#THROWBACKTHURSDAYHERE'S a throwback to a role played by Lee alongside Peter Cushing in 'The Mummy'...what do you think of this artwork from Raquel?
Artwork by Raquel Gomes
FROMRaquel's Facebook Account: 'It is finally ready!!! Christopher Lee as 'THE MUMMY' (1959) directed by Terence Fisher from Hammer Studios! Will be available tomorrow in my shop HERE!, but meanwhile please feel free to visit it for other horror and scfi prints . I added several pictures and videos of the painting process' RAQUEL ETSY SITE CAN BE FOUND : HERE
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE. Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA .
#GETTHECUSHION!
SOUND advice from Peter Cushing on acting . . .it certainly worked for
him! What would you say is Peter Cushing's most convincing role...one
where for you, he really did make you....believe?
#GETTHECUSHIONSUNDAY!: VINCENT PRICE takes five on the set of Amicus films 'MADHOUSE' and talks about acting and working on the film, 'THEATRE OF BLOOD' (1973)
CHRISTOPHER LEE it seems, never had any intention of retiring from acting . . and certainly worked until just a few days, before he passed away in 2015. . .
ABOVE ACTOR, JON PERTWEE shares his thoughts on acting and working on the Amicus films, 'THE HOUSE THAT DRIPPED BLOOD' (1972)
#PETERCUSHINGSUNDAY!
How well do you know your Cushing Sherlock???? Do you have a favourite
story, performance? There are a LOT to choose from if you consider the
BBC tv series too plus two movies, The Hound of the Baskervilles for
Hammer and The Masks of Death for Tyburn films.....
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA .
HELLO ALL! A little bit of a departure this week. Instead of my usual ramblings on a particular film or films, in my last three defending what I think can often be considered lesser Cushing entries, here I’m going to get a little personal! For roughly a month now Marcus has very kindly let be contribute a weekly post and given me pretty much free reign to write on whatever aspect of Cushing based fandom I wish. However I realise I’ve done this with very little introduction to myself, my name being slapped on post after post but with no one having any real idea of who I am. . . .!
SO, I’m Callum McKelvie, a recent Masters graduate having studied history. I got into classic sci-fi around age six, and moving into horror at about 13 or 14 when I saw Quatermass and the Pit and it blew my mind. At university I wrote extensively on genre cinema as a historical source, examining the Quatermass trilogy in my undergraduate dissertation and the Occult boom of the 1970’s for my Masters diss.
SO, THIS WEEK I thought I’d make it a little personal by naming a number of my favourite Cushing performances and why. Not the top five by any means, but five which bring me special pleasure. This is in no particular order and it’s not the best film but the performances that bring me the most joy, concentrating purely on Peter and his interactions with the other cast members. You won’t find Hammer films 1958 'Dracula' or 'Horror of Dracula', 'Hound of the Baskervilles' or 'The Skull' here simply because we all know how amazing he is in those films. The purpose of this list is to highlight a couple of performances that, whilst generally viewed as good, are special to me (The Skull fits that bill too but it’s been written on so much I thought I’d give it a rest). I might mention a portrayal of the same character twice, but from different films. That’s because I’ve always admired Peter’s ability to change his characterisation ever so slightly, to fit the tone of the script. So, without further Aude…
'FRANKENSTEIN AND THE MONSTER FROM HELL' (1974)
SO YES, I KNOW there were several more Cushing/Hammer films after this, but for me this is their swansong. Designed as a throwback to the earlier Hammer Frankenstein’s, the feeling of the end of an era permeates the entire film. Cushing’s Victor Frankenstein is the closest to his portrayal from the first two, out of all the sequels. Once again he finds a middle ground between the viciousness of Frankenstein Must be Destroyed and the charm of 'The Evil of Frankenstein' and 'Frankenstein Must Be Destroyed'. However here he adds something else, exploiting lines of dialogue such as ‘You’ll learn…I had to’ and the brilliant ‘If I’ve succeeded this time…then every sacrifice will have been worthwhile’. Cushing brings an immense melancholy to Baron Frankenstein, showing us a man who is determined as always but is now desperate to succeed. The final shot of him sweeping up the glass, chattering happily about how to start again- finally having snapped, has something immensely fatalistic about it.
READ THE ABOVE FEATURE WITH FULL COLOUR GALLERY AT OUR WEBSITE : HERE!
ON SET BEHIND THE SCENES PHOTO FEATURE ON 'HORROR EXPRESS' AT OUR WEBSITE: HERE!
'HORROR EXPRESS'(1972)
FROM ONE OF Cushing’s more tragic portrayals to one of his most fun and lighthearted.
Horror Express is in my eyes THE Cushing and Lee vehicle, giving
them a wealth of screen time together, as friends for once and not as
enemies. The result is easily one of the most fun and funny Cushing
portrayals, from the memorable ‘MONSTER? We’re
British you know!’ to his smirk as he attempts to bribe his way onto
the train.
Cushing and Christopher Lee on set with Director, Eugenio MartÃn during the shooting of 'Horror Express' . . .
Not only that but in Dr Wells he manages to mix humour with
his usual sternness when preforming the autopsy on the body of the
baggage guard. However the highlights are his interactions
with Christopher Lee, indeed when Lee passed away a few years ago this
was the film I chose to watch. Seeing the two old friends bounce off
each other and have genuine fun is always a joy.
'SHE' (1965)
ANOTHER MORE kindly portrayal here and another example of how Cushing can
masterfully mix a multitude of different aspects of a character. From
the more
humorous (including a rare opportunity to see Cushing dance), to the
melancholic (‘All my life I’ve wanted to find a city like this…now I
wish only to see it destroyed) to the furious as he rages at Ayesha
during her attempt to kill Ustane, single-handedly
out-acting every other cast member.
IT'S A SHAME Cushing never got to
reprise this role….although considering the state of the sequel perhaps
not. But a much older Holly, lamenting the loss of his friend would
probably have been up there with the emotional
power of Grimsdyke in 'Tales from the Crypt'. Honestly though,
it’s the little details that stand out for me and the sincerity with
which Cushing answers the question, ‘Have you ever been in love?’
responding ‘oh many a time…and truly once’, always brings
a smile to my face.
THE HISTORY OF SHE IN THE CINEMA AND BEHIND THE SCENES ON THE HAMMER PRODUCTION: COLOUR TRANSPARENCIES IN OUR FEATURE: HERE!
'THE SILENT SCREAM' (1980)
NOT ONE THAT IS LIKELY to show up on a lot of lists, this was shown as part
of the Cushing retrospective put on by the Abertoir horror festival in
2013.
Grabbing some of my friends afterwards I was delighted to discover how
many found this genuinely terrifying. It’s a pity Cushing never appeared
in
Hammer House of Mystery and Suspense but his one off performance stands as one of the highlights of the entire,
Hammer House of Horror series.
THE KINDLINESS that Cushing
bestows into Blueck and the slow reveal of what a monster he really is
provides the meat and bones of the story. Brian Cox acts off him
brilliantly and the final moments when Cushing falls into
a trap of his own making provides a chilling finale.
OUR 'REVENGE OF FRANKENSTEIN' FEATURE WITH VINTAGE STILLS COLLECTION RIGHT HERE!
'THE REVENGE OF FRANKENSTEIN' (1958)
THIS IT FOR ME. The gold standard of Cushing films. My favourite Hammer
films, my favourite Cushing film and one of my favourite films in
general. Say
what you want about Sangster’s writing (and many people do) but I find
the script here to be one of the most clever and thematically deep of
all the Hammers. Sangster reverses the Paul/Victor and Teacher/Student
relationship in
The Curse of Frankenstein, here making Frankenstein the teacher.
CUSHING RESPONDS to this admirably and considering
Revenge was made only the year after Curse, manages to
convince the audience that several years have passed for the Baron. His
near-death experience has changed him, losing the spoilt brat streak of
the first film and giving a more wizened, if
even more dangerous determination. His monologue concerning his
‘revenge’ is exceptionally powerful and the drive that Cushing manages
to instil in the Baron is genuinely terrifying, far more so than any of
the Monsters within the various instalments.
CALLUM MCKELVIE'S REVIEW OF ''A TALE OF TWO CITIES' 1980 featuring Peter Cushing Chris SarandonAlice Krige, Kenneth Moore . . .
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA . .
#THROWBACKTHURSDAY!
: Using a recording made in 1966, here is an
extract recording of Christopher Lee reading Stokers Dracula...obviously
from a time, when he didn't get so prickly about the subject. It's nicely
done, with music and a charming comic strip visual.. a weird period
setting though? It's drawn by a US artist, I am sure... The whole thing
is available on 'the TUBE', should you want some more.... You LIKE???
NEWS: FILMNATION ENTERTAINMENT TO FULLY FINANCE THE LODGE, THE FIRST
ENGLISH LANGUAGE FILM FROM GOODNIGHT MOMMY DIRECTORS VERONIKA FRANZ AND
SEVERIN FIALA. LEGENDARY GENRE LABEL HAMMER FILMS TO PRODUCE.
FilmNation Entertainment announced today that they have acquired rights
to finance acclaimed directors Veronika Franz’s and Severin Fiala’s THE
LODGE. FilmNation will handle international sales and will co-represent
the US sale with WME Global.
The screenplay was written by Sergio
Casci, Veronika Franz and Severin Fiala, from an original idea by
Sergio Casci. Franz and Fiala (GOODNIGHT MOMMY) will direct as their
first English language film. Hammer Films’ Simon Oakes and Marc Schipper
are producing. Casting is currently underway and principal photography
is set to begin in January.
FilmNation VP, Production & Acquisitions Brad Zimmerman brought the
project in and will oversee on behalf of the company, and Aliza James is
overseeing the project and executive producing for Hammer.
THE LODGE tells the story of a young woman and her new stepchildren who
are menaced by a terrifying supernatural force while spending Christmas
in their remote cabin. “We couldn’t be happier to be working with Hammer and FilmNation on our
first English language film. As genre filmmakers, we are incredibly
excited to add our movie to the Hammer canon, and FilmNation has
demonstrated time and again bold decisions in choosing which films and
filmmakers to back. With both of these companies behind us, we feel the
support to make the movie as we see it in our heads, and we are excited
to be moving forward,” said Franz and Fiala.
“When we saw Veronika and Severin’s extraordinarily chilling and super
smart first film GOODNIGHT MOMMY, we knew Sergio’s story was the perfect
project to bring to them for their English language debut, and we have
loved every minute of developing the project with the three of them. We
are now absolutely thrilled that FilmNation have come on board to help
make the film a reality. They are a hugely savvy outfit with a great
track record of supporting creative filmmakers who make bold and
distinctive quality films. From our very first conversations about the
project, it was clear that FilmNation absolutely understood the film
we’re all setting out to make, and we very much look forward to working
with them to bring our collective vision to the screen,” said Hammer
Films.
“We’re so excited to see Veronika and Severin’s style and wit applied to
this mesmerizing story. We have ideal partners in Hammer and look
forward to disturbing and thrilling audiences worldwide,” said
FilmNation Entertainment Co-Heads of Production & Acquisitions Aaron
Ryder and Ben Browning.
The deal was brokered with Hammer Films and WME Global by FilmNation’s
Ryder and Browning and EVP Business & Legal Affairs Alison Cohen.
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
