#toocooltuesday:
 WEDDING DAY, Birth of your children, Their graduations...aside, the day
 I had the opportunity to spend time with the one and only, Vincent 
Price, is up there! ..please don't let my wife read this... If you 
dislike tales of reminiscing, clumsy name dropping... you are excused 
now!
IT CAME AROUND by default. In 1980, make up artist Roy Ashton rang 
me...no I didn't have a hot line to him or any stars, we spoke once in a
 while, he was lovely... he was ringing to tell me he was making plans 
to start work on a film for Amicus films producer Milton Subotsky, 
starring Vincent Price at Elstree studios, in two weeks time...AND that 
it looked like Peter Cushing had signed up too! As it worked out, he 
hadn't. But that's another story. By the end of that day, through sheer 
luck, and by Milton Subotsky's and Roy's invitation, I had an invite to 
join them for the day on the set of 'The Monster Club' at Elstree 
studios!
BY THIS TIME, through sheer cheek and through what became known as 'the 
Cushing Connection' I had met and interviewed around 30 to 40 actors who
 had worked with Peter. Just the mention of his name, opened doors to 
the kindest of people and their generosity. Milton Subotsky was a fan at
 heart, a shy man who loved to talk books, comics and films. we 
certainly wasn't on buddy-back-slapping terms, but he was always 
friendly, loved to talk shop and the kind that, if he could help you, he
 would suggest he could... both he and Michael Ripper, validated my 
application for my Actors Union, Equity card!... and so, on this day he 
made the meeting happen.
MEETING VINCENT PRICE was a blast, Milton introduced me during a break 
in shooting. Vincent peered around Milton to see me and announced, 
'Peter Cushing's WHAT? Ap-prec-iation Society?' I sheepishly nodded. 
'How is the OL GOAT?' he said laughing. I took this as my cue, and 
stepped up. He pointed at an empty canvas chair, with name on it and...I
 sat next to him and John Carradine  for the next FOUR hours, only 
wandering off during lunch.
AFTER THE FIRST HALF an hour, I indicated to Subotsky, that should I 
now...'come over there' and leave them in peace?.. Milton came over and 
asked if there was a problem. When I asked him again, he just smiled, 
'No. It's fine. You can stay there'. Vincent over heard our stage 
whispers and bellowed, 'Just don't touch ANYTHING or fall over the 
CABLES!
I HAD A SMALL CASSETTE  tape recorder with me which I used for a short 
interview, which eventually strayed into relaxed conversation...his love
 of chocolate,Peter, Whitstable oysters...he was talking to me, but also
 playing to everyone else too. I changed tapes three times! It was all 
very funny and entertaining.
I HUNG ON EVERY WORD, joke, aside and anecdote. Both he and Caradine  
were called away several times, after the stand in's had helped set up 
their shot, the dressers brushed their clothes, someone fussed with 
Vincent's hair, he blew his nose and off they went filming the 'Family 
Tree' scene, sat at their coffin table, with Roy Ward Baker directing. 
Then they came and sat back down in their canvas chairs.
AFTER THE FIRST HOUR OR SO, it just seemed the most natural thing in the world
 to be sitting and chatting... he was very fond of Peter, loved 
Christopher Lee and as a joke, kept telling me 'We have birthday's on 
the same day you know. Now it's that strange? Peter is the day before 
us! Did you know that?'... after the third time he told me, he laughed 
out loud,'You KNEW that didn't you!' He was a kidder. He was extremely 
kind to me that day, and it's an experience I will never forget. I have 
never told this story before. I don't dine out on or make a habit of 
recalling ' and then Robert Quarry said to me' stories, I never had a 
little black book of contacts either! I was just a fan, a very lucky one,  Now... isn't that just...TOO COOL? : Marcus Brooks
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