#PETERCUSHINGGEMS! Here is a amazing pose photograph, posted at the Facebook PCASUL Fan Page of both Peter Cushing and actor Ralph Bates...taken during a visit by Peter on set, for promo opportunities... 'A Younger Actor Takes Over The Role'! They posed for several, on the set of #Hammerfilms 'Horror of Frankenstein' (1970) but this SIGNED photograph is I think, the best I have seen of the bunch. For sometime during the release and years after, by some 'off target individuals', it was thought that Cushing wasn't really in favour of Bates 'taking over' the role... In our next post, we have some amazing evidence of quite the contrary, which I will be posting tomorrow!😉 Many thanks to Mr G for his assistance with excellent photograph 😊
#ChristopherLee
Saturday! Here is a pic you don't get to see that often at all! In this
movie, he once again played the opposite to Peter Cushing's characters
good nature.... Over at the Facebook PCASUK Fan Page I asked everyone, if they can name the movie .. and if you can, the plot....
do you think it was all real or just all happening in the mind of PC's
character?? 😊 There's been quite a reaction and lost of theories! Why not join us and tell us your take on quite a puzzler! - Meanwhile, please take care everyone, and look after yourselves and loved ones 😊- Marcus
ABOVE: Peter Cushing and director Freddie Francis, on set during the making of Tigon films, 'The Creeping Flesh' (1973)
BEGINNING LAST WEEK, I started a series examining
three pairs of films that I felt would make ideal ‘Cushing Double-Bills’, concentrating
primarily on thematic links. Last time, I
looked at Hammer's The Curse of
Frankenstein (1957) and its first sequel The Revenge of Frankenstein (1958). We continue this week with a
pair of films slightly less obvious than our previous selection, 1965’s The Skull and 1972’s The Creeping Flesh. Ostensibly two
unrelated films (excluding the fact that both feature Cushing and Christopher
Lee and are directed by Freddie Francis) our discussion this week concerns the
dark thematic subtext that links both.
MADE IN 1965, The
Skull is often cited as one of Cushing’s very best whilst The Creeping Flesh (despite getting a
great deal of attention from fans and this page in particular) is still sadly
something of an undiscovered gem. The
Skull is one of Amicus’s non-portmanteau features and is based on the short
story The Skull of the Marquis De Sade by
Robert Bloch. A masterpiece of atmosphere, The
Skull has a powerful dreamlike quality that manages to be supremely
unsettling. The Creeping Flesh, on
the other hand, is one of Tony Tenser’s Tigon productions and is far more
visceral in its execution, with some genuinely disturbing scenes..
SO WHAT THEN IS IT, that causes me to group these two
films in particular? Well to begin with both demonstrate British horror studios
attempting to do something different with the Hammer mould and are incredibly
experimental in nature. The Skull, as
well as being a modern day piece it’s far less explicit in exactly what its
threat is than Hammer tend to be, preferring
a slower, subtler build-up. Visually The
Skull is particularly arresting, be it the haunting shots from the Skull’s
perspective or the Kafka-esque dream sequence. Similarly the film embraces a
darkness to an extent that Hammer rarely did, from the depressing ending to the
character of Maitland himself.
ABOVE AND BELOW:THE KAFKA-ESQUE POV SHOTS APPEAR IN
BOTH 'THE SKULL' AND 'THE CREEPING FLESH'
MAITLAND, whilst not unlikeable, is hardly a
charmer and as an audience we are invited to look upon his morbid hobby with a
critical eye. We care about him and wish him no ills but the obsessiveness that
permeates his character causes us to question his gruesome pastime. 'The Creeping Flesh' on the other hand is
from, arguably, the most radical British horror studio in business from the mid
60’s to mid-70’s.
ABOVE: THE OBSESSIVE MAITLAND OF 'THE SKULL' (1965)
IT MUST BE REMEMBERED that whilst Tigon were behind the
gothic pot-boiler The Blood Beast Terror (1967),
they were also the studio famed for producing Michael Reeves his magnum opus, Witchfinder General (1968) and his
earlier The Sorcerers (1967). Away
from Reeves, Tigons output is rich with a ‘radical’ and ‘alternative’ sentiment
and whilst not always successful never cease to be interesting. Curse of the Crimson Altar (1968), Neither the Sea nor the Sand (1972), The Flesh and Blood Show (1972), The Beast in the Cellar (1970) and of
course Blood on Satan’s Claw (1971)
are among the most innovative and experimental British horror films in this
period.
ABOVE:BORIS KARLOFF AND IAN OGILVY IN TIGON FILMS 'THE SORCERERS' (1967)
ABOVE: THE EQUALLY OBSESSIVE EMMANUEL HILDER FROM THE CREEPING FLESH (1972)
THUS The Creeping Flesh similarly
contains elements that go against the traditional mould. Namely, like The Skull, there are few likeable
characters and our main this time, Emmanuel Hildern is equally as obsessive as
Maitland. This time it is science and particularly the desire to make a great
discovery, rather than collecting that absorbs him. The same can be said of his
sadistic brother James (Lee), who covets his brother’s success. The film
questions the nature of evil and in particular uses the Victorian scientist to
do this. The usual hero of Hammer is here reverted to selfish obsessors whose
desire for success and discovery makes them far more horrific, than the
devil-creature that appears at the climax.
ABOVE: THE SADISTIC BROTHER JAMES, PLAYED BY CHRISTOPHER LEE IN 'THE CREEPING FLESH' (1972)
AS PERHAPS I’m already beginning to demonstrate, 'The Skull' and 'The Creeping Flesh', are without doubt two of the most sub textually
rich and intelligent films that Cushing has been involved with. In both, it’s
possible to feel that perhaps more than his other Gothic productions Freddie
Francis is able to identify themes and motifs throughout the stories that
interest him visually. Building on themes of obsession, madness is a prominent
factor in both and indeed can be one of the central elements of fear that
emanates from the films. In 'The Skull' we
are invited to question whether Maitland is actually going insane and the
nature of his haunting is a highly personal one, attacking his mind over his
physical body (at least until the films climax).
ABOVE:MAITLAND HIGHLY PERSONAL MADNESS
ONCE AGAIN in The Creeping Flesh we are invited to
wonder whether our main character is indeed mad, though far more explicitly.
Here the framing structure of the film has Cushing narrating his story, before
at the end revealing that he is an inmate in the asylum ran by Lee. A final
shot leaves us to wonder whether his story is true or not. However the theme of
madness permeates the story far deeper than this, with Cushing living in fear
of hereditary madness that leads him to inject his daughter with the serum
grown from the remains of the skeleton.
IN SHORT, I think of all the double bills I’ll be
discussing, this is easily the most personal. Whilst I love the films of Hammer
these two simply blew me away with relentlessly dark tales that made comments
on obsession, madness and the nature of evil. Whilst calling them Cushing’s two
‘Artsy’ horrors may sound somewhat insulting, I think it perhaps sums them up
best. These films are Freddie Francis’s masterpieces and demonstrate a sub
textual and visual storytelling intelligence far above and beyond any of his
other horror work. Whilst Dracula has
Risen from the Grave is certainly beautiful to look at and contains
interesting commentary on religion, it’s not as rich or as subtle as these two
films.
IT'S A REAL SHAME that whilst The
Skull has r been given a superb Blu-ray treatment, The Creeping Flesh is neglected to a mill-creek triple feature. One
lives in hope that boutique label along the lines of Arrow will recognise the
merit in the film and surprise us with a brand new HD transfer and a wealth of
features. If you’re looking for two of Cushing’s darker, less comfortable films
then these make the perfect double bill.
THE BEST OF A DOUBLE?CASTING AND FILMS, CUSHING AND LEE IN 'THE SKULL' (1965) AND 'THE CREEPING FLESH' (1972)
OH AND THEY BOTH feature skulls. Just saying. Join me NEXT SUNDAY, for another classic DOUBLE BILL!
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
CONSIDERING THERE ARE SO MANY film, actor fan pages and groups, across
facebook and the web, I only belong to a handful, mainly because, just posting a
fuzzy photograph or asking you name your top five films, every other
day. . .doesn't quite cut it for me personally. I want to see some
thought put in and some interesting and engaging material. . .
.please...! Rare photographs / memorabilia shared and a true insight to
the subject matter of said page / group. I want to feel when I have taken time to visit there, that I have learned something or and had fun.
THE SIR ROBERT STEPHENS APPRECIATION SOCIETY, has only recently been
launched, and I am very happy to say, that if what has been shared there
already, is anything like we can expect in the future.... Joanna Keani
Jones, who creates the posts and admins the group, is doing a fabulous
job.
"The Sir Robert Stephens Appreciation Society is a celebration of the
life & artistry of this incredibly gifted actor. Sir Robert always
gave his best in performance and in the process, created a myriad of
incredible character studies in which the viewer could relate to,
understand and very often, find sympathy with, regardless of the
character's intentions.
Because of Sir Robert's ability to create such emotion-fueled, nuanced portrayals in film, theatre, TV & radio, he
garnered many admirers of his work which continues on today, some
20-plus years after his passing. This group has been created to discuss
and share information with like-minded enthusiasts of all things Sir
Robert." -Joanna Keani
Jones
YOU HAVE TO BE PASSIONATE TO CREATE banners, images and content like
Joanna has. Rare theatre programmes, stills, reviews, clippings. It's
ALL there and shared in hi res. As I mentioned in our early post,
Stephens was a very rare talent indeed. A complicated man, with a
complicated life. I can assure you, the content at the 'Sir Robert
Stephens Appreciation Society Group', will never be dull, just because
Stephens was far from dull, and Joanna shares material that really does
show the breath of his career and the diverse roles he played.
I CAN'T PRAISE THIS GROUP enough and I am so happy to see someone doing
such a fine job. Don't take my word for it, first watch the excellent
promo trailer below and then if you have a facebook account, GO SEE FOR YOURSELF. THEN LIKE and come
back and tell us, what you think? .Thank you. - Marcus
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
FIND A WHOLE GALLERY OF SMASHING STILLS AND IMAGES AT OUR FEATURE POST: HERE!
WE ARE PROUD TO SHARE OUR WHOLE EXCLUSIVE ARCHIVE OF CANDID RARE CLIPS AND FOOTAGE FROM THE ABOVE LAST MEETING BETWEEN PETER CUSHING AND CHRISTOPHER LEE AT OUR PCAS YOUTUBE CHANNEL : CLICK HERE!
For those of us who have been waiting A LONG TIME for a blu ray release of Cushing's 'The Creeping Flesh', it looks like, Mill Creek, have answers our prayers!-Marcus
NEWS: Under the 'ROLL UP, ROLL UP' rollicking title of PSYCHO CIRCUS, MILL CREEK have announced the release of a three film collection blu ray... TWO of the films featured are Cushing related... #TORTUREGARDEN and a much welcomed, first time, long awaited release on blu ray, #THECREEPINGFLESH. The third film in the package 'The Brotherhood of Satan' (1971) is an interesting addition to the collection. No preview copies to view as yet. The release is available now for order and purchase for a very reasonable $14.98 A download stream is also on offer. See LINK below.....
