GIFS WEDNESDAY: WITH HAMMER FILMS DRACULA TAROT, MUMMY'S AND A SECRET FALSE TOOTH

CUSHING GIFS WEDNESDAY! ONE OF THE BEST pay off shots ever in a Peter Cushing Amicus movie! This one is from DR TERROR'S HOUSE OF HORRORS (1965) The characters played by actors  Roy Castle, Christopher Lee, Alan Freeman, Donald Sutherland  and Neil McCallum, won't be travel on ANY train again, in the future for sure . . .

ABOVE: A RARE still of behind the scenes on the set at Shepperton studios, shooting THIS scene! EVEN DEATH gets a place in the group gathering!

OUR FIRST FULL FEATURE on the AMICUS FILMS of Peter Cushing Part One, which includes rare stills and gallery on DR TERRORS HOUSE OF HORRORS .. RIGHT HERE! TAKE A LOOK around GOOGLE and you will find links to all SIX PARTS of this feature series. ALL of Cushing Amicus films are covered, with as usual galleries of RARE images. Press, publicity and behind the scenes stills too!

A SHORT KIND OF CUT AWAY scene in HAMMER FILMS DRACULA / HORROR OF DRACULA 1958. THIS particular scene has caused quite a bit of unrest and divided opinions over the years between fans of the film. Film director, Terence Fisher always believed, in giving the audience, emotional space when watching one of his fantasy films. If they had just been frightened or caused great stress by a scene, he liked to let them recover, breathe a little! This slightly comic breather, involving the repeated breaking of the boarder control barrier, was included during the roaring race with Dracula, to do just that, BEFORE the hugely dramatic and frightening destruction of the Count. Some think it was a mistake, that sitting in the middle of the climatic closing of the film, does little more that upset the story and destroy the rhythm. It WAS Fisher's intention to disrupt the drama, to cut away to something else, and he succeeds. For some, a little too much.   I would LOVE to know what your opinion is! IF you don't know this scene, or haven't seen the movie, NOW is our opportunity! You are missing probably one of Hammer films finest! WRITE to petercushingpcas@gmail.com

THE ROLE OF the Boarder Official was played by GEORGE BENSON, nowhere near the age of his character. BUT he would be joining Cushing again on screen, when he WAS that age, playing his lab assistant Waterlow, in Tigon films wonderful feature frightener, THE CREEPING FLESH in 1973.

A MESSAGE RECEIVED FROM FOLLOWERS MARCIA LOISEL THE FOLLOWING DAY THURSDAY 29th MARCH
First, I knew that George Benson was in both Dracula and Creeping Flesh, but never once did I think that those characters were the same person! Learn something new every day! :) The comic bit doesn't really bother me. It was established earlier that he was a comic character so his second scene was in character. Of course, "Dracula" is one of my most favorite movies ever, so I love every minute of it and can't imagine it any different.

Happy Birthday to Jack Asher! He really did help to establish Hammer's 'look'. The still of Van Helsing on the stairs of Dracula's castle, before he goes into the library for the final scene is stunning. The light streaming in through the colored panes of the windows is just beautiful. "The Mummy" is also a favorite, everything about it is gorgeous.

Looking forward to Callum Mckelvie's "Brides of Dracula" article!

Kind regards.
Marcia Loisel

ABOVE: ONE OF OUR many features and galleries on HAMMER FILMS DRACULA / HORROR OF DRACULA (1958) HERE we share a WHOLE set of 1958 Front Of House CINEMA  USA LOBBY cards, from when the film was released in 1958.

CHRISTOPHER LEE'S pretty amazing portrayal of KHARIS in Hammer films THE MUMMY (1959)! Along with Cushing John Banning and a terrific cast, personally it's one of my most favourite Peter Cushing films, and it's in the top four best of Hammer's! BELOW here is an upload from our Peter Cushing Appreciation Society YOUTUBE CHANNEL of DONALD FEARNEY's excellent documentary on ALL MUMMY films, including UNIVERSAL films. Just CLICK on the BLUE LINK! 

WATCH DONALD FEARNEY'S LEGEND OF HAMMER MUMMIES! Just about EVERY Mummy film is covered. There's quite a number of interviews and some great rare supporting images too! JUST click HERE!

AND ABOVE HERE IS ANOTHER clip from Hammer films, THE MUMMY from our Peter Cushing Appreciation Society YOUTUBE CHANNEL

THE BBC PRODUCTION OF George Orwell's 1984, was not only a landmark for drama productions for the government broadcasting company, but also for PETER CUSHING himself. His performance influenced Hammer films, to cast Cushing in their FIRST Frankenstein, and his career was never the same again.  HERE we have Cushing's WINSTON SMITH, during the closing moments, where Cushing forever dedicated to doing his best to make his contribution, makes a gesture, that probably few with his romantic reputation at the time, would have entertained doing. 

YOU'LL NOTICE, Winston by this time, following months of torture and beatings, has lost a front tooth. THAT is not make up or a trick of the light. Cushing lost a front tooth during the late 1940's. In all publicity the loss of the tooth was blamed on a boot to his face, playing his favorite sports game, rugby. 

THIS WASN'T ACTUALLY the case, but for publicity, sounded more pleasant and heroic than the unpleasant dealings of smelly breath, pus filed wounds and cavities! While living in Somerset, UK with his wife, Helen Cushing fell victim to a horrible chest infection and an abscess to his FRONT tooth. Despite medication and nursing it, it was extracted. This caused much stress and insecurities for quite sometime. Just a few weeks after the removal, Cushing was cast in Olivier's film production of HAMLET.  During the shooting of a scene with Olivier, Cushung apologized to him if he accidentally dribbled or spat in to his face! Such were the problems of his still trying speak, with a tooth on a plate. After this time, it's noted that Cushing dictation became sharper than ever, and always during an interview or standard speaking role,  his speech was as sharp as a knife!



AND FINALLY FOR TODAY, a great shirt video interview extract of PETER CUSHING discussing playing HORROR FILM roles .... THIS clip is another posted here from our Peter Cushing Appreciation Society YOUTUBE CHANNEL It's easy to subscribe to, you'll never miss a NEW upload. PLEASE SUBSCRIBE and support us in keeping the memory of Peter Cushing his career and live ALIVE!

REMEMBERING ONE OF HAMMER FILMS NICEST MEN : TUESDAY TOUGHIE : WINNERS OF CINEFICCION!

REMEMBERING: A wonderful actor and special guy, RALPH BATES. Sadly, no longer with us, and died today in 1991. A talented actor and a truly gentle and kind man.

THE GREAT, GREAT nephew of the renowned French scientist Louis Pasteur developed into a strangely handsome dark haired, pale complexioned English actor. Ralph Bates was born in 1940 in Bristol, England and attended the University of Dublin and studied at the Yale Drama School. His dramatic talents first came to audiences attention playing the evil Emperor Caligula in the well received BBC TV series The Caesars (1968). However, the Hammer studios resurrection of the horror genre was then in full stride, and Bates was soon engulfed in the swirling cloak of Hammer's success as he appeared in several horror films in quick succession.

FIRSTLY IN A SUPPORT role as demonic Lord Courtley in Taste the Blood of Dracula (1970), followed as the lead character Baron Frankenstein in The Horror of Frankenstein (1970), then as Giles Barton in the sexy Lust for a Vampire (1971) and as the well meaning Dr. Jekyll in an unusual spin on the Robert Louis Stevenson story in Dr Jekyll & Sister Hyde (1971) and 'Fear in the Night' with Peter Cushing in 1972. Bates brought a new zest to Hammer and with his stylish dialogue delivery and film acting methods, he quickly won himself quite a few fans in both critics and regular film goers!

UNFORTUNATELY, by the early 1970s there had been a downturn in Hammer studios fortunes, and Bates then found himself turning to more traditional character work in other production houses and he appeared in several films before snaring other superb villainous role as George Warleggan in the 18th century period piece Poldark (1975).

AFTER POLDARK, Bates himself kept busy in a few forgettable UK made TV shows and television film roles which did not really do justice to his remarkable talents. In the late 1980s his health rapidly deteriorated, and he sadly passed away from cancer aged only 51 on 27th March 1991. 

BELOW OUR ANSWER to LAST WEEKS TUESDAY TOUGHIE!

ANSWER: THE ACTORS who Peter Cushing worked with BETWEEN 1956 and 1959 who became KNIGHTED were MICHAEL REDGRAVE in TIME WITHOUT PITY (1957) , CHRISTOPHER LEE in a whole range of feature films, STANLEY BAKER in VIOLENT PLAYGROUND (1958) and JOHN MILLS in END OF THE AFFAIR (released 1956)

#TOOCOOLTUESDAY! HERE ARE OUR LUCKY FOUR winners to the competition we held LAST WEEK! YOUR magazine will be with you shortly. IF ytou did not supply a postal address where you would like your prizes mailed to, PLEASE contact me at the PCAS email. AGAIN thank you everyone who took part and entered AND many thanks to DARIO at CINEFICCION for those prize copies! HERE is where you can ORDER YOUR copy too!  ANOTHER COMPETITION LATER THIS WEEK! KEEP LOOKING IN!

HAMMER'S LAST DRACULA AND VAN HELSING STAND OFF : MOMENTS OF TERROR MONDAY!

#MOMENTOFTERROR MONDAY! Hammer films 'Legend of the Seven Golden Vampires' is another one of Cushing's Hammer appearances, where despite HE going all out, something within the production values, fall short of the feature. . . If you ever get the chance to read the actual script, it ALL sounds amazing and what could have been a imaginative and impressive departure, from the standard set up, if only by location! 

THERE ARE MANY THINGS, that are seen as not up to that Hammer standard... but you have to remember, even as far as John Forbes Robertson's 'make up' as Dracula, that were produced in the STYLE of the values of fantasy film in the country in which Hammer had joined forces with Hong Kong's SHAW BROTHERS.... Take a look at many of the 'fairy-tale-ghost-stories' produced there, and everything clicks and matches for that culture and audience. Maybe it's not what is expected by the audience in the high street Odeon in Bradford UK, but in Hong Kong, certainly. It probably helped and went someway to pulling in quite a box office smash within that culture. Sadly, missing the Kung Fu craze in the rest of the world, Seven Golden Vampires arrived a little too late.

 

 

 

BUT WATCHING IT TODAY, there is much to appreciate. A cast that includes Chinese actor David Chiang, very popular with fans of other Sahw Bros karate fighting movies. Two UK TV popular's in Julie Ege, Robin Steward and the reputation of one of Hammer's leading actors, Peter Cushing, who plays Van Helsing for the fifth and last time, despite production problems felt by director Roy Ward Baker, the film is full of action, all 'horror visuals' have to be viewed with the understanding, this is really a film produced with supernatural and vampire antics, coming from a DIFFERENT culture. 

MONEY DOES look tight, but then at this time, productions filmed in Hong Kong by the Shaw's ALL looked like this. Legend of the Seven Golden Vampires was another brave attempt by Hammer's manager Michael Carreras, to try another and different angle. Personally, I am glad he tried. What do you think?

CALLUM MCKELVIE SUNDAY NEW SERIES: HORROR EXPRESS

WE START A NEW SERIES this week and it’s time for me to get all nostalgic- at least personally so. Each week I try and do something different with my little post for PCAS, not actually an easy thing when writing weekly about the films of one actor! Of course I’m not suggesting that Peter Cushing’s life and rich filmography doesn’t provide ample room for creativity within my column, but more along the lines of how I structure my post it can be difficult to come up with some new and exciting.  

ALWAYS HOWEVER I TRY to make it as personal as possible. I’m following in the footsteps of many a great contributor to the site and lest I repeat what someone else has already said (and probably in words far grander than I could ever conjure) I like to let my personal opinion come through as much as possible. Usually then, I tend to follow a review or a ‘list’ format, be that a simple discussion of a film or ‘my top ten…etc. etc.’, but for the next new weeks I’ll be trying something completely different. Beginning with this discussion on Horror Express I’m going to randomly select films from Cushing’s filmography that I have something of a personal history with and, if you’ll allow me dear readers, tell you about it.

ABOVE: YOUR OPPORTUNITY TO WATCH THE WHOLE FILM! 

JUST PRESS PLAY!

BY THE TIME I came into contact with Horror Express, I would have been around age thirteen or fourteen. I’d already encountered a healthy number of Hammer and Amicus pictures by this point along with the odd Cushing feature made by neither studio. I can’t remember how I first became aware of the title (most likely by browsing Amazon or a HMV store) but I do remember when my attention was attracted enough for me to scour You-Tube for clips. You see, the scene with the guard when the creature attacks him, turning his eyes white and causing him to bleed from them, was the first scene in a Cushing picture that actively scared me.

IT'S AN ODD THING fear and truth be told the attraction when watching Horror from this period for me was never the possibility of being scared, but mostly the rich gothic atmosphere which these films were soaked in. Of course there was the odd title that really did get to me, the sequence in House of Wax where Price’s wax face is smashed away springs to mind along with more obvious ones such as The Innocents (1960). Cushing films though? Not really.

THAT WAS UNTIL HORROR EXPRESS of course. When I finally watched it I found that indeed the effect still lingered. The opening sequence with Lee in the cave, the mystery at the station, the creature breaking loose. The opening fifty minutes or so of the film were soaked in an atmosphere so palpable, with the creature shot so wonderfully in almost total darkness, as to genuinely have a frightening edge to them. Then it got WEIRD. To my 13 or 14 year-old self the final half of Horror Express, whilst certainly entertaining, was a total let down. The body swapping alien plot seemed like an entirely different film and any genuine menace was sorely lacking. I put the DVD on my shelf, watched it occasionally and thought nothing more on the matter.

CUT TO SEVERAL YEARS LATER. Me and some friends are having a get together…with some refreshments of course and I’m asked to pick a film that will entertain us. Browsing my collection I go through the usual suspects before landing upon...Horror Express. For a short while my finger hovered over the plastic case, half remembering a few genuinely shocking moments, some genuinely funny moments (intentionally and not), some awful model work and a bizarre alien plot. Realising that there was enough there for even the tamest of drinking games I grabbed it. 

AS WE WATCHED I was surprised by how much the film was enjoyed by the gathering and not just in a ‘laugh-at-it-cos-it’s-bad’ way. There were genuine gasps of shock, a lot of laughs at the dodgy train shots, continuous whistling of the theme and a cheer as the creature is destroyed.

THUS TO ME, Horror Express will forever be Cushing’s perfect midnight movie. Camp, over the top, ridiculous, violent (compared to many of Cushing’s films) but incredibly and undeniably fun. If you’re not a fan of this one, perhaps put off by the mix of ridiculous scenes and genuinely chilling ones, grab yourself some mates, beers and experience it how I did. It may not change your opinion but it does mean you’ll be in a room full of people screaming ‘Monster, we’re British you know!’ and that’s no bad thing.