WHAT WAS IT LIKE to be Christopher Lee? Well, if you watch this short,
raw, unedited footage from a candid chat with Lee back in 2001, you get
an idea! Being in the spotlight certainly exposes you to everyone and it
seems, everyone wanted something! The press, weird attention, fans,
critics and . . . babies? Poor Christopher got it all. Lots to hear and
see here. Certainly worth your attention, if you ever wondered why Sir
Christopher could be a little blunt or guarded . . now you KNOW why . .
#GETTHECUSHIONITSCUSHINGSUNDAY!INDEED! One of a handful of Cushing frighteners, that passed my dear ol Mum's 'GetTheCushion' test! . . she always hid her eyes behind a cushion on sofa, if the tenstion became, TOO MUCH! Yeees, that's where this themed concept comes from ;)
'AND NOW, THE SCREAMING STARTS' was AMICUS FILMS only production that ventured into the field of 'GOTHIC GHOST STORY'. The Amicus trademark, were films that were set and based in a contemporary setting. Even though a tale like, 'THE DOOR' in 'FROM BEYOND THE GRAVE' (1974) has a toe in the Ghostly World of time past, it confines the setting of the story, to a modern home, with ONE ROOM that appears to be trapped in the 1700's. Maybe it was a question of cost? Films sets for period films, have lots of ZERO'S on the budget sheet, something that would have certainly given producer Milton Subotsky nightmares! With that in mind, don't look too closely at the interior sets of this film, instead admire Cushing calm performance..IGNORE the hairpiece, we've been over it. Beacham is very good, as is Herbert Lom, Magee, and Geoffrey Whitehead. Special mention to a young Ian Ogilvy and director Roy Ward Baker, who both along with Cushing, keep the whole thing, entertaining and moving along nicely....
YOU CAN FIND OUT MORE ABOUT THIS PRODUCTION, PETER CUSHING'S ROLE AND HIS MANY ROLES WITH OVER THE YEARS IN OUR SERIES ABOVE: LOADS OF RARE PHOTOGRAPHS AND MUCH MORE: CLICK HERE!
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#GETHECUSHIONITSCUSHING! This week's clip is one of my personal Amicus favorite scenes... it stars Ian Ogily and Peter Cushing, 'And Now, The Screaming Starts' ...it's THAT scene in the cemetery! The rain, the thunder..the skeleton! It's a weird film, a bit of sprawling script, in being Amicus films only ghost story, it could have been helped a little with a more subtle title. 'An Now, the...' etc was Max Rosenberg's idea. He, The King of Subtly'..said nobody....ever. The Bride of Fengriffen' the title of the book that the script was based on, would have been much better, I feel....what say you?
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