#SILENTBUTDEADLY! What a striking image Donald Pleasence's Jim Underwood makes in his dazzling orange shirt, matchless tie, and that silk handkerchief, is a nice touch. Still, all this doesn't hide that fact, that he and his daughter, are more than VERY weird. It's poor ol Ian Bannen's Christopher Lowe I feel sorry for, all these alarm bells ringing and he doesn't see it coming. Peter Cushing's shop keeper didn't spare the horses in making this costumer suffer......! From Beyond The Grave, never fails to entertain. One of the best of the Amicus portmanteau films of the 70's... yes? Gif requested by Davy Travers.
ABOVE: ANGELA PLEASENCE PLAYES DONALD'S DAUGHTER IN
'FROM BEYOND THE GRAVE' TO MAGNIFICENT EFFECT!
#SILENTBUTDEADLY!: IF you ever need a bit of midnight gardening done OR you find yourself in a bit of hurry to bury the evidence of your latest victim of carnage, #DRACULA is your man! Here's Christopher Lee in a frightening feral act, of burying his next victim, as a bit of supper he can come back to later!! You won't find a fast digger, other than my pet cat Ralph, after he has craftily stolen a pork chop, from my plate, and sets to burying it in the rose bed! It's true that Melissa Stribling got more than a mouthful of 'Bray-Village-Genuine- Best-of-English-Sod' while Lee was enthusiastically burying her. He almost fell in the hole during the shooting too! It's all part of the never-to-be-equaled final reel of #HAMMERFILMS #Horrorofdracula / #Dracula 1958. Peter Cushing's Van Helsing has never been better! You think? #GIF requested by Paul Ashman!
#SILENTBUTDEADLY! IT'S PRETTY OBLIVIOUS, that Ralph Bate's character Robert Heller, in Hammer films Fear In The Night never read page 238 of the 'Film Script Schemes and Plot Devices : Guns'. If a character has a loaded gun or rifle, and something moves or twitches behind a curtain, under a duvet or dust sheet' DON'T SHOOT! I didn't actually get to see this Hammer gem, until 1982, a full ten years after it was theatrically released. Watching the film with a crowd who really weren't au fey with Hammer films or this title was a real treat. They too were as caught up in the drama as I was, as not one of us knew the plot or any of the red herrings.
THE PLOT REVEAL DETAIL that leads up to that gun shot, is a good one. Not wanting to give anything away, all I will share is the good news, FEAR IN THE NIGHT proves two things. One, the fact that this script nestled in the dust and dark recesses of Hammer films, scriptwriter Jimmy Sangster desk for over a decade, proves he wasn't that pin sharp at picking a potential winner, when he wrote one. Two, neither were Hammer! This script went through several rewrites and at one point, the whole thing was set on a canal boat!!! Things must have been more than tight, budget wise at that time I guess?
THE PLOT REVEAL DETAIL that leads up to that gun shot, is a good one. Not wanting to give anything away, all I will share is the good news, FEAR IN THE NIGHT proves two things. One, the fact that this script nestled in the dust and dark recesses of Hammer films, scriptwriter Jimmy Sangster desk for over a decade, proves he wasn't that pin sharp at picking a potential winner, when he wrote one. Two, neither were Hammer! This script went through several rewrites and at one point, the whole thing was set on a canal boat!!! Things must have been more than tight, budget wise at that time I guess?
FEAR IN THE NIGHT, is what Hammer called one of their quickies. And looking at the particulars for the film, you can see why! Sir James Carraras must have sold the family silver to pay Peter Cushing a misiliy £500 for a four day appearance, and the whole thing was in four weeks with a budget of a mere £141,000! The small cast of Ralph Bates, Judy Geeson and Joan Collins (slumming it, as Dynasty was just a twinkle in her agent's eye at this time) according to Sangster who also directed, had a wonderful time making the film.
ABOVE:
OFF SCREEN JIMMY SANSTER AND RALPH BATES WERE VERY GOOD MATES. AFTER
RALPH'S SAD AND TRAGIC PASSING IN 1991, SANGSTER WOULD OFTEN REFLECT IN
INTERVIEWS HOW MUCH HE STILL MISSED HIS OLD FRIEND . .
SANGSTER DOES a good job cranking up the tension, but he must have used up his entire stock of directorial skills on Fear, as his other two outing for Hammer, 'Lust for a Vampire' and 'Horror of Frankenstein' are no way as inventive and entertaining as Fear. If you haven't seen Fear In The Night, it's worth your trouble digging it out. For those who have, revisit it, and remind yourselves, just how good Hammer could be when they had to....
#SILENTBUTDEADLY: PETER CUSHING EVER THE optimist, roles up he sleeves and attempts his, what's going on here then, medical sensibilities to a man who is WELL GONE, in the rip roaring, a 'new twist and plot development every minute', #HORROREXPRESS. It never fails to surprise me how much everyone has a soft spot for this film. According to Christopher Lee, who appeared with Cushing in this Spanish-Horror, it wasn't the most comfortable of excursions. A little like Cushing dip into the Hong Kong way of making movies, with Seven Golden Vampires, the studio was basic, the catering was..basic, and Cushing who was still very much in an emotional spiral after the recent passing of his wife, Helen..wanted to just go home. In fact, if Lee had not intervened, Cushing would have been booked on the next REAL train out. The work surroundings and home comforts were absent, but every penny of the budget, was on the screen. Including that beautiful locomotive of the title. Sadly, before all the 'train-spotters' race for a copy, much of the 'Express' travel footage was model work, good model work, but not the real article in loco-motion.
CHRISTOPHER LEE DEMONSTRATES THE OL ADAGE WHEN A SHOT GUN ISN'T AT HAND, USE YOURS HANDS, TO KILL....A DEAD PERSON!
LEE AND CUSHING are really on form in this one, and supported by a largely dubbed but capable cast. It appears that since the film moved into a weird and strange siding, in the world of ever confusing copyright, and has become public domain, the Horror Express timetable now appears on just about every compilation bootleg dvd of horror films you can spot on ebay. This in turn has helped the film, garland an even more prominent place with fans of zombie-fossil-thing-on-a-train films. Which can only be good for genre, if a little annoying for the guys who scrimped with that meany budget...!
#SILENTBUTDEADLY: PETER CUSHING EVER THE optimist, roles up he sleeves and attempts his, what's going on here then, medical sensibilities to a man who is WELL GONE, in the rip roaring, a 'new twist and plot development every minute', #HORROREXPRESS. It never fails to surprise me how much everyone has a soft spot for this film. According to Christopher Lee, who appeared with Cushing in this Spanish-Horror, it wasn't the most comfortable of excursions. A little like Cushing dip into the Hong Kong way of making movies, with Seven Golden Vampires, the studio was basic, the catering was..basic, and Cushing who was still very much in an emotional spiral after the recent passing of his wife, Helen..wanted to just go home. In fact, if Lee had not intervened, Cushing would have been booked on the next REAL train out. The work surroundings and home comforts were absent, but every penny of the budget, was on the screen. Including that beautiful locomotive of the title. Sadly, before all the 'train-spotters' race for a copy, much of the 'Express' travel footage was model work, good model work, but not the real article in loco-motion.
CHRISTOPHER LEE DEMONSTRATES THE OL ADAGE WHEN A SHOT GUN ISN'T AT HAND, USE YOURS HANDS, TO KILL....A DEAD PERSON!
PETER CUSHING PROVING SHOT GUNS ARE NOT ONLY GOOD FOR SHOOTING PEOPLE UNDER DUST SHEETS - BUT ZOMBIES TOO!
LEE AND CUSHING are really on form in this one, and supported by a largely dubbed but capable cast. It appears that since the film moved into a weird and strange siding, in the world of ever confusing copyright, and has become public domain, the Horror Express timetable now appears on just about every compilation bootleg dvd of horror films you can spot on ebay. This in turn has helped the film, garland an even more prominent place with fans of zombie-fossil-thing-on-a-train films. Which can only be good for genre, if a little annoying for the guys who scrimped with that meany budget...!
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