HAMMER FILMS ACTRESS SUZANNA LEIGH DIES

SAD NEWS TO REPORT, another one of the Hammer family has passed away, actress Suzanna Leigh who starred in the Hammer Films 'THE LOST CONTINENT' (1968) and 'LUST FOR A VAMPIRE' (1971)

Born Suzanna Smyth, the daughter of an auto engine manufacturer, Suzanna Leigh grew up in Belgrave, England, and in convent schools outside London. She began working in movies while still a pre-teen, appearing as an extra in 1958's Tom Thumb (1958) (film-debuting in the "Dancing Shoes" sequence), 1960's Oscar Wilde (1960) with 'Robert Morley' and other English productions. A few years later, she was the star of the 13-episode French TV series, Trois étoiles en Touraine (1966), which every week featured Leigh, her racing car and a different male lead (the "Three Stars" of the series' translated title).

Planning to attend London's Opera Ball, costumed as "Madame Du Barry", Leigh had a sedan chair made, along with costumes for five footmen who carried it (and her) through the streets of the city. Movie producer Hal B. Wallis saw newspaper photos of Leigh's elaborate stunt and imported the 20-year-old blonde to Hollywood for Boeing, Boeing (1965). Following her brush with major studio stardom, she resumed her English acting career, showing up on movie screens, most regularly in chillers. Her 1998 autobiography is entitled "Paradise, Suzanna Style".

"Elvis Presley's kisses held an intensity that melted my very being. I slipped my arms around his neck and our bodies entwined. This was all madness, but we didn't stop. A person could go to the gallows with such a kiss lingering on their lips, knowing life had been good...." Suzanna Leigh

 

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . 

JERRY LEWIS : FAN AND FRIEND TO CUSHING AND LEE DIES

Sad... right now, news agencies around the world, are announcing the passing of a director, an actor, comedian, singer....where do I stop.. Jerry Lewis. I am sharing this news with you, because there is a connection with Lewis, Peter Cushing and Christopher Lee. Both Peter and Christopher did guest star spots in the film, 'One More Time', starring Sammy Davis jr. 

ABOVE: Over the years, some of you may have seen this odd looking sign popping up on EBAY with a 'interesting' price tag attached to it? It is...the banner that #Jerrylewis had made up, to welcome both #PeterCushing and #ChristopherLee onto the set of the film, ONE MORE TIME, which #JerryLewis directed... in 1970.

JERRY LEWIS along with Sammy were big Hammer films fans and asked them to appear as Baron Frankenstein and Count Dracula..they did. Jerry Lewis treated Cushing and Lee as royalty during the short time they had with the film... but that's another story. A giant in the world of film, entertainment and charity. They will be talking about Lewis's story and his huge impact in all those fields, for a long time to come... RIP Jerry Lewis.

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA     

ONE MORE TIME : LEE AND CUSHING GUEST SPOT MONSTERMONDAY

#‎monstermonday‬ IT'S THAT TIME AGAIN, and boy don't those weeks fly by fast? This week our monster offering is a twosome, but with a twist! Both Lee and Cushing took up the offer of appearing in Hammer-film-fan Sammy Davis Jr's wacky way -out sequel to the film 'Salt and Pepper', entitled 'One More Time' in 1970...and thank goodness, it WAS just only ONE time 😊 I have never, as yet met one person who likes the film! Anyway, both Lee and Cushing get a very quick cameo as the Baron and the Count. We've posted that clip below. But for those of you who HAVE seen their cameos. What do you think it? Hit or Miss??

Stars of 'ONE MORE TIME Peter Lawford, Sammy Davis jr and director Jerry lewis...we'll be posting Cushing and Lee's clip next. I think judging by this high octane pic from behind the scenes, it was a film made with help from...the 'BBC'..( Big Bag of Chemicals!)

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BLOCH, STEVENSON AND A LITTLE HELP FROM SAMMY : 'A TALENT TO TERRIFY' PART FOUR

The appeal of Hammer horror extended across the globe, earning Lee and Cushing fans in all walks of life. One such fan was Sammy Davis, Jr., who pulled his weight on the set of One More Time (1970) by compelling director Jerry Lewis to bring the two actors in for a cameo appearance.

 

The loosely plotted and non-too-amusing sequel to Salt and Pepper (1968) focused on the continued adventures of nightclub owners Charles Salt (Davis, Jr.) and Christopher Pepper (Peter Lawford).  The addition of a sight gag involving the sudden – and poorly covered – appearance of Count Dracula (Lee) and Baron Frankenstein (Cushing) in a rather impoverished-looking “mad lab” set no doubt baffled the film’s target audience.  In any event, Lee and Cushing appear to have had fun filming their cameo and working with the gifted Davis, Jr. Next up, Lee and Cushing returned to Amicus for another anthology.  Lee had originally been slated to appear opposite Cushing in the “Man Who Collected Poe” segment of Torture Garden (1967), but Columbia wanted an American star – so Jack Palance got the gig instead.

Cinerama, the distributors of The House That Dripped Blood, were only too happy to have the reigning British kings of horror on board.  The screenplay was penned by Robert Bloch and dealt with a house with an unfortunate past, which is at the center of an investigation into the disappearance of ham horror star Paul Henderson (a terrific Jon Pertwee, playing a role originally ear-marked for Vincent Price).

Lee and Cushing would not share any screen time, as they occupied separate segments, but both actors were at the top of their game here.  Lee is by turns imposing, frightening, despicable and moving as the ice-cold father of an angelic little girl (Chloe Franks, who very nearly steals the show) who is not everything she appears to be.

 

Cushing brings an air of melancholy to his role as a retired stock broker who falls under the spell of a statue of Salome.  The sadness radiating from Cushing could be attributed to his ongoing panic over the deteriorating health of his beloved Helen.  The actor was reluctant to face facts, but she was not to be by his side for much longer.

The film was another hit for Amicus, thanks in large part to an admittedly tacky title which would prove to be the bane of director Peter Duffell’s existence; it wasn’t subtle (even if the film itself was – you’ll note, there isn’t a drop of blood in the film itself) but it helped to put people in the seats.

Lee and Cushing would round out 1970 by reteaming for another Amicus production.  On the face of it, I, Monster was more typical of Hammer than Amicus: it was period-set and would tell only one story.  The adaptation of Robert Louis Stevenson’s venerable “The Strange Case of Dr. Jekyll and Mr. Hyde” would remain true to the source material – and to Subotsky’s overall credo with regards to downplaying graphic shock effects.

Full Interview with Stephen Weeks Here

Sadly, the film would be overrun with bad luck.  Peter Duffell elected to pass on the picture, fearing becoming typecast as a genre director, and Lee would recommend the young (21 at the time of filming) filmmaker Stephen Weeks on the strength of his short film 1917 (1970), which had impressed the actor.  Weeks would prove ill-equipped to cope with Subotsky’s dialogue-heavy script or the additional baggage of a half-baked 3D process with which the producer decided to burden the production.  Thoughts of 3D exhibition dried up part of the way into filming, but the damage was already done – the material would prove awkward and difficult to cut together, and the film would pretty much just lie there… bereft of life, despite some interesting art direction and a brilliant central performance from Lee.

 

As Lee has often said, it makes very little sense that Subotsky saw fit to write the most faithful adaptation of Stevenson’s novella, only to change the names of the central character(s) while leaving all the other names intact.  Whatever the thinking was, the moniker I, Monster would prove to be off-putting for many viewers and the film would slide into relative obscurity.  This is to be regretted because, at the very least, the film is worth seeing for Lee’s performance.  He is tremendously effective as the repressed Dr. Marlowe, who transforms into the free-spirited and vicious Mr. Blake.  Lee seizes every opportunity available to him, making this one of his most memorable characterizations.

Cushing, sadly, is squandered in a dull supporting role.  His performance as the stuffy lawyer Utterson is professional, but the role gives him no opportunity for shading or nuance.  Worse still, he is forced to share several scenes with the amateurish Mike Raven, a disc jockey turned actor who was making an open bid for horror stardom at that time.  The film would prove to be a relatively minor footnote in the Amicus canon, but a life-changing event was in the works for Cushing – and from that point on, life, as he knew it, would hold precious little meaning.

Next Time: FOSSILS, FINGERS AND THE COUNT IS BACK! 

'A Talent To Terrify : The Twenty Two Films Of Peter Cushing And Christopher Lee' is written by Troy Howarth with Artwork and Images by Marcus Brooks.