DISCOVERED IN LONDON VAULT : SHOCKER HORROR FILM COMES TO BLU RAY FOR FIRST TIME!

NEWS : SEVERIN FILMS TO RELEASE 'THE UNCANNY' on Blu Ray

 for the FIRST TIME!

IN 1977, legendary Amicus co-founder Milton Subotsky (ASYLUM, AND NOW THE SCREAMING STARTS) teamed with Canadian producer Claude Héroux (SCANNERS, VIDEODROME) for the anthology shocker Celluloid Diaries calls “highly entertaining…the best killer cat movie there is!” Peter Cushing, Ray Milland, Donald Pleasence, Samantha Eggar (THE BROOD), Susan Penhaligon (PATRICK), John Vernon (POINT BLANK) and Alexandra Stewart (GOODBYE EMMANUELLE) star in this grisly portmanteau about a paranoid writer (Cushing) who must convince his publisher (Milland) that all cats are unholy fiends based on three tales of kitty carnage. Directed by Denis Héroux (NAKED MASSACRE) from a screenplay by Michel Parry (XTRO) with cinematography by Harry Waxman (THE WICKER MAN), THE UNCANNY is now scanned from an inter-negative recently discovered in a London vault.

Special Features:
The Cat’s Victim – Interview with actress Susan Penhaligon
Trailer
Exclusive Slipcover (Available on Severin Website)
REGION FREE
RELASE DATE: May 28th 2019

OUR PCAS FEATURE AND GALLERY ABOVE RIGHT HERE! 

#petercushing #theuncanny #cats #severinfilms #bluray #creepy

WHAT THE DIRECTOR SAW! THIS WEEKS TUESDAY TOUGHY AND 'BRRR' LAST WEEKS ANSWER!

THIS WEEKS TUESDAY TOUGHY: This is a very true and funny one, for sure . . . and gives some background, to what a strange and rather eccentric lady, actress Martita Hunt could be . . if the need took her 😃 Please feel free to join the post over at the  OFFICIAL FACEBOOK PCAS FAN PAGE and share your thoughts with others on the thread 😏. Btw, the source of the answer, is from Hugh Harlow himself...who shared the story with Peter Cushing on the day!!! ANSWER next week!

ABOVE the answer of LAST WEEKS TUESDAY TOUGHY!

PCAS FEATURE AND GALLERY : HERE! 

GIFS WEDNESDAY REMEMBER MILLAND AND THE DOCTOR PAYS A VISIT TOMORROW!

IT'S ENOUGH TO PUT you off chest freezers for life! What a wicked way to go though? Here is MICHAEL TODD, matinee idol of the 40's and 50's. appearing in AMICUS FILM 'ASYLUM' (1972) As ever, Milton Subotsky, pulled together a fine cast, with then likes of Peter Cushing, Barry Morse, Sylvia Syms, Charlotte Rampling, Patrick Magee, Herbert Lom, James Villiers, Geoffrey Bayldon and Britt Ekland. All fine actors with long careers and experience behind them . . part of the secret that made the Hammer films and Amicus movies so entertaining were the actors, who knew their trade, not only gave value in the billing, to get bottoms on seats, but were very good at their jobs! Amicus may have low budgets, and were often seen as a bit low brow . . .but how often did a mainstream entertainment film carry a cast like this one??

POOR OL ROBERT HELLER, his plan appeared to be going like clock-work in Hammer films 'FEAR IN THE NIGHT' (1972), the last thing he expected under that sheep was MOLLY! Me too. I have mentioned this before, but I must be one of the few, certainly in my group of friends, who watches a movie, I mean WATCHES the movie. I get so pulled in by the story, I am not distracted by trying to work out, what happens next. So, this film was very enjoyable for me! When we met and interviewed RALPH BATES and JUDY GEESON back in the early 1980's, the memory of making this film and working with Peter, was still very fresh in the minds. They LOVED it. But, I don't think Joany, did though.....! Pity.  

PROBABLY THE ONE FILM we get request for GIFS from, than any other from Peter Cushing's long career! This chase taken from Hammer films, 'DRACULA' (Horror of Dracula) is one of Hammer's most iconic scenes, it never git better. Fisher repeated a chase through the castle (below) in Hammer's next Van Helsing film, good as it was, it didn't reach the drama that this one created. Peter Cushing was a very athletic man and actor . . .he swam in the sea ever morning, at his beach-side home in Whistable!! Christopher Lee, not so much. In fact, I have spent some time while posting these gifs, thinking of I have ever seen Christopher RUN in any other films? I can't think of any. Cushing was graceful, Lee despite highly skilled at mime which he studied was, by his own admission quite a clumsy man! But, with the help of some technical twiddling, dubbing OUT Dracula footsteps, during this chase, he whips along like a hunted gazelle! 

PETER CUSHING AS VAN HELSING chases Baron Meinster, though the chateau in Hammer films, 'THE BRIDES OF DRACULA' (1960). Again, like the 1958 DRACULA, this scene was shot at Hammer's home studio at Bray. A small studio, with not very big stages at this time. But, if you look carefully, you can spot many props and furniture, that Van Helsing would have past, during his early chase scene with DRACULA in 1958!

WE CAN'T LET TODAY go by with remembering this chap! The much loved and  very talented actor Ray Milland, whose screen career lasted from the 30's all the way into the 80's… and covered multiple genres with his most notable films being The Lost Weekend (1945) (for which he won an Oscar) , Dial M For Murder (1954) and the horror classic's The Premature Burial (1962) X The Man with the X-ray eyes (1963) both for Roger Corman. He starred with Peter Cushing in The Uncanny (1977) and The Masks Of Death (1985) ….. Do you have a favorite Milland film?

LARGE PHOTOGRAPH SCAN: Here's a wonderful behind the scenes shot from Dalek Invasion Earth 2150 AD, one of many . . . . plus a few unseen pics from the film... I'll be sharing here tomorrow, for #Throwbackthursday. In the film, this scene really does look like an exterior location. Lighting camera men really knew there jobs back then, and the crews worked hard to archive great results like this one. LOOK carefully and you can spot one, way up in the lighting gantry, just over RAY BROOKS, who is standing on the set demolished building . . MORE TOMORROW! SEE BELOW!

THE FIRST of a TWO PART GALLERY featuring behind the scene rare images and photographs from BOTH Peter Cushing DOCTOR WHO DALEK movies from the 60s! PART ONE ARRIVES HERE TOMRROW #THROWBACKTHURSDAY!

REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  

BORN TODAY: WE REMEMBER RAY MILLAND

Today we remember the very talented actor Ray Milland, whose screen career lasted from the 30's all the way into the 80's… and covered multiple genres with his most notable films being The Lost Weekend (1945) (for which he won an oscar) , Dial M For Murder (1954) and the horror classic's The Premature Burial (1962) X The Man with the X-ray eyes (1963) both for Roger Corman. He starred with Peter Cushing in The Uncanny (1977) and The Masks Of Death (1985) ….. Do you have a favourite Milland film?

THE FINAL BOW: ROY WARD BAKER ON 'THE MASKS OF DEATH' CUSHING'S LAST SHERLOCK

Wonderful! Sherlock Holmes was to manifest himself once more. The producer, Kevin Francis, had conjured him up and this was to be a film by Holmes buffs, for Holmes buffs. Based on a story by John Elder (the pen name of Hammer films Anthony Hinds), the script by NJ Crips was packed with in-jokes. It also had a number of twists on the traditional style: Holmes is no longer infallible and makes several mistakes, which he admits; Irene Adler reappears, in the person of Anne Baxter, but this time she is a goodie.

Over recent years there have been several versions of the Sherlock saga, plus pitches, new stories, etcetera, etcetera, some very faniciful indeed. Peter Cushing, Sir John Mills and I met for a discussion of the relationship between Holmes and watson. Not surprisngly, we were all of one mind: we had re-read the books and out opinions were based on what we had read.

They were both bachelors of a certain social status. They were both looking for a modest and comforatble set of rooms in a respectable area not too far from the centre of london. They each had a small income which wouldn't run to a suitable place, but if they shared the expenses they would be able to rent such a set, together with a housekeeper, They scrupulously respected each other's territory, using the sitting room as a common ground. It was an exclusively male existance and they became fast friends. In the course of adventures they came to depend on each other. Contrary to the speculations of some latter-day commentators, they were never envinced the slightest in homosexuality. The period of 'The Adventures...' runs from 1881 to 1903, the present story 'The Masks of Death' is set in 1913, with Holmes being dragged out of retirement.

Peter Cushing was one of the best of many actors who played Sherlock Holmes. This was his seventeeth and final bow in the part; he knew the man and understood him perfectly. Johnnie Mills had never played Watson and to my mind, his was the best version ever. It is the devil of a character to convey as a real person. He is usually presented to us a thick-headed stooge to the great man, which of course makes one wonder how Holmes puts up with him - that can't be right. Holmes is the eccentric, imaginative figure, while Watson is down to earth, methodical, practical: after all, he is a doctor of medicine. The two men are complete oppersites but in thier different ways they are equals, or at any rate of equal value to each other. They respect each other. I guarentee that this picture is worth a look just to see this performance. I don't mean to belittle any of the othetr actors, who are all fine: Anne Baxter, Anton Diffing, Gordon Jackson and Ray Milland, all on great form.

The crew was largely a collection of old friends. Anthony Mendleson, the brilliant costume designer and three stalwarts from Hammer films: Make up artist Roy Ashton, editor Chris Barnes and guess who as sound editor - the 'other Roy Baker! Ray Sturgess was the camera operator. We had worked together several times before but this time he was presented with some special problems.

The ruling was that we must use camera equipment from the Pinewood camera dept[artment, which hadn't been used for years! Pinewood had been a wall-to-wall studios for ages. Therefore all visiting crews brought their own gear with them. Anyway the Pinewood stuff was cleaned up and tested but it was old fashioned, which didn't make life easy for Ray. It was due to his efforts that everything worked out well. Brendan Stafford was the lighting cameraman who, like Holmes, had to be  dragged protesting out of retirement to do the film. He enjoyed it , I am sure....

 

Taken from The Director's Cut

By Roy Ward Baker

Reynolds and Hearn 2000

Images and Design: Marcus Brooks

THE CATS WHISKERS! PETER CUSHING 'THE UNCANNY' REVIEW AND GALLERY

CAST:

Peter Cushing (Wilbur Gray), Ray Milland (Frank Richards); Susan Penhaligon (Janet), Joan Greenwood (Miss Malkin), Simon Williams (Michael), Roland Culver (Wallace); Katrina Holden (Lucy), Chloe Franks (Angela Blake), Alexandra Stewart (Joan Blake); Donald Pleasence (Valentine De’ath), Samantha Eggar (Edina Hamilton), John Vernon (Pomeroy) 

PRODUCTION:

Director – Denis Heroux, Screenplay – Michel Parry, Producers – Rene Dupont & Claude Heroux, Photography – James Bawden & Harry Waxman, Music – Wilfred Josephs, Music Co-ordinator – Philip Martell, Special Effects – Michael Albrechtsen, Makeup – Brigitte McCaughry & Tom Smith, Production Design – Wolf Kroeger & Harry Pottle. Production Company – Cinevideo/Tor Productions. Canada/UK. 1977.

COMMENTARY: 

Wilbur Gray is an author who travels to see his publisher during the night. He wants him to print his novel as soon as possible because he fears he doesn’t have long left to expose the sinister truths behind the novel. He has uncovered the fact that cats are in fact supernatural creatures who are really in control and has written three stories, each he claims are true, in which cats prove to be more than just pets. The first charts the story of a greedy relative who gets more than they bargained for, the second about an orphaned young girl whose only real companion is a cat and the third about a horror actor who kills his wife but doesn’t count on her cat taking revenge for her.

Horror anthologies were ten a penny in the 70s after British horror studio Amicus channelled most of their effort into making them. This is one of the few non-Amicus and non-Hammer British horror films of the time and it’s quite a refreshing change to see another studio attempt to muscle in on the genre, even if The Uncanny is mostly hit-and-miss stuff. It looks reasonably good with some decent sets and the camera man knows how to use a camera to zoom in for claustrophobic shots. Like its more famous counterpart studios, here the first job of the film has already been finished. If it looks good, it’s a solid start. The wrap around story is excellent though and the cats are really made to look sinister. Peter Cushing is excellent as always – a little more nervous and paranoid than we’re used to seeing but it makes a great change. These wrap around stories usually don’t add up to much but here it is essential and the three stories actually link reasonably well.

The first one, London 1912, deals with an old woman who decides to leave her fortune to her cats, much to the chagrin of her nephew who was originally in the will. But the maid, who is dating the nephew, overhears the combination to the safe and attempts to destroy the will so that she can live with him in riches. However the cats have other ideas. The cats are the ‘stars’ here or at least they should be but they’re about as menacing as a dead stick insect. A lot of cats growling and snarling have been dubbed over these cute felines which seem to be playing with the characters, never mind attacking them horribly. They even manage to force one character to lock themselves in a pantry and practically starve them to death by keeping them pinned inside. It’s a bit predictable but if the cats had been more menacing, then the whole thing would have been more believable.

The second story, Quebec Province 1975, is about Lucy, a young girl whose parents were killed in a plane crash, moving in with foster parents. She brings her cat, Wellington, with her but runs into trouble when the bitchy step-sister takes a disliking to them both and has her father take Wellington to the vet to be put down. But that doesn’t stop Wellington from coming back from the dead and helping Lucy take revenge. A pretty weak story for the most, this one has some lame acting from the two young females and some overly nasty bullying just to make us boo the step-family (think pantomime-esque cheap boo tactics) . However it’s got a killer ending and one which completely underlines the nasty nature of the entire piece.

The third one, Hollywood 1936, is mainly played for laughs as Donald Pleasance assumes the role of a horror actor who is filming a scene with his wife when the prop blade turns out to be real and kills her. He switched blades to kill her in an ‘accident’ but her cat decides to avenge her death. Starting with a great sight gag (we see a photo of Pleasance as Ernest Blofeld in You Only Live Twice, stroking the trademark white cat) this one could have been better had it not been for the insistence to turn it into a comedy piece. There are a lot of intentionally bad puns like “I twat I taw a puddy tat” which will have you groaning and wondering what the characters will say next. But Pleasance is having fun hamming it up as the bad actor and his hairpiece for his character has to be seen to be believed.

The Uncanny is yet another decent horror anthology from the 70s which doesn’t set the world on fire but doesn’t fall into the bad film category either. If you like the oldies like me and don’t mind watching another horror anthology, check it out.

Link: Here

Images: Marcus Brooks