#GIMMETHEGIFWEDNESDAY: THREE GREAT GIFS for you again this week. Requested by Roy Tremont, Trace Badden and Mitch Tarlin, great choices from the 70's when Peter Cushing appeared in over TWENTY horror films!
AT THE TOP David Warner comes face to face with his personal phantom, a demanding specter, who resides in a mirror and has the appetite for blood, on a grand scale. From Beyond the Grave, stands out has one of the better portmanteau films that Cushing appeared in for Amicus films. There is the usual top cast and performances, with tight and terrifying script that has no fat, but plenty of meat and . . blood!
DREAMS SEEM TO PLAY a large and active part in the fantasy genre film of Peter Cushing. If the Bard's question of 'What Dreams May come..?' is the question, the answer is 'many and in the shape of horrific nightmares! This dream-sequence from another Amicus offering, features in the 1971, 'The house That Dripped Blood'. Cushing's obsession for the female lead, drives him to the point of madness. Which is pretty impressive, considering she, never speaks, goes no where, is made of wax and lives in a wax museum!
SHOCK WAVES is one of those films from Cushing's career that has since it's release in 1977, risen from obscure low budget quicky, to a cult classic, that now sits in today's extremely profitable and prolific ZOMBIE genre. The idea of zombie German troops is a good one and from it's release, Shock Waves, lead the way rebounding off 'Night of the Living Dead' and presented us with an interesting and imaginative twist that up until then, was ruled by Hammer films, 'Plague of the Zombies', White Zombie' and a few Universal and RKO titles.
Cushing as the reclusive and sinister SCAR, lends a lot of weight to what could have been, a film of just scary moments, and the ol 'monsters chase, monsters kill, monsters die' plot. The images of the undead troop appearing out of the sea and coming on land to twist, kill and murder the unsuspecting, is potent stuff. Cushing sadly has little time on screen, but what there is, he makes the best of, and along with co star John Carradine, serves up a flick that has, because of it's almost gorilla-film-making-production-values, a rough and raw energy, far removed from the polished horrors, that keeps us on edge, as we never quite know what is going to come next...!
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