CALLUM MCKELVIE: PART ONE OF DOUBLE FEATURE ON SCI FI AND HORROR : ISLANDS OF TERROR AND HEAT!

WHEN ONE THINKS OF PETER CUSHING'S  Science Fiction output, what usually springs to mind? Star Wars and the two Dr Who movies are the most obvious candidates. Aside from that the choices are somewhat limited. Horror Express (1973) and Biggles (1986) contain ostensibly science fiction elements (the monster being an alien in Express and the time travel plot in Biggles) but their feet are firmly rooted in other genres. Scream and Scream Again (1969) is another obvious candidate but sadly it has to be the film in which Cushing is the MOST wasted, barely appearing at all. 

THAT LEAVE JUST The Abominable Snowman (1957) and the films involved in this two-part feature; Island of Terror and Night of the Big Heat. This last pair are not only a sample of Cushing’s relatively small science-fiction output, their also two of famed Hammer Director, Terrence Fisher's four contributions to the genre (along with Four Sided Triangle (1953) and The Earth Dies Screaming (1964).

BOTH FILMS WERE MADE by the short-lived ‘Planet Films’ and share many of the same cast and crew. Both also belong to that curious, somewhat forgotten form of British sci-fi, pioneered by the likes of John Wyndham and Nigel Kneale. Namely, they feature small isolated intrinsically ‘British’ communities menaced by mysterious creatures. Night in particular sees much of its action take place in the local pub, a well-worn trend in British Science-Fiction films. However they’ll be more on that film next week, this time I’m tackling it’s predecessor- Island of Terror.

THE PLOT INVOLVES a cancer research establishment off the coast of Ireland where the locals are turning up dead. With the local Doctor having very little idea as to what is causing the mysterious deaths, enter Dr Brian Stanley (Peter Cushing), Dr David West (Edward Judd) and the wealthy jet-setter Toni Maerill (Carole Gray). The Scientists soon discover that creatures they dub ‘Silicates’ are loose on the island, created accidentally by the experiments. Bone sucking creatures, they multiply at an alarming rate and soon endanger the entirety of the Islands population…

OF COURSE THERE IS ONE MAJOR difference between the two films. Namely Cushing’s role. In Island of Terror, he’s an integral part of the film and one of the three main characters. Not only that but his character is given some genuinely interesting moments, for example a hero loosing his hand (or receiving any other sort of lasting damage) isn’t something we really see in a Cushing film. However, it defiantly works here and manages to ramp the tension up significantly, after all if one of our three leads can have his hand chopped off, why can’t one (or all of them) die? It’s an interesting tactic and Fisher doesn’t shy away from showing the whole thing. The effect might be a little cheesy, but the intent is there and it still works as a shocking moment. 

IN HEAT, CUSHING is given a substantially smaller role and essentially plays a victim- an interesting position to see him in at this point in his career. His character is friendly and affable, but that’s all. Cushing lays on the charm HARD and it certainly works when he reaches his demise, a scene which is easily the highlight of the film and one that is thick with tension throughout. However it’s clear which role is superior and it’s a shame the Planet Films team didn’t consider a direct follow up, re-using the character of Dr Stanley.

 

THE SILICATES THEMSELVES ARE . . . oddly effective. For the first portion of the film Fisher decides, wisely, to keep them off the screen. This builds the feeling of a menace that can be anywhere and strike at any time. Wonderfully, this isn’t just atmosphere for atmosphere’s sake and is actually used to provide genuine shocks (for example the aforementioned sequence involving Cushing's hand) when one appears out of nowhere. 

WHEN THEY ARE EVENTUALLY REVEALED When they are eventually revealed, the design is one that despite it’s cheapness, works wonderfully to compliment the films visual style and has a unique charm about it. One has to give the team credit as well for avoiding the tired cliché of a man in a suit and attempting something that’s a little more unusual, resulting in a striking (if admittedly not always convincing) design. 

THE CREATURE'S SLOWNESS doesn’t make them any less threatening and indeed helps in the slow menace that makes the film so effective. One rather spectacular sequence with the creatures features one on a glass skylight, as it smashes through and drops onto a hapless victim below.
 

ONE TRULY WONDERFUL SEQUENCE, occurs in the films climax (spoilers ahead be warned) in which, trapped with the creatures advancing, Edward Judd prepares to shoot Toni in order to save her from death by silicate. It’s a surprisingly dark moment for a film of this nature, all the more so given the nature of her character and how she came to be on the island. For a character that’s so innocent and outgoing, this fate seems incredibly troubling.

TO SHOOT TERI OR NOT???

INDEED ONE OF the enduring appeals of Island of Terror, is that what starts as an enjoyable 60’s sci-fi adventure- becomes progressively darker. The opening sequences in which we meet our characters, then see them journey to the island are far lighter in the tone, than the latter half of the film. Fisher allows his audience to let their guard down and then strikes when their at their most vulnerable.

ISLAND OF TERROR, really is something of a gem in Cushing’s output and for my money stands as his best Sci-Fi feature alongside The Abominable Snowman. This film may not have the intelligence of that earlier classic, but it has genuinely shocking moments and an atmosphere that oozes dread and menace. The question is, does Night of the Big Heat match it’s predecessor?

 

I’ll be finding out next week, so PLEASE JOIN US!
If you have any comments, suggestions or feedback about this or ANY of my features here at PCAS you can contact me HERE at spookycallum58@gmail.com

REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA

VINCENT, KATY, EDDIE AND PETER ARE SHOCKED! GIFS! GIFS!

#SILENTBUTDEADLY! Here's #VINCENTPRICE as 'Sinister Man' in probably one of his sharpest put-downs on film in 'Blood Bath At The House Of Death' (1984), an interesting little black comedy staring Kenny Everett . . he is SHOCKED, and the line he delivers, is sadly unrepeatable here . .  our silent disposition serves us well!  I thought his jibbing before the delivery, was well worth posting . . .

#SILENTBUTDEADLYWEDNESDAY!: KATY WILD IS SHOCKED! But sadly her character, BEGGER GIRL, is MUTE! Hey, thought Anthony Hinds, she can't speak, she doesn't NEED a name! But Cushing gets it. There's nothing like a 7foot tall ex wrestling champion, in mashed-up make up, wearing diving boots and a mean look . . . carrying a wrought iron spear, to sharpen the senses. This leads into one of those scenes, that you can see, Cushing REALLY enjoyed. A right royal scuffle, with crushing grips, heroics, floppy fringe flying and Cushing's Baron comes out looking hair ruffled, but still sharp and smart! It's a pity the girls didn't get to play though... I just love the way, Cushing flings our poor 'Begger Girl' out...of..frame....! 'The Evil of Frankenstein' (1964), certainly is from the good ol days, when monsters were mean and big, and girls screamed, until a CHAP stepped in...!

#SILENTBUTDEADLY!: In #STARTREK lore, there's a there's a theory. If a cast member in the 1960's tv series was wear a red top as part of their uniform, they were for the chop. After they had set down on the planet, while checking out the sandy desert terrain, you could count the seconds before a scream went up, and the red top guy, had bought it! Dead. Not so the case with the 1966 Cushing film, 'Island of Terror'. Actor Eddie Byrne was the go to guy in the late 50's early 60's, if you wanted a strong, straight talking, serious detective, police office or doctor. Here he plays Dr. Reginald Landers, strong, straight talking, serious and tentacled silicate, tea time snack! You can see the shock in his eyes. Who could have known? In Hammer films, 1959 The Mummy, Bryne had played the SSS Detective Inspector Mulrooney. For him it was double added value, playing to his strengths Police AND IRISH! He played it very well, feeding Cushing's British archaeologist all the right questions, that lead us through a complicated flash back story about how, Christopher Lee's High Priest Kharis had ended up minus his tongue and wrapped in enough bandage, to stretch to Tut's tomb and back! So, that he should die, for me was a surprise and sad. I am not one of these cinema goers who spends their time wasting my ten bucks, trying to find the clues to end of the film, when I have paid good lolly, for them to tell me. I also happen to be a fan of Eddie's work. so, for him to leave film three quarters in, was a downer. Still, he died well. Convincing audiences you are being SUCKED to death, could be a tall order for some actors. Not Eddie. He's a strong, straight talking, serious doctor here. He was never going to suck in this role.....

#SILENTBUTDEADLY! 'Corruption' (1968) is a motion picture that is full of SHOCKS, and that's even without the CENSORED shock shots! Here Cushing shockingly bites the dust. It's interesting, despite how carefully director Robert Hartford Davies set up this clever shot, so that we get the full impact of the Laser Zap on PC, my dear ol Mum, when she saw this many years ago was distracted. 'Hasn't Peter Cushing got really BLUE eyes!', she exclaimed. And yes, he DOES. The weird thing is, if you look at at Cushing's death pose as Gustav Weil in Hammer films, 'Twins of Evil' (1971) and the last death shot of Cushing's Sir John Rowan . . .they are uncannily similar!

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA . . 

#SILENTBUTDEADLY : A COUPLE OF CRACKING GIFS REQUESTED BY COUPLES!

#SILENTBUTDEADLY: WELCOME TO OUR WEEKLY WEDNESDAY REQUESTED GALLERY:  GIFS HAVE NO AUDIO. ARE SILENT, THEY HAVE BEEN SELECTED FROM MOMENTS OF HIGH DRAMA AND HORROR IN THE WORK OF PETER CUSHING . . . . 

THIS WEEK'S GIF GALLERY has been requested by partners and couples who are fans of the work of Peter Cushing and follow our facebook fan page and website! 

#SILENTBUTDEADLY: IF CHRISTOPHER LEE IS in the cast of a movie, and he is going to die, you know, you are going to get value for your money! Lee died a thousand deaths in movies, and his death scenes total over 20 or more, ...a fact that wasn't lost on the late Sir Christopher himself...he devoted an entire chapter to the subject in his autobiography, 'Tall, Dark and Gruesome: Lord of Misrule'. I have intend over the years, to actually draw up a list of my favourite top ten Christopher Lee Deaths, but as yet, I can't settle on the titles, as there is SO MUCH to choose from! That wasn't a problem for Fang Girl and Fang Boy who sent us a message this week, and voted, Lee meeting his sticky end in Planet films, 'Night Of The Big Heat' (1966) their all time fav. Death by sucking! Next time you are in your local McDonald's treating yourself to one of their tasty THICK SHAKES, and you can't get the thing started, just call 011-666-SILICATE-SUCK-MY-SHAKE, and one will be around in a jiffy, and will get that sucker up the straw and pumping, in a jiffy!

YOU CAN SEND US YOUR REQUESTS FOR OUR WEEKLY GIF GALLERY BY EITHER MESSAGING US  AT OUR PETER CUSHING FACEBOOK FAN PAGE OR BY EMAILING YOUR REQUEST  BY EMAIL: PETERCUSHINGPCAS@GMAIL.COM

A DREADFUL RECOGNITION : PETER CUSHING as Prof Mayback Von Klaus in the New Avengers episode, 'The Eagle's Nest' (1976). Von Klaus was kidnapped and set to work resurrecting a deceased individual from the world's past. It is here that the identity of who he brought back from the dead, is revealed. A very good story, and perfect for the rebooting of The Avengers television series. That Cushing should be chosen to star in that first episode, is a nice touch. Cushing had played Paul Beresford in the 1967 'Return of the Cybernauts' episode, a popular, stand out story in the series. Mrs and Mr Peel of Doncaster, England (!!) Have asked for anything from the 'Eagle's Nest' episode. I thought, this was a would do the trick!

THE RESURRECTED: DIGGING UP THE DEAD is the stuff of nightmares, and so it is in Hammer films, 'Frankenstein and the Monster from Hell' (1974). The Baron's latest creation, goes on the rampage in the grounds of the asylum, where he is held captive, on escaping into the grounds, he goes in search of some answers, and hopes one of those answers is to be found in the asylum cemetery. 

WATCHING THIS film recently with friends, we touched on how the creature is shown in a light of great sympathy in his scenes. Much time is given to the exploring of the impact suffered by the resurrected character, who becomes the Baron's latest project. Dave Prowse has never got recognition for the role he played as the Creature in this film. It's one thing to try and emote pathos for such a pathetic creature, it's another trying to do some with a couple of pounds of latex rubber on your face an body. Many on watching can't get passed the somewhat clumsy arrangement of the make up and costume, and for them, that completely distracts and spoils the film. Personally, I forgave the short coming of the budget and make up years ago, and take much pleasure from the performances of Cushing, Shane Briant, Madeline Smith, Prowse and the assembled 'top draw' cameos, seen by many as the weakest in the series, in my humble, it ranks with the all-time best. Mr Robin and Terry Maggs, hold this opinion too, and requested this shot specifically....Yesterday was the anniversary of the LONDON OPENING of this film, May 2nd 1972, even though the film was made TWO YEARS PREVIOUSLY in 1974! Sadly, it didn't perform well. Do you think the years have been kinder to this film??

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us reach our 30K following total for Peter Cushing BIRTHDAY on MAY 26th 2017 AND Help Keep The Memory Alive!