A COUNTRY CLOD - HOPPER! TRY THIS WEEKS CUSHING TUESDAY TOUGHY!

A WITTY AND POINTED wonderful line of dialogue that Peter Cushing rattled off in what is one of his lesser known films, but often on TV. The photograph is from his 1968 film, CORRUPTION . . . not the film or character, we are looking for! BUT we will be sharing the answer NEXT Tuesday, along with ANOTHER TUESDAY TOUGHY! 

 

BELOW LAST WEEKS TUESDAY TOUGHY AND ANSWER!

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HAVE WHEELS WILL TRAVEL : CLASSIC CAR AND CLASSIC PIRATE CAPTAINS! UPDATED!

ABOVE THIS WEEK'S TUESDAY TOUGHIE. Although Cushing had this car for many years, he rarely actually drove it! Most journey's to the studios in Borehamwood, Elstree and the BBC, a driver was provided. IF he did travel using his car, his friend, stand in and driver GEORGE, would be behind the wheel. SO WHICH make of CAR, DID Cushing own from the early 1960's until the late 1970's??? ANSWER NEXT TUESDAY! You'll find the to our LAST Tuesday Toughie BELOW! How did you do?

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#GIMMETHEGIFWEDNESDAY: EYEBALLS VANISHING VAMPS BODY SNATCHERS AND TARKIN!

#Gimmethegifwednesday:(when you send in YOUR requests for clips and GIFS of your favorite Cushing shots or scenes!) FOR TOM PARRY: EYES RIGHT! This is a wonderful shot from Hammer films, The Revenge of Frankenstein (1958) with Peter Cushing returning as the Baron, assisted by Francis Mathews.These eyeballs were created by Les Bowie. Even though Hammer did not have a true resident effects department, Les Bowie was the man who would turn his hand, like make up artist Roy Ashton, to make the most incredible from the most basic every day, 'house-hold' items.

'Dracula ashes from talcum powder, fullers earth and sawdust!', or how about... 'Dracula's last breath supplied by a bicycle inner tube from a Tyre, deflated and inflated by blowing down a rubber tube from a tropical fish tank, hidden under Dracula's costume!' It certainly opens your EYES to what could be achievable, with some imagination and a box of bits and bobs. Bowie went on to establish his own very successful special effects department Bowie Films, which worked in tv and all manner of big blockbuster films through the 1960's and 70s.....

#GIMMETHEGIFWEDNESDAY:Like or not, which ever side you are on regarding the #TARKIN #CGI debate... there are a LOT of supporters, and here at PCAS we still get requests for info about almost everyday..This GIF has been requested by 'Tarkins Puppy' ..whoever that maybe?? . But, here it is, as requested... is a interesting shot of Cushing's CGI creation to ponder over...maybe?

#GIMMETHEGIFWEDNESDAY: Peter Cushing here as Van Helsing, giving the check of the vitals of one poor Bob, boyfriend of Caroline Munro's Laura, in 'just add four decades of watching, and eventually, you WILL like it' #DRACULAAD1972 . The character of BOB, is one of many that appears in a Hammer film, and vanishes or falls foul of a fate, that somehow falls through a plot hole. Bob is discovered in the graveyard of the desecrated St Bartok's church. He's a dead as a dodo, but how he got that way, isn't explained in the plot. But we donned our deerstalker, and not only found how Bob-bobbed-out, but also photographic evidence, how! See our panel below. Royston Harris, THIS is for you!

#GIMMETHEGIFWEDNESDAY: If you compile a list of what you would personally consider to be  five titles from the Peter Cushing filmography, chances are, if you have had the opportunity to see it, FLESH AND THE FIENDS (Mania USA) would be somewhere in that list. It IS a classic. With it's mini budget, produced in a time of many bigger and more expensively promoted movies doing the rounds, this film got passed over by the cinema going public, and slipped quietly away, until television threw it a afterlife-life line, it made regular appearances on late night and afternoon tv slots, and found the audiences that should have seen it back in the day. 

Startlingly dramatic, dark and emotive. The direction of the underappreciated John Gilling, brings out the best in Peter Cushing as Dr Knox, and a quite superb supporting cast of Donald Pleasence and George Rose as Burke and Hare, body-snatchers, Billy Whitelaw and Renne Houston. Even Melvyn Hayes, just three years after appearing in Curse of Frankenstein, manages to play a poor unfortunate, without resorting to scenery-chewing or cliches. Not seen it? It's still out there to purchase, very reasonably. We did try to share it with you at our YT channel, but Youtube threatened to tear our archive down, if we so much as uploaded a flicker of it. We do try. Go see now. THIS GIF was for NICOLAS JACOBS! Fast huh?

That's it for this week. REMEMBER if you would like to request a great Cushing GIF, choose a scene, shot  or moment that doesn't contain dialogue. GIF's by their nature are muted non audio short clips , that play in rotation.

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ONE MAN AND HIS BIKE : HOW PETER CUSHING LEARNED TO RIDE HIS BICYCLE

'Come along "brighteyes" (as he had christened me), I'll teach you how to ride a bike', said David and he did. I wanted to learn so that I could play those Tom Mix games in the garden."

"The go-cart was my pride and joy, but to my aesthetic eye it could not pass muster as a horse, whereas a bicycle could at least be mounted. David had worked on the principal: 'What the eye doesn't see….' To start with, he held the back of the saddle to keep me on an even keel, as I wobbled about grinding away at the peddles."

"Persevering with this unsteady balancing act some weeks later, prattling away to him, I received no response to something I'd asked and, turning my head, saw him a quarter of a mile or so up the road, waving encouragingly. I promptly fell off!"

Peter Cushing with the bicycle he owned as an adult. He happily rode it around his home town of Whitstable, until swerving to avoid a wandering dog in the street one day, he fell off it and damaged his hip. Sadly, he released his bike riding days were over. He eventually gave the bicycle to a charity who auctioned it!

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