Very sad to hear of the passing of legendary artist, BASIL GOGOS today. . . I first became aware of his incredible work on the Famous Monsters of Filmland covers... and this one in particular, of Peter Cushing. He leaves behind an enormous body of work, which fans and the lovers of his art will appreciate for many years to come . . .Do you have a favorite Gogo piece... ?
MANY MOONS AGO . .. . I spotted the cover of a certain magazine, on a magazine rack, the kind you see at airport news and book stores at airports, in our local newspaper vendors, in a teenie-tiny village, in the South of England. It was my sixth birthday, and my grandma was taking holding my hand, making her daily trip , to by her newspaper. I was invited along, because being my special day, I could pick some sweets / candy from the large glass jars, that stood on shelves, behind the counter. I settled on half a pound of loose Jelly Babies, and while my Gran and shop keeper chatted and he was weighing them, looking around, I spotted the strangest cover of a magazine.
I didn't really know what the magazine was about, although I judging by that word 'MONSTERS' in white, and that amazing character on the front, which I guessed, was maybe the Phantom of the Opera ...I knew my monsters from watching the late night movies at my Grandma's . . . I wanted it SO BADLY. But my birthday treat was being poured from the weighing scales scooped sliver bowl, into brown paper bags. I'd blown it! If only I had seen the magazine before my sweet tooth had led me to the Jelly Babies . . . In hindsight, I didn't really need the sweets, because I had the sweetest, kindest Grandma in the world. I left the store holding my Grandma's hand with my right hand, and two bags of Jelly Babies in my left..... but under my arm, were was that magazine, with that amazing art on the cover. From that day on, things would never be the same. . . - Marcus
UPDATE: BASIL GOGOS NEW YORK TIMES OBITUARY
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
#THROWBACKTHURSDAY: REALLY BEAUTIFUL work by JONNY GILLARD. You think? A sample of cinematic
DRACULA, down the years. Schreck, Lugosi, Lee and Oldman. Who would you
COUNT as the actor with the edge on the Prince of Darkness? As you will will probably know, I don't usually do this but, these prints are for sale and you can contact Jonny : HERE!
#THROWBACKTHURSDAY! PETER CUSHING WOULD HAVE been the first to admit, he couldn't hold a note
without dropping and smashing it! But, PHANTOM? He would probably not
have entertained the idea, and studios like Hammer Films
saw his roles in a different way, but Redway and Booth, his agents
might have gambled it...they weren't strangers to certain rogue casting,
over the years. Gulp! But Cushing as The Phantom..! What do you think?
I came across this surreal artwork a few days ago, I don't know the
artist..shout if it IS yours, please. I will credit you or take it down,
whichever floats your boat . .
I PERSONALLY THINK, Cushing had the sensitivity for the role . . . we
forget he played in MANY love stories on stage, tv and cinema before
Hammer arrived... Seriously though . . . Peter Cushing as The Phantom?
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
#CHRISTOPHERLEESATURDAY! I have been asked for YOUR opinion please.... which of the designs do you PREFER. The original US Vintage cinema poster design on the left OR the NEW concept artwork on the right? Please don't be shy in sharing your opinions on the style and artwork and maybe the reasons for your choice. Thank You! It's #CHRISTOPHERLEESATURDAY Today and there's some goodies on baddies coming up during the day!
#CHRISTOPHERLEESATURDAY: Christopher Lee like Peter Cushing and many other top actors at the time guested on the classic TV Show The Avengers. Lee made two appearances on the show, first in the Emma Peel era
episode 'Never, Never Say Die' And the second being from the Tara King
era called 'The Interrogators' which was directed by Oscar-nominated
Ealing Studios veteran Charles Crichton. Lee plays Colonel Mannering who is running a special interrogation course, established to determine the degree to which
agents can withstand interrogation. Except that everyone who passes the
course soon learns that all of their contacts have been murdered. And
then, Tara is called in for a run through the course as well. Its a fun episode with Lee delivering a great performance as Mannering
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA.
MICHAEL ARMSTRONG'S disappointment at the cuts in the final cut of The House Of The Long Shadows
was matched by the reaction of the stars of the film. Vincent Price, in
particular, was so upset that his role had been reduced by the cuts-
especially in the music room scene- that he denounced the film openly
and refused to aid in it's promotion or have anything more to do with
the film.
Michael Armstrong recalls: ' I got a call from Cannon just before the
film was due to open in the UK, telling me about Vinnie's reaction and
asking me if I could try and change his mind. Apparently, he had refused
to speak to anyone at the Cannon offices. He was staying in London at
the time, because his wife Coral Brown was at that time receiving
specialist treatment for cancer here. I called him and tried to persuade
him to talk to Cannon, but he was adamant. He was so angry and so very
upset because he'd loved doing the film and thought it was some of his
best comedy work and then to see so much of his performance cut...but
what could I say?'
Armstrong, continued 'I was totally in agreement with him and, as I pointed
out- the cuts to his dialogue were equally the cuts to my dialogue. We
were on the phone over an hour and a half. By the end, we were
commiserating with each other. He never did speak to anyone at Cannon,
although he and I continued to stay in touch right up to his death.'
ABOVE: PETER CUSHING PROMOTES THE HOUSE OF THE LONG SHADOWS ON THE UK BBC BREAKFAST TIME PROGRAMME 1983. CLIP QUALITY FLUCTUATES BUT IT'S WORTH IT!
HOUSE OF THE LONG SHADOWSopened in London in 1983 at the
Carlton Cinema in the Haymarket to mixed reviews and a disastrous box
office. Cannon's decision to sell the film as a straightforward horror
film had only resulted in confusing both the critics and the audiences
who, without having the benefit of knowing beforehand that it was meant
to be a tongue-in-cheek lampoon of Gothic melodrama, mistook all the wit
and pastiche jokes as an attempt at the real thing. Those critics,
however, who did realise the films intent, raved- in particular over the
screenplay and the stars. Similarly the film went on to win prizes for
best film, best screenplay and best actors (jointly for the four stars)
at Avoriaz, Sitges, Paris and other genre festivals around the world.
DISMAYED AT THE London box office results, Armstrong persuaded
Cannon to let him experiment with a different approach for the regions
in the UK and sell the film as the comedy it was, rather than the horror
film that it wasn't. To test this the East Anglia release was launched with a specially
organised gala night audience in Stowmarket being issued with souvenir
programmes quoting those reviews recognising the film as a comedy. The
result was a packed house loving the film, laughing and applauding
throughout. As Armstrong points out, 'It was exactly the same audience
reaction we'd seen at Avoriaz and in Paris where it had won the audience
prize for Best Film at the Paris Film Festival'.
THE BRITISH QUAD CINEMA POSTER FOR 'HOUSE
OF THE LONG SHADOWS' WAS SCALED DOWN FOR THE
CANNON VIDEO RELEASE
DESPITE THIS EVIDENCE of the audience reaction, it was too late to
change anything. Cannon's original marketing plan remained and the film
continued to fail at the UK box office. With a far more tongue-in-cheek
marketing campaign the film fared better upon it's American and
international release, once more mainly garnering good reviews. Its
excellent entry into the video market, however, was cut short by the
collapse of Cannon. as part of the company's product sell off, the film
was included in a package required by MGM and along with so much of the
Cannon product was lost in the archives.
ARMSTRONG SAW THE PROBLEM, 'The problem with parody is that unless you know what is being parodied,
you miss the joke and I think that's where certain people missed out on
the film. It's a pity because The House Of The Long Shadows is
so full of jokes for the movie buff- almost every single line of the
dialogue has a reference point to some movie or another - I defy anyone
to get them all in a single screening. Apart from the movie references,
though, The House Of The Long Shadows exits on several levels,
which is why it really needs more than one viewing to appreciate it
fully. It was also made with a great love for the film it so
affectionately lampoons and as a swan song to the horror careers of the
four. Just take a look at their dialogue to see what I mean. I firmly
believe when it does finally emerge on DVD, it will finally be
recognised, not only as one of Pete Walker's best and most complex
films, but as a fitting tribute and elegy to a bygone era'
BUT IT DIDN'T STOP THERE . . 'The House Of The Long Shadows'until 2013 was still in limbo, regarding a legitimate release. Maybe Peter Cushing Centenary was an opportunity too good to miss? Whatever it was, the powers that be, finally gave us what we had been waiting for. 'The House of the Long Shadows' arrived in not only ONE blu ray package, but quite a few! The region FREE blu ray was followed by a German blu ray, then Spanish...and many more there after. The news is good, seems someone turned on the lights at the home of the Grisbanes, and now, the once foggy, under-lit scenes are presented, just as they should have been, when we spent our hard earned cash for groggy dvd copies. The picture quality is great, audio too! The Horror Channel has screened the movie several times over the past five years too! Seems, just like Roderick in the story, if WAIT long enough...you'll get what you want!
THOSE OF YOU FOLLOWING the excellent story unfolding in the Italian comic #THE PROFESSOR, will be very pleased hear that ISSUE FOUR is now AVAILABLE! The team of Corbetta, Martigi, De Carlo, Giorgiani have come up with a terrific story, with a Cushing-ques character at the centre of the tale. Imaginative and very creative artwork, brings the action to life, in a synopsis where you are never sure, where it will take the reader next! The arrival of a new character in the story, looks strangely familiar, it's all part of this unique tale that has some lovely nods to Cushing Hammer and fantasy work. If you haven't got your hands on a copy yet, it's easy to get one. here is a link to #THEPROFESSOR facebook page . . .
THE THREE PAST ISSUES OF 'THE PROFESSOR' COMIC
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us reach our 30K following total for Peter Cushing BIRTHDAY on MAY 26th
2017 AND Help Keep The Memory Alive!