SURPRISES ON FIRST WATCH PLUS REMEMBERING ACTOR JOHN MILLS

RIGHT NOW, over at the FACEBOOK PCASUK FAN PAGE, we've asked you to tell us about when, 'ON FIRST VIEW WHICH PETER CUSHING FILM REALLY SURPRISED YOU AND WHY?' and we are getting some great comments and answers. 

HERE ARE A FEW: 

D POWLEY says, 'Corruption. Both Peter Cushing and Sue Lloyd managed to convince me that they were mad in that film. It was a great shocker!' 

N. SANTIAGO says, 'Horror Express. I had no expectations for it. Turned out to be a very well made film with Mr. Cushing in fine form mixing it up with Mr. Lee and Telly Savalas. The movie itself was an entertaining mix of horror, science fiction, adventure and mystery. Really enjoyed it and of course the GREAT Peter Cushing!'. 

While V. Kirk says,' I was surprised by the nimble jump he did at the end of 'Brides of Dracula'. I remember rewinding to see if it was actually a stunt double but it wasn't.'. 

G. RENEHAN : 'The Blood Beast Terror! I saw it as a B movie in the cinema aged (too young)! It scared me to heck and back!'

S.COLMAN: 'Both TV appearances but I love his brilliantly nuanced performance in 1984 and the cold malevolence he channels in The Silent Scream.

A. GUNN : 'Top Secret. Peter caricatures himself - revealing his own sense of humour and strength of character. Taught me how to laugh at myself and consequently become a stronger person. Thanks, PC!' 

 M. LOISEL : ' Not a film, but the "Down the Avenue" skit on Morecombe & Wise. I wish he had done more light comedy or song and dance like that.' 

M DAWSON: 'In 1961 my father took me to see my first horror film or X film . In those days if you were under 16 you could only see those films with an adult and you got 2 films. The first film to be shown was Jack the Ripper 1959 then there was the interval when the ice cream lady would sell choc ices and ice creams, then the main feature was shown. It was 'The Curse of Frankenstein'. That film and that night I can remember it as if it was yesterday. I have had the film on video, DVD and now Blu-ray and watch it on the tele. I never tire of watching it. I dont think I ever saw a bad film he was in. But for me the favourite or favourites has to be his performances as the ruthless Baron Frankenstein'.

The post is still live and if you would like to comment and share your opinion, you would be most welcome! JUST CLICK HERE!

TODAY WE MARK THE BIRTH of one, Lewis Ernest Watts Mills... or as we knew and loved him... Sir John Mills. He was without doubt, one of our most popular and beloved English actors and born today February 22nd 1908. In a career that stretched over eight decades, Mills appeared in over 120 films, debuting in 1932 in 'Midshipmaid Gob' right up until 2009 in 'The Snow Prince'. Many of his roles like Pip in 'Great Expectations' in 1946, Shorty Blake 'In Which We Serve' in 42, Captain Scott in 'Scott of the Antarctic' in 48 and the alcohol troubled Captain Anson in 'Ice Cold in Alex' in 58 would make him an internationally renowned star.

MILLS APPEARED in three films with Peter Cushing, 'The End Of The Affair' the second in 1976 entitled 'Trial by Combat' aka 'A Dirty Knight's Work' as Sir Edward Gifford. It was no more than a guest appearance, slotted in when another project on Cushing's slate fell through. The third though, was a much grander enterprise with Tyburn films and marked Cushing's return to the character of Sherlock Holmes...and Mills as Watson! In 'The Masks of Death' they made such a terrific team as a much older duo, that another Cushing /Mills / Sherlock film from Tyburn was planned entitled 'The Abbot's Cry', but was scuppered owing to Cushing's fragile health.

JOHN MILLS AND CUSHING also appeared together in an episode of the TV series The Zoo Gang, 'The Counterfeit Trap' which was released last year as part of the series on remstered blu ray by Network.  
 

LIKE CUSHING, Mills was in his private life a sensitive romantic, in January 2001 at the age of 92, he and wife Mary, age 89, renewed their marriage vows at St. Mary's Church, next to their home, Hills House, in Denham, England. When they had wed 60 years earlier, he was denied a church service because he was serving in the Army during World War II. Happy Birthday, Sir John!
 

#FRANKENSTEINFRIDAY: BARON MAKES A QUICK EXIT!

#FRANKENSTEINFRIDAY: Baron Frankenstein (Peter Cushing) making a quick exit much to the shock of the Burgomaster (David Hutcheson) and his wife (Caron Gardner) from Hammers The Evil Of Frankenstein (1964)

MORE #FRANKENSTEINFRIDAY at the Peter Cushing Appreciation

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THE HORROR OF FRANKENSTEIN : MINUS CUSHING AND D.O.A.

While not a Peter Cushing  film, the Horror of Frankenstein is included here because it is part of the Hammer films Frankenstein series and while Cushing didn't appear in the film, it's of interest as an example of how Hammer tried to experiment with a winning formula . . .  and failed.

CAST:

Ralph Bates (Victor Frankenstein), Dave Prowse (The Monster), Kate O’Mara (Alys), Veronica Carlson (Elizabeth Heiss), Graham James (Wilhelm Kastner), Dennis Price (Grave Robber), Bernard Archer (Professor Heiss), Jon Finch (Lieutenant Henry Becker)

PRODUCTION: 

Director/Producer – Jimmy Sangster, Screenplay – Jimmy Sangster & Jeremy Burnham, Photography – Moray Grant, Music – Malcolm Williamson, Make up – Tom Smith, Art Direction – Scott MacGregor. Production Company – Hammer/EMI.

SYNOPSIS:

VICTOR FRANKENSTEIN, a cold, arrogant and womanising genius, is angry when his father forbids him to continue his anatomical experiments. He sabotages his father’s shotgun, causing him to be killed. Inheriting the family fortune, Victor uses this to enter med school in Vienna but is forced to return home when he gets the dean’s daughter pregnant. There he sets up laboratory, starting a series of experiments into the revivification of the dead. Eventually, he builds up a composite body from human parts, which he brings to life.

COMMENTARY:

THE HORROR OF FRANKENSTEIN was the fifth film in Hammer’s Frankenstein series. By 1970, Hammer had regurgitated most of their monster themes several times over. The Horror of Frankenstein came at the point Hammer were starting to inject new blood into their product. The influence of the younger generation was making itself felt and Hammer were casting younger stars, recruiting young directors, not to mention placing an open emphasis on sexuality in films.

WITH THE HORROR OF FRANKENSTEIN, screenwriter Jimmy Sangster was brought back to rewrite his script for The Curse of Frankenstein (1957), which started the series and Hammer’s reputation as a horror industry leader off thirteen years before, while he was also allowed to make his début as director. The role of Frankenstein was given a facelift and Peter Cushing was unceremoniously dumped from the role in favour of Ralph Bates whom Hammer were grooming as a new horror star at the time.

PUBLICITY STILLS were shot on the set with Ralph Bates and Peter Cushing shaking hands to announce the change. The future of the Frankenstein series seemed to be heading in a new direction ... only The Horror of Frankenstein was a disaster and the Hammer Frankenstein series failed to go in any new directions.

THE HORROR OF FRANKENSTEIN starts in with a promising sense of black humour. However, the opening tapers off and Jimmy Sangster thereafter seems uncertain whether he is delivering parody or straight melodrama. The effort turns out dismally where all that Sangster ends up doing is weakly echoing The Curse of Frankenstein in a plot that seems more interested in Frankenstein’s sexual dalliances than his medical obsessions. The sets seem flatly lit. Dave Prowse, the bodybuilder who later played Darth Vader in Star Wars (1977) and sequels, turns the monster into a mindless brute. The best thing about the film is Ralph Bates’s cold and arrogant Frankenstein but the rest of the show is dreary and dull.

THE SADDEST THING about The Horror of Frankenstein is that it comes from Jimmy Sangster who did such a fine job in tuning the script for Hammer’s The Curse of Frankenstein. There is such a gulf between The Curse of Frankenstein and the loose remake here in terms of quality with Sangster seeming to understand so little about what made the original work that the success of Curse can only be placed down to director Terence Fisher.

The other Hammer Frankenstein films are:– The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), The Evil of Frankenstein (1964), Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969) and Frankenstein and the Monster from Hell (1973).
REVIEW: Richard Scheib
IMAGES: Marcus Brooks

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