Showing posts with label women in gothic. Show all posts
Showing posts with label women in gothic. Show all posts

Wednesday, 10 February 2016

HAZEL COURT REMEMBERED ON HER BIRTHDAY : AND AUTOBIOGRAPHY DETAILS


Today we remember the lovely Hazel Court who was born on this day, during her career she worked with several horror legends, Vincent Price in The Masque Of The Red Death (1964) , Boris Karloff and Vincent Price again in The Raven (1963) , Christopher Lee in Hammer's The Man Who Could Cheat Death (1959) and of course with Peter Cushing in The Curse Of Frankenstein (1957) … What are some of your favourite performances of Hazel's?

 


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Her book 'Hazel Court- Horror Queen: An Autobiography' is a good read, not too deep or detailed, but with some very nice images through out. It took a while for this one to come round, health and time... also one image, that really put that cat among the pigeons..caused a certain amount of bad feeling, that made Court not so happy to explore the exposure of conventions and book promoting. In the Hammer films, The Man Who Could Cheat Death..a film that Cushing was originally slated to appear in... a shot of Court was filmed, topless...for inclusion in the famous, 'continental print'.. I am not sure of the history, if that shot ever was included in those prints, I am pretty sure it wasn't. There is a story that the footage was destroyed at the editing room, BUT a few frames were given to Court, as a memento.


 QUICK LINK: HAZEL COURT : WOMEN IN GOTHIC 
AND OTHER ACTRESSES IN OUR SERIES

Years later, some how one of these frames turns up in a certain fanzine... fill in the name here yourselves.... printed without consent from Court. She was furious. It wasn't the first time that this periodical had compromised individuals....in an interview with this magazine, a key player in the Star Wars saga had 'off the record' referred to another key players, 'silly facial hair', which as these things tend to, got back to that individual. They were not happy. Also the using of Roy Skeggs Hammer Films Ltd headed note paper as the header and title of a reworked version of the magazine, went down badly... but such is the world of fanzines, when you are trying to stand out from the crowd, give scoops and compete with others, in what was back then a crowded market, of good to very good fanzines, all competing and trying to make a name. But, eventually Court did come back to the frame, sadly...I think I am right in saying that the book was released posthumously, Court sadly leaving us in 2008, just months before the book was finally released...


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Saturday, 8 August 2015

THAT FEMALE TOUCH : WOMEN IN GOTHIC: EUNICE GAYSON : BRUCE G HALLENBECK


When the Baron returned in The Revenge of Frankenstein (1958), he had another woman to contend with. This time, her name was Margaret Conrad, and she was portrayed by London-born Eunice Gayson, a veteran of television who had also worked for Hammer in To Have and to Hold (1951) and who had appeared in Val Guest's comedy Carry on Admiral (1957), which despite its title, was not a part of Peter Rogers' Carry on series, which would not commence until the following year`



THE REVENGE OF FRANKENSTEIN TRAILER

The character of Margaret Conrad was a nurse to the mysterious 'Dr Stein' (Guess who?) in his hospital for 'the poor and needy.' Gayson, of course, would achieve even more everlasting fame in 1962's Dr No when she provided a tuxedoed Sean Connery one of the most famous cues in screen history: 'I admire your luck, Mr…?' she inquiresat a card table. Connery's reply, for the first time, is: 'Bond…James Bond.' She became one of the few actresses to appear in two Bond movies, returning for the following year's From Russia With Love in the same role.


In this case, the Baron's new creation is a far more human and sympathetic one, beautifully played by the expressive Michael Gwynn. As Margaret, Gayson has even less to do than Court had in Curse, but she does serve to advance the narrative when she inadvertently releases the 'creature' from his bonds. She also serves as 'Beauty' to Gwynn's 'Beast,' as the creature Karl finds himself in love with her from afar.

DEADLY SYMPATHY FOR KARL
EUNICE GAYSON AND MICHAEL GWYNN 



The self-confessed romantic Terence Fisher is afforded every opportunity by Jimmy Sangster's screenplay to play up the unrequited love element for all it's worth, and he makes the most of it The Revenge of Frankenstein - is one part horror, one part black comedy, one part love story - is high water mark of Hammer's Frankenstein series.


Written by Bruce G Hallenbeck
Artwork and Design: Marcus Brooks Jamie Sumerville
CATCH PART ONE OF THAT FEMININE TOUCH: WOMEN IN GOTHIC: HERE 


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