Thursday, 30 April 2020

VINCENT PRICE : THE BUTTERFLY BALL AND GRASSHOPPER FEAST IN CONCERT ALBERT HALL


#WATCHWITHCUSHING! #VINCENTPRICE 'The Butterfly Ball and the Grasshopper's Feast' is a concept album and subsequent live rock opera that was performed live in both 1974 and 1975. The whole album and show was based on the children's poem of a similar title. The album cover design, seen on our banner was from #AlanAldridge's design for a 1973 book based on the poem.


THE ALBUM SPAWNED A HIT SONG, "Love Is All," which reached Number 1 in the Netherlands and #Belgium and has a wonderful #animated promo too! On 16th October 1975, a one-off performance at the #RoyalAlbertHall, #London took place, with #VincentPrice as the story narrator! I have posted an extract of Vincent during the concert and the fabulous song at the FACEBOOK PCASUK FAN PAGE HERE! He does a fabulous job . .please wait for the song at the end. It's worth waiting for and should get your feet tapping and singing along. This was a very firm favourite with my children too....


WHILE DIGGING THROUGH some of the footage of the 'Butterfly Ball' concert, I came across a clip that featured a dance and movement sequence.. and a figure I saw on the page here just yesterday!!! Do you recognise it and where it was featured??? Small world!


Wednesday, 29 April 2020

WATCH PARTY WITH 'THE GHOUL' WITH GALLERY AND MUCH MORE!


HAVING A GREAT TIME over at the FACEBOOK PCASUK FAN PAGE! right now! Where many of our #FRIENDS and #PCASUK #FOLLOWERS are seeing this Peter Cushing classic movie, for the first time! Prepare to be wrapped in the haunting fog of the moor, a house with terrible secret and a film with its foundations, strongly planted in another time. When producer Kevin Francis made this film, he wanted the script and the language on the screen to be of a past cinematic era. He succeeded... have fun with this one and feel free to leave your comments on this film in the thread! Take care and Stay Safe! - Marcus






ABOVE: A RE-RELEASE of the UNCENSORED 'TASTE of FEAR' VHS version of 'THE GHOUL' 

TYBURN FILMS THE GHOUL (1975) was originally certified by the UK BBFC at a duration of 93 minutes following cuts to (a) remove the third close-up of the knife embedded in Geoffrey's face (b) remove a knee to the groin delivered by Veronica Carlson to John Hurt. However, the subsequent theatrical version was only 87 minutes long following some last minute snipping by the distributors. The full 93 minutes version, with BBFC cuts restored, was subsequently released on UK video on the 'Taste of Fear' label. The differences are as follows: 




THE OPENING party sequence is extended by about 2 minutes 30 seconds via several additional dialogue extensions that largely serve to explain Carlson's character. In particular the conversation between her and Ian McCulloch when she is sitting in the car is nearly a minute longer and the subsequent three way conversation by another car involving Stewart Bevan is extended by about 40 seconds.


ABOUT 35 MINUTES into the film, directly after Peter Cushing asks Carlson whether there is anything she would like before dinner, the extended version has a new sequence lasting about 2 minutes and  30 seconds in which Carlson is escorted upstairs to her bedroom and takes a bath, in this sequence Carlson's left breast is briefly visible. This sequence is missing entirely from the theatrical print  and believed removed by the distributor at the time, through requests by BBFC.


AFTER THE BACH TOCATTA AND FUGUE strikes up on the soundtrack the extended version has an extra 1 minute showing Carlson emerge from the bedroom, clothed again, and go down the stairs where she then peeks in on Cushing in his chapel. In the theatrical version, it's a bit odd that Cushing is surprised by her given that in the previous scene they'd been together in his drawing room.





MATTHEW CONIAM'S FASCINATING dig, to FIND THE GHOUL. A past PCASUK feature, with a great gallery and some updates! FIND IT : HERE! 


Tuesday, 28 April 2020

KINO FLESH AND THE FIENDS BLU RAY WITH EXTRAS PLUS VINTAGE HAMMER POSTERS FOR SALE! BUT HOW MUCH ARE THEY WORTH?


#WATCHWITHCUSHING! We all know that vintage and original press and promotion materials for much of #PeterCushing's 1950's and 60's films are now worth a pretty penny. If they also hold an autograph the value is even higher! Here in this clip at the FACEBOOK PCASUK FAN PAGE! are TWO superb examples. Just for FUN . . BEFORE you watch this clip of these posters being sold, I would like you to comment on the post and tell me how much YOU think both the 1958 '#Dracula' UK #cinema quad poster, in pretty good condition and the almost mint 1965 Amicus 'Dr Terror's House of Horrors' UK cinema poster, could individually be worth? Write your figure in the comment section on the page BEFORE you watch this clip 😉No cheating 😏😊 I guess you can always state that the price of what something is #worth, is really . . how much someone is willing will pay? 💰💰😲But at FACEBOOK PCASUK FAN PAGE, in this clip . .  they are prepared to pay A LOT! This clip is around four years old, so chances these #posters are worth even more today! Have fun, stay safe and look after each other- Marcus 😉


AN UPDATE ON THE KINO BLU RAY release of 'FLESH AND THE FIENDS' is that the things are still set for JULY 7th 2020 AND that this John Gilling directed, based on a true story 2K restoration will also be carrying some extras too!


'THE FLESH AND THE FIENDS'
Starring Peter Cushing, Donald Pleasence, June Laverick, Billie Whitelaw, George Rose, Renee Houston and Dermot Walsh – Shot by Monty Berman (Jack the Ripper, The Crawling Eye) – Music by Stanley Black (War-Gods of the Deep, Valentino) – Co-written by Leon Griffiths (The Grissom Gang, The Squeeze) – Co-written and Directed by John Gilling (The Reptile, The Plague of the Zombies).



THIS RELEASE IS COMING AS A TWO DISC package, because not only do you get the 2k RESTORATION BLU RAY but there's also a FULL ALTERNATIVE CUT which also carries the USA title of 'The Fiendish Ghouls' and 'Mania'. You would be forgiven for thinking, that maybe Amicus films producer, MAX ROSENBERG, may have had a dabble and offered for free with one of his OTT titles at their press office too? Not so. . . .



OVER THE YEARS, there have been quite a few different cuts made available on the home cinema market. Right now, there is a DVD available from Image Entertainment who list their running duration for the "uncut" original theatrical version at 94 minutes, but they also carry a slightly extended, wait for it . .  "Continental" version—produced only for European markets with more permissive, boob and bottom nodding censors— running at 95 minutes which includes extra shots, short sequences or alternative takes with more nudity. 'THE FLESH AND THE FIENDS' was released by Valiant in the USA using the titles 'MANIA' and 'PSYCHO KILLERS' . . .  (Guess which box office smashing Hitchcock film was released also in 1960)  . . . using the censored British theatrical cut, but it didn't stop there... FIVE years later in 1965 a re-release by Pacemaker Pictures under the title 'THE FIENDISH GHOULS' cut a whole 23 minutes from the film's runtime! Both the UK and the continental cut of the film are included in the KINO BLU RAY RELEASE!



ALSO INCLUDED in thus release is an 'Audio Commentary by Film Historian Tim Lucas'. Disc Two also includes the 1960  theatrical TRAILER for 'THE FLESH AND THE FIENDS' I am not sure how many 'units' of this film have been  produced for sale, but those smiling after awaiting a long while for this remastering and would like to guarantee a copy of this gem to your library shelf, now might be a good time to nail that order 😊- Marcus 




SEE OUR POST FIRST at the FACEBOOK PCASUK FAN PAGE! NOW  and LATER EXPANDED here at the PCASUK website / Blog! Join and be part of  the FAN PAGE with OVER 33 THOUSAND FOLLOWERS and FRIENDS you won't be on your own and you will be MOST WELCOME!  Come COMMENT, come CHAT and come KEEP THE MEMORY of Peter Cushing alive and celebrated! 

Saturday, 25 April 2020

JAMES BOND : SATURDAY NIGHT LIVE SNL : DRACULA COMPLETE AND TERRIFYING!


#CHRISTOPHERLEE Saturday! HERE AT the PCASUK BLOG and the FACEBOOK PCASUK FAN PAGE it has been our tradition and habit most weekends to make Saturday's a day to celebrate one of #PeterCushing's closest friends, #ChristopherLee. And so today, over at the FACEBOOK FAN PAGE we have posted a rarely seen little gem of a an interview where Lee is very relaxed, full of stories and keen to promote a video which was being released that day, 'The Many Faces of Christopher Lee'. In fact, he mentions he is off to a HMV store in Manchester UK to do some sales and signings!


HEY MAYBE,  you were there too? Lots to hear here. Bond, Dracula and some more than usual about his time hosting the US tv show, 'Saturday Night Live' where Steven Spielberg was in the audience that night, and it opened a new and great opportunity for Lee!


#CHRISTOPHERLEE SATURDAY! There are still many fans I know... who have not had the chance to see this. For those of you who aren't that familiar with this film, the ending will probably seem great and a cool dramatic climax. For others, it's the result of over 40 years of waiting, for several extra shots, that some believed existed, others not so, but impossible for both to prove.. until now! The facts behind the story of how these extras shots were eventually found, is legend in itself and it's all down to an amazing guy, writer and cartoonist Simon Rowson, who succeeded where everyone else failed. Without him and his determination, we would not be watching this right now Maybe the greatest of all Peter Cushing and Christopher Lee's scenes for Hammer films? Listen out for Dracula footsteps! Enjoy! Take care everyone and have a safe weekend - Marcus 😉


Thursday, 23 April 2020

ST GEORGE'S DAY: OBE THANKS TO SCOONESY SFX AND NOW THE SCREAMNGS STARTS!


TODAY'S #WATCHWITHCUSHING #FACEBOOKWATCHPARTY feature is the 1973 Amicus film, ''AND NOW, THE SCREAMING STARTS!' CLICK the blue link and JOIN and ENJOY the party, which will be LIVE from 10.00pm GMT today! 

IT WAS THE ONLY time when Hammer films, main competitor, Amicus, stepped into the same domain and era . . gothic and ghost story. Producers Subotsky and Rosenberg knew the way to save money that would easily be one of their main money pits, was keep the sets and locations, contemporary. Hammer were very good at recycling their sets and props, wizard set designer Bernard Robinson found a way to present what was an impressive studio lot structure as Caste Dracula one day . . and as a 1910 boat harbour in down town Hong Kong in the next! Amicus based their films in simple close contemporary settings. So close that, the seating was often still warm from the cast and crew who had commissioned and worked on that set. In the green room the coffee in the pot, was also still warm! Amicus were, cheap. Cheap as chips in fact. 


SYNOPSIS!
'This creepy, atmospheric horror film from England's Amicus Productions dispenses with much of the tongue-in-cheek presentation of their popular '70s horror anthologies (such as Asylum and Dr. Terror's House of Horrors) in favor of a more adult-oriented approach. The story begins in the 18th century, as a young stable hand tries to prevent nobleman Fengriffen (Herbert Lom) from raping a young servant girl -- who happens to be the stable hand's wife -- and for this transgression has his hand lopped off. Flash forward to the present, where Fengriffen's ancestor (Ian Ogilvy) and his wife (Stephanie Beacham), now living on the ancestral estate, are haunted by the servant's vengeful spirit, as well as the severed hand itself, which roams the gloomy corridors of the mansion.'


DIRECTOR FREDDIE FRANCIS often went on record stating he didn't know which was more lacking foundations or structure, the sets or the scripts! But, somehow, it more often than not, worked.. and worked very well. 'AND NOW, THE SCREAMINGS STARTS!'' released in 1973, directed by Roy ward Baker and starring Peter Cushing, Stephanie Beacham and Ian Ogily looks better then than your average Amicus film. all the exteriors were shot on location at . . Hammer's 'Brides of Dracula' and many others. . Oakley Court in Windsor, interiors at Shepperton studios, where for one time, they actually built their OWN set. Much camera time is spent mind you, showing it off!







I VERY MUCH LIKE this film, I love the Amicus 'wandering hand' featured in at least three other of their films, it worked for its keep! I love Peter's hair too, which was also made to earn it's rental turning up in two other Cushing projects, 'Frankenstein and the Monster from Hell', 'Orson Wells Great Mysteries' . . I have no idea why or how Cushing managed to get Subotsky to pay for it... and again on the subject of wonga, the screen time of the top-billed stars Peter Cushing, Herbert Lom and Patrick Magee does not exceed 28, 11 and five minutes, respectively. Subotsky was a master tailor and certainly cut the cloth, even though sometimes he 'passed on the buttons'  . .


HAPPY ST GEORGE'S DAY! Saint George is the patron saint of England noted and celebrated with legendary stories of his slaying a dragon and saving a distressed maiden.... Peter Cushing loved history, collected books, made model knights, created 'little wars' gaming props, pageantry figures, reproducing the flags and anything connected with connections or reference this era. He adored this whole time period, with chivalry, knights and medieval castles. He loved appearing in films set in these times too and always very much looked the part! Peter made reference to St George when he was awarded with his 'Order Of the British Empire' medal (OBE) back in 1989. Many at the time, thought he deserved more, Christopher Lee made a point of saying, 'It was too little, too late', he too should have been awarded a knighthood!' Maybe? But for Peter Cushing it was one of his most proudest moments. ..


Footnote: The whole process of the awards and honours takes years . . it often starts with an OBE and travels up, if you have been very active in charity work and / or good deeds. Lee was right, it was too late, but Peter's humbleness could sometimes be his undoing, he often challenged such ideas as 'too much fuss'. You have to be 'officially suggested' for such honours, and it always surprises me, who in fact kick started Peter's OBE application. Not a close friend, a well connected individual, business person or perosn in 'the know'.... it was Ian Scoones, special effects guy for Hammer films, worked on Dr Who, Blake's Seven and many many others films and tv shows uncredited . . living in French at the time. Back in the late 50's /1960's Peter had helped get him a job at Bray studios, he was a young lad and learnt his skills at trade with Les Bowie, who managed the SFX company who delivered most of the FX's for Hammer and other British companies. Ian stuck at it and pushed for the application and without him, Peter would not have been awarded anything . .



TO MANY IAN SCOONES is a name that would be associated with film and television special effects, working with the LES BOWIE Special Effects team and at the BBC. TV shows like the Hammer House of Horror show, Dr Who. Films like 1984, Thunderbirds working for Hammer films Bray studios, many films in which Peter Cushing appeared like, Frankenstein Created Woman, She, Night Creatures. Ian graduated from the Medway College of Art in 1960 and finding himself without employment, made some inquiries to Peter Cushing, who he had been a fan of, since he was a child. Cushing, in turn after meeting Ian, was instrumental in helping him gain employment with Les Bowie . . and the rest as they say, is history.


IT WAS SOMETHING THAT IAN NEVER FORGOT, that had Peter not helped him on his way, he may never have got a foot in the door, let alone employment, in such a competitive area. It was Ian's idea to sponsor the application, for Peter to be award an OBE, an 'Order of the British Empire' Medal, awarded by the Queen and government of the day, for services to the entertainment industry . . . Here for the first time on this page, is the actual letter that Ian received from the Prime Minister's office, telling him, that Peter Cushing was to be award the OBE . . . quite an achievement! Peter Cushing was extremely surprised and very humbled to receive the news of his award and Ian Scoones made all that possible! From 1994, Ian lived in retirement, first in Spain, then in Bulgaria, where he died on January 20th 2010, aged of 69.


TRIVIA: St George is also mentioned in Bram Stoker's novel, Dracula ' In the first chapter, the ill-fated Jonathan Harker is on his way to Count Dracula’s home, and has arrived in Romania on a very auspicious day. “Do you know what day it is?” asks the landlady at Bistritz. “It is the eve of St George’s Day. Tonight, when the clock strikes midnight, all evil things in the world will have full sway.” Needless to say, things didn't really get much better for Jonathan, from there onwards! 😄  Happy St George's Day! Please Stay Safe Everyone! - Marcus



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