Showing posts with label blyss. Show all posts
Showing posts with label blyss. Show all posts

Wednesday 23 August 2017

#SILENTBUTDEADLY! GIFS REQUESTED BY YOU! PHIBES CLEGG SANTA AND ASYLUM!


#SILENTBUTDEADLYWEDNESDAY: YOUR REQUESTED GIFS, muted and monstrous! For Sam K. J. from N.J : This chuckle clip of Vincent Price with Valli Kemp from Dr Phibes Rises Again, in which Cushing had a very short whisper of a guest appearance, which is all the more frustrating considering he was approached to star in the FIRST PHIBES movie. Sticks in my throat every time I see this clip..a bit like this fish bone....! Great movie though . . .



#SILENTBUTDEADLYWEDNESDAY!: THE REVEREND BLYSS, alias Captain Clegg, can not contain his contempt and laughter at the bumbling Excise Men. But they are...on his coat tails. 'Night Creatures / Captian Clegg (Hammer films) Requested by Tomas Griffiths.


 MORE ON NIGHT CREATURES /CAPTAIN CLEGG WITH RARE PHOTO-GALLERY
RIGHT HERE!


#SILENTBUTDEADLYWEDNESDAY!: AMICUS FILMS, sure did know how to tell a  good spine tingling short story, and this is one of them. "And All Through The House" is one of the tales presented in the portmanteau style of Amicus films, 'Tales from the Crypt', starring Joan Collins and Chloe Franks. I have seen both of the episodes in the TV series that contain remakes of this story. Even though they have all the more modern cinematic devices and bigger budgets, compared with Amicus films, tiny budget and tight deadline of 1972, I found them, personally ...not to be as effective. Any one else think that?? REQUESTED BY D.D. DEADMAN.




#SILENTBUTDEADLYWEDNESDAY!: BARRY MORSE was a very adaptable actor, and here in Amicus films, 'ASYLUM' (1972) in a short story called 'The Weird Tailor', his poor and gentle of the title, was a very sensitive playing of a man tricked from his fee, but got a lot more than he bargained for. Appearing with Peter Cushing (Mr Smith)  you would never guess that their association and friendship went back years, before and after WW2. More, Cushing and his wife, Helen were once on board a bus in London, which narrowly escaped a stray German 'Doodle-Bug' bomb!




IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  

Monday 6 February 2017

CLEGG HERO OR MONSTER : MONSTERMONDAY


#MONSTERMONDAY: Peter Cushing's Captain Clegg aka Rev. Dr. Blyss comes from the much loved Dr Syn pirate adventure books written by Russell Thorndyke.... Much has been shared here about the alternative titles used during the release of this Hammer film, 'Night Creatures (US) Captain Clegg (US) and the copyright problems with the name of Syn and the bad timing of being produced the SAME TIME as Disney's Dr Syn The Scarecrow feature film! ...Want to know more about that... you'll find extensively illustrated features starting  HERE at this website!



WAS BLYSS a good man, robbing from the Tax Collectors and Exercise Menand giving to the poor of his parish..OR was his treatment of Milton Reid's character... cutting out his tongue and banishing him to an island, a bit on the rough side of justice??? He WAS a pirate. He did fight and kill....the stories of his fights were legendary in the books.. he was a man to be feared! This still stands as one of the Cushing films that is least seen by most people here. If you haven't caught this one, now is the time... in the tradition of Robin Hood and Errol Flynn Peter LOVED playing this role and even spent time writing a sequel to this Hammer classic! So, Clegg...Villain, Monster and a Slayer on the High Seas....or a Hero? YOU decide!



TRIVIA: Above is the face well known of a quite well known British character actor who appeared in Captain Clegg / Night Creatures and at least TWO films with Peter Cushing... but can you name him and the title of the ONE television show he also appeared in with Cushing? ANSWER later....

Tuesday 10 June 2014

FINAL CUT ENTERTAINMENT: CAPTAIN CLEGG NIGHT CREATURES BLU REVIEW


#hammerfilms 'CAPTAIN CLEGG' ' 'NIGHT CREATURES' blu ray starring Peter Cushing is due for street release on Monday 23rd Jun 2014. NEXT WEEK we'll be posting a full review of the blu ray and it's extras... PLUS you can WIN yourself some copies too

Sunday 5 January 2014

CAPTAIN CLEGG : PIRATES, SMUGGLING AND MARSH PHANTOMS: SOON ON BLU RAY.


A small English village is beset by a horde of "phantoms" on horseback and it's up to the intrepid Captain Collier (Patrick Allen) to get to the bottom of things...


Author Russell Thorndyke hit paydirt in 1915 with the release of his book Dr. Syn: A Tale of the Romney Marsh.  The book proved to be so successful that he was able to revisit the character for further installments in the mid 1930s.  The story caught the attention of British filmmakers in 1937, when it was first adapted to the cinema as Dr. Syn.  The legendary stage and screen thespian George Arliss played the lead role(s): the mild-mannered parson Dr. Syn who is really just a front for his true, bloodthirsty persona of the smuggler, Captain Clegg.



The film was directed by the gifted Irish-born filmmaker Roy William Neill, who found success in Hollywood directing the superior Boris Karloff vehicle The Black Room (1935) before becoming identified with the Basil Rathbone/Nigel Bruce series of Sherlock Holmes sequels at Universal.


When Hammer decided to take a stab at the property in the early 1960s, they did so without realizing that filmmaking giant Walt Disney had already optioned the Thorndike property for a film of his own.  Hammer eventually got wind of this, however, and decided to change the name of the central character in  order to avoid any possible legal woes.  And so it came to be that Captain Clegg (as it was known in the UK; the film would be released in America as Night Creatures) went before the cameras, in slightly revised form. The film would beat the Disney version to the punch by one year and for many, it remains the superior film.

 


The Disney production had a top notch cast, headed by the great Patrick McGoohan (just a year from his turn as TV's Secret Agent, and several from his most iconic role as The Prisoner), but felt a bit watered down and too mild for its own good.  The Hammer version may have lacked the studio's traditional emphasis on bodice-ripping and Kensington gore, but it made up for it with oodles of atmosphere.




The film is inevitably dominated by the presence of Hammer's top star of the time, Peter Cushing.  Cushing approached the role of Dr. Blyss (as he had been renamed) with tremendous enthusiasm. Indeed, he was so pleased with his work on the film that he yearned to make a sequel of his own.  He even took it upon himself to pen a script outline, but it never went beyond that.  Captain Clegg thus presented him with his only opportunity to play the challenging dual role and he certainly made the most of every opportunity.  Cushing's studious and kindly persona is well suited to the outwardly meek character of Blyss but, true to form, he is able to switch off the charm at a moment's notice and play it properly ruthless when he lets his mask down and reveals his true nature as Captain Clegg.  Cushing's dedication extended to participating in some potentially dangerous stunt scenes, whether it be grappling with monolithic Milton Reid or indulging in some bouts of Douglas Fairbanks-esque derring-do.



In addition to Cushing, the film is graced with an outstanding supporting cast.  The delightful Patrick Allen is, well, a delight as the rather thick-headed but brave Captain Collier.  Allen's latern-jawed good looks and imposing frame make him an ideal adversary to Cushing's wily anti-hero and the two actors play off each other beautifully.  The scene wherein Collier tries to get the upper hand on Blyss but is too dim witted to be able to follow it through to its logical conclusion is a master class in acting, with Cushing subtly conveying a condescending air of contempt while Allen bluffs and blusters without realizing just how right he really is.



Oliver Reed is cast in the somewhat less rewarding role of Harry, the young juvenile.  Reed's magnetic screen presence helps to bring the character to life, but it's a wet towel of a role and there's only so much he can do with it.  Hammer fans will no doubt get a kick out of seeing him performing some love scenes with the statuesque Yvonne Romain, however, given that the previous year the two had played - get this - mother and son in Curse of the Werewolf!  Romain is adequate in her role, but the real meat is to be found in the character roles played so beautifully by the likes of Jack MacGowran (in his only Hammer horror), Derek Francis, Martin Benson and, most notably, Michael Ripper.


Ripper had played his fair share of grave robbers, village drunks and inn keepers for Hammer - he'd even been uncomfortably cast as a Japanese officer in Camp on Blood Island!  Few of these roles gave Ripper a great deal of screen time, but that changed with his appearance in this film as Mr. Mipps.  Mipps is Clegg's right hand man, a loyal and faithful retainer who is willing to lay down his life to protect his master.  Ripper is heartbreaking in the role, which gives him far more to do than any of his other roles for Hammer, barring his juicy parts in John Gilling's The Reptile and The Mummy's Shroud


The film is very well directed by the late Peter Graham Scott, who made his one and only film for Hammer here - fortunately for the fans, it's a good one.  Scott paces the action very well, ensuring that it seldom gets bogged down in overly padded dialogue scenes, and working in tandem with director of photography Arthur Grant, he creates some stunning images of the so-called phantoms (in reality, disguised smugglers) riding through the swamps at night.



It's a brisk and entertaining film, milder than the norm for Hammer, but still well worth seeing. Cushing and Ripper fans will find it to be essential, in particular.

Review: Troy Howarth
Images & Artwork: Marcus Brooks 

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