Saturday 2 January 2021

THE BRIDES OF DRACULA SCREAM FACTORY BLU RAY COLLECTORS EDITION PCASUK REVIEW

FIRST AN APOLOGY, I am a little behind on my reviews of PCASUK Peter Cushing Blu Ray releases. Housekeeping, pandemic domestic issues and general chaos, but I am sure no way as bad as most people's, have distracted and kept me busy. So I am making my way through the releases of the last five months. This is a release review I have tussled with, even though the draft of it was half written and sat on the blog desk for a few weeks, I resigned myself to the fact it had to be done and finished today. 'Brides' is a Hammer film I LOVE! But I HATE writing a negative release review, I try and find balance for all content on these releases. We are living in a time when all businesses are struggling to make a crust, for many, finances are stretched and I personally wouldn't want to spending my limp lolly resources on something, I later find I really could have done without.



SO, AFTER several screenings, here is my assessment on that Peter Cushing Hammer films blu ray release, that many fans were waiting for. Me, to be honest.. I could not see how this already available as an adequate package could be improved on . . but one distributor, gave it a shot and a pat on the back for trying, sadly this one was never going to get any better . . .



THE CAST:

Peter Cushing (Professor Van Helsing), Yvonne Monlaur (Marianne Danielle), David Peel (Baron Meinster), Martita Hunt (Baroness Meinster), Freda Jackson (Greta), Andree Melly (Gina), Mona Washbourne (Frau Lang), Miles Malleson (Dr Tobler)


THE CREW:

Director – Terence Fisher, Screenplay – Peter Bryan, Edward Percy & Jimmy Sangster, Producer – Anthony Hinds, Photography – Jack Asher, Music – Malcolm Williamson, Special Effects – Les Bowie & Syd Pearson, Makeup – Roy Ashton, Art Direction – Thomas Goswell & Bernard Robinson. Production Company – Hammer / Hotspur.


THE PLOT:

MARIANNA DANIELLE, a young schoolteacher on her way to take up a position in Transylvania, is abandoned in a village by her coach driver. She ignores the warnings of the locals and accepts an offer from the Baroness Meinster to spend the night at her castle. At the castle, she meets The Baroness’s handsome son whom the Baroness keeps in chains. He tells Marianne how the Baroness has usurped his rightful lands and pleads with her to free him. She does so, unaware that he is a vampire. Meinster then proceeds to vampirise his mother and stalkes Marianne as she journeys on to her school. Luckily for her, Dr Van Helsing is in the area, hunting down the disciples of Dracula.


OPINION:

BACK IN 2005, Universal released a very good package of FOUR Hammer films, on TWO DVD's in the US. Released as region TWO first in 2005 and later as a region ONE box set in the UK, it contained EIGHT prime Hammer film titles, one of which was a superb and crisp version of 'The Brides of Dracula'. As a DVD it's quality was very good indeed and awaiting the day when another digital medium was not far off, many were more that happy with the package, of this version of a Peter Cushing favourite. The same Brides of Dracula DVD discs was released on it's own in the UK, in 2007 by Showcase media. As the image quality was so good, I too thought, if the image quality is THIS good on a DVD, I can't wait for the upgrade on something else!


SUCH ARE THE RULES that drive us to buy the new soap-powder, the next model of car from a certain manufacturer, the next shampoo. However good that product is, no doubt when sales level, the arrival of a 'NEW and IMPROVED' version arrives. Sadly, Baron Meinster, Cushing's Van Helsing and the 'Brides' cast, were fated out of a 'New and Improved' deal back in 2008. But more on that dilemma later . .

THE VISUALS:

A QUICK LOOK at their back catalogue of very good Hammer and Cushing releases over the past few years, it's no surprise that Scream Factory has released Hammer films 1960 'The Brides of Dracula' as part of their  much appreciated Collector’s Edition series of Blu-rays. Rather than release the same technical grade as the Region Free, UK Final Cut blu ray of 'Brides', Scream has decided to give the film a new 2K scan from the interpositive. Which sounds like a great idea, until you sit down to watch the results. I have read quite a few reviews of this release at other sites and pages, and only one, as mentioned in detail the issue with the visual quality of this release. The results are soft, making the detail more softer and muted than I personally would like through-out. 


NOW, I UNDERSTAND some collectors don't actually like grain. In fact one review justifies the 'softness' as, 'the film retains a healthy medium-bodied grain without obstruction, and the image is strong throughout with just a few bits of softness here and there. . .' No, the muted blandness is present through out. Cramming everything, and a little needed other ratio of the film, from a weaker source, was in my personal opinion a mistake. Without the A GRADE master, that is obviously absent in the last TWO releases of BRIDES for the commercial Blu Ray market, there seems little point releasing a film, that has already been tweaked to its limit elsewhere, except then to provide a different ratio and availability to another region without their own release?. Bare in mind, the Final Cut Blu Ray IS REGION LOCK FREE!  I sometimes wonder, what it is that technical teams actually SEE when adjusting and governing the quality of the picture, when they finally put that tick in the box, and pass the finished results for release. Whilst watching Scream's release, I set up another TV and player, and ran the 2005 Universal DVD of the film, along side Scream's blu ray. It's a great pity that the technical team didn't do so too. BUT there maybe a reason for that. . . 


BACK IN 2008, on the morning of January 5th a huge fire broke out at the Universal Backlot in Los Angeles. “A total of five structures within the New York exhibit, including one soundstage, were lost,” said another L.A. County fire inspector, Frank Garrido, who added that the blaze had started in the back-lot area depicting New York City, which was destroyed." Further more, 'A building that holds a video vault of original and master versions of old movies had been destroyed and the vault itself had been “compromised.”  said Ron Meyer, the president of Universal Studios, who also stated that “nothing irreplaceable was lost” in the video vault. (Source)


WELL, AT THAT POINT, Mr Mayers would say that, as the actual assessment on the lost masters and stock, was not known until April that year. What is interesting though, when several home cinema distributors, including Final Cut requested the master of 'Brides' in 2013, they were told officially 'it was no longer available', and unofficially that it was lost / destroyed back in the fire of 2008. So, from the point after of Universal's 2005 DVD of 'Brides' a 'new and Improved' release of 'Brides' has never appeared, and sadly never will do. How, ironic that the fact that, Baron's fate in 'Brides' begins with a FIRE in a windmill, and sets off his undoing, would also effect the fate of such an amazing British horror film, in the future....

THE SOFTENING, for me personally did effect the standard of the clarity through-out the film. As for compression, it is there and can be seen on BOTH the 1.85:1 and 1.66:1 ratios which are part of the package. BOTH ratios are to be found on the one blu ray disc and along with the 'best we have' master, it is these two factors, in my opinion, that has really compromised this release.


THE AUDIO:
LISTENING to
the audio on the SCREAM blu ray release, it seems to have less guts than the Universal dvd's and the Final Cut releases. I tried listening with headphones and without. It was telling that, with headphones, the viewing experience is nearly always enhanced. Not this time though. I expected the audio to have that aged quality, but a mild hiss was a surprise. The score sounds pretty much like you would expect, and thankfully hides some of the slight imperfections in quieter scenes. It's pretty obvious that the 1.66:1 version has a weak and flat Dolby audio sound. A plus is this release does have the optional English (SDH) subtitles. The Blu-ray disc is Region 'A'-locked.

THE EXTRAS:

I LOVE EXTRAS and this release is packed with them. Having said I LOVE them as addition added value, but I am these days getting a little bored with 'Talking Heads'. Not ALL talking heads though! 😀 We are now coming to almost the bottom of the barrel as far as vintage resources of 'interviews, meetings with cast members etc.' Sadly, many have left us and are no longer around to share their stories. So,note the 'Making of Brides of Dracula' which is included in the extra menu. This documentary was filmed and produced by Donald Fearney and Jim Groom, for inclusion on the Final Cut 'Brides' blu ray extras. It's a very interesting doc, and includes interviews with cast and crew members, who appeared in 'Brides' with much to share and tell. Personally,  would rather if the budget can hold it, a vintage televised interview with one of the cast, from the time the released or anyone with a connection to the film than just another opinion, from someone who likes the film, but never met a single soul who appeared or worked in it. Richard Klemensen is worth his weight in gold, as an authority who not only was fortunate to have met and known many of the cast and crews of films like 'Brides', but he also has a wealth of antidotes that were shared with him, from those who are no longer around. Of the extras it is Fearney's documentary and Klemensen's contribution that are the worthwhile deposites, to put in your Peter Cushing and Hammer Collection bank, in this release. 

  • Audio Commentary with Constantine Nasr and Steve Haberman
  • The Men Who Made Hammer: Terence Fisher (HD – 58:21)
  • The Men Who Made Hammer: Jack Asher (HD – 16:24)
  • The Eternal and the Damned: Malcolm Williamson and The Brides of Dracula (HD – 15:22)
  • The Brides of Dracula – 1.66:1 Version (HD – 85:34)
  • The Making of The Brides of Dracula (HD – 31:10)
  • The Haunted History of Oakley Court (HD – 15:13)
  • Theatrical Trailers (SD – 2 in all – 4:06)
  • Image Gallery (HD – 101 in all – 7:26)
  • Radio Spot (HD – 1:03)


SO IN CLOSING :

SCREAM HAS A VERY SOUND REPUTATION. Over the years they have released and packaged some excellent features. This one is disappointing. Yes, the release IS packed with extras, TWO versions of the main feature AND some. This maybe a case of trying to please everyone and ending up with a real mixed bag. I hope this case of cramming everything on one disc, was an experiment. That it will be assessed and seen as not a popular or best solution to proving their costumers and faithful followers, with more of the standard of excellence, we have all come to expect from one of the best US distributors.


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Thursday 31 December 2020

A SAFE AND HAPPY 2021 : #PETERCUSHING BANNER!


POSTED AT THE FACEBOOK PCASUK FAN PAGE  an hour ago . . In what has been a challenging and extraordinary year, I’ve been grateful for your extraordinary friendship too…. thank you😊 Here's to new beginnings! Stay Safe, take care of yourself and each other. A Very Happy New Year Everyone! - Marcus
 

YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing  OBE

Wednesday 30 December 2020

THE LOST PETER CUSHING SHERLOCK HOLMES EPISODES! EXTRACTS AND UNSEEN CUSHING INTERVIEW!


WHAT A SPLENDID WAY TO END a terrible year... You may remember some time ago, I shared the exciting news of some Peter Cushing BBC Sherlock Holmes 'Lost footage' having been found? I think no one could quite believe me... BUT here they are, over at Facebook PCASUK Fan Page... extracts from Kaleidoscope, with some superb colour tinting work by Jonathan Evans Coley😊 There is also an UNSEEN interview with Peter, raw footage of him discussing the role and how he got that amazing costume from 1971. Peter looks quite dapper too. The extracts are very interesting and wonderful to see at last! With a bit of luck, Jonathan hopes to provide us with some details of how the whole adventure of finding these clips began and some background on the whole process. Well done Kaleidoscope, top marks, Jonathan! ENJOY! 
 


'Between 9th September 23rd December 1969, Peter Cushing and Nigel Stock starred in 16 episodes of Sir Arthur Conan Doyle's 'Sherlock Holmes' series for the BBC. Of these 16 episodes, ten remain missing from the BBC archives. In 2019 four extended excerpts were recovered as subtitled black and white 'telerecordings' intended for Dutch television. Tey have been restored to their original colour format and are now presented here for the first time. The excerpts are bridged by clips from an unseen 1971 interview for Dutch TV's 'AvroSkoop' in which Peter Cushing discusses his playing of #SherlockHolmes both on television and film . .

YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing  OBE

Sunday 27 December 2020

#CARRIEFISHER REMEMBERING CARRIE : CHRISTMAS CHEQUES NOT IN THE POST ITS HERE! SPENDING XMAS WITH HELEN.

IT SEEMED, quite surreal back in 2016 posting a banner and news of Carrie Fisher's passing, and that feeling hasn't gone away, even today . . . FOUR years on.

TODAY, I am sure many Star Wars fans and lovers of Carrie's work will be feeling the same, sharing posts and photographs of a woman, who was never dull, touched all she met, was a mountain of energy and fun and yet sadly, like many of us, carried another life, that sometimes worked against her, making even the sunniest of days, dark and exhausting.

ON DECEMBER 27TH 2016, the day we lost CARRIE FISHER, the shock rippled around the world, and I am sure today, many will again feel that disbelief. Many here of course will know her connection to Peter Cushing, through the movie, STAR WARS. With Cushing playing the evil Tarkin and Carrie as the vulnerable Princess Leia, they together played a key scene, with Peter cranking up his performance, as the cruel and most Machiavellian of characters in the Star Wars universe. Carrie later shared how difficult it had been for her to find the motivation, to hate Peter's Tarkin. She too,like many before her, had been charmed and moved, by his kindness and manner on set, it was quite a task to actually say those lines.



EVEN THOUGH she left us a wonderful library of work on screen and on the page, it's a weird feeling, knowing, she isn't around to cheer us up and make us laugh in her interviews. As a teen she was my first crush, she dazzled and shone very brightly . . on screen and in life, a real Princess!😊We remember Carrie today . .. 


IT'S CHRISTMAS 1956 and this year along with Peter's traditional skilfully hand crafted Christmas card, Helen gets another one via the Midland Bank...with no doubt a Christmas cheque! The inscription reads, in Peter's hand : 'To my darling Helen from your most loving Peter' the envelope is inscribed 'For Darling Helen'...

YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing OBE

Friday 25 December 2020

A MERRY CHRISTMAS : STAY SAFE, TAKE OF YOURSELVES AND EACH OTHER


To all our PCAS followers and friends, whoever you are, wherever you are, I wish you a safe and Happy Christmas.😊Take care of yourselves and each other 😉- Marcus Brooks

YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing OBE

Tuesday 22 December 2020

FRIENDSHIPS LIKE THIS ONE ARE HARD TO FIND . .

FRIENDSHIPS like this one are hard to find and keep.This one went on for decades, professionally and privately. . .  and until the very end.


 

 

'Beneath this outward aloofness and dignity, lies a very sensitive human being.  Sensitive ; warm and often suffering from nerves . . ' Peter Cushing hits the button that many suspected of Christopher Lee for years. 

'What a dear man Peter was! I met him on Hammer films 'The Curse of Frankenstein', we became friends. How fortunate I was to be teamed with him' Christopher Lee often admitted, he often had a tough time with props, it was I think very humble of him, to shine the light on the fact that his weakness was Peter Cushing's gift.  

YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing OBE

 

ARE YOU A WINNER? #WARNERBROTHERS 'CURSE OF FRANKENSTEIN' COMPETITION : ANSWERS IMAGES AND SEVEN WINNERS!


CONGRATULATIONS! Many thanks to Warner Brothers, for supporting the competition.. and to the MANY who entered! I have revealed the answers to the competition questions, on this banner. You find the how we pick the winners and full answers, below!

HOW WE PICKED THE WINNERS:
All entries names are printed onto several pieces of yellow A4 paper. Each name is then snipped, into a small strip of paper, that paper with the name, is folded three times to hide the name. All the folded name strips are then put together into our black top hat! Usually, the slips are pulled out of the hat, randomly... this time all the names were picked out, one by one, the hat being shaken to mix up the contents after each one, but on pulling out the the 58th correct answer... 64th correct answer, the 67th correct answer drawn, the 69th correct answer drawn and finally the 74th correct answer... these were declared the winners! Why do you think THOSE numbers were chosen specifically this time?? I wonder, if you can guess why? 

THE ANSWERS:

ANSWER ONE: B Bernard Bresslaw. This actor almost became cast as the Creation in 'The Curse of Frankenstein' because of his height and frame. Christopher Lee was chosen it is claimed, because his fee was cheaper than Bresslaw!

ANSWER TWO: C. The only production in the given list, which Melvyn Hayes did not work with Peter Cushing was the Children film Foundation 'Saturday Morning Cinema series, 'Here Come The Double Deckers'. All the other titles, Cushing and Hayes appeared in that film.

ANSWER THREE: True. Hammer films The Curse of Frankenstein was the first theatrical Frankenstein feature film to be produced in colour in 1957.


ANSWER FOUR: B Peter Cushing's contract with Hammer films, named the film as 'The Curse of Frankenstein' . . .

ANSWER FIVE: True. Among several ideas and concepts discussed by Hammer films, before the Curse of Frankenstein, had found it's script, cast and funding, was the making of a black and white feature, hopefully starring Boris Karloff.. as interesting as this concept and film could have been, pipe dream that thankfully, did not come to fruition...

ANSWER SIX: B. When The Curse of Frankenstein had its premiere in the UK, it was held at the Warner Theatre, London. Warner really pulled out the stops, the cast, producers all attended....as well as several pieces of the Bray Studios set of Frankenstein laboratory, which were set up in the entrance foyer of the theatre. Cast and producers posed with Christopher Lee's ghoulish water tank, a bandaged dummy of Lee's monster lay in the tank. Guests that night and paying costumers over the next few weeks, walked through the set of test tubes and cob-webs on their way, to their seats! This photograph has been posted and shared here on this Facebook page and the website in the past. The biggest give away is modern lamp shade in the ceiling and... the cardboard Peter Cushing standee, at the back of the set, holding the severed head at the acid tank! I did actually mention the 'static looking Peter Cushing' in the comments thread at the FACEBOOK PCASUK FAN PAGE


ABOVE: James Carreras with Cushing at the acid tank playing around for the press, and in the unclipped small snap the Peter Cushing Baron Frankenstein Standee cardboard figure!

ANSWER SEVEN: C The Curse of Frankenstein, was produced with a budget of around 55 thousand GB pounds, it did indeed go on to make over 70 times its budget during its world wide theatrical run . . .


ABOVE in the industry press papers, Warner and Hammer made no secret of their success. In the above photographs featured on 'showmanship' you can spot photographs of the foyer display in the Warner theatre too! 

Many thanks to all of you who stuck with this, our longest running competition, a question a day, seven questions . . I wanted to give you a Christmas Comp this year, that would keep you busy, and many were, for sure 😁 I think many had a lot of fun too. Again, many thanks also to Warner Bros Archive Collection for supporting this and all our previous competitions. IF you haven't read our full review of the film, I will place a link below..and if you ain't got your copy yet, I highly recommend this remastered classic Cushing, Lee Hammer feature... the extras package is terrific and the remastering of film IS very good indeed. The Curse of Frankenstein, is now VERY much alive! Take Care and stay Safe, everyone 😊 - Marcus


YOU ARE MOST WELCOME TO JOIN US and over 34,000 others Peter Cushing followers at the FACEBOOK PCASUK FAN PAGE! With posts every day, rare images and photographs, features ad prize competitions.. all celebrating the LIFE and CAREER of Peter Cushing OBE
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