Tuesday, 3 April 2018

LOST IN THE FOG! MOMENT OF TERROR MONDAY : PETER CUSHING


#MOMENTOFTERROR MONDAY! ONE OUR MOST POPULAR uploads on our PCAS YOU TUBE CHANNEL is any uploads from the Peter Cushing Tyburn film 'THE GHOUL' considering how unpopular the film appears to have been for so many years, I find it typical of how FACEBOOK works and well this website and YOUTUBE works. So often, over the many years of managing the PCAS FACEBOOK FAN PAGE, an often vague and really quite unsupported opinion was posted by a member of the public AGAINST a certain Hammer film or indeed CUSHING film. Within a few hours, that opinion would influence so many other posts and comments, that if challenged would go very quiet. Happily, the once negative Facebook tide about this film slowly started to change direction too in the last two years, before we parted ways with Facebook last month.


PERSONALLY, I'VE FOUND if you look down the 92 films in Peter Cushing's filmography, and look for roles the like of Dr Lawrence in THE GHOUL you won't find many. . . Cushing played many evil characters, whose reputation was either formed by other appearances in past productions like Frankenstein. The likes of roles like Sir John Rowan in 'Corruption' and Dr Nararoff in 'The Gorgon' too . . were motivated by the progress of medicine. The Ghoul's Dr Lawrence is different. In this scene, where we first meet Lawrence, we see a man who is cautious, with good reason, and helpful . . with intentions. What makes his performance so interesting and entertaining also is, for the first time, Cushing also brought in emotional factors from his own personal life. It presents us with a much more credible character. Crushed by grief and driven by a most horrendous secret. 



WHAT HELPS here too is, every cast member is very good too. John Hurt's Tom Rawling's is every females nightmare. Creepy, lusty and dangerous. The despite Rawling's totally unattractive and frightening drive, the fatal physical horror and terror will be cranked up and is really yet to come. Here in this five minute clip . . we see the traps set, the lies shared and what appears to be the charity of a new friend... become many moments of terror . . .


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