FULL REVIEW OF WARNER BROTHERS ARCHIVE COLLECTION : FROM BEYOND THE GRAVE BLU RAY

WHEN WATCHING WARNER'S release of 'FROM BEYOND THE GRAVE' you get to realise very quickly, like all their other Cushing / Hammer releases, THIS isn't going to be giving you ANY annoying specks, audio cracks or visual blips. Again, Warner has delivered us THE print we were all hoping and waiting for. . . .

LIKE THEIR PREVIOUS BLU RAY releases of DRACULA AD 1972 and THE SATANIC RITES OF DRACULA, it's an excellent job, of a super-cleaned up blu ray. The smae must also be said of superb FOUR FILM selection of the HORROR CLASSICS COLLECTION BOX SET which includes  FRANKENSTEIN MUST BE DESTROYED (1968) in it's FIRST release on Blu Ray, THE MUMMY (1959) TASTE THE BLOOD OF DRACULA (1970) and 'DRACULA HAS RISEN FROM THE GRAVE' (1968). What we are getting, is a VERY good deal and when you think about it, how ALL remastered or cleaned up, restored BLU RAYS should be! If you are a Cushing, Pleasence or Amicus Horror films fan, this latest addition to the Warner Archive Collection and the Amicus portmanteau series is definitely one for your collection 😉

OUR PCAS FULL REVIEW of Warner Brothers Archive Collection of Hammer films 'DRACULA AD 1972' can be found HERE! 

THE PCAS FULL REVIEW of Warner Brothers Archive Collection of Hammer films 'THE SATANIC RITES OF DRACULA' can be found RIGHT HERE! 

OUR FULL PCAS FEATURE AND REVIEW OF 'WARNER BROTHERS : HORROR CLASSICS VOL ONE' you can find RIGHT HERE! 

SO WITH THAT BEING  SAID, I guess you can say we are VERY happy with the results of this release. The Warner Archive Collection release of this particular title, is the ONE all Amicus and Cushing fans have been awaiting on, a long time. THIS release, at last, completes the Amicus series of portmanteau films, available on blu ray. And WHAT A WAY to wrap it up!

THE VISUAL QUALITY: 

The good news is, as yet, the Warner Brothers Archive Collection of films that feature Peter Cushing, haven't put a foot or frame wrong. . . and I'll tell you why. Over the years, many a release on blu ray, just when the price, the anticipation and the viewing seems to be all that you wanted, the film begins a scene that suddenly, doesn't look right. It's a 'day for night' shot, and guess what ..  all the footage looks like it's mid day in Florida!! OR suddenly, the silent drama of the scene in the bedroom where, 'he's in the closet and he has a knife' is killed instead, by what sounds like someone has started frying eggs and bacon under the bed! You'll be pleased to read, that doesn't happen here. Great image quaily and no hiss, spit or crackle! Many of you regulars, will surprised that I haven't mentioned yet, one of my all time favorite scenes in an Amicus film. 

YES, 'THE DOOR'! 'From Beyond the Grave, features a story starring actor Ian Ogilvy and the wonderfully looking Lesley Anne-Down. . . They are great, look very good, but not as breathtaking as the lighting and sets of the tale. As I hoped for, Alan Hume whose cinematography would be later greatly appreciated on a series of Bond films and Return of the Jedi, looks breath-takingly good...and certainly several steps up from the familiar DVD quality. And it's the clarity again, like many of the Warner Archive Collection, that is so special. There is LOTS of detail, lots of props, bits and pieces, textures and some of it you will see for the first time. Take a look at what has been the soft bundles and piles of junk and antiques in Peter Cushing's 'Temptations Ltd' shop. You can see why now, people were incited to go inside! 😉 Simon Wakefield's set design decor LOOKS quite different and here is the reason why these days he works on films like 'Batman Begins', 'Casino Royale' ... The definition of light and shadow also works so well now, it all now helps to create the suspense and drama. In 1974 when 'From Beyond the Grave' was in production at Shepperton Studios . . producer Milton Subotsky's favorite haunt fr production of the Amicus films . . the UK film industry was on its knees. However, not for this film. The production values are quite different from say, 'Tales from the Crypt' or 'Vault of Horror'. I have no idea where then lolly came from, but NOW you can see, it's ALL up on the screen...as THEY intended 😀  This is the best the film has ever looked, and probably ever will look. It's ANOTHER outstanding job from the Warner Archive! 

THE AUDIO QUALITY: 

BACK IN 1974, mono audio on films like 'Beyond the Grave' was still all the rave! Hard to believe now. It's just as difficult to believe that the audio on this film truly is from a DTS-HD 2.0 Master Audio (Mono) track root! The film sounds unlike many you may be used to from this era. It's quite a feat to mix such a track and get what accompanies the beautiful visuals, so both compliment each other so well. But, Warner has indeed done that.  Douglas Gamley's music score, for the first time in my personal experience, has impact . . you can feel it! All shock sound effects and atmosphere enhancing sounds and notes, are just as you want them to be. HEARD, IN SYNC, MIXED and don't crackle or buzz! A supernatural event in itself, for a film of this age! The dialogue is very clear and crisp. Put your headphones on, you won't miss a trick. It's mono, but not as we know it, for sure!      

SO TO SUM UP. Warner has done an excellent job. One can only hope they have MORE Hammer, Amicus, Peter Cushing Christopher Lee titles in their locker. If they do, we are onto a winner. Good value for money, EXCELLENT results that would make the very dedicated and talent folk who produced these films, very proud indeed!

YOU CAN PLACE YOUR ORDER for Warner Brothers Archive Collection Blu Ray release of Amicus films, 'FROM BEYOND THE GRAVE' : CLICK AND ORDER HERE! 

The GIFS and images used in this feature do not contain footage from the Warner Brothers archive release . .

TEMPTED? IT'S COMING HERE SOON!

ONE GOLF CART TO MOVE THEM ALL AND FROM BEYOND THE GRAVE BLU RAY REVIEW THIS WEEKEND!

#CHRISTOPHERLEE SATURDAY! ONE GOLF CARD to move them ALL ! I believe both Peter Cushing and Christopher Lee got around a few times on a camel, during the making of Hammer films 'She'... but this? I think Peter would have approved, MUCH more civilised 😊😉

HAVE YOU ORDERED? Waiting to find out more OR are you going to enter the PCASUK competition? Either way, you can get the low down on the Warner Brothers Archive Collection release of yet another, Peter Cushing classic blu ray 'From Beyond The Grave' ! HERE THIS weekend!

MEANWHILE, we ANNOUNCED the actual RELEASE of this great BLU RAY from Warner Brothers Archive, this week on OCTOBER 8th. Just a REMINDER, that we are launching our PCAS 'Beyond The Grave' COMPETITION, very soon   

If you are ordering your copy right now, I would recommend placing your order from the Warner Archive website..HERE! The BLU RAY release is region 0, making it playable on just about anyone's player.. unless you have a player like a 1920's biscuit tin driven by steam or clock-work... !

REVIEW FEATURE: SCREAM FACTORY OVER HAULS HAMMER FILMS FRANKENSTEIN CREATION ON 2K SCAN BLU RAY

HAMMER FILMS, 1967 'FRANKENSTEIN CREATED WOMAN' GETS A NEW 2K Scan 'Using The Original Film Elements' in impressive BLU RAY release FROM SCREAM FACTORY!

'FRANKENSTEIN CREATED WOMAN' : HAMMER FILMS 1967

Director: Terence Fisher, Screenplay: John Elder [Anthony Hinds], Producer:  Anthony Nelson Keys, Photography: Arthur Grant, Music: James Bernard, Music Supervisor: Philip Martell, Special Effects: Les Bowie, Production Design: Bernard Robinson. Production Company: Hammer/Seven Arts

Synopsis
'She's a vision of loveliness ... with a murderous mission from beyond the grave!'

IN THIS MOST conceptually wild and out-rightly science-fictional of the Hammer Frankenstein films" (Moria Science Fiction, Horror and Fantasy Film Review), Baron Frankenstein (Peter Cushing) and Dr. Hertz (Thorley Walters) are embarking upon an experiment to capture the souls of the dead and impose them into other bodies. When their assistant, Hans (Robert Morris), is unjustly accused of murdering his girlfriend Christina's father and is himself put to death, the two men claim his body and trap his soul in their laboratory. Meanwhile, Christina (Susan Denberg) is consumed with grief over the death of her beloved Hans and commits suicide. Frankenstein and Dr. Hertz are able to transfer Hans' soul into Christina's healed body, which results in a vision of beauty. Their experiment appears successful until Frankenstein discovers that Christina's seductive appetites are being driven by the spirit of Hans and his passion for revenge ...

IF CRITICS AT THE TIME are time were to be believed, that hammer films were like the distant cousins of the Shepperton studios, 'Carry On films', 'made for the working classes, nothing too cerebral or intellectually demanding and with flashes of titillation to meet the demands of the lowest common denominator', then director Terence Fisher and script writer, Anthony Hinds over-stepped their remit and burnt out the brains of many an audience. 'CREATED WOMAN' follows a story track that leaves the concept of the Baron just rejuvenating sown and souring corpses, way behind. It soon becomes a quite interesting theoretical  essay and endeavor on the journey and existence of the soul! Judging by the box office, the 'classes' LOVED it! The whole thing is quite crazy, but it works. 

THE ARRIVAL OF HANS as a total gender swap, is interesting especially as her existence is all about REVENGE on men who abused and tormented her. Topical today or what? The relationship on screen between Thorley Walters and Peter Cushing is wonderful. Walters did the bumbling aged roles very well. The young snipes are cast well and our creation in, Susan Denberg, ticks all the boxes, for those who wanted more than the expected stitches and scars. The stitches here are broken, snapped and groaning under the weight of something that is certainly 'all women'  and reveal a creation, that would keep fans dribbling for many decades after the films release. The scar sadly, was something waiting in the wings for Denberg that would car crash her career and make her life something certainty more, than any nightmare, Hammer films could devise, for sure.

THE BLU RAY:
IF WE LOOK AT our blu ray shelf, it seems that Scream Factory has released Frankenstein Created Woman as the next part of their Hammer films Collector’s Edition series. This is a NEW 2k scan of the original film elements. A previously released blu ray from Millennium, thankfully quickly went out of reach for orders, and can now rest in the dust as THIS release leaves that memory fast fading, like it's visual quality at the time. Scream Factory has released the print that should have been delivered back then. SCREAM'S new transfer is visually superior, it's  vibrant, exposes those rich Hammer film colours and vibes, we know and look for, so well. There are no muddy, foggy textures here. The vision is much brighter, while not losing the density of shadows and the margins between black and grey.  The focus detail and depth of field in the focus can been seen through out and is not flat, as can often be the case in blu ray transfers. There are a few spots of damage to the print, but these are not distracting and were only spotted on the second viewing. The grain is in keeping with the film stock that Hammer used at this time. 

SCREAM FACTORY also presents this release in the film’s original 1.66:1 aspect ratio.  Frankenstein Created Woman is a very good film on a lot of levels, and visually the film has never looked this good in home cinema presentation. It's a great achievement that many fans of the film, I am sure will appreciate. The audio on this release is a DTS-HD MA mono track and both Anthony Hinds entertaining dialogue and the majestic film score sound is classic Hammer films! Terrific.

EXTRAS AND BONUS MATERIAL: 

• NEW 2K Scan From The Original Film Elements
• NEW Audio Commentary With Author/Film Historian Steve Haberman And Filmmaker/Film Historian Constantine Nasr
• NEW Interview With Actor Robert Morris
• NEW Interview With Camera Assistant/Clapper Loader Eddie Collins And 2^nd Assistant Director Joe Marks
• Audio Commentary By Actors Derek Fowlds, Robert Morris, And Film Historian Jonathan Rigby
• World Of Hammer Episode The Curse Of Frankenstein
• World Of Hammer Episode Hammer Stars: Peter Cushing
• Hammer Glamour Featurette
• Theatrical Trailers
• TV Spots
• Radio Spots
• Still Galleries – Movie Stills, Posters, And Lobby Cards

SO TO WRAP UP, what we have with this much welcomed released of one of Hammer and Cushing more interesting, Frankenstein films, is a vast improvement on what has gone before, you have the best of BOTH worlds, with EXTRAS and BONUS menu consisting of a number of features both very interesting and new, plus the best bits of previously seen material. It's a MUST for fans of the Hammer series and Peter Cushing! BUY IT and PRE ORDER HERE!
 

REVIEWED! SCREAM FACTORY LEGEND OF THE SEVEN GOLDEN VAMPIRES BLU RAY RELEASED TODAY!

LIKE MANY HAMMER FILM and Peter Cushing fans, for the last few years, I've both a mental and physical 'wish list' of movies, |I have hoped would some day, get the remastering blu ray treatment. I am very happy to now look at my shelves and see most of those titles have not only received a re-release and remaster, but also 98% of them have been blessed with a remastering, quite beyond my expectation! It's wonderful to see many Cushing features, that for years looked destined to never be seen again, the way I had once watched them in the cinema. It took quite a while, with the arrival of DVD's to weed out the duds, and not fall foul of a 'bootlegged home made burned copy of a years old TV recorded copy of a VHS recording' to a legit marketed commercial DVD copy to arrive. For quite sometime, we were very happy with DVD quality, and then the sometimes sparkling definition of a BLU RAY! Could it ever get any better. we asked? 'Oh, Yes . . .', said the distributors, 'Take a look a this!' The REMASTERED 1080p high definition Blu Ray.... can be at times, quite thing of beauty. Sometimes if the copy house gets it wrong though, it can also become a never ending chorus of lethal barbs, personal opinions and wrath, at forums and internet groups. 



THANKFULLY, that has not happened too often with Cushing films. There will always be the wish and bucket list, of people who have high expectations and yet low funds and shallow pockets. The remastering process is an expensive business and in the current lolly-no-lolly climate, things tough. Though there will always be, the customer who also expects, a perk! Some of the better remasterings, have arrived without any extras. No new documentaries, no galleries of images and rare stills.. but the quality of what it offers on the label, is very, very high. The FILM is a knockout! And with that, I am happy to share that, SCREAM FACTORY has delivered a VERY nice release, that meets the standard we have come to expect and a much needed and very entertaining package of extras too, for a film that has been on THAT 'Wish List', for quite sometime . . .    

I AM NOT GOING TO BORE YOU with the story, plot details and 'CHOP' of Hammer films and Shaw Brothers, THE LEGEND OF THE SEVEN GOLDEN VAMPIRES. If you are a Cushing, Hammer or Horror film fan, you WILL know the plot like the contents of Famous Monsters Of Filmland, Issue ONE or page six of Alan Franks excellent, 1976 edition of The Movie Treasury of 'Monsters and Vampires!' If seeing Cushing play Van Helsing in a more traditional sense, rather than in 70's swinging London, as in the outstanding remasters from Warner Brothers of both 'Dracula AD 1972' and 'The Satanic Rites of Dracula' However, if you NEED the plot, you may find a PCAS feature, with that and a whole skip full of stills, RIGHT HERE and HERE!.

THE TEC SPEC! 
AND SO TO THE LINE, that is the divider or decider in such releases as this. A title now arrives on blu ray, that most parties or individuals will probably already own and may have in several formats, purchased and added to those creeking shelves, over the years. The question: Is THIS release an improvement and worth parting with your hard earned lolly? The ANSWER is certainly! I have found over the years, it is the past reputations of such companies as Shout / Scream Factory, that will define if fans are going to cry, 'Once Bitten, Twice Shy' having been stung with past purchases, where the excitement and anticipation of a blu ray release worth having, following lots of promotion and word of mouth, sinks faster, after the opening credits than a trout with belly full lead! Scream Factory has an excellent record and this release again puts the seal of approval on they give what they promise. This release is 2.35:1 anamorphic and SCREAM FACTORY'S transfer presents visually a real bonus, to anyone who has seen the film before, and experienced not too sharp an image, to put it bluntly! The 50GB disc is an AVC encoded 1080p high definition transfer. Having said that, some would consider the transfer to not quite be of reference quality. AT LAST we can now see, what is happening CLEARLY, CRISPLY! Nothing that I could see in my TWO viewings of this release, dropped from an excellent clarity, a viewing of this film, I had never seen before. Blurring, sudden softness of what two seconds ago was a sharp image, with solid contrast of a shot, filmed in shadow, can be a real distraction, if seen too often while enjoying your recent purchase. 

WATCHING THIS RELEASE was full of visual surprises. Details in costumes, actors expressions and of course, the fight scenes, was a real treat! The transfer brings out so much detail compared to previous releases. The audio is DTS-HD MA Mono. The levels are clear and for some might hint at being TOO clear! All dialogue in Seven Golden Vampires, was created during ADR. It was very common practice in the industry in Hong Kong at this time, that little if anything that was recorded during production was used in the final theatrical release, everything was dubbed in post. So it's very fair to say, the levels are well balanced is free of any obvious or noticeable hiss problems or distortion. James Bernard's excellent score has never sounded better! Optional subtitles are provided in English only.



THE EXTRAS:
REGULARS TO HERE AT THE PCAS website and the PCASUK FACEBOOK FAN PAGE will not be strangers to the work of BRUCE G HALLENBECK. As well, as writing and publishing several very good books on Hammer and Amicus films, Peter Cushing, Christopher Lee and many many others, Bruce has also contributed several exclusive features and series about Cushing, Hammer / Amicus and many of Cushing's supporting casts and characters for this website. You find links to many on the right column of this site! Bruce contributes and narrates a very entertaining feature on this SCREAM FACTORY release. Lots of new factoids and details about Hammer films, the history of why Hammer made a 'Vampire / Kung Fu' features at a time when Hammer had long left his Dracula role and how it almost didn't get made, as Warner Bros threatened to pull their money, unless Dracula was included in the film. Well done, Bruce! 

A FEATURE WITH AUTHOR RICK BAKER, is also here if you have an interest in Kung Fu Cinema. 'KUNG FEAR' does a nice job of sharing the background of Hammer's partners in making 'Legend of the Seven Golden Vampires' The Shaw Brothers. Baker who is author of several books on Hong Kong cinema shares his knowledge while 'Golden Vampires' co star David Chiang gives a neat little interview, with memories on working on the film and Peter Cushing! Also included is the 75 min 'alternative' edit of the film, re-titled 'The 7 Brothers Meet Dracula'. It's minus much of Cushing's Van Helsing footage and anything that didn't have the minimum at least five chops or three foot sockings! Interesting!

OVERALL
Scream Factory's REMASTERED Blu Ray release of Hammer Films 'The Legend of the Seven Golden Vampires' is a very nice and long awaited addition to my little collection. It's fabulous to watch Cushing in his last outing as Van Helsing, Julie Ege, Chiang and Robin Stewart are a great support also. John Forbes- Robertson is very entertaining to watch in a 'Hong Kong' swing of Dracula. Complete with THEIR nod to his make up and style, it answers the question of, what would a Dracula not played by Christopher Lee, in a Hammer film, look like! THIS release gets a BIG thumbs up and thank you from us all at PCAS!. .

SCREAM FACTORY REMASTER of LEGEND OF THE SEVEN GOLDEN VAMPIRES BLU RAY was REALASED TODAY APRIL 9th 2019 and is REGION A.
 

REVIEWED DRACULA AD 1972 : WARNER BROTHERS REMASTERED BLU RAY : GIFS AND SCREEN CAPS!

HERE IS A PETER CUSHING FILM, that has probably more column inches and photographs on all our PCASUK sites, than any other Cushing film. This is a weird situation, when you consider, that along with it's sequel,  HAMMER FILMS 'THE SATANIC RITES OF DRACULA' no other Cushing / Hammer film, causes a more wider divide in opinions among fans, than this one does! I think 'DRACULA AD 1972' as we have already explored in our previous Warner Brothers review of 'SATANIC' was a brave attempt by Hammer studios, to take one of their biggest box office draws, in another direction.

ACTING ALMOST as a reboot, to catch a new audience of teenagers, who might be more atrracted to a Prince of Darkness, who treads his deadly and terrifying path, among the 'fashion conscious and trendy dudes' of the psychedelic seventies, hot pants, flares, pot and glam-rock to boot! Sadly, this was one direction that left many hardcore fans out in the cold. 'AD 72' sadly isolated, what was left of the audiences who had attended all previous five Christopher Lee Dracula movies. But Hammer CEO Michael Carreras saw that the tried and tested concept could not last much longer, even though the previous outing of 'SCARS OF DRACULA' had grossed sizable takings, for both Hammer and Lee, when released with a reboot of the Hammer's other box office winner with 'The Horror of Frankenstein'. It was time for change. 

WHAT SCRIPT WRITER DON HOUGHTON, delivered and director Alan Gibson produced with both 'AD 1972' and 'SATANIC' were both pretty much on the mark, for what was needed for that change of direction. The fact that Robert Quarry had starred in AIP's 'COUNT YORGA, VAMPIRE' a TWO YEARS previous, and coined an interesting box office return, must have also influenced their choices. And so, Warner Brothers commisioned both AD and SATANIC, from Hammer films. The problem was, as was the habit with Hammer at this time, BOTH films arrived a little late. By 1972, fashion, tastes and music had moved on, for what is offered as 'trend' in both films.  the target audience of the past DRACULA features, would never have the tastes or tolence for such concepts as long hair, 'free love', flapping flares and psycho-colours, bright enough to burn the sensitive eyes of any dark dwelling vampire!

FOR DECADES, both 'AD 1972' and 'SATANIC' have been viewed, or rather not seen as worthy of being included in the 'fan love' list, of Hammer's Dracula rota. But just like fickle way of clothing and music fashion, what is out today, often returns from the 'dead as a doe-doe state', to be greeted and revisted with either the welcome of a long lost friend or, as in this case, maybe a view that sees, if the well loved Dracula features are from an era and time long past, so are 'AD 1972' and 'SATANIC'. They are ALL from the box office trends, of another time? The fans of vampire films today are much more flexiable, with vampire television series and movies, that actually rely on the concept of bringing 'the vampire' along with the Prince of Darkness into penthouse dwellings, rather than castles and gothic crypts. So, you can see why BOTH films are now finally getting their time,  and it has taken the Warner Brothers REMASTERING of the films, to finally SEE what the audiences saw on the big screen back in the day. . . .  

THE SYNOPSIS: As mention at teh beginning of this review, DRACULA AD 1972, has been covered in several features, galleries and reviews over teh years on this site. But for those who have never read the features or seen the film, here is a brief synopsis, WITH some spoliers :

IN 1872, COUNT DRACULA, (Christopher Lee) and his nemesis Lawrence Van Helsing (Peter Cushing) battle on the top of a runaway coach. The carriage crashes and Dracula is partly impaled by one of the wheels. In the struggle, Van Helsing manages to fully push the wheel into the vampire's chest, staking him. This done, Van Helsing collapses and dies from his own wounds. At that moment, a follower of Dracula (Christopher Neame) arrives, collects Dracula's remains and, a few days later, buries them near Van Helsing's grave at St Bartolph's Church. A century later, a new generation of Britons appear who move the tale along: in this case, a group of young hippies that includes Jessica Van Helsing (Stephanie Beacham), granddaughter of Lorrimer Van Helsing (Peter Cushing), an occult expert and descendant of Dracula's old nemesis, and Johnny Alucard (Christopher Neame), who closely resembles the disciple of Dracula seen in 1872. Alucard persuades Jessica and the others to attend a black magic ceremony in the now abandoned, deconsecrated St. Bartolph's, where he performs a bloody ritual involving one of their group, Laura Bellows (Caroline Munro). Jessica and the others flee in horror, after which Dracula is resurrected and kills Laura. 

Laura's body is discovered, drained of blood, and a police investigation begins, headed by Inspector Murray (Michael Coles). Murray suspects an occult element and interviews Lorrimer Van Helsing, who is shocked to learn the details of Laura’s death. He realises that Johnny Alucard (whose name is Dracula written backwards) is a disciple of Dracula, and that the Count must have returned. In the meantime, Alucard brings another of Jessica’s friends, Gaynor Keating (Marsha Hunt), to St. Bartolph's, where she is killed by Dracula and Alucard willingly has himself turned into a vampire. The vampiric Alucard kills a passerby and lures Jessica’s boyfriend, Bob (Philip Miller), to a café they frequent, where he turns him into a vampire as well. While Lorrimer is out, Bob goes to the Van Helsing house and persuades Jessica to come to the café, where he and Alucard capture her and take her to Dracula.

AIDED BY ONE OF JESSICA'S FRIENDS, Lorrimer tracks Alucard to his flat and battles him. Alucard accidentally kills himself with the running water in the bathroom shower. At St. Bartolph's, Lorrimer finds Bob's dead body, slain by sunlight before he could reach his resting place, and Jessica in a trance, with Dracula planning to take his revenge on the Van Helsing family by turning her into a vampire. Lorrimer sets a trap for Dracula by placing a pit of stakes underneath the graveyard and waits for him to return at nightfall. The two have a struggle in which Lorrimer attempts to kill Dracula with a silver knife, but the knife is pulled out by Jessica, still under Dracula’s command. As the pair go outside, Lorrimer throws holy water at Dracula, which burns his hands and causes him to fall into the pit of stakes that Van Helsing had previously prepared. Realising Dracula is still barely alive, Lorrimer uses a shovel to push Dracula into the stakes even further. Dracula dies, his body crumbling into ashes, and his spell over Jessica is broken. As Jessica embraces her grandfather, the title "Rest in Final Peace" is shown.

SO HOW DOES THE REMASTERED BLU RAY LOOK?
CONSIDERING DRACULA AD 1972, is now almost 47 years old, the film technically has never looked better! Since 2005, Warner has had a quite good quality region free DVD on the market, a big step up from a VHS version. It is THIS dvd that has fed the fans of the film for over the last 15 years. Then, a few years ago a German Blu-ray based on the same transfer created for the 2005 DVD was released in multiple regions. The team at the Warner Archive Collection actually reviewed that transfer and rejected it as unusable to use in this blu ray transfer. Thankfully, a 1080p, AVC-encoded Blu-ray was produced from a NEW 2K scan by Warner's MPI facility, of a recently manufactured interpositive. Amazingly what we have for the DRACULA AD 1972 blu ray release are images that are indeed comparable to FRANKENSTEIN MUST BE DESTROYED, 'Dracula Has Risen From The Grave', 'Taste The Blood Of Dracula' and 'The Mummy' in the previously released Hammer Horror Classics collection Warner Brothers release. The colour correcting for this release was achieve  by using the Ektrachrome publicity transparencies as a reference. All age-related damage has been repaired . . .  by hand, frame by frame, taking out what must have been thousnads of dust, scratch and dirt frames, over the films 96 minute duration. All details, blacks and densities are all quite defined and superior to anything we would have seen of this film previously, and the film's grain pattern has been finely rendered. The compression at Warner's Archive Collection is customarily presented at a high rate of just under 35 Mbps, which completes the film's 1080p resurrection. DRACULA AD 1972 mono soundtrack has been taken from the magnetic master and encoded in lossless DTS-HD MA 2.0. Word has it that the soundtrack was in an impressive shape and thankfully, required minimal cleanup. The dialogue is clearly rendered, the basic sound effects too. Again, on this blu ray, I heard some subtle sound effects, I had not heard before! Both actual DRACULA death scenes now carry detail and subtleties you may not have been able to see before on the dvd's. 

SO TO WRAP, the remastering is way beyond what many expected for DRACULA AD 1972. What has been for sometime the least loved of the Hammer Dracula saga, shows up in very grand style, presenting what it has always been ..  Something different, stepping out beyond what was respected but had become predictable, embellished by it's two outstanding actors, to push the drama and action to a new level, for a new audience. Today, the thrill is still there, and is now wonderfully remastered, presented in such quite superb picture quality, spookily it offers the chance of again for a NEW audience to see and experience, what has been for sometime.... such fab frightening fun! 

IT'S NEVER LOOKED BETTER!  ORDER YOUR COPY : HERE!