Showing posts with label guy henry. Show all posts
Showing posts with label guy henry. Show all posts

Friday 30 June 2017

#THROWBACKTHURSDAY: INCENSE CLIPS A GOLDEN BIRTHDAY AND HENRY ON CUSHING INTERVIEW


#THROWBACKTHURSDAY : FROM THE 92 feature films that Peter Cushing appeared in during his long career in television, theatre and cinema, there only about five titles, whatever your person taste, that could be deemed as 'almost unwatchable'. Sometimes it's because of bad production values, (Hitler's Son) technical ineptness (The Devils Men) of the director and his team (Tender Dracula) Sometimes the fault lies with botched scripting or editing (Touch of the Sun) where the film was fiddled with so badly, what remains of the story is a mess...and here we place Incense For The Damned 1970. 


I THINK I CAN CONFIDENTLY  say, there aren't any films, that I know of, that suffer because of Peter Cushing's contribution, it's often stated that many productions were saved, through Cushing's performance! 'Incense for the Damned' has been distributed under three titles over the years, Bloodsuckers, Incense for the Damned and Doctors Wear Scarlet, the title of the novel by author Simon Raven, that this film is 'loosely' based on.


THANKFULLY, CUSHING has but a guest appearance. His shooting was extended after the wrap, to try and bring a satisfying ending to the story...you'll notice his hairpiece has vanished in the addition footage in the films closing moments, presumably it had been sent back to the hire company. Director Robert Hartford-Davis, disowned the film, and had his name taken off the credits.The film was credited to Michael Burrowes... another name use by Davis. As for plot, it is very hard to keep track, and some long additional scenes of 'orgies' are played by a completely different group of actors that were added to a 'continental' version of the film.Although completed in 1969, Bloodsuckers did not get a general cinema release until 1971. Filming took place April-May 1969. Shooting took place in part in Greece and Cyprus.


SO, TO SAVE YOU THE TROUBLE of trawling through the 90 minutes of dross, are all of Peter Cushing's scenes from the film....don't worry that because the scenes are presented in isolation here, they will make little sense.... even when presented in the feature, they contribute little to the chaos . . . . 


#THROWBACKTHURSDAY: David Chiang Da-wei was born on the 29th June 1947 in Shanghai, (Republic of China) Chiang is a very famous actor and director, producer in Hong Kong. Chiang was very much a martial arts superstar in the 1970s, working under the Shaw Brothers Studio. He has appeared in over 130 films and over 30 television series.

DAVID CHIANG IN ACTION IN
LEGEND OF THE SEVEN GOLDEN VAMPIRES





IN 1974, Chiang starred along side Peter Cushing in Hammer films first of two co-partner feature films with Hong Kong based studio, Shaw Brothers. 'The Legend of the Seven Golden Vampires' Peter for the last time resurrected his character of Van Helsing, and together with Chiang, Julie Ege and Robin Stewart, took on an oriental Dracula played by actor John Forbes Robertson and a hoard of Kung Fu zombie vampires! Join us today in wishing DAVID CHIANG a VERY Happy Birthday!

#THROWBACKTHURSDAY: NOT THAT LONG AGO in on a planet, not that far away, actor GUY HENRY took on a role that many would have thought impossible, the playing of Peter Cushing's GRAND MOFF TARKIN from Star Wars in 'Rogue One'... but what does Henry think of Cushing, and how did he prepare... here Henry tells all!



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!
The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA. 

Friday 19 May 2017

YOU MAY FIRE WHEN READY!: TARKIN ROGUE ONE GIFS


#THROWBACKTHURSDAY: OUR SHORTEST TRIP back ever, maybe? December 16th 2016! It's when those immortal lines, were spoken again, and for some, we went back even further too!



'You May Fire, when ready......'







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Thursday 4 May 2017

MAY THE FOURTH BE WITH YOU: TARKIN : SPEAKING OUT


#THROWBACKTHURSDAY: It really doesn't seem like a whole year, since last we celebrated #MAYTHEFOURTH #STARWARSDAY! But, here it is! Since last year, the biggest news for us here in our Cushing Star Wars Universe, has been the release of 'ROGUE ONE: A Star Wars Story', with inclusion of a CGI Grand Moff Tarkin in the cast, and the unprecedented interest in all things Peter Cushing! And what a mixed bucket of Ewoks, that has been. For over a year, we covered first the rumor, the clues, the hoaxes and finally, the reveal.



OUR BEST BET was always that actor Guy Henry, was in someway connected with the role and that CGI was also involved. The first story that appeared in the press, spun stories about CGI staff at Disney and Lucas film, digging around in the dusty film archives, looking for 'footage' of Peter Cushing legs and feet... which we also always suspected to be a step too far. Either way, what was archived was well worth the wait, and ROGUE ONE did indeed, come up the goods, as a more than worthy addition to the Star Wars sage. Now we wait, for 'The Last Jedi' and if whispers are to be believed, it too will be a smash! HAPPY STAR WARS DAY!


BEFORE "Rogue One: A Star Wars Story," 56-year-old English actor Guy Henry was best known for his work on the BBC and in classical theater (he was also Pius Thicknesse in "Harry Potter and the Deathly Hallows"). But now he has played one of the "Star Wars" saga's best-known characters, even though his face was not in a single frame of the movie.Henry is the man and voice behind the most talked-about character in "Rogue One": Grand Moff Tarkin, who was brought to the screen through the magic of motion-capture computer graphics after being played by Peter Cushing in 1977's "Star Wars: A New Hope." Cushing died in 1994.


THE EVENTS in "Rogue One" happen just before what we see in "A New Hope," and to connect the dots, "Rogue One" director Gareth Edwards wanted to prominently feature Tarkin because of the character's role in the main plot point of both movies: the Death Star. But to do that, he and the team at Industrial Light & Magic decided to do something unprecedented: use a living actor to basically be the skeleton of their Tarkin and then replace the actor's face with a digital version of Cushing's.

ON MAY 5TH 2015, "Rogue One" casting director Jina Jay contacted Henry's agent and asked whether the actor could meet up for lunch in London with Edwards. "They chose a very secret lunch in one of the most public media places in town, the Dean Street Townhouse, which I thought was very clever of them," Henry recently told Business Insider of getting the role. "So we talked very quietly." In fact, Henry remembers that a table beside them recognized him from a show he does on the BBC and the diners came over to say hi. But this was one of the rare moments when visibility wouldn't help an actor land a role, since it was Edwards’ job at the lunch to persuade Henry to play the CGI Tarkin. "It was a very strange thing to get your head around," Henry said about the offer. "Normally as an actor you're presented to be another character, but there's another added complication here — it's me pretending to be Peter Cushing pretending to be Grand Moff Tarkin." Before Henry agreed to the role, he suggested that Edwards do a screen test of him, just to confirm the director's hunch that he would be right for the role. Henry acted out a Tarkin scene from "A New Hope," doing his best Cushing voice with his hair slicked back and makeup to make him look older.



EDWARDS WAS CONVINCED by what he saw, as were others at Disney and Lucasfilm. But Henry, who says he was always told he sounded more like his idol Peter O'Toole than Peter Cushing, was still very nervous when he agreed to take the job. "I wasn't comfortable throughout the whole process," said Henry, who spent a month of prep constantly watching Cushing's Tarkin in "A New Hope." "I was constantly plagued by the thought that I was going to be the tall idiot from London who let the whole thing down. When they look you in the eye and say, 'This has never been done before in the history of film, but we think we can do it,' you really don't want to muck it up. For them but also Peter Cushing, who was an actor that I always admired genuinely. I didn't want to go through this slightly weird process and let him down." Henry's Tarkin scenes were shot during principal photography in the summer of 2015. During his three-week schedule, a car picked him up at 4:30 a.m. every day for the hour-long drive to London's Pinewood Studios ("Rogue One" production was under the code name "Los Alamos"). 


AFTER PUTTING on the gray Imperial officer's uniform, Henry would then go to the makeup room where he would get his hair slicked back and a transparent mask with small holes all over it on his face. Then with a black eyeliner stick, the makeup artist would mark dots through the holes onto Henry's face. A person from ILM would then put the motion-capture dots over the marks on his face. Then right before a scene was about to start, a head cam would be placed on him, which would capture every facial movement Henry made.


BEFORE EVERY TAKE, Henry would repeat a Tarkin line from "A New Hope": "You would prefer another target? A military target? Then name the system." "It would just get me into the flow of the Cushing voice," Henry said of repeating the line. Henry would then perform the Tarkin scenes on the set with the other actors. Henry said he didn't always do the Cushing voice — sometimes Edwards would ask him to do takes "as Guy." "I did as much of a Peter Cushing [voice] with the rolling Rs as I could, which was f---ing difficult," Henry said. "I'm pleased that people don't find it a jarring voice and it seems to have worked, but I'm not a mimic. I did every take every day, including reshoots, and all along I just tried to do my best."


HENRY SAID THAT he actually told Edwards and the "Rogue One" producers numerous times that he would not be offended if they wanted to bring in a voice actor who could do a better Cushing voice. Henry even insisted on doing an ADR session during post-production so he could have another pass at the dialogue. "I can't pretend that it wasn't really frightening," he said. "When I offered the option of having someone else do the voice, they said, 'We don't want that, we want your performance, we chose you because of who you are, and we want you to inhabit the performance.' For better or worse, it's my performance." Henry wrapped on his three weeks, but that turned out to just be the start of his time on "Rogue One." With constant rewrites of the film's plot during production, along with reshoots, Henry said he was called back every other month or so up until November 2016. "I would always think, 'Back to the dots, back to the fear,'" Henry said.


ONE OF HENRY'S FAVOURITE moments was when Tarkin had to be his typical authoritative self and get under the skin of Krennic. "He gets into the mood and has got all guns blazing," Henry said of Mendelsohn's process. "So there was one scene where I play Tarkin particularly imperialist behind the camera to get him worked up, which I succeeded at beyond my wildest dreams. Ben thought I was looking at a monitor behind him, but in fact I was just being dismissive and he suddenly shouted, 'Don't look into the fucking monitor, Guy!' But honestly, we got along famously." Other than a brief look at a rough assembly of a Tarkin scene while the movie was in post-production (which eased his anxiety about what the filmmakers were trying to achieve), Henry didn't see the finished CGI Tarkin until he went to the film's London premiere a few weeks ago. Having to keep his involvement in the movie a secret to everyone he knew for over a year, he finally saw the fruits of his efforts. "I didn't eat all day," Henry said of the premiere. "I went in full of white wine and my heart in my mouth, but after the first Tarkin scene, I enjoyed it. I mean, I didn't get the whole script, so I was working in the dark. I was watching a film that I knew little about. I'm proud and relieved that it has been positive."

LUCASFILM received permission from the Cushing estate to show his likeness in the movie, and Henry said he had heard that Cushing's longtime secretary had seen "Rogue One" and enjoyed the Tarkin scenes. "If it had been done as a joke or a gimmick, that would have been stupid," Henry said when asked about the ethics issue. "But in this case it was an honorable attempt to tell a story with one of the most famous characters from the 'Star Wars' saga. I thought it was worth doing. If it doesn't impinge on the real living or dead person's sensibilities, I think it's another tool in the box. But I'm not in a hurry to repeat the process — I'll tell you that."


DESPITE THE anxiety around the role, Henry has no regrets and says the experience is unlike anything else he's done in his career. He looks forward to seeing the movie again — with less white wine in his system. 'I think it was an honorable tribute to Peter Cushing, and I'm very happy for that," he said.
(January 2017)
Interview Credit: HERE



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach our 30K following total for Peter Cushing BIRTHDAY on MAY 26th 2017 AND Help Keep The Memory Alive!

Thursday 13 April 2017

ROGUE ONE : 3D BLU RAY RELEASE : YOUR EASTER TREAT WITH GIFS


#THROWBACKTHURSDAY: A throwback, only to the end of last year when, 'A Peter Cushing', but not as some of us were expecting, burst onto the cinema screen. Rogue One has been a roaring box office success, and love or loath the Governor's CGI appearance, most were very happy to see Guy Henry's interpretation of Cushing's master villain.



#THE DVD is superb, the Blu Ray excellent, the 3D Blu Ray outstanding. The extra's disc is a credit to all involved in the film. I am, along with my family very much lovers of the whole #STARWARS series, Rogue One is an unexpected journey back to the experience I had back in 1977...And in 3D, the power of the DeathStar and the presence of Tarkin, really is quite awesome! I opted for this as my EASTER HOLIDAY present! It's a healthier choice, last longer than an Easter egg, and three times as tasty! I would love to hear any comments / opinions from anyone who has purchased and watched the film on any format.




INTERVIEW: GUY HENRY ON CGI : PLAYING TARKIN AND THE USE OF CGI : HERE!




IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach our 30K following total for Peter Cushing BIRTHDAY on MAY 26th 2017 AND Help Keep The Memory Alive!

Sunday 19 March 2017

MORE ON TARKIN CGI, GUY HENRY AND ILM BEHIND THE SCENES


#GETTHECUSHIONITSCUSHING: Here's a NEW interview with Industrial Light and Magic's Brian Cantwell and Paige Warner, sharing their stories behind the creation of Tarkin and Princess Leia... some great behind the scenes footage too!

 
ACTOR #GUYHENRY, who helped bring the CGI #TARKIN to the screen in #ROGUEONE said this during his time in preparation for the role: '“It’s been bloody frightening, I can tell you,” Henry says, “I mean, it’s Star Wars!”  “I’m gleaning everything I can from Cushing’s portrayal of him,” Henry explained.  “I’m not a mimic, I’m not an impressionist. It’ll be…an essence, I think, of the way Peter Cushing might have approached it. I want to feel I can get within spitting distance, at least, of the task ahead. It’s very daunting, actually, to try and be a famous character in the original film. And also to emulate an actor that I myself admire.”



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Wednesday 18 January 2017

HAVING A BLAST WITH NICK DIGILLIO ON WGN RADIO TODAY!


IF YOU MISSED IT today...here it is. We had our third live interview on the Nick Digillio Show on WGN radio in Chicago today! Lots of talk about Peter Cushing, Rogue One : A Star Wars Story and that CGI Tarkin.... Nick is a true friend of the society, a HUGE Peter Cushing fan, really bangs the drum for us and very generously gives us the opportunity to spread the word about Peter Cushing and the society. It's always fun, a real geek fest. Many thanks to Nick, Dan and the team for giving us the chance to reach such a HUGE audience! Just press the link... - Marcus



'I know what you're thinking...it's Gru from 'Despicable Me'! I should do conventions and birthday parties..'

Thursday 5 January 2017

NEW! HOW ILM BROUGHT TARKIN AND PETER CUSHING BACK TO THE SCREEN: SPOILERS!


NEW! SPOILERS! AN AMAZING short of just how INDUSTRIAL LIGHT AND MAGIC brought Peter Cushing's Grand Moff Tarkin back to the big screen in #STARWARS #ROGUEONE !







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Thursday 29 December 2016

HOW WAS TARKIN BROUGHT BACK TO STAR WARS *SPOILERS*


In an interview with The New York Times, Lucasfilm has explained the reasons behind the decision to bring back faces from the past into Rogue One: A Star Wars Story, along with the technology that made the feat possible.

A word of warning that there are spoilers ahead, so for those who have not yet watched Rogue One, you might not want to continue reading.


Making a new “Star Wars” movie can be like gaining access to a toy collection that has been amassed over four decades. For the creators of “Rogue One,” a film designed as a narrative lead-in to the original “Star Wars,” it was a chance to play with characters, vehicles and locations sacred to this series.


But as they revisited the 1977 George Lucas movie that started the “Star Wars” franchise, and gave fresh screen time to some lesser-known heroes and villains, the staffs of Lucasfilm and Industrial Light & Magic faced artistic and technological hurdles: most prominently, using a combination of live action and digital effects to bring back the character Grand Moff Tarkin. This nefarious ally of Darth Vader and commander of the Death Star was played by Peter Cushing, the horror-film actor, who died in 1994.

In doing so, they also waded into a postmodern debate about the ethics of prolonging the life span of a character and his likeness beyond that of the actor who originated the role. The effects experts and storytellers behind “Rogue One” (which was directed by Gareth Edwards and written by Chris Weitz and Tony Gilroy) say they have given careful thought to these issues and were guided by their reverence for this interstellar epic.


“A lot of us got into the industry because of ‘Star Wars,’ and we all have this love of the original source material,” said John Knoll, the chief creative officer at Industrial Light & Magic and a visual effects supervisor on “Rogue One” who shares story credit on the film with Gary Whitta. In his view, the character effects are “in the spirit of what a lot of ‘Star Wars’ has done in the past.”

Some vintage “Rogue One” characters were easier to conjure than others. General Dodonna, a rebel officer from the original “Star Wars” was simply recast; he was played by Alex McCrindle in the first film and Ian McElhinney in the new one. Tarkin presented considerably greater difficulties, but the filmmakers said it would be just as hard to omit him from a narrative that prominently features the fearsome Death Star — the battle station he refuses to evacuate amid the rebels’ all-out assault in “Star Wars.”

“If he’s not in the movie, we’re going to have to explain why he’s not in the movie,” said Kiri Hart, a Lucasfilm story development executive and “Rogue One” co-producer. “This is kind of his thing.” For principal photography, the filmmakers cast the English actor Guy Henry (“Harry Potter and the Deathly Hallows”), who has a build and stature like Cushing’s and could speak in a similar manner. Throughout filming, Mr. Henry wore motion-capture materials on his head, so that his face could be replaced with a digital re-creation of Cushing’s piercing visage.


Mr. Knoll described the process as “a super high-tech and labor-intensive version of doing makeup.” “We’re transforming the actor’s appearance to look like another character, but just using digital technology,” he said. In striving for a balance between a digital figure who seemed real and one who looked precisely like Cushing, the “Rogue One” creators said seemingly minor tweaks could make significant differences — and these details were tinkered with constantly. For example, the original “Star Wars” film (also known as “A New Hope”) was lit differently than “Rogue One,” raising questions of how to adjust the lighting on the character. 


Hal Hickel, an Industrial Light & Magic animation supervisor, said that lighting him “the way he was in ‘A New Hope’ improved his likeness as Tarkin, but it worsened the sense of him being real because then he didn’t look like any of the actors in the scene.”Side-by-side comparisons of Cushing’s daily footage from “Star Wars” and Mr. Henry’s motion-capture performance also called attention to subtle tics in the original actor’s delivery. As Mr. Knoll explained, “When Peter Cushing makes an ‘aah’ sound, he doesn’t move his upper lip. He only opens his jaw about halfway, and makes this square shape with his lower lip, that exposes his lower teeth.” Before nuances like this were accounted for, Mr. Knoll said their creation “looked like maybe a relative of Peter Cushing and not him exactly.” Still, the animators had one golden rule: “Realism had to trump likeness,” Mr. Hickel said. If the overall effect had not succeeded, Mr. Knoll said there were other narrative choices that would reduce Tarkin’s screen presence. “We did talk about Tarkin participating in conversations via hologram, or transferring that dialogue to other characters,” he said. 

Lucasfilm and Industrial Light & Magic said their re-creation of Cushing was done with the approval of the actor’s estate. But the technique has drawn criticism from viewers and writers. The Huffington Post called it “a giant breach of respect for the dead,” and The Guardian said it worked “remarkably well” but nonetheless described it as “a digital indignity.” Mr. Knoll said he and his colleagues were aware of the “slippery slope argument,” that their simulated Cushing was opening the door to more and more movies using digital reproductions of dead actors. “I don’t imagine that happening,” Mr. Knoll said. “This was done for very solid and defendable story reasons. This is a character that is very important to telling this kind of story.”He added: “It is extremely labor-intensive and expensive to do. I don’t imagine anybody engaging in this kind of thing in a casual manner"


If “Star Wars” films are still made in 50 or 100 years, Mr. Knoll said audiences would probably not see likenesses of Mark Hamill or Harrison Ford playing Luke Skywalker or Han Solo. (He noted that the actor Alden Ehrenreich had already been cast to play the young Han Solo in a coming film about that character.) “We’re not planning on doing this digital re-creation extensively from now on,” Mr. Knoll said. “It just made sense for this particular movie.”

The filmmakers also pointed to a scene at the end of “Rogue One,” when the intercepted Death Star plans are delivered to Princess Leia — who has been digitally recreated to look like Carrie Fisher in the original “Star Wars” — as an appropriate and effective use of the technology. Ms. Fisher died on Tuesday.

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