RICHARD E GRANT THE INSPIRATION FOR GENERAL PRYDE AND A SELECTION OF CHOICE BLU RAY AND DVD CASES

A VERY POPULAR POST AT the FACEBOOK PCASUK FAN PAGE! right now. I wonder if any of you missed this message from actor Richard E Grant last year too? How wonderful for Peter Cushing to still be inspiring others, '..in his moment of triumph' 😉 The 'HEAD in the BOX' here is the amazing bust figure of Cushing's Tarkin, by Californian based sculptor Jordu Schell. It still stands as an amazing work of art!

AT THE FACEBOOK PCASUK FAN PAGE TODAY, I asked our friends and followers, how many of them have a collection of #PeterCushing DVD's or Blu Rays. The answers of YES or No, came flooding, which paved the way for our next post today, 'Can You Tell Us YOUR favourite TOP THREE covers to your Cushing Blu Rays, DVD's or even VHS or BETA  releases'. Everyone was asked to maybe send in selfies of the covers, so everyone could enjoy and identify their choices too! It's a post that is slowly growing, right now. The choices have been interesting, with everything from the Final Cut blu ray 'Captain Clegg and the dvd 'The Abominable Snowman' to the Second Sight twin release of 'The House That Dripped Blood' and  'Asylum' limited editions to covers featured on the front of lesser known European releases! This is how the feature was kick-started . . .

"I KNOW MOST OF YOU out there have told me today, you are the proud owners of several gems of #PeterCushing dvd's, #blurays and even #VHS films. Some of you have just started collecting, others have been adding 'case by case' to that series of sagging shelves or book cases for decades. . ." 

WELL, THIS ISN'T ABOUT the quality of the film INSIDE, this is all about and focusing on that little extra value you expect these days, when you purchase the release. The COVER DESIGN! It's no longer enough for distributors to just slap a 30 - 50 year old #cinema poster on the front of the case. We want something that looks amazing! So, from your private collection, be it blu ray, dvd or indeed VHS or Beta box, show us your THREE favourite Cushing film cases designs. It's your choices, for whatever reason, but I would love to know why you made those choices? 😊Take a #selfie or pic or even use ads or promo posts of the cases covers, it's your choice. #JUSTTHREE!"
 

ABOVE : A SECTION FROM THE FEATURE ON THE FACEBOOK PCASUK FAN PAGE 'I do not know the other cases of releases. I am guessing both are collections and compilations. Someone did send me scans of the sleeves though a while ago now. I do like the gamble of lesser known distributors releases though. They take more risks with their case sleeve designs, usually working with limited resource visuals. The one on the far left looks like they didn't have the resource to check what they had to work with, so flipped the lovely colour photograph of Peter. A habit some of the tabloid UK newspapers and magazines still have a annoying knack of doing, based on the weird rule of things looking into the spine of the pages!! So buttons on coats along with breast pockets, facial moles and hair partings are the wrong way around!' 

FINALLY ABOVE! I'll throw this one in, just because it's quite rare that a vintage #PeterCushing film gets the whole 'triple treat-treament' : blu ray extras, restoration and #STEELBOOK package with #GrahamHumphries artwork cover! This was the work of Screenbound Films in #2016, who very generously donated TWO of these beauties for me to offer up as prizes in a promotional PCASUK #competition. I cried and waved goodbye, when they were packed and dropped into the sack at the post office, for our two very lucky winners!

PRYDE VS TARKIN! TIN PIN TARKIN STILL STANDING AS PRYDE JOINS THE SAGA!

OF ALL the items in the PCAS collection, this is something I have a real soft spot for 🙂 It's a Peter Cushing Tarkin Pin / Badge! It was given to me by Gladys Fletcher, who started PCAS back in the 1950's. Seems it was given to her by a fan back in 1977, and she passed it on in 1978. I love the font and considering how old it is now, it's aged rather well. I don't collect pins and I have only worn it to a convention back in 1980. It's lived in a little box for safe keeping since then. There are now many pins, badges, fridge magnets and all sorts depicting Peter as 'the most evil man in the universe!' but as I have never seen this pin anywhere else, it's pretty special . . Over at the FACEBOOK PCASUK FAN PAGE we've invited everyone to share images of any special or vintage Cushing, Tarkin or Star Wars pins, and the results are quite interesting!

THERE HAS BEEN AN ANNOUNCEMENT TODAY, of what is seen by some fans as an interesting addition to the army of #STARWARS characters of actor! British actor #RICHARDEGRANT is playing #GeneralPryde, a villain of similar #TARKIN proportions in #THERISEOFSKYWALKER, released this December, is most exciting! I wonder if we will be sharing vintage tin pins of Grant's Thrawn in 40 odd years time??? I do  hope, Grant is my top five favourite actors. We wait, with much anticipation and I don't think, we 'Over Estimate His Chances!' 😉😊😀

HORROR EXPRESS: DOES ARROW HIT THE TARGET WITH REMASTERED BLU RAY

'HORROR EXPRESS' is not unlike a 57 variety soup all in one tin. Explain? Many moons ago when a full time student and living in an abode that could have easily have fallen off the cinema screen during a showing of 'Withnail', the day would eventually arrive when the cupboard was bare for all us seven 'vegetarian' students, bare of all atrractive and palatable nash nosh, and every bean, pluse, rice and dried vegtable would be boiled up in the contents of what we called, 'TSOATP' or 'THE SOUP OF A THOUSAND PLOTS' . .  most of us being media students, we compared each content to that of a movie plot line. 

THE POINT IS, where as most films have one, 'EXPRESS' has not only one plot, but several. Just as the film feels like it's following one direction, it throws in, another.. and another! There are lots of great ideas in this low budget Spanish horror, and each one has made it into the plot. It's not that it damages the film, far from it, it's these winds and bends that makes it very entertaining and never dull. If you are a Peter Cushing or Christopher Lee fan, you won't be a stranger to this film, if you have never seen the movie, I ain't going to add a damaging and de-railing SPOILER, that would no doubt ruin what is going to be for you, quite a unique 84 minute Cushing / Lee experience! But if you DO want more on the film, along with a gallery and plot, HERE IS THE PCAS FEATURE WITH ALL THAT AND MORE!

 

HERE IS THE NEWS: ARROW FILMS has a pulled off a very impressive transfer of 'Horror Express' and if you are a collector who has specific tastes to 'the lightness, the darkness, the contrast' of your purchases, I'll let you chew this one over, on your own. But for me personally, the picture quality looks very good indeed and WAY surpasses any other copy of the film I own from past purchases. This release has been restored to a very clear, clean and crisp 2K version from its original 35mm camera negative, and sits comfortably in its original 1.66:1 aspect ratio, plus the team at Arrow have carefully incorporated an additional 35mm interpositive element for the fifth reel, an appreciated and typical attention to detail that you would expect from Arrow!

IF YOU TOO own previous releases of 'EXPRESS' on dvd or blu ray, you'll notice, that the colours through out look natural, with no surprise out of step and colour continuity, of costumes and HAIR colours! As with many films of this era and budget, you would expect an element of grain, but this is pretty much levelled out and never looks really course, as it has on some version releases of the film. Shadows look very much like the quality of the Warner Brothers 'Dracula AD and Satanic Rites' remastered prints, it presents more refined detail than before, which is exactely what is needed for a film that gives us many scenes in the dark or shadows. Blacks are neither blotchy, have that annoying moving pixels element or are so dark you see nothing. Someone has taken great time and effort, to level out contrasts, to an even and impressive picture through out. 

HAVING WATCHED many releases of 'HORROR EXPRESS' over the years I am very very happy to tell you that, THIS remaster has nothing in the way of annoying drop outs and hisses. All of the my previous released versions, watched many times over the years, contained so many 'clicks, thuds and drops' that became almost like expected solo pieces of dialogue from unseen extra characters or old friends.... that even turned up like regular co stars in a tv soap, from one releaase to another! Thankfully, they are absent from Arrows remaster, which DOES come with optional subtitles in English SDH.  

ARROWS AUDIO is presented on an English mono LPCM track. There is one short piece of very minor distortion, see if you can spot it! This element I believe was damage caused during the dubbing of the film during production. For a mono soundtrack, from this age, the sound effects are good, dated but as good as Christopher Lee's DRACULA slamming a wooden door in the iconic 58' Hammer film.

THE SUPPLEMENTARY AND THESE DAYS EXPECTED EXTRAS for the Arrow films remaster include the compulsory audio commentary, this very enteraining and detailed yak track comes from  authors Stephen Jones and Kim Newman; there is also for those who want a little Fangoria stamp of approval in a optional 7-minute introduction to the film from Fangoria’s Chris Alexander; Ticket to Die, another 9-minute appreciation of the film by Steve Haberman; there's another chorus of approval, but with more weight from Night Train to Nowhere, which is a 15-minute appreciation of the film, but this time from producer Bernard Gordon by filmmaker Ted Newsom; Murder on the Trans-Siberian Express, a vintage 14-minute interview with director Eugenio Martin is probably the best of the bunch with BTS pics and stories of the cast and set; Notes From the Blacklist, a vintage 31-minute interview from 2005 with producer Bernard Gordon; Telly and Me, a vintage 8-minute interview with composer John Cacavas; the original theatrical trailer in HD; and a 32-page insert booklet with the essays Horror Express by Adam Scovell and Riding the Horror Express by Mike Hodges, as well as restoration. A rich bag of pickings, where Arrow has dug to find anything, that tries to make up for the problem that most releases face these days . . . little or no contribution material from Christopher Lee and nothing from Peter Cushing. I am sure any forum chats about this release will be littered with comparisons of the SEVERIN dvd and blu ray release.

IF FOR YEARS, YOU'VE BEEN stuck with a duff and sub-standard version of 'HORROR EXPRESS' buy your ticket and grab your copy now, of an exception remastering of a Cushing and Lee classic. It's all here and detail-wise, you'll be having hours of fun, visually spotting elements you could never have seen or spotted before. It really can not be  denied, this film has never looked or sounded better. Arrow has technically turned a well known and fan familiar terror train trip into what is a remastered, very SOUND and VISUALLY exciting, Monster hit Roller-Coaster ride! Well done, Arrow!