REMEMBERING CARRIE FISHER PLUS THE MOMENT TARKIN HIT A TONGUE-TWISTER!

TODAY, WE ARE REMEMBERING  on her birthday the lovely Carrie Fisher a woman, who was never dull, touched all she met, was a mountain of energy and fun and yet sadly, like many of us, carried another life, that sometimes worked against her, making even the sunniest of days, dark and exhausting. Many here of course will know her connection to Peter Cushing, through the movie, STAR WARS 

WITH CUSHING playing the evil TARKIN and Carrie the vulnerable PRINCESS LEIA Tarkin, together they played a key scene, with Peter cranking up his performance, as the cruel and most Machiavellian of characters in the Star Wars universe. Carrie later shared how difficult it had been for her to find the motivation, to hate Peter's Tarkin. She too,like many before her, had been charmed and moved, by his kindness and manner on set, it was quite a task to actually say those lines. Even though she left us a wonderful library of work on screen and on the page, it's a weird feeling, knowing, she isn't around to cheer us up and make us laugh in her interviews. As a teen she was my first crush, she dazzled and shone very brightly . . on screen and in life, a real Princess! 😊 We remember Carrie today . ..

INDICATOR BLU RAY PREMEIR OFJOSEPH LOSEY 'TIME WITHOUT PITY' : FULL REVIEW AND GALLERY!

THE FILM 'TIME WITHOUT PITY' is an adaptation of Emlyn Williams' pot-boiler stage play entitled 'Someone Waiting', a 1953 psychological thriller, which is something of a curio if performed on a theatrical stage today. The great fictional focal English murder,  is rooted in a 1956 middle class, whose sayings and doings often strike a modern audience as more than faintly comic. BUT within the context of a cinematic drama, produced just one year after Williams's staged debut of the play, directed by an American motion-picture director, whose highly personal style was often manifested in films centring on intense and sometimes violent human relationships... it is something far more sinister and real.

THE PLOT AND OPINION : 

A young man wrongly convicted of murder (Alec McCowen), and the last-minute hunt for the real killer by his dipsomaniac father (Michael Redgrave). 'TIME WITHOUT PITY' was the first time Joseph Losey had filmed under his own name, since the trauma of the blacklist, and it shows in the interesting play with clocks, for instance, indicating not just that Redgrave is racing against a 24-hour deadline to uncover the truth, but that his alcoholism was a way of making time stand still, by shutting out his responsibilities . . . to his son and to society. 

BY SHIFTING the emphasis from thriller to anti-capital punishment pleading, Losey also cleverly pulls on all threads of the plot, cranking up the cogs and dragging us all-in on the structure, the race against time and the whole thing slipping through the fingers of Redgrave's guilt ridden alcoholic, while the noose swings waiting too. The clever devise of letting the viewer KNOW who the true murderer IS,  makes the the whole thing even more interesting, as we watch the bullying racked up murderer sweat and twist his himself away from being exposed, the father fighting off his dependency on drink and the innocent son, sink further and further into hopelessness, in his dingy prison cell, praying his father doesn't fail him..again.  ! It is an undeniably powerful film. 

PETER CUSHING was to appear in another black and white crime drama, just  few years later for Hammer films called 'Cash on Demand' in 1962, where director Quentin Lawrence, would also apply similar tension triggers, but as much as 'Cash' delivers a sweet and justified ending, 'TIME WITHOUT PITY' deals with a much course and raw villain. Violence and murder against vulnerable women is one of the most frightening relations in the cinema crime family, and requires equally cruel and brutal comeuppance for the perpetrator in the end. So in quite a bit more than co star, here Cushing plays barrister Jeremy Clayton , who himself has no choice but to chase the clock too. Once again, as in 'Cash' Clayton plays on what was one of Cushing's  great strengths, 'fear and tension for himself, and/or of others'. 'TIME WITHOUT PITY' is also superbly shot by Freddie Francis, a director who Cushing would work with on a further eight films over the next twenty years. The film is conceived with a raw-edged brilliance, right from the brutal opening murder, that accommodates even the symbolism of a Goya bull, with the real killer (Leo McKern) finally cornered and goaded into a murderous/suicidal charge ..

UNLIKE HAMMER FILMS 'Cash on Demand' and 'The Naked Edge' (1961) with Cushing again playing another barrister and  Gary Cooper in sadly his last film, along with another thriller called 'Suspect' in 1960 . . 'TIME WITHOUT PITY' Cushing was still delivering on the gain he made on his tortured and broken Winston Smith in the BBC's 1984 in 1954, just three years before 'Pity'. Interestingly, 'The Curse of Frankenstein' was made the SAME year, as 'Time Without Pity' and in some ways could be said to have a more frightening monster.  A  working class man, who has worked his way up, to new money by grafting, but also by beating and crushing anything that gets in his way. Public position and cash, he thinks gives him the right and authority, to bend the rules, the law and to manipulate and abuse any woman who associates with him, certainly in his domain of his workplace. 

HOW INTERESTING that a film, produced by a man who was seen as an outcast in his industry over 65 year ago, manages to reflect the dangerous and often manipulative practices of many a powerful and trusted man, working with women in the workplace . .  the mirror might have been made in 1957, but sadly the chipped and flaking reflection we are seeing is today . .    

INDICATOR REMASTERED BLU RAY

THE VISUAL: 

The good news about the INDICATOR premier release on blu ray of 'TIME WITHOUT PITY'  is it actually looks, VERY good and just as we hoped it would, when we first heard about this planned release a few months ago. So, visually it is WONDERFUL! Thankfully, the visuals are as they should be and at 1080P, the contrast is often deep, a nice layer through out. For a film from this period you would expect some grain, and what you see is totally in keeping with how a theatrical presentation of this release of a monochrome film would indeed look. It's HD, it's monochrome, and the results from that combination, trusting on a very well looked after print, are always impressive.

THE AUDIO:

Indicator has used a linear 24-bit PCM mono track in the original English language.The soundtrack is clear, no buzz, no clicks. It IS very sharp.The score written by the late Tristram Cary, who also provided the musical scores for Hammer films 'Quatermass and the Pit' and 'Blood from the Mummy's Tomb', the 1955 classic 'The Lady Killers', Peter Cushing's 1963 'Violent Playground' and . . .as he was a pioneer in electronic music, having become inspired by his WWII Royal Navy training in radar, and built the first electronic studio at the Royal College of Music, was also instrumental in the invention of the synthesizer. ..  he wrote the music for 27 episodes of Patrick Troughton's 'Doctor Who' from 1964-66 ..  here provides a dramatic score for the often teasing tensions, threats and contrasting rumblings and then unexpected outbursts from a major bully and psychotic murderer. It's all there, can be heard and appreciated . .  Dialogue is also clear, no distortions when the audio is carrying high pitched vocals, and manages low background audio atmosphere, when dramatic mix of music and   action visuals drop suddenly. Overall, the audio is a very impressive and compliments the visuals. 

THE EXTRAS:

One of the first extras I couldn't wait to use, was the very interesting facility that allows you to play the film, while listening to a John Player Lecture from 1973, with director Joseph Losey himself! The 80 minute conversation with very knowledgable film critic Dilys Powell at the National Film Theatre, is a very entertaining treat to access on maybe a second viewing. Plenty here, on a career that was never dull, and full of its own dramas. But it's Losey's thoughts and experience on how, he looked for other levels in plots, scripts and characters, how he used the camera and blocked a scene, that I found most interesting. This is the man who worked with Bertolt Brecht and directed Dirk Bogarde in 'The Servant' and ' The Accident', I am all ears! Many viewers and collectors, may find this extra as a 'no bonus' and of 'little interest' especially as the recording was never intended for public use or broadcast, the audio quality is a little weak. Indicator flags this up, within its title menu. Personally, for me it's a certainly a gain. I am the kind of viewer that wants the lot. Whatever is available, include it on the extras. My purchase then viewing experience has always been to, if possible, without sounding like an anorak / geek, have a good-time and learn all I can about a film I have just shelled out, good lolly for! It's all part of the journey and the learning! So, for me this was no injustice, poor show or problem... I just turned up the volume. Simple.

IF YOU ENJOY extras that inform and educate too, then a new audio commentary with author Neil Sinyard, of 'British Cinema In The 1950's : A Celebration' maybe well 'float your boat' too! It's a neat and interesting extra too. I have always personally preferred, enjoyed packages of extras, that contain, what I haven't seen before, different. It doesn't have to be another menu of often seen press stills the size of postage stamps or another chance to see THAT grubby trailer that has sat on Youtube for the last eight years. No, give me, that grainy end segment of an film interview, found in a dusty vault or some long gone film collectors garage . . 'and you only have the last three minutes, out of the 20 that were shot? Fine. Let me SEE it!' I am your man! Which is why, I leaned closer to my TV when I came across the option for ' A vintage Horlicks malted-hot-drink commercial . . directed by Losey too! It's great 😀😃😉     Next is film maker, Gavrik Losey, son of Joseph Losey in a new 15 minute video interview entitled 'The Sins of the Father' where he details the making of 'Time Without Pity' and it's place in his father's impressive body of film work as a director, of reputation and who created often a different persective. The Indicator blu ray package also has a LIMITED EDITION and EXCLUSIVE  40-page booklet, with a new essay by Robert Murphy, Joseph Losey on Time Without Pity, Jeff Billington on the MacMahonists and Time Without Pity, an overview of critical responses, and film credits. This is LIMITED to just 3,000 copies.
 

SO IN CONCLUSION ..  The Indicator Blu Ray release of 'TIME WITHOUT PITY' ticks the box for very good 1950's tense drama, it's quality Brit Noir, it possess an excellent cast, Leo McKern and Michael Redgrave, are at different ends of a career, and BOTH fill that screen, with talent you just don't see today. This release also stands as a more than worthy addition to your Peter Cushing collection, this is a VERY good example of why critics 'kicked off a long running, biting their pencils and punching their type-writers' in what was a what they saw as a justified mega-strop, stating that Cushing had copped out of quality work, and slipped into the fantasy cinema market'! THIS was what Cushing actually excelled at, and what's more, he knew that too. Choices huh? If you have never, for whatever reason, never experienced a Joseph Losey directed movie, THIS is a very good place to start. Lastly, if you already own the dvd of the film, this is a very commendable upgrade... that I can assure you, won't be around long. Nope it's not a hard sell, it's a fact. Indicator is very lucky but deservedly so, to have earned themselves quite a LARGE and quite dedicated clientele . . collector's who buy in bundles, out of choice, predominantly just Indicator releases. Why? Check out their website or facebook page and you'll see past releases of very interesting releases in limited runs and copies. They SELL. 

PACKAGING is always of a very good standard, matching other releases . . collectors LOVE matching or colour coded spines of great quality cases and above all, specific and well researched sleeve notes and COVER ARTWORK. They very rarely drop the ball in their remastering, they are often exclusive but always... quite classy! 😉 That's why this release comes highly recommended . .

Marcus Brooks

 

TIME WITHOUT PITY: THE SPEC: 

Release date: 28 October 2019
Limited Blu-ray Edition (World Blu-ray premiere)

Following his blacklisting in the McCarthy HUAC hearings, director Joseph Losey (Eva, The Damned, Secret Ceremony) moved to the England in the 1950s. The gritty British suspense thriller, Time Without Pity was the first film he made in the UK under his own name.

In a BAFTA-nominated performance, the great Michael Redgrave (Goodbye Gemini, Connecting Rooms, Dead of Night) stars as an anguished father whose son is convicted of murder and languishing on death row. In a desperate race-against-time, he attempts to prove his son’s innocence whilst bringing the real murderer to justice.

With photography by Freddie Francis (The Elephant Man), and a superb supporting cast including Ann Todd (Taste of Fear), Leo McKern (X the Unknown), and Peter Cushing (Corruption, The Beast Must Die), Time Without Pity is brilliantly accomplished slice of Brit-noir, and a potent cry against capital punishment.

INDICATOR LIMITED BLU-RAY 

EDITION BOX SET SPECIAL FEATURES:

• High Definition remaster
• Original mono audio
• The John Player Lecture with Joseph Losey (1973, 80 mins): the celebrated filmmaker in conversation with film critic Dilys Powell at London’s National Film Theatre
• New and exclusive audio commentary with Neil Sinyard, co-author of British Cinema in the 1950s: A Celebration
• The Sins of the Father (2019, 16 mins): filmmaker Gavrik Losey, son of Joseph Losey, discusses Time Without Pity
• Horlicks: Steven Turner (1960, 1 min): vintage commercial for the malted milk drink, directed by Joseph Losey
• New and improved English subtitles for the deaf and hard-of-hearing
• Limited edition exclusive 40-page booklet with a new essay by Robert Murphy, Joseph Losey on Time Without Pity, Jeff Billington on the MacMahonists and Time Without Pity, an overview of critical responses, and film credits
• World premiere on Blu-ray
• Limited edition of 3,000 copies
  #PHILTD154
  BBFC cert: PG
  REGION FREE 
  Blu-ray Release Date: October 28th, 2019
  Transparent Blu-ray Case
  
  YOU CAN ORDER YOUR COPY of Indicator's  'TIME WITHOUT PITY'
  Blu Ray HERE! 

  
  

  
  

  

REMEMBERING CALVIN LOCKHART : BIGGY SMALLS AND THE BEAST MUST DIE

BAHAMIAN BORN, Bert Cooper... soon to be Calvin Lockhart first caught many movie-goers' attention in those now ' a little off centre' maybe, super-slick cliche urban films like Cotton Comes to Harlem (1970) and Halls of Anger (1970) before becoming a fairly steady fixture in the "blaxploitation" movies of the early-to-mid 1970s. It was what it was... Most serious film and TV roles for black actors were scarce at that time, so Calvin moved from the US to Europe.

OUR PCASUK feature and gallery on 'The Beast Must Die' (1974) starring Calvin Lockhart, Peter Cushing and Marlene Clark, can be FOUND RIGHT HERE! 

GIF ABOVE: BOO! Paul Foote and Newcliffe, play 'a-hunting' in the forest in 'The Beast Must Die' (1974) 

ABOVE: MARLENE CLARK as Caroline Newcliffe in 'The Beast Must Die'

IN ITALY Lockhart soon owned a restaurant and formed his own theatre company, serving as both actor and director. For a time, he also lived in Germany before settling in England, where he became the first black actor to play lead roles with the Royal Shakespeare Company. Soon he was starting to build up film credits with minor work in such British movies as A Dandy in Aspic (1968) and Only When I Larf (1968). He made news in another racially-motivated project entitled Joanna (1968), which centred around a "mod", interracial romance with 'Genevieve Waite'.

GIF ABOVE: Dr. Lundgren (Peter Cushing) offers to treat Newcliffe's (Calvin Lockhart) dog, 'slight flesh wound' . .  that turns out to be much more . . ! 

IT WAS 1974 when Milton Subotsky, producer and scriptwriter at Amicus films spotted him for the lead role, in a little something different from their portmanteau movies, a wolf-wolf who-done-it . . with a little, if not a wonky nod to the blaxploitation films of Lockhart's past...what resulted for some is one of their Peter Cushing favourites, Cushing playing German (?) Swiss (??) lycanthropy expert in 'The Beast Must Die' famous also for it's 'werewolf-break' the film is a hoot, and like many other Amicus films, has a great cast with Michael Gambon, Anton Diffring, Charles Gray and the lovely, Marlene Clark.

AFTER 'BEAST', Calvin's career grew a little lacklustre, and by the end of the decade, he was resorting to trivial guest parts in such TV shows as Good Times (1974) and Get Christie Love! (1974). He landed a recurring role on the night-time soap Dynasty (1981) In 1974, Calvin married a woman also from the West Indies and had three children! After his career subsided, he decided to return to his homeland in the mid '90s and resettled in Nassau with his fourth wife, Jennifer Miles. There he involved himself with the Freeport Players Guild as a director. He also returned to films after a 15-year absence, completing Rain (2008), a movie shot in the Bahamas, shortly before he suffered a major stroke. 

SADLY CALVIN died of complications on March 29, 2007, and his family are currently in the process of establishing a scholarship fund in his name, specifically for Bahamian students, pursuing an acting or film making career.  Today we remember Lockhart, who put more than a bit of a buzz into a Amicus film. Calvin Lockhart : October 18, 1934 - March 29, 2007

Banner stills: 

Top Right: Peter Cushing and Calvin Lockhart in 'The Beast Must Die' (Amicus 1974)
Bottom Right: Rare promo portrait still for 'The Beast Must Die', featuring Calvin Lockhart and co star, Marlene Clark.
Main Still: Rare publicity portrait of Calvin Lockhart as Tom Newcliffe.
'The Beast Must Die' (1974 Amicus films) Directed by Paul Annett

HAPPY BIRTHDAY TO THE OTHER TARKIN AND HOUSE MAKES A HALLOWEEN SPLASH ON FILMFAX PLUS COVER!

TODAY WE ARE MARKING a birthday of an actor, that just a few years ago any Cushing or Star Wars fans and the actor involved would never have believed if you told them, how the three would connect! When the idea of bringing Tarkin back to the big screen, this  actor was very busily working in a UK soap drama... and then come the beginning of December2016 he was thrust into the spotlight, following huge anticipation for the arrival of the STAR WARS movie, #ROGUEONE. But remember, Henry wasn't just playing any character though, this was a role that would split the opinion of Cushing fans, movie goers and Star Wars Followers, the world over....  A Job Well done, Mr Henry 😉 A VERY Happy Birthday to you, have a great day!

A FOOTNOTE to this post, as it  appears on the FACEBOOK PCASUK FAN PAGE  'On the subject of Tarkin CGI' 'This is one of those little nuts that is never going to be cracked. I think, like all things about film, it depends on your personal perspective... on the week Rogue One was released I did a live ...hour long...interview on WGN radio about the film. I knew, it was going to be tricky. The angle really was 'What do you think? should they have done it, was it ok to put a CGI Cushing of Tarkin in the film?'... and I stand on what I said back then. You'll never please everyone no matter how good the CGI is.. but more to the point, they had the OK of Cushing's estate to do it . . knowing PC well, I trust their judgement. As for the point of, 'It ain't REAL!'... well, I hate to burst your bubble, but hey, this is Star Wars.. it's a fantasy, nothing you are seeing up there is real.. it's a movie.vWould Cushing have ok'ed the idea? Well, as you would have seen from many posts we have shared with here, we are talking about a man who 'created' toy theatres and model actors, he spent months making figures, painted water colours and oils, spent time on the floor setting up his model soldiers, re-enacting battles in his 'miniature gaming', re-creating . . you decide... ;)' - Marcus (pcas)

OUT NOW! ISSUE 155 of the magazine '#FILMFAX' has the cast of the 1983 film 'The House of the Long Shadows' #VincentPrice, #ChristopherLee, #PeterCushing and #JohnCarradine... as part of their #Halloween issue, there is a feature on the film . . . it got a bit of a slapping on its release and after years of a grotty quality VHS release finally made a grand re entrance on blu ray.

ABOVE AND BELOW: 'The House Of The Long Shadows' : The House That Armstrong and Walker built!' Parts ONE and  TWO HERE!

DEPENDING on which release you buy, the extras will range from very good to 'well that is just weird' ... I will say no more. Nice cover. But that pose of Cushing, always looks cut and pasted to me...