Showing posts with label sequels. Show all posts
Showing posts with label sequels. Show all posts

Friday 31 May 2019

THE PREQUELS AND THE SEQUELS OF YOUR CHOICE!


A VERY POPULAR POST and question over at the FACEBOOK PCASUK FAN PAGE today, that really is a #THROWBACK THURSDAY idea! Lots of interesting suggestions, even some people requesting not just a one off sequel, but PREQUELS and whole series of films! Below is the text that has accompanied the post on the page. Please feel free to click the blue link and join in with your suggestions 😉

#ThrowbackThursday! IT SEEMS THESE DAYS, that almost every other film that appears in the cinema today is either a sequel or a prequel, of an already existing successful box office film. If we had the power to revisit the times, when both Peter Cushing and Christopher Lee were still with us, and a magic wand, to indulge our tastes, which film that Lee and Cushing appeared in, would you command a SEQUEL go into production? Here is a list of the films that, you could choose from 😉 One choice, your choice 😉 - Marcus

BELOW: THE FANTASY FILMS OF PETER CUSHING AND CHRISTOPHER LEE, for your consideration!


The Curse Of Frankenstein, Dracula/Horror Of Dracula, The Mummy, The Hound Of The Baskervilles, The Gorgon, Dr. Terrors House Of Horrors, She, The Skull, Night Of The Big Heat, Scream & Scream Again, I Monster, The House That Dripped Blood, Dracula AD 1972, The Creeping Flesh, The Satanic Rites Of Dracula, Horror Express, Nothing But The Night, Arabian Adventure, House Of The Long Shadows



THE 22 FILMS OF PETER CUSHING AND CHRISTOPHER LEE: covers in detail all of the connected films in a SEVEN PART series with extensive photographs and images! PART ONE HERE! 


ABOVE: THE ONES THAT GOT AWAY, and in some cases, didn't even get past the 'nice idea at the time' Some surprises and some would have the potential to have maybe changed the direction of Cushing's and others careers! MARK IVESON's excellent feature is supplemented with several 'fake' blu ray cases and art work cover designs, that sometimes makes, the loss very frustrating, for sure! CLICK HERE! 

Friday 16 December 2016

ROGUE ONE TARKIN: SEAMLESS AND EMOTIVE!


NOW AS THE WEEKEND APPROACHES many more of you may be planning to go along and see #ROGUEONE ..and hopefully join the THOUSANDS here and at our PCAS FACEBOOK FAN PAGE, to give us your thoughts on the cinema event that has everyone talking . . . The Return of Peter Cushing's Tarkin to the World of #STARWARS! The sheer volume of messages and emails we have received in the past three days, is quite staggering and unprecedented! So, after your filling our two previous threads and posts, to the point of zero navigation...here is another opportunity to tell us what you think! NO PLOT details please, many have yet to see the film. . .  You can send us an email which will be moderated and included in another feature here on SUNDAY!  So, don't wait, FIRE off those emails and ....You May Fire When Ready 😜

THE GUARDIAN NEWS PAPER 16th December 2016
'The effect is remarkable, if uncanny, and the technology is breathtaking. How the trick was pulled off remains a mystery as the wizards at Lucas Film and Disney remaining tight-lipped about their achievement. Since the start of cinema, its technical magic has always made us gasp, and seeing Cushing interacting, near seamlessly, with new characters brings a smile to the face'.

THE WASHINGTON POST December 15th 2016
'If “Rogue One” wins an Oscar for effects, Cushing — or rather, “Cushing” — should be in no small part why.

'Under director Gareth Edwards, “Rogue One” represents another marker in the decades-long quest for the best CGI-fashioned human replicas. The filmmakers auditioned actors to “play” Cushing’s Tarkin, settling on BBC soap actor Guy Henry. This Tarkin is thus free of the dreaded “dead eye” effect. Lo, though the effects wizards walk through the “uncanny valley,” Tarkin registers as quite alive — even if his facial proportions sometimes read as ever so slightly off from the Original Trilogy. We are nearing the reality of a fully fleshed-out, CGI-enhanced performance long after an actor has passed.'


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