Showing posts sorted by relevance for query Beau Brummell. Sort by date Show all posts
Showing posts sorted by relevance for query Beau Brummell. Sort by date Show all posts

Friday, 4 May 2012

PETER CUSHING: 'EVERYTHING STOPS FOR TEA': REHEARSING 'BEAU BRUMMELL' BBC REHEARSAL ROOMS, ACTON, LONDON 1954

 

Peter Cushing rehearsing 'BEAU BRUMMELL' (BBC TX: 14th / 15th March, 1954) Drinking tea! Peter had quite simple tastes...Never happier than when he was, drinking tea, eating an apple and cheese and smoking Players cigarettes. But, of course NOT all at the same time...!


Saturday, 21 May 2016

#ONSETSATURDAY ANNOTATED SCRIPT AND THAT WIG!

#‎onasetsaturday‬ : HERE'S A PAGE from Peter Cushing personal script for Amicus films, 'And Now The Screaming Starts' lots of notations from Peter in his own hand. Much here about his attention to detail concerning the costume, the boots and... that wig. Despite in later years, he support the opinion that the wig made him 'look like Helen Hayes'...it was at Peter's own request that the wig should be used and that he should wear it..'


PETER CUSHING'S own frame of reference to the wig he wore in 'And Now, The Screaming Starts', 'Frankenstein and the Monster from Hell' and as Count Gerard De Merret in LA GRANDE BRETECHE, an episode of Anglia Television's popular series 'Orson Welles Great Mysteries' in 1973.


IN HIS NOTES above he has made reminder to make up and hair that, the 'back of wig should be round neck line' and '..full at sides, not flat on top'. The notes cover everything from the appearance of the boots or plimsolls, the colour of the trousers, his watch chain and gun... all researched, spot on and accurate for the period of the film... which uncharacteristically Cushing gives himself a little leeway with 1790...ISH!


Interestingly... a flick through our scrapbooks shows that Peter's association with this style of wig started way before 1973... it's first appearance turns up in this a very rare vintage Radio Times clipping from the BBC's BEAU BRUMMELL play, broadcast on 14th and 18th March 1954 with Peter as George Bryan Brummell...


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Saturday, 14 July 2012

PETER CUSHING: 'TENDRE DRACULA' : MONSTER MESS : REVIEW AND COLOUR STILLS GALLERY


"Tender Dracula or The Confessions of a Bloodsucker" (1974) was intended to be a comic fantasy with erotic, horror and musical undertones. The writers: Justin Lenoir (original screenplay), Pierre Gruenstein and Harold Brav (adaptation and dialogue) must have drawn inspiration from the British horror comedy stage musical, "The Rocky Horror Show" which made its London debut on June 19th, 1973. Although "Tender Dracula" went into production and was released a year before the film version of "Rocky Horror" hit the big screen, it's obvious the two share more than a passing similarity. For starters, writer Richard O'Brien's experimental "Rocky Horror Show" was itself intended to partly imitate the style of Hammer Horror; specifically "The Revenge of Frankenstein" (1958) starring Peter Cushing, who Gruenstein obviously intended for the role of "MacGregor" in "Tender Dracula". Not surprisingly, both conclude with a castle (or part of one) blasting off into space. The biggest difference between "Tender Dracula" and "Rocky Horror" would seem to be the latter's balance of homage and camp. In comparison, "Tender Dracula" comes off as a crude, discordant and meaningless mixture of silliness and derivative bedroom farce. The true tragedy of "Tender Dracula" might be that nobody seems to be having any fun in it. 


It also seems to suffer from a strange mangling of sensibilities. Why is "MacGregor" the star of a horror television series, and not a full-fledged horror film star like the man who was carefully chosen to portray him? I think it's safe to say that these writers not only intend to play on the audience's own awareness of who Peter Cushing 'the horror star' is, but also to make the two synonymous. Peter Cushing certainly rose to popularity on British television in the 1950s but it was for playing lead roles like "Beau Brummell" and "Mr. Darcy"; not "TV's Arch Fiend" as he is described in Cushing's own shooting script for "Tender Dracula". It's also of interest to note that the Russian co-writer character "Boris" is actually referred to as "Tovarich" once in the script; Cushing starred in the BBC Sunday Night Theatre production of "Tovarich" in 1954. Furthermore, the script begins with a quote from Hamlet (Cushing appeared as "Osric" in Olivier's 1948 Oscar-winning film version): 

"In dreadful secrecy they did impart, 
And I with them the third night kept the watch." 
- William Shakespeare


When given this curious nature of the script, it becomes possible that the pastiche they were aiming for was more directed at Cushing himself than at a particular genre. It becomes even more clear to me why Cushing may have been so eager to take part in something so totally beneath his talents. Perhaps there was more to it than just keeping morbidly busy following the crushing blow of his wife Helen's death a few years prior, or the thought of spending time filming in France. Maybe there were just too many fond references to Cushing's own career imbedded in the pages (and the lure of finally playing an actual 'monster' for a change). How virtually none of this fondness, or reverence if you will, for Cushing 'the man' manages to come through the finished product is frustrating to say the least. Equally as befuddling are the scenes of awkward dialogue and arduous humor that come across more like a child's attempt to mount an impromptu play in the family living room. Not to mention the infamous Cushing spanking scene. 


There are some moments of genuine interest though. Discounting the perplexing experience of hearing Cushing bellow several of his lines (the purpose of which remains unknown) he does look expectably refined in his Lugosi-modeled vampire attire. There is also a justifiably memorable 'flashback' scene in which Cushing plays his own character's grandfather (complete with a few photos of Cushing from some of his more notable film roles). It's probably the high point of the entire film, in addition to watching Cushing dance the waltz a few scenes earlier. The jazzy score by Karl Heinz Schäfer provides a suitably moody groove and is of some interest to obscure soundtrack collectors. While unfortunately not an anomaly in Peter Cushing's long and celebrated career, "Tender Dracula" does maintain its righteous place as a generally painful to watch, truly confounding medley of ingredients; or perhaps just the poor man's "Rocky Horror."


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Review: Carl Danter
Images: Marcus Brooks

Tuesday, 2 June 2020

TELEVISIONS FIRST MR DARCY : BRIAN COX AND ROBERT POWELL : SIR JOHN MILLS AND CUSHING LAST SHERLOCK ADVENTURE


WAY BEFORE Colin Firth or Matthew Macfadyen got gals and ladies hearts a fluttering with their portrayal of Mr Darcy in Jane Austin's 'Pride and Prejudice' on film, #PeterCushing was gracing homes and living rooms of UK families, on their newly purchased cathode-ray tubed TV set, with every intention of going over the heads of hubby and grandad's ... making his wanted targets faint and call for the smelling salts with two #BBC drama productions!

IN 1952 CUSHING was well on his way to making BBC drama on tv and radio his domain. The chillers of his BBC Orwell's '#1984' and Nigel Kneale's 'The Creature' would have to wait a few weeks... right now he wasn't interested in STAKING hearts, his was really making them throb and pound with affection, passion and much interest! Cushing was television's FIRST Mr Darcy and he followed it just two years later with his portrayal of Beau Brummell... what a heat throb!
 
 
 
OVER THE PAST FEW DAYS we have marked and celebrated.. oh and forgotten to post, TWO great actors BIRTHDAYS! First, actor BRIAN COX, who as most of us know here, starred with Peter Cushing in the Hammer House of Horror TV series episode, SILENT SCREAM in 1980. We said, 'An extremely reputable actor with an outstanding CV and who has never stopped working since he started in the mid 1960's. Some amazing characters in movies and recently the role of Churchill in a very entertaining drama..... Manhunter is a firm favorite with many, with Cox playing Dr. Hannibal Lecktor in 1986 . . . maybe a firm fav with you?' Many of you did! This was a very popular post and several of you mentioned a recent interview were Cox shared his thoughts of working with Peter in 'Silent Scream' and had only very god things to say! So, it was Happy Birthday Brian Cox..


THEN ON JUNE SECOND, I did the unthinkable... thankfully just this once. I with my aged memory, forgot to share a banner i had made just a few days before, for marking actor Robert Powell's birthday! 😖 So with apologies here it is below and was posted with the following text along with a shared memory of my own.. I was surprised I could remember this, even if i couldn't remember what i had prepared just a few days ago! 😐 


“I never cease to say and I repeat it to the world since 1977. I am not Jesus Christ, I am just an actor and British comedian” - Robert Powell.

.. A BELATED #HAPPYBIRTHDAY! to actor #RobertPowell who was born on the 1st June 1944! I missed it! Powell is best known for the title roles in 'Mahler' (1974) and 'Jesus of Nazareth' (1977), and for his portrayal of secret agent in Richard Hannay in 'The Thirty Nine Steps' and its subsequent spin-off television series. For us, we recall his performance in one of the very ace AMICUS films of the 70's 'Asylum' his 'innocent' Dr. Martin! He had some superb scenes with both actors Geoffrey Bayldon and #HerbertLom.
 
 
'A few years ago at a press Q and A for a film Powell was appearing in and the press meet he was also attending, I over heard a stuffy reporter behind me say to his friend, 'I don't know why he always says that about telling people he was only PLAYING Jesus, it's like he thinks he as the only one who has! You never heard Graham Chapman say that!' Where I had to turn around and tell him..'That's because Powell played Jesus Christ... Chapman played Brian!!' ...... - Marcus
 
 
 
'ASYLUM' is one of the many portmanteau films that Amicus did so well. #PeterCushing played the 'suspect' Mr Smith in the 'The Weird Tailor' story along with Barry Morse, written by #RobertBloch and directed by Roy Ward Baker. Without giving any spoilers, Powell had the perfect face and demeanour for the role, where you just couldn't help but want to shout, 'BEHIND YOU!' Listen out for many voice overs from Powell on UK tv advertisements and documentaries, he has a gift for it! Please join us wishing a 'belated' Happy Birthday to #RobertPowell, our birthday wishes / card is not in the post, but right here 😊


BACK IN 1980, plans had announced for Peter Cushing to appear as Sherlock Holmes in a project that would see Holmes being encouraged out of retirement by Watson, for one last case. This project would eventually emerge in 1984 as Tyburn films 'The Masks of Death', a film for UK's TV Channel Four directed by Roy ward Baker. Roy described the film as 'a film made by Holmes enthusiast, for Holmes enthusiasts!' Cushing played an elderly but still spry Sherlock with John Mills as Dr Watson and Anne Baxter as Irene Alder. The production started rolling on July 21st 1984, a full four years after Cushing had signed on the line and after Cushing had been diagnosed and fought off prostate cancer


CUSHING PLAYED SHERLOCK with quite some punch and moxie! He would be around for another ten years.. and some of his best private and public days were yet to come 😊 There was plans for another Cushing Holmes film 'The Abbot's Cry' and another film based on the career of an actor much like Cushing... but PC decided it was time to hang up the deerstalker and all the other hats and give his last bow. In this post at the How do you think he would have worked out in that second and last Sherlock 'The Abbot's Cry' based on his performance in 'Masks of Death'? He was to have appeared in an episode of Jeremy Brett's Granada Holmes series 'The Case-Book of Sherlock Holmes: The Last Vampyre' too! Even though he didn't think he could do Abbots Cry, would you have liked to have see him try?


YOU MAY REMEMBER I did a gallery of the amazing artwork of #DarylJoyce back in 2017 HERE and at the FACEBOOK PCASUK FAN PAGE? Well there's more! Here is a selection of some of his latest amazing Hammer film #PeterCushing #Frankenstein work! 


SOME YOU MAY have seen previously, but they have now been fashioned to carry tittles and casts, just like a cinema or press poster! I think 'Created Woman' and 'Destroyed' are my favs. Do you have a fav? Oh many thanks to good friend, Johnny Thunders Martin for suggesting this post and providing the details - Marcus


Tuesday, 1 September 2020

PETER CUSHING : BEFORE FRANKENSTEIN'S CREATURE THERE WAS ANOTHER CREATURE!


FROM 1950 UNTIL 1957, PETER CUSHING'S work with BBC Television was very prolific.  Some twenty five or more television plays and radio dramasappearance in the legendary BBC television production of '1984', he set foot in another BBC play by Nigel Kneale that was also directed by 1984 director, Rudolph Cartier. The Kneale / Cartier relationship is probably best known for also originating the three Quatermass serials of the 1950s with the BBC, but there was another. Two years before Cushing appeared in a television play created by the same team, and should be seen as Cushing FIRST step into the realm of supernatural and frightening creatures, BEFORE the famous Hammer films, 'The Curse of Frankenstein' where Cushing would play the titled Baron in 1957. This lesser-known production was 'The Creature' from early 1955. It's primary reason for slipping out of the 'list' for most filmographies and horror genre books and neglect, is probably because the no recording exists of the play or broadcast, except for a handful of black and white photographs and a page of the BBC listings magazine, The Radio Times.! It was wiped, dumped and hit the skip along with thousands of other recordings during the BBC 'erase and/or dump' choice. So, unlike the BBC 'Nineteen Eighty-Four' which only survives by just one recording from it's second live broadcast and most of the episodes of the 'Quatermass' serials, it is no longer available to view.



THE FIRST THING TO REMEMBER IS, the early period of Cushing's career with the BBC, not ALL his work or shows was actually recorded. Many were broadcast live and very much like a theatre production of the time, it was a live only seen at that time live on television, with only it's viewers and crew at the studio watching... Peter Cushing's 1952 'Pride and Prejudice' and the 1954 'Beau Brummell' are good examples of this . .


OF THOSE THAT WERE RECORDED, they were part of a process that hung on the fate of many of those BBC television broadcasts.They were recorded with the prospect of MAYBE being added to some of the BBC output that could be sold, or rebroadcast overseas. A live recording may also have addition scenes like model work, location scenes that were recorded, edited to be cued and played live during the actual live broadcast. 
 

The Radio Times Write Up for the episode from April 28th 1964
"NEW YORK some 200 years from now: a city of 14-million people living in one vast domed hall, looking on the open countryside as dangerous territory.  Beyond is Spacetown, where the scientists from other worlds who have subjugated Earth study the human species in the hope of saving it from self-extinction.  When one of their scientists is found murdered, the 'Spacers' issue an ultimatum.  Unless the killer is found within forty-eight hours, New York may be destroyed.  The city's Deputy Commissioner of Police, Elijah Baley, has the task of solving the case, with the aid of a detective from Space Town, named R. Daneel Olivaw.  The 'R' stands for Robot. Dramatised by Terry Nation from the novel by Isaac Asimov, The Caves of Steel is science fiction at its most intriguing.  Directed by Peter Sasdy, the play stars Peter Cushing as Elijah Baley.  Several times winner of television 'best actor' awards, he is thoroughly at home in the realm of fantasy, having starred in such films as The Flesh and the Fiend, The Mummy, and The Evil of Frankenstein. Commissioner Enderby is played by Kenneth J. Warren, who appeared recently in the comedy thriller Justin Thyme; while John Carson, whom many viewers will have seen earlier this year in Murder in the Cathedral, has the part of R. Daneel Olivaw." 
 

IT IS IRONIC THAT at the time when the story of 'what had happened to much of the BBC out put over a 30 year period, broke to the public' it was input pre-recorded shots and scenes as maybe 30 second or more sequences that had survived.. without the whole production to now support it!
 



PETER CUSHING'S 'The Caves of Steel', is a very good example of this, 'THERE ARE ONLY BITS' nightmare. Unfortunately BBC film prints of 'The Caves of Steel' have long since been junked during the the first "purge" in the 1970's, and no copy of the whole play exists in the BBC's Film and Videotape Library. But at least four extracts have fortunately survived however, having been utilised in later editions of Horizon, Tomorrows World and a BBC Visual Effects Department promotional show reel from the early seventies. In seeing the clips, it makes the whole experience, frustrating and sad.

 
ALONG WITH MANY TITLES from Peter Cushing's substantial play and drama television work for the BBC during the 1950's and 60's, Nigel Kneal's 'THE CREATURE' is one that really makes you question the criteria, of the people who choose which titles got the skip treatment. Opinions are divided, as to if this broadcast was actually recorded, but as it was directed by Rudolph Cartier, of the BBC Cushing '1984' fame, and had numerous BBC credits including both series of the 'Quatermass' drama's to his credit. The episode also featured pre-recorded clips of land and snow scapes, and named cast member STANLEY BAKER, who even though was eight years away from his big screen hit, 'ZULU', like Cushing  was a tv drama regular and had seven BBC Sunday-Night Theatre episode credits.

 
THIS EPISODE ALSO ATTRACTED the attention of Hammer films too, who could see the box office potential, in the script and three of cast, who held the structure of the company's box office hit, 'The Abominable Snowman' made just over a year later! The BBC unfortunately, didn't think it had the merit to either maybe record OR if they did, the shelf space was more valuable... 

 
TODAY, EVERY FEW MONTHS, the cry goes out when someone makes the claim to have found a long thought lost recording of a 1950's or 60's comedy or drama or Doctor Who clip in a mouldy box, inside a long shut down annex of what was once a UK army or navy base in Europe, India or Canada! Thankfully, also tapes are turning up or rather, being surrendered, from 'collections' of chaps who were once keen BBC technicians, camera operators or editors, who thankfully back in the day, saw what was happening to their treasured efforts, thanks to the directives of suited pen-pushers and penny pinching executives and whipped the gems away, rather than wipe! 
 


IT REMINDS US MAYBE, of the almost psychic theories and writing of once BBC writer, Douglas Adams, and his frightening visions of future red tape and bureaucracy gone crackers in his 'Hitch-Hikers Guide to the Galaxy'. What Adams didn't tell us was, that most of it had already happened, in the BBC office... next to him!
 
#MarcusBrooks

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Tuesday, 7 June 2016

#MONSTERMONDAY: CHILL OUT! HE'S NOT A MONSTER REALLY! THE ABOMINABLE SNOWMAN


#‎MONSTERMONDAY‬: THIS WEEK, we are presenting a character from a Cushing film, that doesn't really deserve the hype of the movie poster or the reputation that this 'misunderstood' creature has gained. All I can say is, watch the movie! See for yourself, frightening to look at, yes... but the 'Snowman' is a wise creature...surely more wiser than the name we have given him...snow 'MAN'.




IN HAMMER FILMS 1959, 'The Abominable Snowman' Peter Cushing plays Dr John Rollason. He reprised Rollason having played the good doctor in the BBC drama of the same story, written by Nigel Kneale, entitled 'The Creature' in 1955. At this point in his career, Peter Cushing was best known as a television actor, having starred in the BBC productions of Pride and Prejudice (1952) and Beau Brummell (1954) ....as well as the Kneale production of 'Nineteen Eighty-Four', directed by Rudolph Cartier.


Here's a rare snap of Peter in the BBC drama 'The Creature' from 1955, with Brit actor Stanley Baker in the Tom Friend role, that would be played by Forrest Tucker in the Hammer version. . .


'SNOWMAN' was his second picture for Hammer films productions, the first had been 'The Curse of Frankenstein' directed by Terence Fisher and co starring Christopher Lee in 1957, it was the film that set the mold and would bring him international fame.



RECALLING how the cast and crew on 'Snowman' were entertained by Cushing's improvisation with props, director Val Guest said, “We used to call him 'Props Cushing', because he was forever coming out with props. When he was examining the Yeti tooth, he was pulling these things out totally unrehearsed and we found it very difficult keeping quiet” If you have yet to 'CATCH' The Abominable Snowman, you're in for a treat!


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