SPOILERS: Back at the beginning in 2020 when some of us started to invest eye-ball time in a much promoted and anticipated production the BBC was rolling out, little did we know what was just around the corner for many of us, many of our friends and families.... and now, six months later, have I found time to catch up on trivial matter like entertainment. Last night I watched the BBC serial of Dracula, written by Mark Gatiss and Steven Moffat, starring Claes Bang as Count Dracula and Dolly Wells as Sister Agatha Van Helsing, plus a ship load of other talented cast members. Back in January I had managed to watch episode one and two, but wrapping the series has been out of my reach since then, so watching from scratch, was he treat last night. It was certainly something different, written and created by two pretty obvious fans of Lee, Cushing and Hammer - Gatiss and Moffat!
THERE'S LOTS OF NODS and visual paying tributes to Hammer, in-particular, 'Dracula AD 1972' and 'The Satanic Rites of Dracula' .. the last of the Cushing/Lee Hammer series of Dracula films. All lovingly presented, sneaked in or peeping around the corner 😏😊The climax of the series also presented elements of the iconic Cushing and Lee 'fight to the death' from the 1958 movie. All very good and full of twists and turns. I couldn't help thinking back to how maybe many of the Hammer fans felt when Dracula AD and Satanic was released! 'What is THIS???' 😆😉What is it? In my personal opinion, it's all good, exciting and a great turn on a classic and much loved horror-tale, often produced and presented in a modern turn, but of all such modern packages, this was certainly my favourite! Well done, Gatiss and Moffat! Over at the FACEBOOK PCASUK FAN PAGE, I've asked everyone to share their thoughts and opinions on the page post! It will be interesting to find out, what everyone thinks, having a few months to think about it!
REMEMBERING TERENCE FISHER TODAY who passed on this day in 1980. If you enjoy any of the better Hammer films of the 1950's and 60's . . this is the point, you doff your cap 😉 There can be few directors who worked for Hammer films, who did so much to develop that Hammer-in-house style. Terence Fisher, WAS Hammer. Along with Peter Cushing, Christopher Lee and the players who helped under pin the rich vision of fairy-tale come Gothic nightmare style. Even when the 'monsters' were 'shaky' the script, with more holes than a Swiss cheese... the look, pace and world beautifully styled by Fisher, just sat so well. The Curse of Frankenstein in 1957 was the first, it also lit the rocket that would spin Peter Cushing into a new and long lasting career within the fantasy genre and Christopher Lee, on scraping off the make up and anonymity as 'the monster', would soon don a cloak and a feral shocking performance as Dracula, that set him on path, for more Fisher, Cushing Hammer classics to come. The Mummy, The Gorgon, and The Hound of the Baskervilles, still stand, as maybe the best of Terence Fisher and Hammer.
TERENCE FISHER was one of the most prominent horror directors of the second half of the 20th century. He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. Fisher although aware of the terrifying elements of his Hammer films, would only smile when questioned about their shock factor, and answer...'I make wicked fairy tales...!' Fisher also along with Lee and Cushing, had a wicked sense of humor, hints of which can often been seen on the screen. Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. It is only in recent years that Fisher has become recognised as an auteur in his own right . . .
REMEMBERING TERENCE FISHER TODAY who passed on this day in 1980. If you enjoy any of the better Hammer films of the 1950's and 60's . . this is the point, you doff your cap 😉 There can be few directors who worked for Hammer films, who did so much to develop that Hammer-in-house style. Terence Fisher, WAS Hammer. Along with Peter Cushing, Christopher Lee and the players who helped under pin the rich vision of fairy-tale come Gothic nightmare style. Even when the 'monsters' were 'shaky' the script, with more holes than a Swiss cheese... the look, pace and world beautifully styled by Fisher, just sat so well. The Curse of Frankenstein in 1957 was the first, it also lit the rocket that would spin Peter Cushing into a new and long lasting career within the fantasy genre and Christopher Lee, on scraping off the make up and anonymity as 'the monster', would soon don a cloak and a feral shocking performance as Dracula, that set him on path, for more Fisher, Cushing Hammer classics to come. The Mummy, The Gorgon, and The Hound of the Baskervilles, still stand, as maybe the best of Terence Fisher and Hammer.
TERENCE FISHER was one of the most prominent horror directors of the second half of the 20th century. He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day. Fisher although aware of the terrifying elements of his Hammer films, would only smile when questioned about their shock factor, and answer...'I make wicked fairy tales...!' Fisher also along with Lee and Cushing, had a wicked sense of humor, hints of which can often been seen on the screen. Given their subject matter and lurid approach, Fisher's films, though commercially successful, were largely dismissed by critics during his career. It is only in recent years that Fisher has become recognised as an auteur in his own right . . .
