TODAY marks the 26th year of Peter Cushing's passing... I wonder where
you were, what you were doing when you heard the news...? The posting of this banner and text, at the Facebook PCASUK Fan Page as our daily post, has of course prompted the annual huge response in comments, messages and shares. It is, as ever touching and clearing shows the love and affection, Peter still holds in peoples hearts and memories . .
Peter Cushing and his wife, Helen
Peter Cushing, at home in Whitstable where he and his wife, Helen lived from 1958, until their passing.
WHILE WE MAY still feel a tinge of sadness at the thought of it being this long, since
Peter passed, take heart: he has never really left us . . and never
will, so long as the many, many fans and admirers continue to revisit
the much loved work and films in which he appeared . . and maybe today ,
mark in your own way and help celebrate his life and career 😉 Marcus Brooks
THIS WEEK'S TUESDAY TOUGHY! It sounds like a joke OR maybe there is a catch? Not so. Without giving too much away, all I can say is, this NOT about Cushing deciding he one day wanted a tattoo! I'll be giving you the answer NEXT TUESDAY. In the meantime, good luck!
THE ANSWER to last weeks TUESDAY TOUGHY is TOD SLAUGHTER, is the name of the ominous face on the left. As JIM SHORTER commented on the FACEBOOK PCASUK FAN PAGE Tod had quite the reputation as an English actor, who was best known for playing over-the-top maniacs in macabre film adaptations of Victorian melodramas. Slaughter made the films, for the most part, exactly as he liked, with
all the larger than life, melodramatic acting of a bygone age, just as he did in the stage adaptions, in which he also starred. Born in March 1885 as Norman Carter Slaughter, during in his early stage career, hit gold and blood, when he appeared in SWEENEY TODD : The Demon Barber of Fleet Street in 1936. He had started to pave the way to his thrills and spills reputation when he appeared in his first film, as a villain the previous year, in 'Maria Marten or Murder in the Red Barn'. He followed these with further OTT adventures in films like, 'The Crimes of Stephen Hawke' in also in 1936, 'It's Never To Late To Mend', 'The Ticket Of Leave Man' in 1937, 'The Face At The Window' and 'Crimes At The Dark House' in 39 and 1940. These quota-quickies, quickly made Slaughter into a British horror star, almost in some ways, as a precursor to the career of Peter Cushing's . .
ABOVE: PETER CUSHING PERSONAL THE GAY INVALID THEATRE PROGRAMME AND SIGNED NOTE-LET INCLUDING ALL CAST MEMBERS SIGNATURES!
THE PLAY in which both Slaughter and Cushing appeared in together was
THE GAY INVALID by Sir Barry Jackson in 1951. Slaughter played Professor
Purge and Cushing as a young soldier named Valentine. Opening for two
months at the Garrick Theatre, London in September of 51, and called,
'Moliere without tears!', it ran until March 24th 1951.
THE FILM that in which Tod Slaughter starred , that was later adapted and starred Peter Cushing was called, 'The Greed Of William Hart and was released in 1948 and was based on the gory history of body snatchers, Burke and Hare. Director and screen-writer John Gilling adapted the story and Cushing went on to star as Dr Knox, in the remake and retitled, 'The Flesh And The Fiends' in 1959. Congrats to ALEX WILSON who was the only one to nail all three questions, at the FACEBOOK PCASUK FAN PAGE . A thumbs up to Phillip Jones, who did name Mr Slaughter though . . .!
TODAY we remember actor DAVID PEEL who was born today 19th June 1920. There are few who have made such an impact as Peel. He only appeared in ONE film for Hammer films and I believe only appeared in one film with Peter Cushing.
ONLY ONE ROLE, one film and yet, enter VAMPIRE HAMMER into google images, and he will appear in most of the pages. Despite the success long after The Brides of Dracula was made...audiences felt a little cheated that it was a DRACULA film, without Dracula!....I suspect that Peel wasn't impressed with either the film or the subject matter either! You probably know, he left the industry early on and went into antiques and real estate, but life for Peel was certainly difficult. We remember him today though, for that one Hammer film and the impressive performance as Baron Meinster, the boy vampire who certainly pushed the boundaries of vampire film!
#CHRISTOPHERLEE SATURDAY! BY THE BEGINNING of 1969, Peter Cushing no longer owned a London home, when he he was working and filming at a studio close to London, Pinewood, Shepperton or Elstree, but far from the home where he and his wife, Helen lived in Whitstable in Kent, he would stay at Brown's Hotel in Mayfair, in the city centre. . . 'My favourite hotel in London!' . .and this accommodation would be included in his fee for appearing in the film. For the contract of the Amicus film, I MONSTER, he did not want to be away from Helen in the evenings so he travelled on the 'milk-train' from Whitstable at 6am and returned back to his home at 10pm at night. It was a busy time . . .
I MONSTER, was based on the classic Robert Louis Stevenson's Dr Jekyll and Mr Hyde, was filmed from October 10th 1970, directed by 22 year old director Stephen Weeks. Christopher Lee starred in the dual role. But Amicus films angle on the story, was quite different for those that had been released in the past. Some believe producer Milton Subotsky, was ducking copyright restrictions, as MGM owned the rights to the title of the the story . . and so, the lead characters names, Jekyll and Hyde. And so, in I Monster, the good doctor and his alter ego, Mr Hyde carried different names, Doctor Marlowe and Mr Blake. Others believe, Subotsky had heard that his competition Hammer films, were in the process of shooting their own production of the tale. Though I guessing if this was true, he had no idea of the secret spin that it's director Roy Ward Baker and the producers, also had in the wings, to give their release a new and refreshing angle and adapted title! Although Subotsky changed the names of the doctor and his frightening flip identity, most of Stevenson's other characters remained the same, as in the novel. Back in 1983, when PCASUK carried out a video interview with Milton at his home, he was asked why he changed the main characters names, his answer was, 'I thought it would be fun to try!'
SUBOTSKY ALSO WAS DETERMINED to make in film in 3D. Again, when he became an honorary member of PCASUK in 1983, and gave us access and several interviews, the subject matter of how he always wanted to make a 3D film, often came up. He thought a 3D version of Alice in Wonderland in a feature film would make an amazing release... and a feature about the London, Lord Mayor Show, would also be ideal! Sadly, he never got the chance, nor did we or he ever bring up the subject matter of the failed and impossible attempt to shot 'I Monster' in 3D too! Subotsky, before he entered the world of making successful fantasy movies, spent time producing a series of shorts, based on the 'School Boy Scientist' market. Subotsky LOVED science and had been aware a simple and cost effective way of a shooting film in 3D since he too, was a school boy. The process required constant lateral movement within the frame, making conventional film shooting methods and rules of thumb impossible.
AFTER A WHILE, the process was abandoned by director Stephen Weeks, and the fact that many of the sets had been built, the opposite way to what was needed, to achieve the pans and movements in the correct directions, made movement and continuity impossible or jarring too. The finished release still contains several interminable tracking shots clumsily cut together with static close ups. Despite the technical problems, Christopher Lee gives an excellent central performance.
CUSHING LOVED THE PERIOD FURNISHINGS, and wore some of his own Edwardian styled clothes for the film, which were specially tailored for him by theatrical costumiers Montague Burton's- and as a result seems completely at home in this era. His is even able to reprise the 'eye up to the magnifying glass trick as he compares the identical signatures of Marlowe and Blake.
DESPITE WHAT SOME SEE as tedious pacing, and the occasional wandering camera the film does have several startling scenes and quite unique turns from both Lee and Cushing. A nightmare sequence features a distorted, faceless Doctor Marlowe; there is a spectacular chase through the massive turbines of an Edwardian water works! Also the monstrously ugly Blake's pathetic encounter with a small child in a park. Make up artist, Harry Frampton creates an amazingly Blake / Hyde whose appearance with every arrival becomes more frightening and a true monster, in every way!
CATCH UP with our I MONSTER RARE IMAGE GALLERY PART ONE : HERE!
IS I MONSTER ONE OF YOUR FAVORITE CUSHING FILMS OR MAYBE YOU HAVE NEVER SEEN IT? COME SHARE YOUR OPINION AND THOUGHTS ON ONE THE LESSER TALKED ABOUT AMICUS FILMS AT THE FACEBOOK PCASUK FAN PAGE! COME AND JOIN A FOLLOWING OF OVER 33 THOUSAND FANS OF THE PAGE! JUST CLICK : HERE!!
Over
the years, many of you have sent us photographs of your visits to what
was Peter and Helen Cushing's home town of Whitstable in Kent. I see
many many photographs of the 'love bench' that Peter donated to the
town, dedicated from both he and his late wife. Only yesterday (Monday
18th September), a good friend to the PCAS FACEBOOK FAN PAGE Becky Jarrett, made a trip to
Whitstable and thought she would walk along to 'Cushing's
View' at the sea front and sit on the 'Cushing Bench' and take in the
sun and sights. She was upset to discover that the brass dedication
plate has vanished from the bench ....
You'll find LOTS of features about the 'Cushing's Love Seat'
here at the website, but here is a interesting one!CLICK HERE!
For
over 25 years, the bench has sat there, in all weathers, offering a
place to sit and admire the view, that Peter Cushing visited on his
daily walks along the front. Visitors from around the world, visit Whitstable, many knowing the town's connection with Peter and Helen, and visit Cushing's View and the bench. Never has the bench been defaced, carved
into, vandalized or damaged. Just over two years ago, the bench
vanished... no warning.. while it was given a coat of varnish and some
TLC. It returned, looking better than ever. I am hoping, the plaque has
been removed for some maintenance too... If you have any news or
information about its where-abouts, please let us know here . . .
thank you Becky for letting us know ;) Marcus
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
