Showing posts with label train. Show all posts
Showing posts with label train. Show all posts

Saturday 1 December 2018

BLU RAY NEWS! ARROW FILMS TO RELEASE REMASTERED UK AND USA HORROR EXPRESS BLU RAY!


RELEASE NEWS: Arrow Films have announced they are putting out a band new remastered blu-ray of Horror Express (1972) starring Peter Cushing and Christopher Lee. This brings a REMASTERED blu ray to fan of the film in the UK for the first time!

RELEASE DATE: February 11th 2019 (UK) February 12th 2019 (US, CAN)




READ OUR PCAS FEATURE WITH GALLERY HERE! 


BLU RAY SPEC:
SPECIAL EDITION CONTENTS
Brand new 2K restoration from original film elements
High Definition Blu-ray (1080p) presentation
Original Uncompressed mono audio
Optional English subtitles for the deaf and hard of hearing
Brand new audio commentary with Stephen Jones and Kim Newman
Introduction to the film by film journalist and Horror Express super-fan Chris Alexander
Murder on the Trans-Siberian Express – an interview with director Eugenio Martin
Notes from the Blacklist – Horror Express producer Bernard Gordon on working in Hollywood during the McCarthy Era
Telly and Me – an interview with composer John Cacavas
Original Theatrical Trailer
Reversible sleeve featuring newly commissioned artwork by Graham Humphreys

FIRST PRESSING ONLY
: Fully-illustrated collector’s booklet with new writing by Adam Scovell

Sunday 25 November 2018

THE FINAL QUESTION IN THE 'FIVE QUESTIONS PCASUK COMPETITION!


QUESTION FIVE: HOW MANY FEATURE FILMS DID PETER CUSHING AND CHRISTOPHER LEE APPEAR IN TOGETHER... 'THEY SHARED SCENES ON THE SCREEN TOGETHER'... FOR HAMMER FILMS AND AMICUS FILMS AND WHAT WERE THEIR TITLES??



AND SO, here we are! Question FIVE, the final question in our 'FIVE QUESTIONS' PCASUK COMPETITION. I hope you have read the last four questions, posted every day, over the past four days? Now READ CAREFULLY .... What you do next? We now need you to send YOUR answer to THIS question today AND the last FOUR QUESTIONS, to us here at our EMAIL: petercushingpcasgmail.com OR you can send them and enter at our FACEBOOK PCASUK FAN PAGE !  




ANY ANSWERS posted in the message box below or on any of the other posts, will be deleted and counted as void. Once you have sent us your FIVE answers, sit back...and wait for the draw of us pulling out the ONE lucky winner's name, who wins the prize of a our SIGNED, full colour, framed photograph of Christopher Lee as Dracula in Dracula AD 1972! ALL ANSWERS MUST BE IN BY FRIDAY 30th NOVEMBER 2018. The winners name will be posted and shared here the following day on Saturday 1st December 2018! So you have quite a few days to study the questions and send in your FIVE ANSWERS entry It's been a great competition to be part of, I wish you the VERY best of luck You can NOW send us all FIVE of your answers Marcus 


ABOVE: THE PRIZE AND THE START OF PROMOTION FOR THE 'FIVE QUESTIONS COMPETITION' FROM TUESDAY 20TH OF NOVEMBER 2018'

Thursday 29 March 2018

GIFS WEDNESDAY: WITH HAMMER FILMS DRACULA TAROT, MUMMY'S AND A SECRET FALSE TOOTH


CUSHING GIFS WEDNESDAY! ONE OF THE BEST pay off shots ever in a Peter Cushing Amicus movie! This one is from DR TERROR'S HOUSE OF HORRORS (1965) The characters played by actors  Roy Castle, Christopher Lee, Alan Freeman, Donald Sutherland  and Neil McCallum, won't be travel on ANY train again, in the future for sure . . .


ABOVE: A RARE still of behind the scenes on the set at Shepperton studios, shooting THIS scene! EVEN DEATH gets a place in the group gathering!


OUR FIRST FULL FEATURE on the AMICUS FILMS of Peter Cushing Part One, which includes rare stills and gallery on DR TERRORS HOUSE OF HORRORS .. RIGHT HERE! TAKE A LOOK around GOOGLE and you will find links to all SIX PARTS of this feature series. ALL of Cushing Amicus films are covered, with as usual galleries of RARE images. Press, publicity and behind the scenes stills too!


A SHORT KIND OF CUT AWAY scene in HAMMER FILMS DRACULA / HORROR OF DRACULA 1958. THIS particular scene has caused quite a bit of unrest and divided opinions over the years between fans of the film. Film director, Terence Fisher always believed, in giving the audience, emotional space when watching one of his fantasy films. If they had just been frightened or caused great stress by a scene, he liked to let them recover, breathe a little! This slightly comic breather, involving the repeated breaking of the boarder control barrier, was included during the roaring race with Dracula, to do just that, BEFORE the hugely dramatic and frightening destruction of the Count. Some think it was a mistake, that sitting in the middle of the climatic closing of the film, does little more that upset the story and destroy the rhythm. It WAS Fisher's intention to disrupt the drama, to cut away to something else, and he succeeds. For some, a little too much.   I would LOVE to know what your opinion is! IF you don't know this scene, or haven't seen the movie, NOW is our opportunity! You are missing probably one of Hammer films finest! WRITE to petercushingpcas@gmail.com



THE ROLE OF the Boarder Official was played by GEORGE BENSON, nowhere near the age of his character. BUT he would be joining Cushing again on screen, when he WAS that age, playing his lab assistant Waterlow, in Tigon films wonderful feature frightener, THE CREEPING FLESH in 1973.

A MESSAGE RECEIVED FROM FOLLOWERS MARCIA LOISEL THE FOLLOWING DAY THURSDAY 29th MARCH
First, I knew that George Benson was in both Dracula and Creeping Flesh, but never once did I think that those characters were the same person! Learn something new every day! :) The comic bit doesn't really bother me. It was established earlier that he was a comic character so his second scene was in character. Of course, "Dracula" is one of my most favorite movies ever, so I love every minute of it and can't imagine it any different.

Happy Birthday to Jack Asher! He really did help to establish Hammer's 'look'. The still of Van Helsing on the stairs of Dracula's castle, before he goes into the library for the final scene is stunning. The light streaming in through the colored panes of the windows is just beautiful. "The Mummy" is also a favorite, everything about it is gorgeous.

Looking forward to Callum Mckelvie's "Brides of Dracula" article!


Kind regards.
Marcia Loisel





ABOVE: ONE OF OUR many features and galleries on HAMMER FILMS DRACULA / HORROR OF DRACULA (1958) HERE we share a WHOLE set of 1958 Front Of House CINEMA  USA LOBBY cards, from when the film was released in 1958.




CHRISTOPHER LEE'S pretty amazing portrayal of KHARIS in Hammer films THE MUMMY (1959)! Along with Cushing John Banning and a terrific cast, personally it's one of my most favourite Peter Cushing films, and it's in the top four best of Hammer's! BELOW here is an upload from our Peter Cushing Appreciation Society YOUTUBE CHANNEL of DONALD FEARNEY's excellent documentary on ALL MUMMY films, including UNIVERSAL films. Just CLICK on the BLUE LINK! 


WATCH DONALD FEARNEY'S LEGEND OF HAMMER MUMMIES! Just about EVERY Mummy film is covered. There's quite a number of interviews and some great rare supporting images too! JUST click HERE!



AND ABOVE HERE IS ANOTHER clip from Hammer films, THE MUMMY from our Peter Cushing Appreciation Society YOUTUBE CHANNEL


THE BBC PRODUCTION OF George Orwell's 1984, was not only a landmark for drama productions for the government broadcasting company, but also for PETER CUSHING himself. His performance influenced Hammer films, to cast Cushing in their FIRST Frankenstein, and his career was never the same again.  HERE we have Cushing's WINSTON SMITH, during the closing moments, where Cushing forever dedicated to doing his best to make his contribution, makes a gesture, that probably few with his romantic reputation at the time, would have entertained doing. 


YOU'LL NOTICE, Winston by this time, following months of torture and beatings, has lost a front tooth. THAT is not make up or a trick of the light. Cushing lost a front tooth during the late 1940's. In all publicity the loss of the tooth was blamed on a boot to his face, playing his favorite sports game, rugby. 


THIS WASN'T ACTUALLY the case, but for publicity, sounded more pleasant and heroic than the unpleasant dealings of smelly breath, pus filed wounds and cavities! While living in Somerset, UK with his wife, Helen Cushing fell victim to a horrible chest infection and an abscess to his FRONT tooth. Despite medication and nursing it, it was extracted. This caused much stress and insecurities for quite sometime. Just a few weeks after the removal, Cushing was cast in Olivier's film production of HAMLET.  During the shooting of a scene with Olivier, Cushung apologized to him if he accidentally dribbled or spat in to his face! Such were the problems of his still trying speak, with a tooth on a plate. After this time, it's noted that Cushing dictation became sharper than ever, and always during an interview or standard speaking role,  his speech was as sharp as a knife!



AND FINALLY FOR TODAY, a great shirt video interview extract of PETER CUSHING discussing playing HORROR FILM roles .... THIS clip is another posted here from our Peter Cushing Appreciation Society YOUTUBE CHANNEL It's easy to subscribe to, you'll never miss a NEW upload. PLEASE SUBSCRIBE and support us in keeping the memory of Peter Cushing his career and live ALIVE!

Sunday 25 March 2018

CALLUM MCKELVIE SUNDAY NEW SERIES: HORROR EXPRESS


WE START A NEW SERIES this week and it’s time for me to get all nostalgic- at least personally so. Each week I try and do something different with my little post for PCAS, not actually an easy thing when writing weekly about the films of one actor! Of course I’m not suggesting that Peter Cushing’s life and rich filmography doesn’t provide ample room for creativity within my column, but more along the lines of how I structure my post it can be difficult to come up with some new and exciting.  


ALWAYS HOWEVER I TRY to make it as personal as possible. I’m following in the footsteps of many a great contributor to the site and lest I repeat what someone else has already said (and probably in words far grander than I could ever conjure) I like to let my personal opinion come through as much as possible. Usually then, I tend to follow a review or a ‘list’ format, be that a simple discussion of a film or ‘my top ten…etc. etc.’, but for the next new weeks I’ll be trying something completely different. Beginning with this discussion on Horror Express I’m going to randomly select films from Cushing’s filmography that I have something of a personal history with and, if you’ll allow me dear readers, tell you about it.



ABOVE: YOUR OPPORTUNITY TO WATCH THE WHOLE FILM! 
JUST PRESS PLAY!




BY THE TIME I came into contact with Horror Express, I would have been around age thirteen or fourteen. I’d already encountered a healthy number of Hammer and Amicus pictures by this point along with the odd Cushing feature made by neither studio. I can’t remember how I first became aware of the title (most likely by browsing Amazon or a HMV store) but I do remember when my attention was attracted enough for me to scour You-Tube for clips. You see, the scene with the guard when the creature attacks him, turning his eyes white and causing him to bleed from them, was the first scene in a Cushing picture that actively scared me.


IT'S AN ODD THING fear and truth be told the attraction when watching Horror from this period for me was never the possibility of being scared, but mostly the rich gothic atmosphere which these films were soaked in. Of course there was the odd title that really did get to me, the sequence in House of Wax where Price’s wax face is smashed away springs to mind along with more obvious ones such as The Innocents (1960). Cushing films though? Not really.



THAT WAS UNTIL HORROR EXPRESS of course. When I finally watched it I found that indeed the effect still lingered. The opening sequence with Lee in the cave, the mystery at the station, the creature breaking loose. The opening fifty minutes or so of the film were soaked in an atmosphere so palpable, with the creature shot so wonderfully in almost total darkness, as to genuinely have a frightening edge to them. Then it got WEIRD. To my 13 or 14 year-old self the final half of Horror Express, whilst certainly entertaining, was a total let down. The body swapping alien plot seemed like an entirely different film and any genuine menace was sorely lacking. I put the DVD on my shelf, watched it occasionally and thought nothing more on the matter.


CUT TO SEVERAL YEARS LATER. Me and some friends are having a get together…with some refreshments of course and I’m asked to pick a film that will entertain us. Browsing my collection I go through the usual suspects before landing upon...Horror Express. For a short while my finger hovered over the plastic case, half remembering a few genuinely shocking moments, some genuinely funny moments (intentionally and not), some awful model work and a bizarre alien plot. Realising that there was enough there for even the tamest of drinking games I grabbed it. 







AS WE WATCHED I was surprised by how much the film was enjoyed by the gathering and not just in a ‘laugh-at-it-cos-it’s-bad’ way. There were genuine gasps of shock, a lot of laughs at the dodgy train shots, continuous whistling of the theme and a cheer as the creature is destroyed.




THUS TO ME, Horror Express will forever be Cushing’s perfect midnight movie. Camp, over the top, ridiculous, violent (compared to many of Cushing’s films) but incredibly and undeniably fun. If you’re not a fan of this one, perhaps put off by the mix of ridiculous scenes and genuinely chilling ones, grab yourself some mates, beers and experience it how I did. It may not change your opinion but it does mean you’ll be in a room full of people screaming ‘Monster, we’re British you know!’ and that’s no bad thing.







Monday 6 November 2017

NO PARTICULAR LIST OR ORDER : CHOICEST CUSHING : CALLUM MCKELVIE



HELLO ALL! A little bit of a departure this week. Instead of my usual ramblings on a particular film or films, in my last three defending what I think can often be considered lesser Cushing entries, here I’m going to get a little personal! For roughly a month now Marcus has very kindly let be contribute a weekly post and given me pretty much free reign to write on whatever aspect of Cushing based fandom I wish. However I realise I’ve done this with very little introduction to myself, my name being slapped on post after post but with no one having any real idea of who I am.  . . .!


SO, I’m Callum McKelvie, a recent Masters graduate having studied history. I got into classic sci-fi around age six, and moving into horror at about 13 or 14 when I saw Quatermass and the Pit and it blew my mind. At university I wrote extensively on genre cinema as a historical source, examining the Quatermass trilogy in my undergraduate dissertation and the Occult boom of the 1970’s for my Masters diss.



SO, THIS WEEK I thought I’d make it a little personal by naming a number of my favourite Cushing performances and why. Not the top five by any means, but five which bring me special pleasure. This is in no particular order and it’s not the best film but the performances that bring me the most joy, concentrating purely on Peter and his interactions with the other cast members. You won’t find Hammer films 1958 'Dracula' or 'Horror of Dracula''Hound of the Baskervilles' or 'The Skull' here simply because we all know how amazing he is in those films. The purpose of this list is to highlight a couple of performances that, whilst generally viewed as good, are special to me (The Skull fits that bill too but it’s been written on so much I thought I’d give it a rest). I might mention a portrayal of the same character twice, but from different films. That’s because I’ve always admired Peter’s ability to change his characterisation ever so slightly, to fit the tone of the script. So, without further Aude…


'FRANKENSTEIN AND THE MONSTER FROM HELL' (1974)
SO YES, I KNOW there were several more Cushing/Hammer films after this, but for me this is their swansong. Designed as a throwback to the earlier Hammer Frankenstein’s, the feeling of the end of an era permeates the entire film. Cushing’s Victor Frankenstein is the closest to his portrayal from the first two, out of all the sequels. Once again he finds a middle ground between the viciousness of Frankenstein Must be Destroyed and the charm of 'The Evil of Frankenstein' and 'Frankenstein Must Be Destroyed'. However here he adds something else, exploiting lines of dialogue such as ‘You’ll learn…I had to’ and the brilliant ‘If I’ve succeeded this time…then every sacrifice will have been worthwhile’. Cushing brings an immense melancholy to Baron Frankenstein, showing us a man who is determined as always but is now desperate to succeed. The final shot of him sweeping up the glass, chattering happily about how to start again- finally having snapped, has something immensely fatalistic about it.



READ THE ABOVE FEATURE WITH FULL COLOUR GALLERY
AT OUR WEBSITE : HERE!


ON SET BEHIND THE SCENES PHOTO FEATURE ON 'HORROR EXPRESS' AT OUR WEBSITE:  HERE!

'HORROR EXPRESS' (1972)
FROM ONE OF Cushing’s more tragic portrayals to one of his most fun and lighthearted. Horror Express is in my eyes THE Cushing and Lee vehicle, giving them a wealth of screen time together, as friends for once and not as enemies. The result is easily one of the most fun and funny Cushing portrayals, from the memorable ‘MONSTER? We’re British you know!’ to his smirk as he attempts to bribe his way onto the train. 


Cushing and Christopher Lee on set with Director, Eugenio Martín during the shooting of  'Horror Express' . . .

Not only that but in Dr Wells he manages to mix humour with his usual sternness when preforming the autopsy on the body of the baggage guard. However the highlights are his interactions with Christopher Lee, indeed when Lee passed away a few years ago this was the film I chose to watch. Seeing the two old friends bounce off each other and have genuine fun is always a joy.



'SHE' (1965)
ANOTHER MORE kindly portrayal here and another example of how Cushing can masterfully mix a multitude of different aspects of a character. From the more humorous (including a rare opportunity to see Cushing dance), to the melancholic (‘All my life I’ve wanted to find a city like this…now I wish only to see it destroyed) to the furious as he rages at Ayesha during her attempt to kill Ustane, single-handedly out-acting every other cast member. 




IT'S A SHAME Cushing never got to reprise this role….although considering the state of the sequel perhaps not. But a much older Holly, lamenting the loss of his friend would probably have been up there with the emotional power of Grimsdyke in 'Tales from the Crypt'. Honestly though, it’s the little details that stand out for me and the sincerity with which Cushing answers the question, ‘Have you ever been in love?’ responding ‘oh many a time…and truly once’, always brings a smile to my face.




THE HISTORY OF SHE IN THE CINEMA AND BEHIND THE SCENES ON THE HAMMER PRODUCTION: COLOUR TRANSPARENCIES IN OUR FEATURE: HERE!

'THE SILENT SCREAM' (1980)
NOT ONE THAT IS LIKELY  to show up on a lot of lists, this was shown as part of the Cushing retrospective put on by the Abertoir horror festival in 2013. Grabbing some of my friends afterwards I was delighted to discover how many found this genuinely terrifying. It’s a pity Cushing never appeared in Hammer House of Mystery and Suspense but his one off performance stands as one of the highlights of the entire, Hammer House of Horror series. 




THE KINDLINESS that Cushing bestows into Blueck and the slow reveal of what a monster he really is provides the meat and bones of the story. Brian Cox acts off him brilliantly and the final moments when Cushing falls into a trap of his own making provides a chilling finale.




OUR 'REVENGE OF FRANKENSTEIN' FEATURE WITH VINTAGE STILLS COLLECTION RIGHT HERE!


'THE REVENGE OF FRANKENSTEIN' (1958)
THIS IT FOR ME. The gold standard of Cushing films. My favourite Hammer films, my favourite Cushing film and one of my favourite films in general. Say what you want about Sangster’s writing (and many people do) but I find the script here to be one of the most clever and thematically deep of all the Hammers. Sangster reverses the Paul/Victor and Teacher/Student relationship in The Curse of Frankenstein, here making Frankenstein the teacher. 



CUSHING RESPONDS to this admirably and considering Revenge was made only the year after Curse, manages to convince the audience that several years have passed for the Baron. His near-death experience has changed him, losing the spoilt brat streak of the first film and giving a more wizened, if even more dangerous determination. His monologue concerning his ‘revenge’ is exceptionally powerful and the drive that Cushing manages to instil in the Baron is genuinely terrifying, far more so than any of the Monsters within the various instalments.



CALLUM MCKELVIE'S REVIEW OF ''A TALE OF TWO CITIES' 1980 featuring Peter Cushing Chris Sarandon Alice Krige, Kenneth Moore . . . 



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . .
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