'THE NIGHT THEY TERRIFIED THE WHOLE COUNTRY' : BBC ORWELL'S 1984 INTERVIEWS

FROM 1960, Peter Cushing, Yvonne Mitchell, writer Nigel Kneale and director Rudolph Cartier reflect on the huge reaction to the live broadcast of the BBC Sunday Night Drama, '1984' aired 12th December 1954. For any television broadcast to prompt any reaction from the government at this time, was indeed quite rare. But watching Peter, Yvonne Mitchell and Morell here, gives a pretty good idea of THEIR fears too... To an extent it changed drama on the BBC and put Cushing into a another area of work all together, for many years to come... It's a short feature and certainly worth watching... 

BBC CHILLS IN LIVE DRAMA WITH MORE THAN SNOWMAN : THE FIRST TUESDAY TOUGHY OF 2019

 

HERE IS OUR FIRST CUSHING TUESDAY TOUGHY of 2019! You'll be pleased to see, I haven't spared the trickiness 😏 When Peter Cushing's BBC 1954 drama of THE CREATURE was broadcast LIVE over two evenings back in January and February of 1955, it was ONLY just FIVE weeks after Cushing and the BBC had shocked the whole nation with their live broadcasts of George Orwell's 1984. With front pages of newspapers screaming the cries of a trumatised telly watching public and questions being asked by the government in the House of Commons about if Cushing and the BBC had gone too far, all eyes were on Cushing's latest 'nail-biting' SUNDAY evening BBC television drama. 

THE KNEES OF THE BBC must have been really trembling, but not enough to stop this planned drama to not only star the lead responsible for last year's controversial show, but also the same director, Rudolph Cartier! This production was also granted a larger budget, with exterior shots of the snowy mountains and hillsides of the Himalayas filmed on location in Switzerland, just two weeks before the live broadcasts. Surprisingly, the production was allowed a substantial amount of filming to supplement the modest BBC studio facilities available for the otherwise live transmission. Location filming was essential to establish the mountainous environment of the play, though the play's designer Barry was uneasy with Cushing’s involvement in this location filming, fearing for the star’s safety, and suggested a double be used instead. Typically, Cushing said he disliked the use of doubles and the loss of continuity of performance that this entailed, and wrote to Barry to personally assure him of his preference to take part in the location expedition!

GALLERY OF RARE IMAGES from the BBC production, Hammer films version and more besides! Catch up on our PCAS feature on Peter Cushing's 'The Abominable Snowman' elsewhere at this website or go directly to it HERE!

DESPITE ALL THE PRE PUBLICITY and advanced column inches in newspapers, this script and story by Nigel Kneal, was a quite different affair to 1984. No torture, but lots in the way of tension and a moral for all to think about later. Hammer films, never one to miss an opportunity, invited Cushing to play his role of John Rollason, for their big screen version. Sadly actor Stanley Baker was not invited along to join him and US actor Forest Tucker, played the role of Tom Friend, producers following their mantra of always casting actors from across the Atlantic, to improve the box office potential when the film was released overseas. Cushing's Rollason was also guven a wife in Hammer's revamping. She was also called Helen. Richard Wattis returned for gentle comic relief as Rollason's assistant Peter Fox. Arnold Marle also repeated his performance as the Lama, giving a very memorable and yet weird performance. 'Act in the name of Mankind and act humbly' the Lama warns Rollason, as he sets out in search of the YETI. 'For man is ndear to forfeiting his right to lead the world'. A message from over 60 years ago, that in today's world means more than ever . . 

YOUR ANSWER to our previous CUSHING TUESDAY TOUGHY! How did YOU do with YOUR answer?

A NATION IS TERRIFIED : LATE NIGHT LINE UP ON BIG BROTHER 1984 AND REMEMBERING ERINE!

#MOMENTSOFTERRORMONDAY! BACK IN 1954, Peter Cushing Cushing's appeared in a little BBC television drama entitled, 1984 . . .based on the novel by George Orwell. The show went out LIVE on December 12th and 16th December 1954. Such was the response to the first broadcast, the government at the time met at discussed if the show show be repeated after the initial broadcast.... it made a star of Peter Cushing, and sent his career in path that would change the public perception of the meekest of actors...

THIS LATE NIGHT LINE UP program was broadcast by the BBC in order to meet the huge reaction to the show. Interviewed are Peter Cushing his co star's Andre Morell, Yvonne Mitchell, director Rudolph Catier and the writer and script adapter, Nigel Kneale.... Television was never the same, and Peter's Winston Smith helped lead the way...... 

REMEMBERING Lttle Ern' 🙂 Born today, Ernest Wiseman, one half of probably the most successful comedy duo to ever come out of the UK... Morecambe and Wise. A good friend of Peter Cushing's, who attended Peter's 80th birthday bash and if the scripts are to believed... kept Peter short of his appearance fee, and provided us with probably one of the funniest and longest running gags, in the whole Eric and Ernie repertoire! When Eric his partner passed in 1984, no one looked more lost than Ernie.

BUT HE CARRIED ON, working, doing interviews, panto..until his retirement. The Eric and Ernie, even though they claimed it was based on their heroes work, Abbott and Costello, they were certainly stamped well, as Britain's favourite comedians, Christmas isn't the same without at-least one of their many repeated shows on tv. Happy Birthday, Little Ern, God Bless your short 'fat-hairy legs', and that 'join' you could never see.

How many times did Peter appear on the Morecambe and Wise Show? Which is your favourite appearance routine? and Do you remember HOW Peter Cushing finally managed to GET his MONEY??? You can find ALL of Peter's routines on the Morecambe and Wise Show in a playlist at our PCAS YOUTUBE CHANNEL PLAYLIST!

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . 

. . . AND THE 1956 BAFTA AWARD FOR THE BEST TV ACTOR GOES TO . . . .

Peter Cushing as Winston Smith in the BBC adaption of George Orwell's '1984' was one of many powerful live television drama performances that Cushing did for the BBC from the early 1950's.

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach our 30K following total for Peter Cushing BIRTHDAY on MAY 26th 2017 AND Help Keep The Memory Alive!

#ONSETSATURDAY: WIRES, HOOKS AND EYES LOOKING FOR BEHIND THE SCENES TRIVIA

#ONSETSATURDAY: Yvonne Monlaur is a shot from Peter Cushing's 'The Brides of Dracula' Poor ol Monlaur's damsel in distress Marianne Danielle, had all sorts of danger to avoid in the vampire's lair, Chateau Meinster... horrible house-keepers, mad Mother's, sinister son's..and CABLES!

  

#ONSETSATURDAY: The first of our on set posts today, on just how Christopher Lee got into that superb looking 'Mummy Costume' in Hammer films, 'THE MUMMY' co starring Peter Cushing back in 1959. . . 

#ONTHESETSATURDAY: Broadcast as part of the traditional SUNDAY NIGHT DRAMA on BBC television on March 6th 1955, Peter Cushing in his memoirs, remembered 'The Moment of Truth' co written by Nigel Kneale, Peter Ustinov as a particularly 'dry old stick'. It was according to Cushing a depressing affair, that not even the talents of director, Rudolph Cartier could lift out of the dull-drums. It was hoped that Cartier and Cushing would rework the magic they had made to great public and critical success just three months previous with their nightmare production of Orwell's '1984'. Alas, it was not to be. Pictured here during rehearsals at the BBC, Cushing as The Prime Minister, Walter Rilla as The Victor and Jeannette Sterke as The Marshall's daughter. The satire-comedy tells the story of a republic which is about to fall, while facing the threat of invading army with crippling government structure. Ustinov wrote the play inspired by French hero Marshal Petain and his political collusion with the Nazi’s and the events resulting in creation of Vichy France. This two hour play started life as a theatre play which premiered at the Adelphi Theatre in 1951.

PLEASE JOIN US AT OUR VERY OWN PCAS FACEBOOK FAN PAGE, NOW WITH ALMOST 26,000 FOLLOWERS AND FRIENDS. JUST CLICK : RIGHT HERE!

ANNOUNCED DELAYED POSTPONED ANNOUNCED DELAYED: THE TROUBLED JOURNEY OF 1984 : THE DVD.

NEWS: Yes, sounds like the kind of announcement you may hear on any train station platform up and down the UK... 'The 19:84 from Scunthorpe to London, has been delayed until 20:15. We aploogise for the delay..! No this is news that the BFI DVD of '1984', (Remastered and Restored) adapted by Nigel Kneale, produced by Rudolph Cartier and starring Peter Cushing, has been delayed until March 2015.

This official release has been a long time coming, though groggy-fuzzy bootlegs from Spain and the US have given us a tantalizing taster over the years. Though I will tell you that this release has been on the table and had several false starts since 2004!

In 2004, it was announced that it the BBC 1984 television play would be released by DD Video. This was followed by a press release from  DD and with the news that considerable effort had been made in order to present the programme in the best possible quality.

The DD Press release of 2004:

BBC CLASSIC SF DRAMA PAINSTAKINGLY RESTORED

Classic TV specialist DD Home Entertainment claims to have set a new quality benchmark on its restoration work for the 1954 BBC drama Nineteen Eighty-Four.

This early landmark of British television, which will be available for the first time ever on DVD and video on November 8th, required extensive work on it, but viewers will – according to DD – find the restored picture even better than when it was first transmitted.  In December 1954 videotape recorders (even for broadcast use) were two years away and existed, if at all, only in prototype form in research laboratories.

Since 1947 BBC engineers had been able to make crude recordings of TV pictures simply by pointing a film camera at a monitor screen.  However, dramas were not recorded until 1953 and Nineteen Eighty-Four remains one of the earliest surviving examples of the art-form. It was recorded at the time using an ingenious system of modified telecine machines.

New transfers of the film recording were commissioned from BBC Resources using its highest quality Spirit Datacine equipment. Special arrangements were made with the BBC Film and Videotape Library for access to the archive master material, which cannot normally be used.

The new copies of the play were graded. This is the process of taking each shot (or even part shot) and adjusting the brightness and contrast. Dirty cuts (where a frame is made of superimposed and distorted pictures from two cameras) were removed or, where possible, repaired using paintbox techniques.

Nineteen Eighty-Four will be available from November 8th 2004

Needless to say, the  DVD never arrived in November 2004, the word was there had been 'problems' and a dispute with author George Orwell's estate. Things went very , very quiet for  a long time.....

Then in July 2014, the BFI announced that they would be releasing the 2004 restored DVD as part of their 'Days of Fear and Wonder' SF season... but that too has now been postponed until March 2015. 

Orwell estate trying to claw the last few few bucks from their rights to the material, before it slips into from their ownership? BFI busy putting together some worth while extra features? Who knows...

Until March of next year, we sit and wait...

Another slice of buffet car coffe anyone?  

BFI DAYS OF FEAR AND WONDER AND 1984 DVD RELEASE

NEWS: Peter Cushing Part of The BFI Sci-Fi 'Days Of Fear and Wonder' Season: The season will also include the long awaited DVD Premiere of Nigel Kneale’s 1954 BBC adaptation of George Orwell’s classic Nineteen Eighty-Four, starring Peter Cushing, Andre Morell and Yvonne Mitchell. Cushing's 'Daleks Invasion Earth 2150 AD' is also part of the seasons very impressive line up of classic sci fi screenings. Click here for a terrific preview / trailer:HERE

Find out MORE:HERE 

THE ABOMINABLE SNOWMAN : HAMMER FILMS ANNOUNCE REMAKE : REVIEW AND GALLERY OF THE CUSHING CLASSIC

In 1953, Nigel Kneale changed the face of television with his serial The Quatermass Experiment.  The play, broadcast live on British television, was a huge hit with the public, establishing Kneale as a force to be reckoned with in the science fiction and fantasy genres.  He would hit a nerve in 1954 with his adaptation of George Orwell's political allegory, 1984.

The teleplay starred Peter Cushing and it would help to make him into the country's first bona-fide TV star.  A reteaming seemed inevitable, and in 1955 they united for The Creature.  The play told of an expedition which sets out to prove the existence of the so-called Yeti, or abominable snowman, and of the in-fighting and conflicts within the group which lead to their eventual destruction.  It was yet another hit, though sadly the BBC couldn't be bothered to make a recording of it.  Thus, the original version of Kneale's thoughtful sci-fi adventure is lost to the mists of time, along with the performances of Cushing and Stanley Baker, cast in the opposing roles of kindly scientists Dr. Rollason and crassly commercial Tom Friend.

Around this same time, Hammer Films had optioned Kneale's first Quatermass adventure for the cinema - the resulting film, The Quatermass Xperiment (the "X" serving to emphasize the "adult" nature of the material), would become a hit for the company, thus steering them in the direction of sci-fi and horror.  Following the success of The Curse of Frankenstein in 1957, Hammer continued with more Kneale adaptations, bringing their own versions of the 1955 Quatermass 2 and The Creature to the screen; the latter would be rechristened as The Abominable Snowman or The Abominable Snowman of the Himalayas, depending on the print.

Hammer enlisted Kneale to write the screenplay, as the writer had been extremely vocal of his criticism of the changes made by director Val Guest on The Quatermass Xperiment, and also saw fit to retain Cushing as one of the leads.  Sadly, they elected to go the "American name" route in casting Tom Friend, however, thus leaving Stanley Baker out of the picture.  Happily, the actor they cast to replace him proved quite capable: Forest Tucker.  The imposing and very brash character actor may have seemed an odd choice for Hammer Horror territory, but he brings just the right attributes to the role of Friend.  He's loud, he's aggressive, he's patently phony in his desire to help further "science," and he plays beautifully off of Cushing's English reserve and sensitivity.

Despite Kneale's issues with his handling of The Quatermass Xperiment (and Quatermass 2, which Kneale was more closely involved in bringing to the screen), Hammer brought Val Guest in to direct.  Guest broke into films quite by chance after slagging Chandu the Magician (1932) in a print interview and boasting that he could write a better film himself; the film's director took him up on the challenge and Guest took to screenwriting like a duck to water.  He would begin directing unassuming programmers but would go on to direct some eclectic and very interesting pictures.  He was precisely the kind of director Hammer liked: strong and authoritative on set, but capable of bringing in the film on budget without succumbing to hubris and excess.  Guest would later describe The Abominable Snowman as a disappointment, citing Hammer's unwillingness to allow him to film on location, but the end product is very well crafted and continued Kneale's trend towards thoughtful, low-key sci-fi with much emphasis on characterization.

The entire cast does a fine job, notably Arnold Marle as the wizened Dalai Lama figure who seems to hold some key to the mystery of the Yeti, but the emphasis is very much on the clash between Cushing's idealist and Tucker's showman.  The two actors do a magnificent job of playing off one another, with Cushing adding depth and nuance to what could have been another stock character.  Cushing's fondness for improvising with props  led director Guest to dub him "props Peter," while his concern over realism prompted him to question Guest as to whether or not one could actually light a cigarette at such a high altitude; Tucker's reply was along the lines of, "I don't care if you really could or not; I'm smoking anyway, so you may as well, too."  Both actors thus take time to visit flavor country while stressing out over the severity of their situation.

Despite Guest's protestations of penny pinching, the film looks impressive.  Arthur Grant would later become Hammer's DP of choice when Jack Asher's meticulous methods made him too expensive for the company, and his later work tended to be functional but uninspired.  For whatever reason, however, he did splendid work in widescreen and black and white: thus, The Abominable Snowman joins Joseph Losey's These Are the Damned and Freddie Francis' Paranoiac as one of the best-looking films he photographed.  The mood is highlighted by a spare, ominous soundtrack by Humphrey Searle, who did far too little work for Hammer.  It may lack the "star value" of Hammer's better-known monster figures, but The Abominable Snowman is an unappreciated gem in their overall body of work and shows once again why Guest was the company's best director of science fiction properties.

Text: Troy Howarth
Banner and Images: Marcus Brooks

PETER CUSHING : 'QUATERMASS AND THE PIT' PHOTO OP AT ELSTREE STUDIOS 1967

A photo opportunity on the set of Hammer Film Productions 'Quatermass and the Pitt' (1967) with Peter posing with Hammer producer Anthony Nelson - Keys on his right, Nigel Kneale to his left and the film's director Roy Ward Baker. We are still undecided if the woman and childrem are Kneal's or Baker's family. If you know, maybe you could message and tells us?

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