#TOOCOOLTUESDAY: WHEN LEE MET BOWIE AND RARE BRIDES OF DRACULA PUBLICITY

#TOOCOOLTUESDAY: WHEN LEE MET BOWIE! The Slim Duke Meets The Count? Would you have loved to have been a fly on the wall here? Both loved music, performing...worked in the film industry they also shared something else in common... Do you know what??

#TOOCOOLTUESDAY: FOR THE PAST FEW weeks we have had a lot of requests asking if we could also have a weekly theme post day for posts relating to Christopher Lee. We  thought that was a good idea too, so as of this weekend, Saturday's will now be . . . 

#CHRISTOPHERLEESATURDAY! WE'LL STILL CONTINUE to post occasional posts through out the week relating to the work that Peter Cushing and Lee did together, but Saturday's will now carry rare images, features banners and stuffs, as you requested 🙂  If you have requests for particular images, gifs or clips, you only have to ask 😉 Good idea? Let us know below....

#TOOCOOLTUESDAY: DURING THE 40'S 50'S AND 60'S  Picture Show and several other cinema magazines held a lot of sway with the UK cinema going public.  The films of Peter Cushing appeared regularly between many film fan magazine covers. Interviews, features, photograph spreads were prepared by the press office and reporters and photographers were courted and invited to come and dish up some angle of publicity, for the latest offering. Hammer films were certainly one of the British film studios that kept the magazine very busy.  And sometimes gave editors and writers exclusives. But the one above, is quite rare for a Hammer film. Not just a quick chat with one of the stars and on your way with a handful of glossy head-shots and a flimsy two page synopsis! The Picture Show photographer was allowed to take his own photographs, using the two love interest in the film, Yvonne Monlaur and David Peel. To suit the story angle presented by the magazine, and not disclose any details that may spoil the Hammer feature, what we get is bizarre fantasy angle to the very familiar characters played by Monlaur and Peel!  His Baron gets to bite her and she in turn gets to bite him back!  Ok it's the kind of thing that scriptwriter Jimmy Sangster would probably have shuddered at, but  in the realm of publicity, the PICTURE says a thousand words! And these are a couple of excellent excellent smouldering pictures!

 

Please visit us at our daily themed posts at our PCAS FACEBOOK FAN PAGE and help Keep The Memory Alive!

 The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA.

#TOOCOOLTUESDAY: HAMMER CINEMA PROMOTION FROM JAPAN!

#TOOCOOLTUESDAY: This week we bring you, some excellent examples of cinema promotion for several Peter Cushing #HAMMERFILMS in Japan from the 1960's and 70's. Personally, I LOVE poster art from any countries, other than the main drag of the USA and UK market. Often the outer territories would be given basic press kits, that the press offices would customise, to suit their culture and audiences tastes. This often meant using rip and tear collages, sometimes including using images and artwork from films, that were not part of the official promotion campaign. This more often than not, resulted in some very exciting and resourceful posters.

AT THE TOP, we have a hand-bill for Hammer films 1969, 'Frankenstein Must Be Destroyed'. Look carefully at the images, and maybe you can spot at least three examples of the artists adding some extra effects to the official press kit photographs. One image addition, from another completely unconnected Hammer film! 'Frankenstein Must Be Destroyed' was released in Japan with another Warner Brothers - Seven-Arts release, 'Valley of the Gwangi', making an interesting night at the cinema! 'Destroyed', the last Frankenstein Hammer film theatrically released in Japan, and audiences would have to wait until both 'Horror of Frankenstein' (1970) and 'Frankenstein and the Monster from Hell'  were released on domestic video cassettes, to see how the Hammer / Frankenstein / Cushing saga ended.

MUCH OF THE ASIAN CINEMA  artwork often came about because of the lack of materials, sent on by the distributors. Press kits more often than not were, incomplete and certainly in English language. Necessity being the mother of invention, cinema circuits in Japan set about making their own promotional material, using whatever was at hand, or could be added with a brush and paint. A little added blood here, an exposed breast there, with an extra long fang for good measure, resulted in many examples unregulated artwork doing the rounds, but that, as a kick back, added an extra dimension to the story of the film being exhibited...and give us more reason to ponder, today . . .  

Please visit us at our daily themed posts at our PCAS FACEBOOK FAN PAGE and help Keep The Memory Alive!

 The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA.