The Revenge of Frankensein in 1958 - one
part horror, one part black comedy, one part love story - was a high water mark
of Hammer's Frankenstein series. It wasn't until 1964 that the Baron returned,
for the first time directed by someone other than Fisher. Cameraman turned
director Freddie Francis took the helm this time and the female aspects were
somewhat 'muted.'
In fact, one of the female characters in
the film is a mute, played by twenty-two-year old redhead Katy WIld, who had
appeared in such television series as The Avengers and The Edgar
Wallace Mystery Theatre. Her role as 'Beggar Girl' in The Evil of
Frankenstein was the closest the film had to a leading lady, despite the
fact she had no dialogue.
The only other woman of note in the cast was
Caron Gardner, a buxom blonde who had decorated Robert S Baker's and Monty
Berman's The Hellfire Club (1960) and served as the foil to Benny Hill
on television. Gardner would find herself elevated to a higher 'plane' later in
1964 when she was cast as one of the pilots in Pussy Galore's Flying
Circus in the third 007 movie, Goldfinger.
Meanwhile, she was Evil of
Frankenstein's sex bomb, 'Burgomaster's Wife.' Hammer's approach to sex was
becoming more and more blatant, and Gardner filled out the character's
corselette deliciously.
Financed by Universal, Evil was a
throwback to their Frankenstein series of old, and Cushing's Baron - in a
screenplay written this time by Anthony Hinds under his pen name of John Elder
- certainly seems to have mellowed with age. Interestingly enough, Frankenstein
actually defends a lady this time, when the Machiavellian hypnotist
Zoltan (Peter Woodthorpe) attempts to force himself on the Beggar Girl. Zoltan
is eventually kicked out of the Baron's castle.
In fact, the Baron seems to be the one who is
put-upon in Evil. Having created a Karloff-like monster (Kiwi Kingston)
years before (there is virtually no continuity to the two previous films), he
returns to his ancestral home to find that most of his possessions have been
stolen. To recover his property, he stages a raid on the Burgomaster's house
that is something of which Douglas Fairbanks would have been proud.
As the
burgomaster's voluptuous wife graces a bed that was once Frankenstein's own,
the police arrive and attempt to gain entry into the bedroom, which he has
locked. Frankenstein grabs the bedclothes and ties them to the bedpost,
climbing out of the window on his makeshift rope. He bids the fair lady
'Goodnight' before leaping out the window, pulling the bed across the room in
the process.
This is one of the most enjoyably light-heared scenes in the
entire series, a tribute to Cushing's dashing dexterity and to Gardner's
sweetness as the bemused wife.
Written by Bruce G Hallenbeck
Images and Design: Marcus Brooks Jamie Sumerville
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