TODAY WE REMEMBER and mark the BIRTHDAY of the, really quite amazing actor, George Pastell! George was a Cypriot character actor in many many British films and television programs. But his real name was in fact, Nino Pastellides. Although Greek, he was often cast by Hammer Film
Productions as Eastern characters such as Mehemet Bey in The Mummy
(1959) with Peter Cushing AND Christopher Lee; also the High Priest of Kali in The Stranglers of Bombay (1960); and
Hashmi Bey in The Curse of the Mummy's Tomb (1964). He also appeared with Michael Gough in Konga in 1961. George
made his film debut in Give Us This Day (1949), under his real name of
Nino Pastellides, and went onto carve out a career as villains in film
and television.
GEORGE'S exotic looks often saw him cast in spy movies of the 1960's such as
From Russia with Love (1963); Licensed to Kill (1965); A Man Could Get
Killed (1966); That Riviera Touch (1966); and Deadlier Than the Male
(1967). He did very much LOOK the roles! As well as these film roles, he could also be seen as 'the villain' in
numerous LEW GRADE television series of the sixties including Danger Man; The
Avengers; the BBC Doctor Who; The Champions; The Saint; and Department S.
PASTELLLIDES was also most prolific, however, in his voice-over work.
He worked replacing hundreds of other actors' voices, some very of them, very famous actors. Many films such as El Cid (1961) as "Fañez"; 'You Only Live Twice'
(1967) he voiced over, Tiger Tanaka; and in 'Doctor Zhivago' (1965) he voiced the character of Rita Tushingham's boyfriend, which earned him the
sobriquet the 'Paul Frees' of Britain.
GEORGE sadly passed on April 4th 1976, in Dade County, Florida, USA. It's pretty amazing how many roles, Pastell played through the years. But for many, his Hammer film roles, and the role of Mehemet Bey in The Mummy, is one of the most favorite. Happy Birthday, GEORGE. You are remembered and respected, very well!
YOUR TUESDAY TOUGHIE FOR THIS WEEK! HAVE FUN!
CINEFICION is a magazine I have mentioned here before. The above GIF is permanently, featured in the side column of this website too. I came across this magazine and the extra publications, that have been edited by superb DARIO LAVIA, about a year and half ago. I have been impressed by them all. Since I started managing PCAS here and on FACEBOOK, we have been approached by many fanzines, magazines and comics for either rare photographs or contributions to those asking. I have sadly, turned them all down. The reason? Most fanzines today, are purely REPEATING what other zines have done, MANY TIMES before them. The prices of zines are not cheap today, and many have closed and slipped away. CINEFICCION gets my interest because LAVIA comes at it, with a passion! PLUS he likes VISUALS. He makes the room for many. Many of them are in colour too!
THAT THE PUBLICATIONS are printed and written in SPANISH doesn't put me off at all, even though I don't speak Spanish. For me, visually the publications, click ALL my boxes! I get fed up, with fanzines and books, REPRINTING old photos and images they have also posted before. Many of these editors DO OWN rare images, but choose that only a few or or NONE are printed and shared with their buyers. NOT DARIO! That clicks my box. So much so, that last year I announced that our ENTIRE rare audio and video PCAS archive will be GIVEN to DARIO and his publications . . . for free! Masses of interviews from STAR actors, sadly no longer with us, actresses and directors will be given to Dario and the CINEFICCION publications, for their exclusive use. There will be many images and photographs too. I hope that this will help the content . .THIS WEEK I will be GIVING AWAY several FREE issues, so you can win em and see em, yourself! Keep a LOOK OUT!
IF YOU HAVE NEVER purchased any of the publications, here is a link to the CINEFICCION website. If you TOO don't speak Spanish... if visuals are your thing too, THIS will make you happy! Support these publications and purchase YOUR copies too! HERE is the CINEFICCION website: HERE!
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
CONGRATULATIONS to our TWO Competition WINNERS DAVE PAYN and PETER
DUNNE! Both have won the INDICATOR BOX SETS Hammer films 'Volume Two
Criminal Intent' . . .which includes Cushing's Cash On Demand, along
with some REALLY superb extras 🙂
THANK YOU to every one who entered and hopefully had fun too. BOTH
DAVE and PETER must get in touch HERE ON or OUR PCAS FACEBOOK PAGE within 48 hours, or
the prizes will be REDRAWN. Prizes arrive with 28 days, first class.
MANY MANY thanks to Indicator for sponsoring all our com petitions over
the past few weeks, excellent releases. VERY generous and provide SUPERB
releases 🙂 Thank you again, everyone!
MOMENT OF TERROR MONDAY: TO HEAD UP ONCE MORE... that we are bringing
some PC SHERLOCK HOLMES posts BACK to Sunday's for a short while, here
is a great little clip of Peter Cushing as Sherlock and Nigel Bruce as
Watson from his much loved series, that he made for the BBC back in the
late 1960's. This was one of the better episodes, a traditional one,
that's been made for the big screen and small many times..but this one,
is quite cool too! BASKERVILLES! 🙂 Do you have a favorite episode from
Cushing's BBC series, and how do RATE Cushing's BIG SCREEN Sherlock
performances compared with this entire TV series?? Lots of the TV
series eps to be found on our PCAS YOUTUBE Channel, by the way 🙂
STARTING NEXT SUNDAY for a LIMITED TIME ONLY . . . Peter Cushing as
Sherlock Holmes. New features, clips, films and rare photographs. ONLY
at the Peter Cushing Appreciation Society Website . .
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
#CHRISTOPHERLEESATURDAY: When Sir Christopher Lee relocated to US to
avoid typecasting in the late 70's he appeared in a number of different
genres of films comedy's, musicals . . . He did however make a few horror
films during this period..Here is one of the more stranger ones, 'The Howling 2' . . . a sequel to Joe Dante's 1981 werewolf classic 'The Howling'!
WHEN LEE WORKED with Dante in 1991 in Gremlins 2: The New Batch, one of the first things he did was apologize to director Joe Dante, for being in this film! Here is a fun clip of the finale of the film with Lee's confronting the werewolf Stirba. Are you a fan of this rather 'out there' film?
THIS OUR LAST COMPETITION to be ever launched or posted at our PCAS FACEBOOK FAN PAGE...it will close TONIGHT AT MIDNIGHT! So if you are going to enter,
NOW is the time!!
ALL competitions after this one, will be held ONLY at THIS PCAS WEBSITE..where they
are not hidden and crushed from reaching...er..over 33,000 people who
supposingly have joined the Peter Cushing page . .Good Luck with this competition, it's a GREAT release from INDICATION! YOU can ENTER HERE by posting YOUR answer to our WEBSITE email : petercushingpcas@gmail.com . . . .
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
REMEMBERING EDDIE POWELL TODAY🙂
Here is a guy who who appeared in many many Hammer films...was
Christopher Lee's favorite stuntman and stand the majority of his horror
films. Dracula Prince of Darkness, The Mummy's Shroud, he appeared in
several BOND films, Cushing's Dr Who, Daleks Invasion Earth. Later,
Indiana Jones and the Last Crusade, Batman in 1989... and not many of
the fans of Ridley Scott's ALIEN, realize it was Eddie in the costume
during many of the scenes and stunts!
BLESS YOU EDDIE, you were a master
and genius! PLEASE help us celebrate his birthday today, he sadly left
us in August 11th in 2000. He has left behind a real archive of work
and many friends and people who still miss him 🙂HAPPY BIRTHDAY EDDIE!
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
. . .MARSH was only twenty one when she made the film, but she privately expressed later that she had an emotional age of about ten at the time . . .
THE FIRST FILM: LONG BEFORE actress CAROL MARSH became known for her famous role in Hammer films, 'DRACULA' in 1958.Marsh started as an English film actress, and known for winning the astounding role of Rose, in the 1947 British block buster 'BRIGHTON ROCK', which also starred actor, Ricard Attenborough. MARSH won the role of gullible 'Rose', after thousands auditioned for the role. MARSH was only twenty one when she made the film, but she privately expressed later that she had an emotional age of about ten at the time, and was 'preyed upon' during
the filming: She once shared, ‘People were very, very cruel. Why didn’t they just leave
me alone?....I’ve never seen the film and I couldn’t bear to….All I’ve
seen are when I’ve been sitting at home and clips come on the TV. I was
riveted by one shot of me running down the Pier and saying ‘Pinkie!’ I
thought, My God what a sweet little girl. So naturally sweet. . . . . .’
THESE ON SETphotographs were taken for publicity. MAYBE one or two would have been intended for NEWSPAPERS or FILM MAGAZINE features? It never happened. These were never used. NOW showing both MARSH and ATTENBOROUGH OUT of character and taking advice from DIRECTOR JOHN BOULTON and enjoying the beach and the sea. TRUTHFULLY, DESPITE MARSH"s relaxed and committed appearance . . she much later shared that she felt angry, frightened and worried. A position as an actress and a single woman, she would never quite understand or change . . .
CAROL was only 20 when she read for the part with the producer John
Boulting and the star of the film, Richard Attenborough. As the
impressionable young woman who falls for and marries the vicious
small-time gangster Pinkie Brown (played by Attenborough), Carol Marsh
turned in a performance of powerful pathos. The close of Graham Greene's novel, in which Rose returns home looking
forward to listening to Pinkie's recorded "love letter", has been called
one of the great harrowing finales of 20th-century English literature. As we can see in the VIDEO CLIP ABOVE, before ATTENBOROUGH's Pinkie is killed falling from the pier, he records a message for
the doting, oblivious MARSH's Rose in a "make-your-own-record" booth: "You
wanted a recording of my voice, well here it is. What you want me to say
is, 'I love you'. Well, I don't. I hate you, you little slut... But actually, the film differs from Green's book in that, when Rose plays the record,
the needle "sticks" – and she hears only "I love you", repeated over and
over again.
CAROL MARSH was born Norma Lilian Simpson on May 10 1926 in Southgate, North London, the daughter of an architect and surveyor. She was
educated at a convent school in Hammersmith, where she often performed in
school plays. Her first desire was to sing, and she won a £7-a-year
scholarship to the Royal Academy of Music, where she studied speech and
drama, with singing as a second subject.
LATER MARSH went on to the Rank Charm School before joining Rank's repertory company at Worthing, where her performances in As You Like It and White Heather won high praise.
AFTER BRIGHTON ROCK, . . for which she changed her name to Carol Marsh . . she dyed her hair platinum for the title role in Alice in Wonderland (1949) (ABOVE) . In the same year she was in three comedies: Marry Me, Helter Skelter, and The Romantic Age, (BELOW) in which she appeared with Mai Zetterling and Petula Clark.
MARSH WAS THE FRAGILE, delicate yet ghoulishly determined Lucy,
Christopher Lee's ill-fated victim, in the 1958 Hammer production of'Dracula', (ABOVE) the first colour version of Bram Stoker's classic. In the 1951 film of'Scrooge',
with Alistair Sim in the title role, Carol Marsh played the old
skinflint's sister Fan, who dies giving birth to his nephew, Fred.
CINEMA POSTER: IN A SERIES OF MOVIES IN 1952, CAROL APPEARS
IN PRIVATE INFORMATION
CAROL CAREER continued into the 1960s with films such as Man Accused and parts in television dramas, among them 'THE ADVENTURES OF SIR LANCELOT' (ABOVE) and Dixon of Dock Green. In the 1970s she appeared in the record-breaking West End play THE MOUSETRAP (BELOW). . . playing MOLLIE RALSTON, again character with a young minded role . .
MARSH HAD MADE HER television debut in 1950 in The Lady's Not For Burning, starring Richard Burton and Alec Clunes. She was Miranda in a children's version of The Tempest, and Alexandra in Little Foxes (both 1951). She featured in the 1959 Trollope serial The Eustace Diamonds, playing Augusta Fawn, and was Mrs Blacklow in the Arnold Bennett serial Lord Raingo of 1966. . . .all productions were again, as ever, she could play a role that she could understand, STILL being a person, she felt, had a YOUNG emotional age and now, experience. Sadly now, many of those productions, hold little or NO photographs, archive footage or publicity written material.
FROM 1966 until 1979, Carol was busier on radio, and was a member of the BBC Drama Rep . Even though she had always encouraged photographs, interviews and making herself seen before this time, now in life, Carol Marsh shunned all interviews and publicity. So it was surprising, when she was reached her
sixties, the journalist Nigel Richardson traced and interviewed her for
his travel book Breakfast in Brighton (1996)
"People kept telling me, 'When the next film comes out you'll be a star forever!'," she told Richardson. "But it never happened." By then she was living a reclusive life in Bloomsbury, "....with no one to
please and no one to hurt me". When Richardson praised her luminous
performance in Brighton Rock, she replied that the thought of how
good she might have been, "crucified" her: "I've never seen the film and
I couldn't bear to."
NOTE: It seems that after her first film, 'BRIGHTON ROCK' Carol lived and worked in a shadow of disappointment. Some how her experience, after working on that film, made her feel she had missed the opportunity of better work, that she could have been a star! She thought that as a person, her lack of maturity, and how she HAD to PLAY roles, had crushed her chance. She thought no potential would now come her way, after making BRIGHTON ROCK. So for the majority of her career, and certainly in the later years, she thought anyone wanting to interview her, was mistaken, that she didn't possess what the public and fans, thought she had. When Marsh appeared as Lucy in Hammer films, DRACULA, to her it was just another role, but one she felt she COULD play. LUCY was young, innocent, simple minded. EXACTLY how CAROL saw herself. From around 1966, when Hammer produced their second Christopher Lee DRACULA film, with DRACULA PRINCE OF DARKNESS, a keen interest started in the FIRST DRACULA from 1958, and her role became part of the pattern of publicity. MARSH never understood the impression and influence she had achieved. For many fans, her performance in the role of Lucy, was one of the great highlights of the film, and MARSH was highly respected for that. An opinion she never understood or believed.
FOOTNOTE: IN THE EARLY 1990's, I attended a convention, purely out of fun. I was now working in the industry myself, no longer managing PCAS, but going along to introduce my children to the fun, films and performers, that had entertained me at their age. They too had a few copies of the Hammer films and enjoyed them very much. This event was open for the day, in London with several actors, actresses and connections with Hammer films and fantasy tv shows. It was for us, a few hours, while waiting to attend a theatre production, that a few of my friends were starring in. After an hour my sons and daughter went off and looked up some magazines, they hoped connected with STAR WARS, I took a break and went to make a telephone call, in the reception area. Sat by a phone shelf, was a woman who told me, the phone was free. She had just used it and was now waiting for a taxi to arrive, that she had called. I asked her, had she been enjoying the convention, did she arrive early that morning, to meet some of the big names. She told me she had only been there half an hour, and was now leaving, that it wasn't right for her...! It was only then, when I made eye contact with her, and saw her NAME BADGE, I released she wasn't a fan or a visitor at all, she was one of the GUESTS! It was CAROL MARSH. I could sense her annoyance, she was ready to leave.'I haven't really made anything that would interest anyone here. I thought it was a ridiculous idea, to come along' Before, I could say anything, she looked past me, smiled and nodded with relief. 'Lovely, it's my taxi! I timed it right. Timing has never been my gift. It was bad enough with BRIGHTON, but when I fell down the hole as ALICE, I REALLY did fall. My chance in my career was over. Mr Fisher was gentleman, not that anyone would know or remember THAT role here!' She picked her handbag off the floor, took out her purse for her taxi fair. 'Well, I hope you have a nice time here...'At that point my two sons and daughter, joined me. My son showing me a FAMOUS FILMS issue two magazine, that he had just bought for ten pounds, which featured an entire photo script of every shot from the 1958, DRACULA...starring, CAROL MARSH. 'Dad, look Hammer's DRACULA 1958!, he cheered. 'Yes..' said CAROL, 'Peter Cushing was lovely! He loved children. Oh, my isn't taxi driving off is it??'' My son was still flicking through the photo pages, 'This is great, Dad. Look photos of LUCY the vampire girl! Was she a girl? She seemed really young! How old was that actress?'. I turned around towards CAROL and the front door, she didn't turn to us . . . . four steps and she was gone.
Marcus Brooks.
REMEMBER! IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
