REMEMBERING ERIC PORTMAN : THE MAN WHO FINALLY DIED

REMEMBERING Actor Eric Portman, who was born today 13th July 1901 in West #Halifax, Yorkshire, UK. He was so convincing and extremely good at playing 'in the cinema audiences perception' mean and calculating German spies and /or #Naziofficers, that many believed he actually was German, or at least #Austrian. Eric had a very distinguished career on stage and in many much admired and respected British films. Among his many film credits are “49th Parallel”, “Went the Day Well”, “Daybreak” and “Millions Like Us”. Eric only appeared in one film from #Hollywood, “The Prince and the Pauper” in 1937.

PORTMAN APPEARED in an absolute gem of a 1963 Peter Cushing film, entitled 'The Man Who Finally Died'. For what sounds something like, associated with one of PC's many fantasy genre films, this one is nothing of the sort. A tight, dramatic and often very suspenseful thriller, starring Stanley Baker, Georgina Ward, Nigel Green, Niall MacGinnis and Mai Zetterling, and directed by Quentin (#Cash On Demand) . . .it's a film that in recent years emerged on dvd and if it's £5 or £25, you'll find much worth every penny. It keeps you guessing and all cast are on their toes, with Porter, Baker and Cushing working together so well. Eric Porter sadly died in Cornwall in 1969. 

I FIND IT CURIOUS that these days, so little is known about Eric Portman’s work as he appeared in many major British films of the Gaumont era, and many with some of our best directors. Happy Birthday Eric Portman, never dull, always entertaining 😉 Trivia : I am today sat in the home of a friend, whose house is less than four houses away from the home where Stanley Baker was born and lived until he was a teenager! 

PCAS COMES TO INSTAGRAM AND THE TUESDAY TOUGHY CONNECTIONS!

COMING TO THE END of this '27 tests to see if anybody listening?' #PCAS series...THIS WEEKS Cushing Tuesday Toughy, shouldn't be too tough for some of you! Feel free to post your comment / suggestion / answer in thread at the FACEBOOK PCAS FAN PAGE, where you will also find the #ANSWER to last weeks puzzler 😉 Cleaners huh?

SNAP! Requested and relaunched today . . and waiting for you! Your #PeterCushing Appreciation Society is now on #INSTAGRAM. Come help put PC on the INSTA MAP! Regular postings often featuring #extras exclusive to the account! Come say hi and join us HERE!

BBC CHILLS IN LIVE DRAMA WITH MORE THAN SNOWMAN : THE FIRST TUESDAY TOUGHY OF 2019

 

HERE IS OUR FIRST CUSHING TUESDAY TOUGHY of 2019! You'll be pleased to see, I haven't spared the trickiness 😏 When Peter Cushing's BBC 1954 drama of THE CREATURE was broadcast LIVE over two evenings back in January and February of 1955, it was ONLY just FIVE weeks after Cushing and the BBC had shocked the whole nation with their live broadcasts of George Orwell's 1984. With front pages of newspapers screaming the cries of a trumatised telly watching public and questions being asked by the government in the House of Commons about if Cushing and the BBC had gone too far, all eyes were on Cushing's latest 'nail-biting' SUNDAY evening BBC television drama. 

THE KNEES OF THE BBC must have been really trembling, but not enough to stop this planned drama to not only star the lead responsible for last year's controversial show, but also the same director, Rudolph Cartier! This production was also granted a larger budget, with exterior shots of the snowy mountains and hillsides of the Himalayas filmed on location in Switzerland, just two weeks before the live broadcasts. Surprisingly, the production was allowed a substantial amount of filming to supplement the modest BBC studio facilities available for the otherwise live transmission. Location filming was essential to establish the mountainous environment of the play, though the play's designer Barry was uneasy with Cushing’s involvement in this location filming, fearing for the star’s safety, and suggested a double be used instead. Typically, Cushing said he disliked the use of doubles and the loss of continuity of performance that this entailed, and wrote to Barry to personally assure him of his preference to take part in the location expedition!

GALLERY OF RARE IMAGES from the BBC production, Hammer films version and more besides! Catch up on our PCAS feature on Peter Cushing's 'The Abominable Snowman' elsewhere at this website or go directly to it HERE!

DESPITE ALL THE PRE PUBLICITY and advanced column inches in newspapers, this script and story by Nigel Kneal, was a quite different affair to 1984. No torture, but lots in the way of tension and a moral for all to think about later. Hammer films, never one to miss an opportunity, invited Cushing to play his role of John Rollason, for their big screen version. Sadly actor Stanley Baker was not invited along to join him and US actor Forest Tucker, played the role of Tom Friend, producers following their mantra of always casting actors from across the Atlantic, to improve the box office potential when the film was released overseas. Cushing's Rollason was also guven a wife in Hammer's revamping. She was also called Helen. Richard Wattis returned for gentle comic relief as Rollason's assistant Peter Fox. Arnold Marle also repeated his performance as the Lama, giving a very memorable and yet weird performance. 'Act in the name of Mankind and act humbly' the Lama warns Rollason, as he sets out in search of the YETI. 'For man is ndear to forfeiting his right to lead the world'. A message from over 60 years ago, that in today's world means more than ever . . 

YOUR ANSWER to our previous CUSHING TUESDAY TOUGHY! How did YOU do with YOUR answer?

CRACKING THE TOP FIVE NON HORROR MOVIES OF PETER CUSHING FOR OUR BEST OF LIST!

THESE DAYS IT CAN quite often appear to ‘Joe Public’ that the name Peter Cushing is tied to three things; Star Wars, some quirky Doctor Who off shoots and a number of Gothic Horror pictures from the 50’s, 60’s and 70’s. Of course as fans we know this not to be true, though even then it appears that most of the aficionados of his work tend to admire his horror performances most. That’s unsurprising and personally I’m as guilty of this as anybody else, particularly as I am a horror fan first and foremost. That said, I thought I’d break away from the spooky and the space age this week and instead compile a handy list of the ‘best of the rest’ as it were. Some of the performances listed here are some of the finest throughout Cushing’s entire career and I’ve compiled this as a hand starting point for anyone thinking to check out his work, away from crypts and castles. As with my other lists this is unashamedly personal and is in no order. BY THE WAY, some of the films I have chosen for my list, can also be watched in their ENTIRETY on the PLAY LISTS at our  Peter Cushing Appreciation Society YOU TUBE Channel!

Cash on Demand (1961)

A tense two-hander between Cushing and another Hammer regular, Andre Morell, the film is a clever re-working of the Scrooge story within a ‘thriller’ context. Set in a bank, Cushing plays the tough and austere Manager who undergoes rigorous psychological torment by Morell’s Colonel Gore-Hepburn. 

HEPBURN ARRIVES AT THE BANK and announces to Cushing that he intends to rob him and has his wife and child hostage. Should he not comply, Hepburn will be forced to send the signal that will lead to their termination. Cushing’s portrayal of a man undergoing unbelievable stress and torment manages to be one of the most horrifying things the actor has ever produced. 

CONTRASTING THIS is Morell’s performance as the sadistic but undeniably charming Hepburn who manages to remain calm, whilst breaking PC down piece by piece. Set mostly within the one room the film can be incredibly uncomfortable at times, with Morell’s calmness bouncing well off of Cushing’s hysteria.

1984 (1954)

Ok so an obvious one and one that some may consider science-fiction, though I would wholeheartedly disagree. Similar to the above, this performance showcases the softer side of Cushing and again features Morell as his tormenter, giving the two an odd similarity. 

HOWEVER WHEREAS Cash on Demand still has elements of a moral superiority in its message, inherent in any Scrooge adaptation, the message of Orwell’s novel is far darker and depressing. Again Cushing astounds as a man put through unspeakable psychological tortures but this time the result proves far more terrifying than before. Lacking a proper DVD release, it’s a real shame that such a classic of British TV has yet to be given even this simple treatment. 

Sherlock Holmes and the Masks of Death (1984)

Ok, ok this is certainly an odd one I would never deny that. Cushing’s role as ‘the great detective’ is one that spans a number of portrayals but most notably Hammer’s Hound of the Baskervilles (1959) and the BBC series in 1968. 



UNFORTUNATELY THIS MEANS that Masks of Death is more often than not, overlooked. Admittedly it suffers from a somewhat plodding script and perhaps fails to get any attention at all, due to its unavailability on DVD or Blu-Ray. What really makes this odd little TV-movie however, is Cushing’s portrayal of a much older Holmes builds on his earlier performances but manages to provide something…softer, gentler. John Mills plays his Watson this time and the two work wonders together, making one wish for a mini-series or something of the sort. The plot attempts to root itself firmly in history, though the details are a little shaky…to say the least but it’s an interesting little film and a fun example of Cushing’s Holmes work.

The Violent Playground (1958)
Another somewhat bleak film, Peter Cushing provides a memorable turn as a Priest attempting to heal the social ill’s surrounding a Liverpool street gang led by David McCallum. 

THE HIGHLIGHTS are doubtless the sequences in which Cushing attempts to reason with McCallum who appears to have some sort of a bond with the Priest. This builds to a superb climax in which McCallum takes a number of school children hostage with a machine gun and Cushing attempts to talk him down. Brutal, gritty and uncomfortable the least said about this one before watching the better.

Sword of Sherwood Forest (1960) 
Considering that (bar the one entry) this list has so far been made up mostly of quite depressing drama fare, it seemed right to end it on a good old fashioned swashbuckler. In Sword of Sherwood Forest, Cushing takes on the role of the Sherriff of Nottingham and clearly has a whale of a time. 

WHILST I WOULD HATE to describe any of Cushing’s performances as ‘Pantomime’ that’s the word that comes to mind here, but not through insult, through the sheer amount of fun he is clearly having. The biggest disappointment is admittedly Cushing’s death scene, which whilst firmly cementing his as the secondary villain is particularly lacklustre and seems an unfair dispatch for the character. Sharing the screen with such celebrated actors as Richard Greene, Oliver Reed, Nigel Green and Niall MacGinnis the film may not be wholly successful but is the perfect Saturday afternoon entertainment.  

 

WELL I HOPE you enjoyed my list.Of course the great shame with much of PC's early non-horror work is that a great deal of it was for the BBC, who either wren't in the habit of recording or later decided it would be fun to burn the few recordings they had. Although pieces like this won't make the list for obvious reasons, I sure would have loved to have seen his Pride and Prejudice. It may be an odd choice from these lost days but I'd give my left arm to see the 1953 adaptation of Number Three. As for my list here, I am sure there are a couple you may disagree with! Over at the facebook fan page, many are sharing THEIR TOP FIVES. It's lively! Maybe you'd like to join the thread? That's it for this week, more next week, I hope you join me!  Callum McKelvie

REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA 

'THE MAN WHO FINALLY DIED' PETER CUSHING AND STANLEY BAKER PRESS STILL

 

"The Man Who Finally Died" released December 1963, was a BBC serial that originally aired in 1959, with this feature version following three years later, with an entirely different cast. Stanley Baker stars as British subject Joe Newman, formerly the German-born Joachim Deutsch, who has believed his father Kurt dead for 20 years, until receiving a phone call from Bavaria claiming to be Kurt Deutsch. Upon arriving, he locates his father's grave before visiting the Deutsch widow, Lisa (Mai Zetterling), currently living in the country home of Dr. Peter von Brecht (Peter Cushing), his every move watched by the local police, plus the insurance investigator (Niall MacGinnis) responsible for Newman's phone call, who feels that the deceased may still be alive. Holds up rather well despite its television origins, thankfully not lost though unseen for decades, reuniting Baker with Peter Cushing, five years after 1957's "Violent Playground." Cushing initially appears sympathetic but gradually displays more sinister shadings, but has only one lengthy scene during the film's first half (the von Brecht home is Bray studio's familiar Oakley Court). The fine supporting cast includes Nigel Green, who previously appeared with Cushing in 1960's "Sword of Sherwood Forest," which also featured Niall MacGinnis (playing Friar Tuck), who again supported Cushing in 1966's excellent "Island of Terror."