#MONSTERMONDAY! If I may borrow from the late, Terry-Thomas, What A Bounder! Paul Kempt, assistant to Cushing's Baron in Hammer films, #thecurseoffrankenstein.
At the Baron's hour of need, just minutes away from the guillotine, he
begs for his friends help.... Cushing pulls out the stops in his
emotional pleading . It's a cracking scene, made all the more powerful
by Paul's cold stand off behavior. Should he have helped the his friend,
Frankenstein?? What a monster! You DECIDE . . .
AROUND THE 48 SECOND MARK, Cushing applies quite a clever technique... for
just a second, he looks at the camera, deliberately. He breaks, THE
FOURTH WALL, in order to connect with the viewer. It's pretty neat, and
something I had not noticed before today,
while looking at the clip. If you take a look at a similar scene at the
end of his performance as Winston Smith in the BBC 1984 (1954), he
does it there too, to brilliant effect.
(THE FOURTH WALL is a
theatrical term for the imaginary “wall” that exists between actors on
stage and the audience. ... The same effect often occurs in movies, only
the fourth wall in that instance is a camera lens.)
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At least in my experience, 1980’s A Tale of Two Cities, often
seems to receive decidedly little discussion by Cushing fans. Perhaps
due to it not receiving an official UK DVD release, being a TV movie and
not part of an established
fan-base (such as many of his Horror films, Star Wars and the Dr Who
movies) it has slipped into obscurity. This is a shame because (along with 1984’s
The Masks of Death)it’s not only one of his last great roles but one of his very best performances.
The two cities of the title are of course London and Paris, with the
film taking place in the run-up to the French Revolution and the Reign
of Terror. It tells the story of Dr. Manette (Cushing), a man wrongly
imprisoned in the Bastille
for eighteen years. He has never met his daughter Lucy, who now remains
in England. The film follows events concerning them and Lucie’s lover,
Charles Damay who has an uncanny double in Sydney Carton who (you
guessed it) also loves her. I’ll keep the plot
explanation brief for those who have yet to see today’s upload!
The adaptation was the tenth film/television version of Charles Dickens
novel, and was produced by Hallmark Hall of Fame who assigned Jim
Goddard to direct. By this point, Goddard was well known as the director
of the original
The Black Stuff the play that went on to launch the Boys from the Black Stuff
series and had made a name for himself as a successful TV Movie
director. Hallmark appear to have splashed out as the film is lavishly
produced, with impressive sets and large crowd scenes. Oddly enough the
production was criticised for showing: ‘Little
sense of the mob, or of an overall social sweep’[1],
though I found this to be one of its strengths! Scenes showing the
general poverty (such as one where a crowd sups wine from the floor) are
amongst the adaptions most powerful. Whatever was felt to be its
misgivings, it was nominated for both an Emmy and the
Golden Globes in 1981, though it won neither.
Cushing himself is on top form and I in particular count it among his
best performances. One particular scene in which Cushing meeting his
Daughter for the first time, is arguably his most moving portrayal of a
character. Having been a
prisoner for so many years, he has become frail and senile, almost at
breaking point from the years of imprisonment. It really does stand
amongst his best work and considering that this happens within the first
ten minutes, you really have to prepare yourself for what is a
pretty emotional ride! The really genius of Cushing’s performance
however is how he shows his character of Manette slowly regaining a lot
of his self-esteem and confidence, culminating in
a rousing sequence where he urges the crowd to free an innocent man and
take him instead. Unsurprisingly, Cushing steals the show!
The supporting cast is full of recognisable faces. Chris Sarandon, perhaps most well known as Jerry Dandrige in
Fright Night (1985) and the voice of Jack Skellington in The Nightmare before Christmas
(1993), plays the dual roles of Lawyer Sydney Carton and Charles
Dannay, providing a few recognisable differences for the audience
between the two.
Alice Krige,
who would later become primarily known as the Borg Queen plays Manettes
Daughter Lucie. Kenneth More puts in a memorable performance as Dr
Jarvis Lorry, all the more astounding considering he was suffering from
Parkinson’s disease. However, Billie Whitelaw…nearly
very nearly manages to steal the show from Cushing with her
malicious Madame Defarge. Whitelaw, channelling a completely different
type of viciousness to that that gave her such power as Mrs Baylock in
the Omen, being utterly repulsive yet utterly watchable.
There are a few notable Cushing connections in some of the supporting
cast and bit-players. Robert Urquhart, who appeared alongside Peter
Cushing in
The Curse of Frankenstein as Paul Krempe, has a very small role as the Chief Adjudicator whilst Kevin Stoney (from
The Blood Beast Terror) appears as the Chief Lord Justice. Also look out for a very young and pre- Poirot David Suchet In his
first on-screen role.
One another odd note, very possibly it was scheduling conflicts with this film that stopped Cushing appearing in Lucio Fulci’s
The Black Cat (1981)[2].
Though the actual reasons are unknown, it is perhaps something of a
blessing.
It’s hard to believe Cushing would have been comfortable with
Fulci’s penchant for extreme gore and we would have missed out on a role
that is both a joy to watch and one that was
clearly very close to his heart.
As previously stated the film has no official UK DVD or
Blu-Ray release, but Shout! Factory did put out a very good Blu-Ray that is
currently still available in the US.
WATCH THE FILM WHOLE ABOVE!
Screen Caps and Gifs: Jamie Somerville Feature: :Callum McKelvie. Callum McKelvie, is the new head features writer at the Peter Cushing Appreciation Society. You can read more of his reviews and features here at the PCAS website, and shortly at the relaunchedTHEBLACKBOXCLUB.COM website and Black Box Club Facebook Fan Page.
[1]
Miller, David: Peter Cushing: A Life in
Film p161
IF YOU LIKE what you see here at our website, you'll love our daily themed posts at our PCAS FACEBOOK FAN PAGE.
Just click that blue LINK and click LIKE when you get there, and help
us . . Keep The Memory Alive!. The
Peter Cushing Appreciation Society website, facebook fan page and
youtube channel are managed, edited and written by Marcus Brooks, PCAS
coordinator since 1979. PCAS is based in the UK and USA
