see in history classes' and . .  during the quiet, tense, and suspenseful scenes, it was slightly spoiled by, 'what sounded like Mum frying eggs in the background' ... sound hiss! Again, they had a point. But even though there was, hiss, grain, buzzing and. . Denholm Elloitt being a dead ringer for their maths teacher, Cushing being quite dishy and the unsettling fact that the character Dominck looked like our 'creep-guy' neighbour . . . it was a great shared experience and their first glimpse into the world of fantasy cinema and Peter Cushing. ...  

SO FAST FORWARD, to this week, 14th December 2019 and the arrival of another copy of 'The House That Dripped Blood' is ready for viewing  . .  supplied by Second Sight Films on BLU RAY and one of a few copies generously donated for inclusion as prizes in our annual PCAS CHRISTMAS COMPETITION . . . and collectively, the children, now sat together as adults, snacks on hand, drinks at the ready . .  watching the opening credits and what should be an interesting viewing ...  to be continued below . . .

THE VISUAL:
Here's a little detail, we should get into focus and something I haven't mentioned before. ALL the reviews I write and post here are based on my experience of watching them. I have little expert technical knowledge on the process f how these little gems get onto that disc, but as a paying viewer, I base my review on was the copy of good quality, worth the pennies and how it compares to other versions or releases I have of that particular. Discs are often donated as prizes for our PCAS Competitions, they come free, with no contract or deal, other than PCAS will post a feature about it's quality, content and where it can be purchased. That's it. PCAS covers the postage to competition winners, via loose change that is found in my suit at the end of the day! I am not bound to express any opinions on the release, except what I think, and my family who will at some point, watch the film with me! It's as simple, as that. I see it like recommending a PLUMBER to family or friends! 😃 If it's a good job done, I will have no problem recommending, if not .. and minus parting with hard earned cash, I feel like the DRIP... I will also tell you so 😉 

SO, IS SECOND SIGHT FILMS blu ray of 'THE HOUSE THAT DRIPPED BLOOD' worthy of recommendation? I am very happy to say, YES! Since from the beginnings of Home Cinema, 'The House That Dripped Blood' has had many releases on VHS, DVD and now Blu Ray around the world! Why did I never replace my tatty VHS copy of the film over the year, if it had all those releases?? Because, THIS one is the first that I have watched that makes the grade I was looking for! The fits thing that impressed me on just watching the opening titles was the DETAIL. It's very sharp. That TITLE TEXT presented in that, often causes issues on DVD's and Blu Rays RED, looks amazing. Sharp against a contrast that in the past has always looked fuzzy. At last, not here. Throughout the film, the 1.85:1 1080p image has a texture that is common in nearly ALL Amicus films. 

I AM GUESSING producers Milton and Max, shot the Amicus releases on a grade of film that was common for somewhat lower budget productions. The same can be said of certain Hammer film productions too, 'The Vampire Lovers' and 'Captain Kronos: Vampire Hunter' come to mind. Maybe it was a trend at the time as it's evident in a vast quantity of British films made in the late 1960's and up until the mid 1970's. Ray Parslow cinematography looks great through-out with Tony Curtis's set design and colours, never looking better. 'The House' manages to look subtly different in each story, changes of lighting can be spotted as the contrast, as expected looks balanced . . . dark corners LOOK DARK not a washy faded grey.

LOOK OUT for those weird looking colours and areas of mist and fog during Peter Cushing's very hallucinogenic and off-kilter nightmare scene in 'Waxworks'!😊😉 Now, we can see the effort and trouble Parslow applied, at every short notice in that 'Nightmare' scene. A scene that was improvised and suggested by director Peter Duffell, on the day of the shoot! Second Sight Films Blu Ray, at last presents the film, at last.. as it was intended to be SEEN and enjoyed . .

THE AUDIO: 

JUST LIKE in SECOND SIGHT FILMS Blu Ray 'twinning' release of Amicus films 'ASYLUM'Second Sight have chosen to transfer the film's audio using its original mono via an uncompressed 24-bit 1.0 channel linear PCM . A crisp mono score by Michael Dress, also brings us Schubert's 'Death and the Maiden'. .. String Quartet Number 14 in D minor! It provides a moody and unsettling soundtrack to Peter Cushing's 'Waxworks' story . . and sounds quite brilliant! Clear and balanced, played through my Sony headphones and Sony home cinema speakers..without distortion, with volume turned up quite loud! I have very good and understanding neighbours 😊😉 Kritzerland's excellent CD release of the Michael Dress score to 'The House That Dripped Blood' last year is superb, but THIS recording, is how I remember it. . . with the scenes noises and atmos! So, a BIG thumbs up on the film's audio. 

NOW THE EXTRAS and their AUDIO. We are treated to TWIN optional commentaries one by Director Peter Duffell and author Jonathan Rigby. Very good, informative with several little nuggets of little known info. Rigby keeps it bouncy and asks plenty of questions, we would all like to ask, if we had the opportunity. The second is by author Troy Howarth, who many will known from the reviews and features he contributed to the PCASUK website over the years. An enjoyable informative commentary! Michael Higgins second director, speaks in a ten minute interview, then a 17 minute vintage featurette called ' A Rated Horror Film', which features again Duffell, but supported by Geoffrey Bayldon, Ingrid Pitt and Chloe Franks. This isn't a new feature for some, as it was produced by Anchor Bay for their 2003 dvd release. There's a nice selection of trailers, then a SKIP LOAD of vintage stills, radio spots and ads, making a five minute gallery on a loop with other promo material that plays for 17 minutes! The difference between this STANDARD RELEASE compared to the LIMITED EDITION is you are minus the 40 page booklet and the sleeve artwork, but with such crammed discs, and reduced price tag, no one should be complaining.....

AND SO, IN RAPPING UP it's a very good release . . . not just my opinion, but my 'kids' too. Now in their 20's and 30's, my sons certainly appreciated the huge difference in visual quality, some elements of the stories now made sense with clear visuals and dialogue they could HEAR! My daughters . . one gave in on the extras, as the babysitter was soon leaving BUT really enjoyed the Cushing 'Waxworks' tale and Christopher Lee 'Sweets to the Sweets' story, the other and youngest, loved Ingrid Pitt's hair and certainly creeped out during 'Method For Murder' . . so the Blu Ray made all the difference. What I found most rewarding was they, all four expressed an interest and appreciation in the production values and the huge difference Second Sight's remastering and attention to detail has made to the film and it's presentation. So, well done, Second Sight Films you have produced a winner all round and have also made me, not so behind the times, after all! 😉😃
 

BEHIND THE SCENES ON CLASSIC HAMMER VAMPIRE FILM ALMOST 50 THIS MONTH PLUS PHOTO CONTACT SHEETS!

 

THIS MONTH 'OCTOBER 2019' marks the 49th anniversary of a Peter Cushing Hammer film, that kind of shook up the 'adult' content of his future 'horror films', for Hammer. 'The Vampire Lovers' is a neat short clip of raw footage, unedited and very entertaining, from a BBC film programme that featured the making of the film in 1970. This was shared here quite a long time ago, so certainly worth a re-airing today! Peter is seen very relaxed, having a giggle about an actor he spotted on the train, who was quite the character... and liked... a glass, or two.. or three. Director Roy Ward Baker, ever the pro, arranges shots, lighting and motivation . . there is a charming shot of Ingrid Pitt too, in this her first leading role and third film. You can't help but notice the huge difference between Cushing's character voice and authority .. and that of the softest, sweetest gentleman, chatting while having his hair stylds by the lovely Pearl Tipaldi, the production hair-dresser. Enjoy!

'THE VAMPIRE LOVERS' was released in the UK on October 4th 1970, making a star of it's lead, #IngridPitt. For the future, she would always be known as a #ScreamQueen, playing a vampire in her next film for Amicus, 'The House That Dripped Blood' and 'vampire with a twist' in Hammer's #CountessDracula' also in 1971. The film did well at the box office. Cushing was almost supporting with actors Douglas Wilmer and George Cole along with love interests of Jon Finch and #MadelineSmith and #KateOMara, pulling together a script based on Sheridan Le Fanu's classic vampire tale, 'Carmilla'.

THE CENSOR LAWS lost their grip, man in macs queued in the rain to see botts and bosom's compete with #blood and #fangs . . there was no turning back after this one. It provided a much needed zap to the now, slightly predictable Hammer presentations . . #vampires for Hammer would never be the same again. So it's Happy Birthday The Vampire Lovers Where does #TheVampiresLovers sit on your TOP TEN of Cushing #Hammerfilms 😮 ..

INCLUDED in this photo selection, I have reposted SIX rare contact / proof sheets of stills from the film, that were posted a while ago. Some really like and collect these, and have told me you missed them when first posted, so here they are again, for your pleasure!