Friday, 28 August 2015

SUSAN DENBERG: THAT FEMININE TOUCH : WOMEN IN GOTHIC : PART FOUR FRANKENSTEIN CREATED WOMAN


The Baron's most physically perfect creation was undoubtedly Christina, played by the enchanting Susan Denberg, in Fisher's return to the series, Frankenstein Created Woman (1967). Born Deitlinde Zsechner in Bad Polzin, Germany - which is now Polczyn-Zdroj in Poland - Denberg was a gorgeous blonde who had been a chorus girl in both London and Las Vegas.


She was the daughter of Austrian and German parents, having been raised in Klagenfurt, Austria, before making her decision to go into show business. Having adopted the name Susan Denberg, she became the centrepiece of a nationwide contest in America during the production of a film called See You in Hell, Darling, (AKA An American Dream)  in which Warner Bros had offered a $500 prize in a publicity campaign to come up with a new name for the actress.


There were 5,000 entries in the contest, including the bizarre 'Norma Mailer,' but they were all rejected and she remained Susan Denberg.


Acting against such veterans as Cushing, Thorley Walters, Peter Blythe, Barry Warren and Peter Madden, Denberg held her own. Given her relative lack of acting experience - the only other performance she is remembered for is as one of Mudd's Women in a Star Trek episode - she is, in fact, something of a revelation.



FRANKENSTEIN CREATED
WOMAN ORIGINAL THEATRICAL
TRAILER


Although her voice was ultimately dubbed in the film by another actress, Denberg's natural talent shines through. She is just as convincing as the 'crippled' Christina as she is portraying the 'created' one, who receives not a brain transplant, but a 'soul transplant' from her dead boyfriend.

THE UNRAVELING



This was not an easy role for an ingenue, and indeed would have taxed a more experienced actress, but she brings it off with passion and grace. Of course, what made playing the dual roles even more difficult was that Christina, once 'reborn,' was possessed by the soul of a man! In a genuinely disturbing scene, and one which the censor objected to, Christina has the severed head of her lover Hans (Robert Morris) skewered on her bedpost so that she can commune with her - his? - former self.

HEAD IN A BOX!


Later in the film, she carries the head around in a hatbox, and after her final murder - in which she avenges herself upon the last of Hans' three killers - she pulls it from the hatbox and speaks to it in Hans' voice in a scene reminiscent of the classic ventriloquist sequence in Dead of Night (1945).

 

CHRISTINA AND HANS

Although publicity photographs for Frankenstein Created Woman featured Denberg in a kind of 'bikini bandage' outfit with Peter Cushing nearby, seemingly proud of his 'creation,' no such scene was in the film. Those who wanted to see 'more' of Denberg had to settle for her Playboy layout, which had already been published in August, 1966.


Unfortunately, the postscript to Denberg's life story after Frankenstein Created Woman was not a happy one. Her drug use caused her to have a nervous breakdown and she made only two more appearances, both on American television, before returning home to Klagenfort. Broadcast interviews of the time show an obviously depressed Denberg alongside her mother. Eventually, fans began to circulate rumours that the actress had taken her own life, but in fact, she still lives in Austria as of this date.


The reputation of Frankenstein Created Woman continues to grow, perhaps in part because of Denberg's 'mysterious' disappearance from public life. The highest praise for the film has come from none other than Martin Scorsese, the Oscar-winning director who chose Frankenstein Created Woman to show as part of a National Film Theatre series of his favourite films. Introducing the movie, Scorsese (who had once considered becoming a priest before he was a filmmaker) said: 'If I single this one out, it's because here they actually isolate the soul, a bright blue shining translucent ball. The implied metaphysics is close to something sublime.' 


BEHIND THE SCENES ON 
FRANKENSTEIN CREATED WOMAN
AND PETER CUSHING ON HAMMER FILMS

 


More About SUSAN DENBERG in our Special Feature
'The Girl From Pomerania'
Here At The Website Quick Link: HERE


Did You Miss PART THREE of That Feminine Touch : Women In Gothic 
 The Evil Of Frankenstein: Featuring Katy Wild And Carol Gardner?
You Can QUICK LINK To It Right HERE 


Feature Written by: Bruce G Hallenbeck
Stills: Stephen Jones and Marcus Brooks
Feature Design: Jamie Somerville and Marcus Brooks


Join Us For Daily Updates, Pics, Features and 
Much More At Our Peter Cushing Facebook
Fan Page : HERE 

Sunday, 23 August 2015

DR WHO AND THE DALEKS : RELEASED 50 YEARS AGO TODAY


Today marks the 50th anniversary of the release of AARU Productions of 'DR WHO AND THE DALEKS' starring Peter Cushing as Dr Who, supported by Roy Castle, Jennie Linden and Roberta Tovey. The film is based on the second serial of the British science fiction Doctor Who television programme, The Daleks, produced by the BBC. Shot in Technicolor, it is the first Doctor Who story to be made in colour and in a widescreen format.


Peter Cushing's portrayal of Dr Who was never intended to form part of the ongoing storylines of the television series. His role in neither this film or sequel, Daleks Invasion Earth 2150 AD are not considered canon. Elements from the programme were used, however, such as various characters, the Daleks and a police box time machine, albeit in re-imagined forms.


Produced by Milton Subotsky and his partner, Max Rosenberg who formed Amicus Productions in the early 1960's, Dr Who and the Daleks production was managed by an off shoot company AARU, specifically form for the two Dr Who enterprises.The film was at the time, the twentieth biggest British box office moneymaker in 1965.


Good old fashioned family entertainment, from a more innocent time, Dr Who and the Daleks celebrates the 50th Anniversary of the day of it's cinema release in the UK today!


PLEASE CHECK OUT OUR FACEBOOK FAN PAGE : HERE

NEWS: ROGUE WARS TO FEATURE DIGITALLY RECREATED CUSHING GRAND MOFF TARKIN


NEWS: AS REPORTED IN MAIL ON SUNDAY TODAY : AUGUST 23RD 2015

As the grim-faced star of countless horror films including Dracula and Dr Frankenstein, Peter Cushing raised life from beyond the grave, But now the British actor, who died in 1994, will be raised from the dead himself.

 
Cushing, star of many Hammer House of Horror movies, will be digitally recreated in the new Star Wars spin-off Rogue One, which is being filmed at Pinewood Studios in Buckinghamshire and is due to be released late next year.

In the original 1977 Star Wars, Cushing played evil Grand Moff Tarkin, commander of the Death Star and 'boss' of Darth Vader. In the new film Cushing, who died of prostate cancer aged 81, will be painstakingly brought back to life using the latest Computer Generated Imagery (CGI) techniques.


A source told The Mail on Sunday: 'This is one of the most complex and costly CGI re-creations ever. Cushing is a pivotal plot line as he was the one to create Darth Vader and there's a whole back story that will come out.'

But the film-makers face one particularly tough task – creating Cushing's legs and feet.


When director George Lucas filmed the original Star Wars, he gave Cushing and other Galactic Imperial officers ill-fitting leather riding boots. Cushing complained so bitterly that Lucas let him wear slippers, forcing cameramen to shoot from the knees up or have him stand behind the Death Star conference table.


'They are going through hours and hours of old footage from the horror movies to recreate his legs and feet to produce realistic movements,' said the source. 'It is eerie to see someone who has been dead for so long come to life on a screen.'


CGI has been used before to complete movies when actors have died during production, including when Oliver Reed suffered a fatal heart attack while filming Russell Crowe's Gladiator in 1999.


 Story:  Caroline Graham for The Mail on Sunday

Wednesday, 19 August 2015

MILESTONE HIT AT CUSHING FACEBOOK ACCOUNT : OVER TWENTY THOUSAND AND RISING!


PCAS FACEBOOK FAN PAGE HITS TWENTY THOUSAND MILESTONE!

Keeping The Memory Alive: Many, many thanks to all of you who have made this wonderful milestone possible. For those who have been with us from the beginning and those who joined today..THANK YOU for keeping the memory of Peter Cushing his life and work, not just a memory, but a living one, that you all take time to visit here and pay tribute and have FUN too!. From us all again, TWENTY THOUSAND THANK YOUS!

Photograph: Peter Cushing even in his twilight years, could still give a scare...even if his tongue was firmly in his cheek ;)


Tuesday, 18 August 2015

KINO TURNS ON THE LIGHTS IN NEW LONG SHADOWS BLU RAY RELEASE SEPT 2015


KINO's latest offering from their Studio Classics Line, House of the Long Shadows on blu ray, offers an attraction that no video / dvd or blu ray has been able to furnish us with yet... a print of the film, that you CAN actually SEE! KINO's release is presented in AVC encoded 1080p high definition framed at 1.85.1 widescreen...and looks all the better for it. C'mon there are SHADOWS and there is just too plain DARK! 

I spotted a review by Ian Jane at the DVDTALK.COM website and I'm attaching the link here and at the bottom of this piece, so you can read for yourself, about this release....Here also for the very few who don't know what they're missing, if you've not SEEN this film, pardon the pun... there are some good points I've pulled out from Ian's review... 

:"Director Pete Walker's horror comedy The House Of The Long Shadows never got a domestic DVD release outside of an MOD/DVD-R release from MGM (which featured a shoddy full frame tape sourced transfer), which is surprising when you consider the pedigree of talent involved in the picture." In KINO's blu ray release you can actually see what's going on inside the shadowy interiors now and detail and texture are strong across the board." 

:"On the extras interview with Pete Walker he says,  how this movie basically got him out of retirement, working with Golan and Globus, how the film was basically a nostalgia piece and how everyone in the world absolutely loved Peter Cushing" 

"The House Of The Long Shadows maybe could and should have been more than it is but as it stands, it's a blast watching four screen legends unite (in the only film the four of them would appear together in) for a genuinely enjoyable mix of humor, horror and mystery. Kino's Blu-ray release offers a massive upgrade over the previous release and it throws in some quality supplements as well, giving this amusing and charming picture the special edition it deserves. Highly recommended.... Now all you lucky folks in the US, it's safe, the LIGHTS ARE ON....go get your copy!

The FULL REVIEW by Ian Jane is HERE @DVDTALK.COM


JUST CLICK  HERE 

Monday, 17 August 2015

HAPPY BIRTHDAY TO YOU: SHANE BRIANT


Please join us in wishing SHANE BRIANT a very Happy Birthday Today! Shane's Cushing connection is of course his role as the young Dr. Simon Helder in Hammer film's, Frankenstein and the Monster from Hell (1974), with Peter Cushing, Madleine Smith and Dave Prowse. Cushing's last Frankenstein and director Terence Fishers last film, he also appeared in several other Hammer films Straight On Til Morning, Demons Of The Mind, and Captain Kronos Vampire Hunter.

Shane has been keeping busy recently filming in Indonesia for the tv series 'Serangoon Road' and 'Gallipoli'... plus there are his books, for which he has won much acclaim. He writes a good horror! Worth looking them up. Shane played one of Cushing's more interesting assistants in Frankenstein and the Monster from Hell... not afraid to get his hands bloody! and had some very good scenes with Cushing...and I think, he helped the Frankenstein series go out with a lot of dignity! Happy Birthday, Shane!

 
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