BREAKING HEARTS BEFORE HE STOPPED THEM: CUSHING AND THE END OF THE AFFAIR

"Oh God, don't let him be dead. Give him that chance. I'll love him, I'll do anything, only just let him be alive. I'll never quarrel with him again or make him unhappy. I'll be sweet and kind and good. I... I will be good. I'll live as you would want me to live. I'll give Maurice up forever. Only just let him be alive! Just let him be alive!"

Cushing really does give a superb performance.

Check out this emotion packed short clip 

The film 'THE END OF THE AFFAIR' (1954) is based on Graham Greene's complex novel and directed by Edward Dmytryk, who made several highly regarded film noir thrillers, including Murder My Sweet and Crossfire and came to England because of the anti -Communist blacklisting in America.

The film was produced by David Lewis, the long time lover of James Whale. Whether Lewis remembered the handsome stand-in for Louis Hayward in Whale's 1939 'Man In The Iron Mask' or not, this was certainly an important part for Cushing to land, oppersite Hollywood star Van Johnson and Deborah Kerr.

Greene's book was an examination of his own faith and, although it was not known at the time, was a roman-a-clef for the novelist's own adulterous affair with Catharine Walston. The film is shot through with a tone of pessimism and disappointment, and in the end all but collapses under a cartload of Catholic guilt.

There's a rather flamboyant piano score too, much given to melodramatic bashing on the keyboard at particularly emotional moments. Johnson is woefully miscast - he does his usual flat turn and seems not to understand the material. Greene, who vetoed Gregory Peck for the lead was appalled at the choice of Johnson and noted that the actor chewed gum during the love scenes, when not in shot. Cushing however, achieves a kind of brilliance with bhis portrayal of the wronged husband, a man with 'a mind as neatly creased as his trousers' and it is sobering to think that but for 'Nineteen Eighty Four' (BBC 1954) he might have carried on playing this kind of repressed individual for as long as it was needed.

The plot of 'The End of the Affair' is fragmented, and told in a series of flashbacks. During the Second World War, American Miles Bendrix (Johnson) is writing a book on the British civil service when he meets Henry Miles (Cushing), who works in service pensions. Miles presents  Bendrix to his devoted wife, Sarah (Deborah Kerr)  - and soon Bendrix and Sarah are having an affair. (Although what they actually do is left terribly vague) After an air-raid, Sarah suddenly becomes cold to Bendrix and returns to Miles. The rest of the film reveals her reasons for her sudden change of heart.

Though stuffy and pompous, Miles is genuinely in love with Sarah. As time passes and her behaviour remains erratic, he considers employing a private detective to investigate her, but ultimately cannot.

'They always say, don't they, that the husband is the last to know...'

Miles is equally unable to answer to his wife's questions about her faith. When she asks her husband if he prays, he is at a loss. 'I was taught to. In church, whenever I go . . . Really, this isn't the sort of thing to go into over a cup of tea!'

Towards the end of the film, Miles is a man on the point of despair and Cushing's performance is deeply affecting. 'I know I'm dull for you, Sarah.... frightfully dull. . .' he sobs. 'But I couldn't start again. It's too late, do you see?' As Sarah succumbs to a fatal fever, Cushing descends the stairs with a blank expression, unable to comprehend. It is another meticulous and disciplined performance, and Deborah Kerr is a graceful and generous co-star.

This review was taken from Peter Cushing: A Life In Film by David Miller. Available for purchase by clicking this link 
Miller's book a a triple thumbs up from PCAS  upon it's release in 2013 and is highly recommended.

Edit Graphics and Images here: Marcus Brooks

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TRUE LOVE AND BENCHES : NOTTING HILL VERSUS CUSHINGS VIEW WHITSTABLE

I am a very romantic person. Anyone who has ever been subjected to my own special brand of sarcasm may find that hard to believe, but it's true: I'm really a deeply romantic girl at heart. So on occasion I love watching romantic films. They do need lots of humor and wit or suspense in them as well, otherwise I don't know, they're just a bit meh. 
 

Now when I first watched Notting Hill I did think for a moment I was watching Four Weddings and a Funeral in a rather flimsy disguise (quirky yet adorable people, the huggable gay character, the handicapped friend, the elusive American girl and not to mention Hugh Grant doing the awkward yet lovely British guy routine for the umpteenth time). It was good fun nonetheless. Hey, if the formula works, it works. Who am I to argue? Plus, the film contains one of my favourite quotes ever: 'happiness isn't happiness without a violin-playing goat'. Perfection.

In case you haven't seen the film yet: spoiler alert!

I loved it when Anna/Julia and William/Hugh were out walking and found their way into one of London's hidden gardens. In which they came upon a bench that had the following words carved in it:  

For June who loved this garden. From Joseph who always sat beside her.

To which Anna/Julia quietly says: 'Some people do spend their whole lives together.' And you can hear in her voice and tell from the look on her face that that is what she wants too. I know - only good acting.

Eventually they (of course!) do find each other and the whole thing ends with the two of them on a park bench in London, she lying heavily pregnant with her head in his lap. Ahhhh.

I was quite disappointed therefore to learn that 'the' Notting Hill bench had been nothing more than a prop. There was never a June who died leaving a bereaved Joseph behind. With a garden and a bench and memories. The bench has now found its way to a park in Perth, Australia. It was never even a London garden bench. I know it was silly of me to want it all to be true because it was Just A Film after all. But there you go. Deep down I was miffed.

And then my mate KT took me to Whitstable a couple of weeks ago. As you may recall, I had never even heard of the place. Yes Mr. S.C. from E. - I did already admit that that was a huge flaw in my upbringing. Don't rub it in.

Here's the thing though: I might not have been familiar with Whitstable, but I had definitely heard of one of its most famous residents: actor Peter Cushing. You probably know him - he played opposite Christopher Lee in many a Hammer film. He was in Star Wars at one time. And he did Sherlock Holmes. He had just the face for it too. Some aquiline nose that was.

What a lot of people don't know about Peter Cushing, is the great love story of his life. Run for the hills now if you don't want to hear it.

Peter Cushing married his Helen in 1943. They were devoted to each other and felt they were meant to be together. That they had met before somehow. How lovely is that. They were inseparable until her relatively early death in 1971, leaving him heartbroken. He was quoted as saying: 'Since Helen passed on I can't find anything. The heart, quite simply, has gone out of everything. Time is interminable, the loneliness is almost unbearable and the only thing that keeps me going is the knowledge that my dear Helen and I will be united again some day'. He kept feeling this way till the day he himself died in 1994. Helen had left him a letter when she died however, saying:

'Let the sun shine in your heart. Do not pine for me my beloved Peter as that would cause unrest. Do not be hasty to leave this world because you will not go until you have lived the life you have been given. And remember. We will meet again when the time is right. This is my promise.'

Some people might find their story too sentimental. And consider the fact that he never quite moved on after her death an unhealthy thing. There is something to be said for that. All the same I can't help myself, I still find it a very touching love story.

And wait - there's a bench in there too. And this one is real.

Peter and Helen loved the pretty coastal town of Whitstable and bought a house there in 1959. Peter had this bench placed at the spot that is now called 'Cushing's View'. It is said that this is where Peter used to sit and enjoy the view. The plaque on the bench says:

Presented by Helen and Peter Cushing who love Whitstable 

and its people so very much. 1990.

Sadly Helen never actually got to sit on this bench together with her beloved Peter. But at least the love story attached to it is real this time. And when I first saw it (before they got up and I could take a picture of it), a middle-aged couple were sitting on it, hand in hand, looking the very picture of contentment. Don't you think that's exactly what Peter and Helen would have wanted? I'd like to think so.

Feature written by Sacha

The original feature can be found on Sacha's blog, along with much , much more at 'Through The Orange Door' which you can find and join by clicking this link HERE.

My deepest thanks to Sacha for giving her permission for her feature to be shared here. Marcus 

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