NEWS : BRITAIN'S FIRST FRANKENSTEIN MUSEUM READY FOR CREATION!

IT WAS THE ROLE THAT nailed #PeterCushing to the movie map and made both him and Christopher Lee into household names, with a mini budget movie produced by an even smaller UK film company called, #Hammerfilms. Jimmy Sangster wrote a scaled down script of the classic novel by Mary Shelley, #Britishfilm director, Terence Fisher called the shots, and 'The Curse of Frankenstein' not only hit huge box office success, it also changed the style of horror films and rebooted the Frankenstein film. Peter Cushing would go on to appear in a further FIVE Frankenstein films for Hammer.  'The Curse of Frankenstein' also presented Christopher Lee as an often child-like but savage 'monster-creation', his appearance compared to that of the traditional Universal #BorisKarloff Jack Pearce make up artist style, was quite a different. Hammer films continued their #Frankenstein series, but again in a different style to the Universal horror films, in a clever turn, they created a focus on adventures of  The Baron himself, instead of the '#TheMonster'. It was a brilliant and box office friendly plan, as not only did the audience get a different creation for every new story and title, but also Cushing's amazing Baron for the price of one ticket!

FOR DECADES the character of Baron Frankenstein has fascinated audiences with new theatre, television and cinema productions being produced every year. And it is maybe this and the fact that that the company behind the Frankenstein Museum , #Bath Attractions . . is based in the very city where #MaryShelley wrote the iconic 'Frankenstein' novel in 1818! READ ON . . .  

PLANS ARE BEING DRAWN UP for ‘Mary Shelley’s House of Frankenstein’ to celebrate the author’s “extraordinary life and her most lauded work” - much of which was penned in the Somerset city. #Bath Attractions Ltd are planning to convert Grade II-listed offices in Gay Street - a few doors up from the Jane Austen Centre - and hope it could open later this year. The  planning application says: “Mary Shelley’s House of Frankenstein is a new multi-sensory, fully immersive family-friendly visitor attraction proposed for the City of Bath, and the UK’s first attraction dedicated to #MaryShelley and her novel, Frankenstein, one of the world’s most famous, iconic and lauded creations.

“Exploring her complicated and tragic personal life, literary career and the novel’s continuing relevance today in regards to popular culture, politics and science, the attraction aims to deliver a sophisticated, entertaining and visceral experience like no other, and one which we hope the city of Bath can be proud of.”

THE AUTHOR'S LINKS to Bath are commemorated on a plaque at the site of 5 Abbey Church Yard, where she took lodgings arriving in the city in September 1816, then named Mary Wollstenecraft Godwin. It was there that she wrote much of #Frankenstein , which was published anonymously in 1818 and is now regarded as the world’s first #sciencefiction novel.

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NEWS UPDATE: WHITSTABLE BENCH TO BE RESTORED AND THE BRASS PLAQUE TOO!

A VERY GOOD UPDATE, to the story about the Peter and Helen Cushing Bench at Cushing's View in Whitstable. Also news on the brass plaque and the reason why it went missing. I am SO happy to know, it's disappearance was NOT down to an act of vandalism and theft. These details were printed on the Canterbury Council News site today . . . This is good news, thank you Canterbury City Council!

WORK TO RESTORE Peter Cushing’s memorial bench in Whitstable is about to get underway. The city council has commissioned artist Will Glanfield to carry out the project. He originally made the seat, which is located at Cushing’s View on the seafront behind Keam’s Yard car park, in 1990 and will be restoring it using original Jarrah timber. A few weeks ago, a member of the public contacted the council to say the bench’s plaque had gone missing. The council had begun making arrangements for a replacement when Peter Cushing’s former personal assistant, Joyce Broughton, got in touch to say the original plaque had been handed into Whitstable Museum. The council believes the screws had rusted and the plaque had become loose, prompting a member of the public to remove it and hand it in. And when an officer met Joyce at the bench to collect it, the need for the restoration work to the bench itself became clear.

Peter Cushing on the day of the grand opening of Cushing's View on the sea front at Whitstable, Kent.

THE BENCH WILL BE REMOVED in the next week or so and repairs are expected to take around a month. The bench’s dedication plaque will also be reattached. Chairman of the council’s Community Committee, Cllr Neil Baker, said: “We know how important Peter Cushing’s bench is to the people of Whitstable. The last time it was removed for repairs, there were concerns it had been taken away forever, so we want to be clear this is only temporary and that it will be back in a little while, looking better than ever. “It’s particularly good that we’re using the original artist, Will Glanfield, for this project. He will treat the bench with the tender loving care it deserves and we know he’s going to do a great job.”

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#TOOCOOLTUESDAY! ANANKA'S LIVE AND WELL AND RESTING IN . . .PERTH???

#TOOCOOLTUESDAY! When Hammer films and Lionsgate launched their UK release of the remastered blu ray of the Cushing / Lee Classic 'The Mummy' in 2013, it was the feather in the cap of three amazing releases and titles, titles that are sometimes considered to be, the the best from the cozy cottage studio on the Thames. Stepping out in glorious Eastman colour, cleaned up, crisp and looking much, much more than its estimated £125,000 budget, Peter Cushing, Christopher Lee and cast, have never looked better.

Everyone seemed to agree, whatever had happened with the previous remastered classics, this one...appeared to be spot on. Even the extras were very cool too. In one of the extra features, detailing the accuracy of the sets, the props and costumes, a suited expert tells us of a . . .' magnificent custom made sarcophagus that was lovingly built by the Bray studios craft, plaster and carpentry workshops...in fibre glass... and that it is now housed in the collection of the Perth Museum and Art Gallery, Scotland!' . . . . There follows a pause...

And then, he moves on...! Where one would have expected a photograph or a short clip of the final resting place of Ananka...nope. Not a Pharaohs Tut or Thank you. Just Nada of the Nile! That afternoon, and for quite sometime later, I looked everywhere for photo, a clip a drawing ...anything.  

Finally, some time later, it was left to Hammer historian Robert J E Simpson. . . to come up with the goodies. Yes, it's not in Egypt, or sadly in a Hammer films museum... it's in Perth, Scotland. And that, is as good a place as any. We are lucky it's anywhere! It looks just as impressive as it did, when John and Stephen Banning found it, all those years ago...! So, thank you Perth Museum for keeping the ol' gal safe... and thank you Robert, for taking that photograph. Now that...IS cool!

Robert J. E.  Simpson is a writer, director, Hammer film historian and archivist, who has provided several  works for inclusion on the official Hammer film blu rays including the media booklet which was part of the UK blu ray release of Hammer films, 'The Mummy' (1959). Robert has a presence on several social media platforms including INSTAGRAM  and  FACEBOOK

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA   

TWO TARKINS TWO SHOES TWO SLIPPERS TWO CITIES AND TWO LEIA'S : #THROWBACKTHURSDAY!

#THROWBACKTHURSDAY: HEADS YOU WIN! Totally weird tale of

 attending to TARKIN!

#THROWBACKTHURSDAY:The late Carrie Fisher with Peter Cushing and George Lucas plotting and blocking their scene on the set of the Death Star at Elstree film studios in April 1976.

#THROWBACKTHURSDAY: SLIPPERS OR SHOES? Of the four days days that Peter Cushing spent on set shooting his scenes as Grand Moff Tarkin for #STARWARS in April / May 1976 at Elstree film studios, I have never been able to put a time line on when exactly he changed his ill fitting boots, for those legendary slippers. ALL the behind scenes photographs that are available of him shooting his scenes, where he is without his Tarkin boots, he is wearing what appears to be his black leather day wear shoes, presumably a pair of carpet slippers, were not around to slip into? 

THE FOOT WEAR in the above photograph, can be seen to be made of leather, with a typical leather tongue. Shoes? If we are to presume that the BROWN SOFT MATERIAL slippers in the glass display case at the Cushing Whitstable Museum exhibit ARE the slippers he wore on set...I have, as yet, not in 40 years seen any photographic evidence of them in any candid photographs taken from the days of Cushing shooting . . .

#THROWBACKTHURSDAY!: PETER CUSHING'S Tarkin slippers displayed at  Whitstable  Gallery and Museum . .

#THROWBACKTHURSDAY: TWO LEIA'S Carrie Fisher and her stunt double Tracey Eddon on the set of Return of the Jedi.

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA. 

#TOOCOOLTUESDAY: TOY THEATERS THAT ARE TOO GOOD TO PLAY WITH!

#TOOCOOLTUESDAY: One of Peter Cushing's many hobbies, the building of model theaters. Each theater came complete with hand-made scenery, props, acting figures and characters, tabs and lighting. Every theater also had operating curtains. Each theater was set with a particular scene from a play, musical or opera. ALL hand made and painted. It's thought there were up to twenty working theaters, these were permanently on display in his loft studio, at the Cushing's home, Sea View, Seasalter, Whitstable.

FROM 1952 UNTIL 1971, Peter was hardly ever resting (resting : the professions term for being unemployed). With the obvious thousands of man hours to make these theaters, it makes you wonder, when Cushing actually had time to spend on this work. Cushing also made model airplanes, board games, train set lay outs with model villages and towns, painting, bird-watching, jewellery making and collecting and reading books! All of this, with exception of reading and studying for his professional work, stopped when his late wife, Helen Cushing sadly died. There was however, one little window of time when Cushing did set to work on making some models. CEO of Hammer films, Michael Carreras had come up with the idea of a Hammer Films museum . . . he commissioned the making of a Chinese temple, as depicted in the Hammer / Run Run Shaw Brosthers film, 'The Legend of the even Golden Vampires'. Peter set to work, and didn't really stop for four whole days! He admitted that with the glues, paints and latex involved in making the model, his working clothes had to be burned! Sadly, the Hammer museum, didn't work out and what became of the temple is a mystery . . .

 

 

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#GETTHECUSHIONITSCUSHING: HAMMER FILMS: THE DEATH OF DRACULA

#GETTHECUSHIONITSCUSHING : One day, in another life, wearing another hat, I was in London, on the Thames embankment, yes the one where we see Cushing's Van Helsing pause for taking a breath in Dracula AD 1972. I was taking a large group of my students, on a field trip visit to MOMI, the Museum of the Moving Image. This was my first trip there. But, I had been told by many others, that it would be very worth-while and full of useful resources to film students. PLUS, some close friends who knew me and my hobbies very well, hinted that somewhere inside, was a little 'something', that I would really appreciate! How could resist? After getting 30 students through the box office, producing mutiple-prebooked tickets, each student was dispatched with worksheets and tasks, to keep the 'little darlings' busy for the best part of an afternoon, leaving me free to wander my way through the exhibits, interactions and displays. It was a vast building, and the museum was split into each 'Cinema Through A Decade' at a time. You walked into each decade area, through the door of a facade of a cinema of that era. In the early 1900's exhibit, you entered through a large opening in a tent, that represented, the traveling cinemas of the time.

I MADE MY WAY INTO the early 'glasshouse studios' of France, and the hand cranked cameras of the 1920's, until I walked through the box office and frontage of a London cinema of the 1930's. After twenty minutes, I came upon the 'something' my friends, had hinted about. Inside a glass case, was the actual Boris Karloff, lighting double dummy. Now looking a little tatty, but the genuine article. It was an impressive thing to see. I thought about my friends, and how they would have come upon it, when they visited, and how they probably all gave each other 'the nod', and chorused, 'Wow, you know who would like this! Ha!'. And, I did. It was certainly worth the price of the admission alone. I stood looking at it, for about twenty minutes, and made my way through the 1940's section. It was then I heard music in the distance. Faintly, just above the clashing voices, narrations and music from the other exhibits. It was a snare drum, and strings... 'diddle, diddle, dum. Diddle, diddle dum, ..dum..dum, dum, dum, dum, dum, DAH, DAH...!  I knew that rhythm! But, it couldn't be? I turned on my heals and rushed across the hallway, towards a corner ahead, around where, I thought that music was coming from. I turned the corner, and stopped in my tracks! Before me, I saw the huge facade of an Odeon 1950's cinema building, and outside the doors stood a very smart conseiage, above him and above the huge ODEON sign, a cinema screen, and on it . . . .

THE LAST THREE MINUTES OF HAMMER FILMS 1959, DRACULA! At that time, like many, I had seen the scene unfold hundreds of times on my TV, but NEVER had I seen it, on a cinema screen! I stood, peering up at the screen. Cushing running down the large refractory table, jumping at the curtains, Christopher Lee's scream and gasp of horror..and my gulp of emotion. I am not ashamed to admit it, I was profoundly moved. For me, it's probably the most iconic of all the scenes, from any and all the Hammer films. As a ten year old, I listened to it's soundtrack, on my battered reel to reel tape recorder, which was given to me by my uncle, because I wouldn't let up nagging him, until he gave it to me! Then, I transferred that recording onto an audio cassette. This was before the age of video, so a selection of images from the scene in a US magazine, would be poured over, while listening to the cassette! Then, VHS. 

DRACULA'S TUMBLE-WEED OF DEAD HAIR, drifted across the marble floor, as I looked to my right and left, I was surprised to see, a small crowd had gathered around me, all quietly watching the scene too. The titles were now moving up the screen. I sighed, and still looking up at the screen, took two steps back, before turning and almost colliding with a tall, thin face man, who had also been watching the scene up there too. 'Good, wasn't it?' he said smiling. Startled, I stepped back, catching my balance, I looked up one more time at the screen. 'Yes!' I said. 'It was VERY good' I watched the picture fade to black. 'Are you are a fan? A fan of.. Peter Cushing?' I turned to catch his answer. But he was gone! 

'Van Helsing pursues Dracula through the castle, accompanied by James Bernard's insistent chase theme. Dracula catches Van Helsing and tries to throttle him, Van Helsing tricks Dracula by playing dead. Then, in the nick of time, he leaps up. The vampire and the vampire hunter stand off like tigers. Then Van Helsing makes his final move. . . .

'As Dracula decays, Van Helsing's haunted expression conveys a mixture of exhaustion, revulsion, sadness and relief. Cushing later explained his own feelings about that shot : 'I was reading a review of the film, from a critic who said, '...at the end of Dracula, there is a look of sadness on Van Helsing's face. He has suddenly achieved his life's quest, and now what is he going to do? I can tell you that I didn't have that in my mind at all, when we were shooting the film. I stood there and run my hand through my hair and look down out of exhaustion. But the critic was absolutely right. Something in me was communicating that to the audience, and the audience fills in the rest!' 

 

 

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NEWS: PETER CUSHING AT 100: WHITSTABLE CELEBRATES IT'S MOST FAMOUS RESIDENT AT MUSEUM AND GALLERY

A celebration of the 100th birthday of Whitstable's most famous resident in images and objects from collectors across the UK and beyond, with linked special events in the town.

Included in museum entry charge.
Adults £3.00
Discounts £2.00
Children free to a maximum of 2 children per paying adult.
Free to Canterbury district Residents' Card holders and their children

PETER CUSHING WHITSTABLE HORROR FESTIVAL! WOULD YOU SUPPORT THIS?

WOULD YOU SUPPORT THIS FESTIVAL? PLEASE TELL US WHAT YOU THINK.