Showing posts with label gifs. Show all posts
Showing posts with label gifs. Show all posts

Thursday 7 June 2018

MILK SHERLOCK AND LOTS OF SCREAMING AND HONG KONG! IT HAS TO BE GIFS WEDNESDAY!


IF I HAD A DOLLAR BILL or  a pound coin for everytime that PETER CUSHING looked through a MAGNIFYING GLASS in a film or TV drama, I would be a wealthy man! This one is from the BBC SHERLOCK HOLMES series that Cushing starred in the late 1960's. I wonder if you could guess, which classic DOYLE SHERLOCK story this is? REQUESTED by ANNA MILES NY USA.



THE AMICUS FILMS, 'AND NOW, THE SCREAMING STARTS' to be quite frank, is one of my least favorite AMICUS / CUSHING films. To me, the script seems to wander, the horror ellements too, I find a little bad taste, and CUSHING sadly has little to do. If there is a moment, that does anything, it's that pretty dramatic scene with Peter and IAN OLGIVY in the cemetery, during a terrible storm. This was the only time AMICUS produced a GHOST story and also a period film. They certainly got the LOOK right, but the story, aint my kinda of thing. Here STEPHANIE (DRACULA AD 1972 ) BEACHAM as the newly married Catherine Fengriffen, looses her cool on the portrait of Henry Fengriffen played by HERBERT LOM. REQUESTED by AMANDA POOLE, Leeds, UK.


PART FIVE of our AMICUS FILMS OF PETER CUSHING has a great selection of rare stills from AND NOW THE SCREAMING STARTS : You will find it HERE!


SCREAM AND SCREAM AGAIN, WAS NOT AMICUS films, first venture into the world of SCI-FI CINEMA. Though this film, is never really sure, in WHICH genre it's sitting. I think that is one of the reasons why, many enjoy the film so much. It's reputation and following has really climbed in the last ten years, with a super dooper BLU RAY from TWLIGHT TIME back in 2013, giving it the treament and good extras. VINCENT PRICE and CHRISTOPHER LEE are great, Mr P having more screen time, and a wonderful exit! CUSHING'S role is brief as this film also stands as a very good example of how producer SUBOTSKY used his, 'stack those stars in the film and hire them for a limited time!' . .  it all paid off when their names were on the bills and the marquees!  REQUESTED by MIDGE ILLINOIS USA.


OUR FULL FEATURE AND RARE GALLERY on SCREAM AND SCREAM AGAIN can be found at this website BY SIMPLY CLICKING HERE!


IF I AM LOOKING FOR A FUN PETER CUSHING FILM with a BIT OF BITE, on for a late night view, this is the one that nearly always hits the player! Personally, I think JOHN FORBES-ROBERTSON did a good job as DRACULA, considering what he was dealing with. LEGEND OF THE SEVEN GOLDEN VAMPIRES despite being made by HAMMER FILMS, has very little in common with other films from the company. The film was a joint two film venture with, Shaw Brothers of Hong Kong. Their Horror and Supernatural films were presented in quite a highly stylised fashion, quite unique to the cinema of the country and culture. Many criticise the appearance and make up of Forbes-Robertson's DRACULA, unware that the almost 'phantom-demon' look to his face, is very much in keeping with what most vamps looked like in Hong Kong Horror Cinema of the 60's and 70's. Same too for the crumbling effects of the vampires, when they were killed. It ALL was in the flavour, of ASIAN CINEMA. The second film which Shaw made with Hammer films, also starred Cushing, was called CALL HIM MR SHATTER with STUART WHITMAN, as the star. BOTH are pretty neat films, entertaining too. A great pity Hammer never went on to make the other films, they had planned with Shaw Brothers...BELOW a lovely UK MILK MARKETING BOARD film, pushing the use of MILK on the set of the film, in a style only the 1970's cinema adverts, could do! REQUESTED by PAUL BARTON SURREY UK.



YOU WILL FIND POSTS LIKE THIS EVERY DAY AT OUR PCAS FACEBOOK FAN PAGE! UPDATED EVERY DAY! NOW WITH OVER 33,000 FOLLOWERS: COME JOIN CLICK HERE AND CLICK LIKE THERE!

Wednesday 30 May 2018

CORRUPTION : SUPER SPLATTER OR SHOCKING MISCAST?


FOR SOME NOT CUSHING'S finest hours! But there are many who consider his performance as SIR JOHN ROWAN in the film, CORRUPTION (1967) to be obne of his best! I can't say I personally sit on either stool. I like the film, but I can take or leave Cushing's performance. When the film was given a very impressive remastering by GRINDHOUSE a few years ago, it blu rays and excellent extra features package, flew off their shelves. Cushing had found a NEW audience, his probably one and onlY 'splatter' film! This little collection of GIF'S selected and requested by Carl Porter, ends with a fine example of how far, the violence is cranked up in this one and believe me, on watching the uncut European print, that was part of the GRINDHOUSE package, it doesn't stop there!

 



OUR PCAS full feature and gallery on PETER CUSHING's film CORRUPTION : 


THE FULL REVIEW of the GRINDHOUSE remastered BLU RAY :
 


IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach all lovers of Peter Cushing's work AND Help Keep The Memory Alive! 
 

Friday 27 April 2018

CASH ON DEMAND WRAPPED 57 YEARS AGO TODAY!


FIFTY SEVEN YEARS today Peter Cushing just wrapped with shooting one of his least expected, successes with Hammer films. A neat, tight and dramatic bank robbing saga, that started life as a BBC tv play just twelve months previously called, 'The Gold Inside'. Cushing plays a bank manager called Harry Fordyce, Andre Morell who had played Cushing's Watson just two years before, plays a foxy confidence trickster, called Colonel Gore-Hepburn. 


'CASH ON DEMAND' (1961) is quite a marvel really. With an almost penny-halfpenny budget, it holds the suspense and drama, through out it's 90min duration . . . which is real pay-off, when the plot, the nuts and bolts of the crime are revealed. It's a credit to Hammer films, who sometimes did not do as well, with their non horror movies. Cushing and Morell are superb. I know it's a favorite here, and this little GIF just about shows you, the spins and traps that Cushing's up-tight manager is put through. . . Recommended, wouldn't you say?




REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA

Sunday 22 April 2018

HAPPY EARTH DAY 2018 AND THE CALLUM MCKELVIE PROMO FOR NEXT WEEKS DOUBLE BILL!


#HAPPYEARTHDAY 2018! NOT ONLY is it EARTH AWARENESS DAY, but it's also a holiday for CALLUM MCKELVIE who usual gives us his latest PETER CUSHING themed feature on Sunday's! BUT I have posted some banner and links to previous articles from Callum and a little PEEP on what to expect form him, when he is all refreshed and bouncing NEXT SUNDAY! 


CATCH THIS FEATURE RIGHT HERE! 



THE SUNDAY REVIEW ALONG WITH THE ENTIRE FEATURE FILM IS
 RIGHT HERE complete with rare stills gallery!


READ CALLUM MCKELVIE'S FEATURE and watch HORROR EXPRESS


DOUBLE BILL ON TENDRE DRACULA AND INCENSE FOR THE DAMNED 


THE TOP FIVE NON PETER CUSHING FILMS


BOTH HAMMER FRANKENSTEIN CLASSICS WITH GALLERIES OF 
STILLS AND MORE : CLICK HERE! 


THE SKULL AND THE CREEPING FLESH : GIFS STILLS 
AND CALLUM'S FEATURE CREEP HERE!


TWO GREAT FEATURES LOADED UP WITH XTRAS all part of CALLUM's  PASSION for Doctor Who and the TWO CUSHING 'DR WHO' DALEK FEATURE FILMS, RIGHT HERE AND HERE! 


A PEEP AT NEXT WEEKS FEATURE! JOIN US DO!

Wednesday 11 April 2018

CAN YOU ANSWER THESE QUESTIONS AND GUESS THESE GIFS! CAN YOU BE THIS WEEKS SUPER FAN??


1: THE INTERIOR of this shot was filmed WHERE? WHICH TWO ACTORS who appeared in this film, originally wanted to be an OPERA SINGERS?


THIS WEEK we are trying something a little new. GIFS and QUESTIONS! IF you want to be part of and in the SUPER FAN RATING, you have to get as many of the QUESTIONS CORRECT as you can! In multiple answers to a question, you'll get a point per answer. I will be posting the SCORES with NEXT WEEKS QUESTIONS and GIFS, plus the ANSWERS! IF YOU GET the HIGHEST SCORE, that week, your name will appear in SCORE TABLE RATING IN NEXT WEEK'S SUPER FAN BANNER GIF. A list of the best scores will be added to that TABLE RATING every week. LET'S SEE who can HOLD the TOP SUPER FAN RATING for as MANY WEEKS as possible and HOW HIGH you can make YOUR SCORE! SEND YOUR ANSWER TO ME at the PCAS email : petercushingpcas@gmail.com GOOD LUCK! - Marcus 


2: NAME THE TITLE OF THIS FILM, name the ACTRESS in this shot AND which very famous ACTOR did THE actor almost REPLACE in a BLOCK BUSTER SCI FI film based on a TV series AND WHICH ACTOR was playing SHERLOCK HOLMES in the  TV series he once appeared in?


3: PETER CUSHING in the BBC TV series SHERLOCK HOLMES and production of THE BLUE CARBUNCLE. Cushing  used a magnifying glass in quite a few FILMS. HOW MANY can you name? GIVE US the TITLES!


4: CAN YOU NAME the COUNTRY where this film was released in 1980?  This film also had a member of the cast who was more famous as a theatrical performer and street artist! NAME that cast member! Can you name one of the alternative  TITLES that this film was also know as? titles


5: NAME THIS FILM and the member of the cast who once starred in a great block buster movie, featuring a clever animal!


DID YOU MISS OUR FEATURE on MARK HAMILL and STAR WARS and it's CGI PLANS for the FUTURE?  JUST CLICK HERE!

Saturday 7 April 2018

CONTACT SHEETS : HAMMER HORROR : DRACULA'S DARKNESS AND REVENGE : THE BEST OF!


AND SO, HERE WE ARE with another Saturday, which for THIS website, means something CHRISTOPHER LEE connected, to meet your #ChristopherLeeSaturday shopping list!! LAST WEEK we started our short season of CHRISTOPHER LEE: THE HAMMER DRACULA FLICKS: THE MOMENTS WE LOVE, and dipped into 'Dracula Has Risen From The Grave' and 'Scars Of Dracula', and very popular they were too! Thank you! This week, we have PART TWO and another two Hammer Dracula films. 

WHY ARE WE DOING THIS?
Last week, I also received a few emails asking, why is a Peter Cushing Appreciation Society website, giving so much space to films that AIN'T really anything to do with Mr C? Well, even before Lee passed, we were already making regular space and time, to covering Lee's career, and why? The Official Christopher Lee Fan Club, sort of folded and with that so did any regular official internet presence. Good Lee photographs can be rare and expensive, so no 'official fan' was going to be posting and sharing their goodies. Lee of course made twenty two great films with Peter Cushing, plus he and Peter were very close and long time friends. So, I tested with the posting of Lee material at our now, closed PCAS Facebook Fan Page, and the results were good. On posting the series of rare clips called, THE LAST MEETING where Cushing and Lee worked and met for the last time, it proved there was much interest and many many people who came to PCAS, who wanted to see more from THE LAST MEETING and basically ANYTHING that connected to Christopher Lee.So, as always I give you, what you ask for. AND here it is! This week we are looking at the BITS WE LIKE from another two GREAT Christopher Lee Hammer Dracula films. I hope you like this week's contents! 


THE AMAZING CAST: Andrew Keir (Father Shandor), Christopher Lee (Count Dracula), Francis Matthews (Charles Kent), Barbara Shelley (Helen Kent), Suzan Farmer (Diana Kent), Charles Tingwell (Alan Kent), Philip Latham (Klove), Thorley Walters (Ludwig)




THE TERRIFIC PRODUCTION CREW: Director – Terence Fisher, Screenplay – John Sansom, Story – John Elder [Anthony Hinds], Producer – Anthony Nelson-Keys, Photography – Michael Reed, Music – James Bernard, Music Supervisor – Philip Martell, Special Effects – Bowie Films Ltd, Makeup – Roy Ashton, Production Design – Bernard Robinson. Production Company – Hammer/Seven Arts. UK. 1966. 


DRACULA, PRINCE OF DARKNESS dramatically opens with the final sequence from Hammer Films 1958 'DRACULA', showing the spectacular demise of Christopher Lee's Count Dracula at the hands of Peter Cushing's Van Helsing. This sequence is enclosed in a smoky frame because the earlier movie was shot in a different aspectic ratio  - DRACULA PRINCE OF DARKNESS was one of the few Hammer movie to be shot in 'scope. Little did they know, come the release of the LIONSGATE blu ray of the film, the smokey ratio would cause a few probs, that would how ever be solved.


EVERYONE in this DARKNESS, does a very good job and has their time in the LIGHT!! Maybe the pace of the first half of the film, lays out time, for us to understand the characters and beleive the performances, Something that most Hammer films, hardly ever did, for anyone other than the top layer of performers. CHRISTOPHER LEE as DRACULA, is very good, BUT not quite as feral and rabid as in his first performance.  


THE KENT'S trip and their time on the journey finally arriving at CASTLE DRACULA does take a little time . . . it ALL takes time.



DRACULA,PRINCE OF DARKNESS DOES take a little while to get started, but once the the FIRST SPATS of BLOOD start following, director Terence Fisher makes sure the horror pace doesn't stop. Personally, I feel the long fist half of the film without DRACULA, I think was probably caused by several thing, two nothing to do with the script and building tension, more maybe to do with Lee's opinion and resistance to play the Count again for Hammer, and maybe the COST per scene, of actually getting him to do that! 


OVERALL IT EMERGES as a fine sequel to Hammer's first DRACULA / HORROR OF DRACULA. Andrew Keir as Father Sandor makes a fine character, stepping in as the Vampire Hunter, as Peter Cushing did as Van Helsing, in the previous movie. It's kind of a shame that Hammer didn't run two series in parallel, one with Dracula against various savants and one with Van Helsing against various villains, but I guess Cushing was already quite busy with their FRANKENSTEIN series.




AS FOR MOMENTS WE LIKE . .  one of the most remarkable sequence in the film is the scene where Barbara Shelley is held down on a table, hissing and writhing, as a stake is hammered into her heart by the dispassionate priesthood. It is perhaps the most potent image of sexual repression in all of British horror cinema. Indeed, Dracula - Prince of Darkness, more than any of the Hammer Draculas, embodies the recurrent image of sexual repression threatening to emerge to tear Victorian society apart and its dispassionate elimination by men of reason.








THE TRAVELERS, played by Shelley, Farmer, Matthews and Tingwell are deliberately set up as representatives of 'English genteel' in order to be torn apart – the strongest image of this polarity is the turning of the prim, uptight and anxious Barbara Shelley into a voluptuous vampire, begging Francis Matthews “Give us a kiss.” The sexual overtones in the scene where Christopher Lee causes Suzan Farmer to kneel and drink from the cut he opens with his fingernail in his chest are incredibly vivid.





ANOTHER GREAT MOMENT would have to be Farmers shock and terror, on seeing Lee's Count, unknown to her, standing in the room. Personally, I fond her reaction THE most genuine and terrified reaction I have EVER see. Totally convincing. AND there is of course DRACULA bowing out horribly in the ICY RUNNING WATER . . .




AND WE MUST MENTION Thorley Walters. I have seen some odd comments on blogs and websites, annoyed that Walters doesn't play a very good, RENFIELD. Well, firstly that is because, this isn't the character of Renfield, it's LUDWIG, and second, this is Thorley not Dwight Frye. Take a faff through the flicks featuring vampires, as well as DRACULA and you will often find a suspect individual who isn't called Renfield, BUT does eat FLIES!





OUR SECOND DRACULA FEATURE has several fine moments and a great cast. TASTE also has moments where the  story and reasons, do drift and stray from what made the previous Hammer DRACULA's so great. The element that makes TASTE fall short, is the fall out from some of the pre production problems that effected the script and stability of the film. Sadly, we don't get to see  Christopher Lee as DRACULA, as many times as we should, and when we DO it's those preproduction issues, that make his presence wobble . . 



THE CAST:
Geoffrey Keen (William Hargood), Linda Hayden (Alice Hargood), Anthony Corlan (Paul Paxton), Christopher Lee (Count Dracula), John Carson (Jonathan Secker), Peter Sallis (Samuel Paxton), Ralph Bates (Lord Courtley), Isla Blair (Lucy Paxton), Martin Jarvis (Jeremy Secker), Gwen Watford (Martha Hargood), Roy Kinnear (Weller), Michael Ripper (Cobb)




ABOVE: A RARE CONTACT SHEET of photographs from TASTE THE BLOOD OF DRACULA taken on set by the production photographer


PRODUCTION CREW:
Director: Peter Sasdy, Screenplay: John Elder [Anthony Hinds], Producer: Aida Young, Photography: Arthur Grant, Music: James Bernard, Music Supervisor: Philip Martell, Special Effects: Brian Johncock, Makeup: Gerry Fletcher, Art Direction: Scott MacGregor. Production Company: Hammer.



SYNOPSYS:
Three Victorian men who lead upstanding and moralistic lives, sneak out to a brothel on the pretext of conducting charity work. Their pleasure is interrupted by the libertine Lord Courtley who offers to show them far greater pleasures. He takes them to an antique shop where he gets them to purchase Dracula’s cape, signet ring and a vial of his powdered blood. Courtley conducts a ceremony in an abandoned church. But when he asks the men to drink the blood, they are disgusted. Drinking it himself, he collapses. The men kick and beat Courtley to death and then flee the scene. But Courtley’s spilt blood revives Dracula who swears vengeance on the other men for killing his disciple. Dracula then seduces each of the men’s children, making them vampires and turning them against their fathers.



ABOVE ANOTHER RARELY seen never shared, CONTACT SHEET from TASTE THE BLOOD OF DRACULA





TASTE THE BLOOD OF DRACULA was the fifth of the Hammer Dracula films and by for many fans, it was the last Hammer Dracula worth seeing. It saw the entry of a promising new director Peter Sasdy. A Hungarian immigrant, Sasdy had come from noted tv work during the 1960s, including episodes of the sf anthology series Out of the Unknown (1956-71) and the acclaimed BBC adaptation of Wuthering Heights (1970). The problem with Taste the Blood of Dracula is, like many it doesn’t always work – as usual with the Hammer Dracula sequels, the script has difficulty coming up with worthwhile motivation for Dracula. The vengeance theme that drives the story,  isn't well connected – it does seem overly generous of Dracula to swear vengeance for Ralph Bates's Courtley’s murder, having not even MET Courtley! 





CONSIDERING that Courtley’s death was necessary for him to be resurrected it does seem slightly irrational of Dracula to then swear vengeance on Courtley’s murderers. Further it makes Taste the Blood of Dracula into a Hammer Dracula, that is something really different from the other Hammer Drac films. It now becomes a film about vengeance rather than one about vampirism. Throughout the focus is on Dracula corrupting the children and turning them against their parents and the usual business of blood-letting hardly even figures at all. 





BUT AGAIN, LIKE ALL the Hammer Dracula films that followed the 1958 production, it's MOMENTS and VISUALS that make the films watching. I have selected several of these moments in our GIFS and images, of the moments that worked for me personally. IF you have seen either of these films, MAYBE you would like to send me an email, about your thoughts and opinions..and I will ADD THEM to this feature, as they arrive. I hope you have enjoyed our latest DOUBLE BILL of Hammer Dracula Flicks. We have just one MORE DOUBLE next week... Please JOIN US then!


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