Sunday, 19 June 2022

#STUDIOCANAL LAUNCHES A #DRWHO AND THE #DALEKS THAT IS OUT OF THIS WORLD!


 
THE BRITISH TV series ‘Doctor Who’ first hit the BBC screens in November 1963. The concept was originally seen as an entertainment and educational programme, based around Doctor Who, played by veteran Brit film actor William Hartnell, who was planned to travelled through space and time, in a police telephone box, named TARDIS, dropping in on various 'historical happenings and characters'. The first FOUR episodes, of 'An Unearthly Child' was a good foundation and intro. But little did the series creator and head of drama Sydney Newman, realise what he had on his hands, after first he launched the first episode, their proposed intention 'fill the Saturday evening time-slot and appeal to both the younger and older audiences of the neighbouring programmes . . .. but the was an unexpected game changer! Within  the next seven episodes, they would be managing one of the BBC's biggest direct hits and a name that would be on everyone's lips. . .Daleks!
 

The GIFS feature here are not 4K footage from the
 #StudioCanal release
 
THE REST AS THEY SAY, is history, television history, life changing eventually for many millions of viewers, children and fans! Midway through the huge success of the Dr Who first series, it was decided that the Daleks , were the main attraction, a new evil metal villains, that potentially not only proved to hold and attract huge audiences, but also beyond their weekly episodic treat in front of their black and white tv sets, and into the paying seats of cinemas through-out the country. Daleks in FULL COLOUR, a WIDESCREEN full 90 MINUTE adventure! The idea not only had casters, it had legs to run and work! And so, the concept of the very first Dr Who feature film was lauched.  
 



EVENTUALLY, two feature films, unique in the annals of Doctor Who, were made for the big screen as an attempt to cash in on the “Dalekmania” of the mid-1960s. 'Dr Who and the Daleks' and 'Dalek Invasion Earth 2150 AD' weren’t produced by the BBC, but were nevertheless loosely based on First Doctor William Hartnell’s opening Dalek stories, some pretty sizeable differences were made in order to circumvent copyright laws. Thus, the look of the TARDIS interior and the redesigned Daleks are not quite what viewers may expect.
 


SINCE THEIR RELEASE on VHS, then DVD and even Blu-ray some years ago, the film prints have been restored and remastered, and are now presented for the first time in ultra high-definition 4K. The first outing, and the 1965 ‘Dr Who and the Daleks’, certainly looks brighter, more colourful and sharper than ever before.
 

DRWHOANDTHEDALEKS’ sees the TARDIS land on the planet Skaro. Exploring their surroundings, the planet appears to be dead; the soil nothing but sand and the forest now nothing but the petrified remains of trees. The travellers suffer radiation sickness from the high levels of radioactivity – the result of a nuclear war between the Daleks and the Thals. With the Daleks planning to wipe out all surviving Thals, Dr. Who and his companions must find a way to convince the inherently pacifistic Thals to fight back in order to save themselves.
 


IN ORDER TO REACH a wider and more international audience, an established big screen English star was found to play the lead role. The charming Peter Cushing, extremely charming and lovable as “Dr Who” (now depicted as an eccentric Englishman who invents a time machine in his back garden, rather than an alien traveller in space and time). His portrayal is the complete opposite of small screen counterpart Hartnell’s alien and occasionally sinister Doctor – instead providing a warmer hero for young children to more easily trust. The Daleks, who fired death rays on the television, expel fire-extinguisher carbon dioxide gas to successfully render them less terrifying. They are also brightly-coloured and some even have multi-coloured sensors, which gives them a friendly rather than sinister appearance. And rather than travelling with a difficult, moody teenage granddaughter as William Hartnell’s Doctor did, Peter Cushing’s Susan is a young child who is much easier to handle (brilliantly played, it must be said, by young Roberta Tovey). The comic element is played up by the Doctor’s young male sidekick. Beloved entertainer Roy Castle offers exquisite comic timing and pratfalls and manages a bit of heroism along the way too.
 


DR WHO AND THE DALEKS’ is beautifully directed by Gordon Flemyng, and he succeeds in rendering an epic feel to the adventure. He has a great eye for detail, making each frame interesting to look at, using different levels and taking full advantage of extensive studio space. The rocks sliding apart to reveal brilliant lights beneath the Dalek city is an especially effective cinematic moment. Undoubtedly, this is a slicker, faster-paced and altogether bigger budget version of ‘Doctor Who’. Barry Gray’s distinctive and dramatic cool jazz musical score is another major plus point, and immediately attention-grabbing when played over the opening credits. The charm of the film is its nostalgic 1960s period (now apologised for in the inevitable yawn-inducing trigger warning at the start of the disc). It succeeds because it stands the test of time as an exciting adventure.
 


THE OVERALL EFFECT of the restoration, which brings clarity and definition to the film, is a double-edged sword. Certainly ‘Dr Who and the Daleks’ has never looked better. Cushing's white wig and bushy eyebrows complete the transformation of his interpretation of the good Dr, but you will also spot the brush strokes of Cushing's make up, the strings on the Dalek craft, but hey... it's sci-fi, make believe and for the kids! 
 

THE INTERESTING 1960s vintage-style cover artwork by Johnny Dombrowski packages ‘Dr Who and the Daleks’ in a very different comic strip-like concept.  A collector’s edition also includes a booklet. There are several exciting extra features on the disc. ‘The Dalek Legacy: Destination Skaro’ is sixteen minutes in length and sees modern-day voice of the Daleks Nicholas Briggs and other ‘Doctor Who’ luminaries putting the legacy of the 1960s films into context within the wider world of ‘Doctor Who’. ‘Restoring Dr Who in 4K’ is an eleven-minute instalment about how the original film elements have been digitally enhanced for this restoration. 
 


THIS DISC ALSO boasts the documentary ‘Dalekmania, filmed in the mid-1990s, which covers both films and features some of the then-surviving cast and crew from both films and explores the possible reasons for the overwhelming popularity of the Daleks. Of particular interest are the stories of Jill Curzon and Roberta Tovey, guest actors Barrie Ingham and Yvonne Antrobus; as well as Eddie Powell, a stuntman whose involvement in the second film left him with a broken ankle. Pinewood Studios expert and Roger Moore’s former right-hand man Gareth Owen is also available to impart his knowledge of the film’s origins. An audio commentary featuring film critic Kim Newman in conversation with ‘Doctor Who’ writers Robert Shearman and Mark Gatiss takes you all the way through the film with affectionate insights. A separate audio track reunites companions Jennie Linden (Barbara) and Roberta Tovey (Susan).
 



IF DON'T OWN #StudioCanal's fine 'DR WHO AND THE DALEKS' 4K Blu Ray or are looking for an upgrade, NOW is your chance to own, witness and experexperience the film as it has never been seen before before. Out of this WORLD! 

Cast: Peter Cushing, Roy Castle, Jennie Linden, Roberta Tovey, Barrie Ingham, Yvonne Antrobus Director: Gordon Flemying Certificate: U Duration: 83 mins Released by: Studiocanal Release date: 20th June 2022! YOU CAN PURCHASE AND Buy ‘Dr Who and the Daleks’ HERE!

MORE ON Peter Cushing and DR WHO AND THE DALEKS with RARE STILLS GALLERY can be found in another PCSuk FEATURE: HERE!


MORE ON PETER CUSHING and DR WHO AND THE DALEKSwith FULL RARE STILLS GALLERY HERE!


IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS co-ordinator since 1979. PCASuk is based in the UK and USA. Elements of this review and text can also be found Here

Sunday, 12 June 2022

KICKED! THRASHED! CHOKED! OR STABBED? JUST HOW DID LORD COURTNEY DIE? #TASTETHEBLOODOFDRACULA


A POST SHARED YESTERDAY  @ the Facebook PCASuk Fan Page!
 
#RalphBates as Lord Courtney, lies dead on the floor of the site of the unholy ceremony in #Hammerfilms 'Taste The Blood of Dracula' (1970) ... but there's is something in this rare colour publicity photography... that wasn't used in promotion in the US and Europe...that doesn't fit this scene in the released movie.... spot it? Answer / theory you'll find below -Marcus 
 



DURING THE 1980'S PCASuk were very fortunate to meet and interview actor RALPH BATES several times. It was Ralph back in 1979, that first broke my innocence and laughed bringing attention to what he called #Hammerfilms 'Continental Version' of 'Taste the Blood of Dracula'. An alternative edit of the film for Japan and other regions, contained more violence and nudity. Ralph told us about shooting a scene at the brothel, near the end of the day. A few shots and cut aways, reaction shots, he was told. Come the fifth set up, Ralph though he was done for the day, he left his postition in his chair, gathered his things, until the floor manager called out for 'Alternatives, now please!'. Ralph was sat back down, as girls repositioned themselves, while blouses flew off in haste, ready to reshoot several set ups's minus some costumes but plus ample breasts and thighs.  'Taste' was his first film for Hammer films, and he felt he was in the process of being groomed as the latest 'face' in their lead roll roster, which for many, had proved a potential springboard for future ggod things.
 
 

THE FILM was originally not going to feature Dracula at all, much like The Brides of Dracula (1960), due to Christopher Lee becoming increasingly reluctant to reprise the role and the producers not expecting to be able to convince him to do so. Lee's increasing salary demands were also a factor. Ralph Bates would have played the lead. Sadly, the script was re-written to include Dracula after the producers were finally able to coax Lee back to the role after "Warner-Seven Arts" refused to back this movie without the actor's participation. 
 

SO, now within the re-written script, lay the solution of the despatching of his what was once key player, out of the plot! The framework of Lord Courtney's gory ceremony which transformed him in Count Dracula remained, but rather than Ralph changing costume, Lordship to Count ... and dentures, to what would no doubt would have been an interesting and no doubt regal 'Prince of Darkness', Bates was instead beaten into a broken and bloody mess! It was decieded three distinguished Victorian English gentlemen taking part in the ritual would take offence to his goading, rude manners and bad form .. and beat him to death with their walking canes! Even watching this strange twist in the plot seems a weird U-turn, leading also to being Count Dracula's main plot drive to seek revenge for his dead servant, as contrived and clumsy in an otherwise quite entertaining film. Lee though sadly looks to be on casters, as he stands on the side-lines, being wheeled out of the shadows, in gardens, balconies' and from around pillars. The body count in this film six, Lee vocally tots-up four of the death total, as the wrap to each of his murder appearances! It's just weird, but kinda works, but was a terribe waste of Christopher Lee's screentime and talent.
 

AND SO, come the end of the ceremony, an exit of drama and horror was needed. Understand, this is just my theory although there is photographic evidence to support it. Being presented their very own goblet of Dracula's very own blood, re-hydrated almsot like a 'Pot-Noodle' using Lord Courtney's own blood, the gents who after all were there to be entertained by 'something different, exciting and jaw-dropping' refuse to drink, sample and 'taste the blood of dracula'. They in the great tradition of thugs, sadists and kinky-old men, disguised as dignified pillars of society, chicken-out. Courtney then fearlessly, knocks back his goblet contents, soon falling to the ground wrought with pain and screaming in agony.  The gents angry and panicking jointly decide to do the right thing, and set about beating him to death, with their canes, to put him out of agony. 
 


NOW AS A SCENE of frenzied violence, in Hammer's full repertoire, pardon the pun, it takes some beating! As this if this wasn't enough, and maybe this final act was also included in the script,  Geoffrey Keen's character Harwood, the most frustrated, unpredictable and violent of the bunch, as seen in several on set photograps, taken at the time of shooting this scene, raises the blade of his sword stick, positions it above Courtney's heart and with force, plunges it in! Now, it could be that during the beating the other gents, Paxton played by Peter Salis and Secker played by John Carson, also contributed to the stabling and poking. There is no photographic stills or contact sheet right now, to prove that, but being just a little on the right side of meeker-man type, who through out this 'little planned titilation', has been pushed and coaxed by Harwood, to join in. All said, it woud have given a full, violent and unexpected climax, to the scene. But come May 7th 1970 on the release of 'Taste the Blood of Dracula', that scene and all, is not we see.....   
 


THE FATAL AND VIOLENT sword stick stabbing pieces are missing! 'Taste' was one of the few Hammer Dracula films that was R-rated, Hammer were not only able to push the envelope with its depiction of nudity, and violence, and also its dark themes. . . but only the inclusion of three elderly gents kicking, thrashing made it in the final edit of Lord Courtney's demise... stabbing with a sword, for our censors, was OUT! 
-Marcus Brooks
 



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS co-ordinator since 1979. PCASuk is based in the UK and USA     

Thursday, 9 June 2022

ON PLAYING #SHERLOCKHOLMES : #CUSHING ON THE DETAIL AND #JEREMYBRETT


#PETERCUSHING had his own set of rules and needs, as far as playing #SherlockHolmes was concerned. According to producer of the Cushing and #JohnMills Sherlock film....Tyburn films 'The Masks of Death (1984) .... both Cushing and Jeremy Brett respected each others interpretation very highly. 'The greatest love affair I ever saw - I don't mean in a homosexual way- was Peter for Jeremy Brett and #JeremyBrett for Peter Cushing.' Cushing believed having Holmesian features, resembling Paget drawings, was very important and that it helped audiences believe! This post is also shared at the Peter Cushing Appreciation Society Facebook Fan Page UK today! I would love to read your opinions on this post and Peter's thoughts.. it might be news to some? - Marcus
 
Above Banner Photograph: Peter Cushing as Sherlock Holmes and Nigel Stock as Dr Watson in the BBC 'Sherlock Holmes' television drama series, episode 'Black Peter' Episode aired Nov 18th, 1968. Now believed to be either erased or lost . . .. 
 


IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS co-ordinator since 1979. PCASuk is based in the UK and USA      

Sunday, 5 June 2022

WHICH SERIES OF #HAMMERFILMS DO YOU WATCH MOST OFTEN?

 
A QUESTION BEING ASKED over at the Facebook PCASuk Fan Page right now! Which series of #Hammerfilms.... Frankenstein? OR Dracula? Do You WATCH Most Often... maybe why? A question that obviously applies to you having at least one or more from each series If you don't own any, then let's presume if having the opportunity to watch either a Hammer Dracula or Frankenstein film by streaming or watching a movie channel screen several of the titles over a month.... Frankenstein or Dracula, which character would you watch the most? - Marcus
 





IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS co-ordinator since 1979. PCASuk is based in the UK and USA    

Saturday, 4 June 2022

#PETERCUSHING ON ACTING : OLIVIER AND CUSHINGS #BBC DRAMAS


#MelvynBragg #TV Interview Question: 'So, Sir Lawrence, how do you prepare, what if any, are your methods when performing?' #LawrenceOlivier TV Interview Answer: 'Well, if I told you THAT, dear boy... everyone would be doing it!' 
 




THE 1983 #SouthBank Show three part tribute, was seen as a long awaited for celebration of an even longer and distinguished career . . . and maybe a well timed opportunity to lift some veils'. It manages to be unusually intimate, thanks largely to the skillful and, when need be, persistent interviewing techniques of Melvyn Bragg.. but not even Bragg could crack this safe!
 






ABOVE: Peter and Helen Cushing, Sir Laurence Olivier and Vivien Leigh arrive at Freemantle, Australia with the Old Vic Theatre Company....during their tour of Australia and New Zealand in 1948.... they performed Shakespeare's Richard III and Sheridan's 'School for Scandal'.... (A: Helen Cushing B: Peter Cushing C: Laurence Olivier.
 

ACTORS, of a certain era, were well known to rather sell you their granny, than share, the spoils of their hard graff and years of grind and tweaking, that perfected the range and mystery that gave them their on screen / on stage magic. #PeterCushing, for many years counted both Olivier and his wife Vivien, friends, to both he and his wife Helen, having toured and worked with Olivier and his cast on tours in 1948 of #Australia and #NewZealand, 1949 in the West End, and 51 for Olivier's Festival Season . . . I am sure, Larry shared some nods and suggestions during that time! So, how typical it is of the gentleman and sharing soul, of Peter Cushing, to go against tradition and type, to spill some thoughts and paths of knowledge. 
 

Peter Cushing as Osric in the 1948 film production of 'HAMLET' starring and directed by Lawrence Olivier.
 
THERE ARE MANY stories of young actors, working on a film with Cushing, during their first or only second flick, coming under Peter's wing and he, by their later admission, more than saving their bacon, after tripping over the cables and bumping into the furniture. #MichaelCaine, years ago recorded a television workshop, where he shared it ALL. And before, you think for a moment, Caine had little to share.... Caine's session really was a '#masterclass'... the whole content was transferred into a best selling book and paperback.
 




OVER THE YEARS, I have lost count of the students, who either had a DVD of a fourth generation VHS recording of the tv show or a well thumbed copy of the book, in their bag! Cushing was well known for his attention to details, costume, make up, props, cuff-links, buttons and ... timing. This text taken is from the #vintage radio / video recording, that you can find in the #PCASuk video gallery, is well worth a dip! 😏 - Marcus
 

IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS co-ordinator since 1979. PCASuk is based in the UK and USA      
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