Showing posts with label sangster. Show all posts
Showing posts with label sangster. Show all posts

Saturday 2 July 2016

THE HORROR OF FRANKENSTEIN : MINUS CUSHING AND D.O.A.


While not a Peter Cushing  film, the Horror of Frankenstein is included here because it is part of the Hammer films Frankenstein series and while Cushing didn't appear in the film, it's of interest as an example of how Hammer tried to experiment with a winning formula . . .  and failed.
CAST:
Ralph Bates (Victor Frankenstein), Dave Prowse (The Monster), Kate O’Mara (Alys), Veronica Carlson (Elizabeth Heiss), Graham James (Wilhelm Kastner), Dennis Price (Grave Robber), Bernard Archer (Professor Heiss), Jon Finch (Lieutenant Henry Becker)


PRODUCTION: 
Director/Producer – Jimmy Sangster, Screenplay – Jimmy Sangster & Jeremy Burnham, Photography – Moray Grant, Music – Malcolm Williamson, Make up – Tom Smith, Art Direction – Scott MacGregor. Production Company – Hammer/EMI.


SYNOPSIS:
VICTOR FRANKENSTEIN, a cold, arrogant and womanising genius, is angry when his father forbids him to continue his anatomical experiments. He sabotages his father’s shotgun, causing him to be killed. Inheriting the family fortune, Victor uses this to enter med school in Vienna but is forced to return home when he gets the dean’s daughter pregnant. There he sets up laboratory, starting a series of experiments into the revivification of the dead. Eventually, he builds up a composite body from human parts, which he brings to life.



COMMENTARY:
THE HORROR OF FRANKENSTEIN was the fifth film in Hammer’s Frankenstein series. By 1970, Hammer had regurgitated most of their monster themes several times over. The Horror of Frankenstein came at the point Hammer were starting to inject new blood into their product. The influence of the younger generation was making itself felt and Hammer were casting younger stars, recruiting young directors, not to mention placing an open emphasis on sexuality in films.



WITH THE HORROR OF FRANKENSTEIN, screenwriter Jimmy Sangster was brought back to rewrite his script for The Curse of Frankenstein (1957), which started the series and Hammer’s reputation as a horror industry leader off thirteen years before, while he was also allowed to make his début as director. The role of Frankenstein was given a facelift and Peter Cushing was unceremoniously dumped from the role in favour of Ralph Bates whom Hammer were grooming as a new horror star at the time.


PUBLICITY STILLS were shot on the set with Ralph Bates and Peter Cushing shaking hands to announce the change. The future of the Frankenstein series seemed to be heading in a new direction ... only The Horror of Frankenstein was a disaster and the Hammer Frankenstein series failed to go in any new directions.



THE HORROR OF FRANKENSTEIN starts in with a promising sense of black humour. However, the opening tapers off and Jimmy Sangster thereafter seems uncertain whether he is delivering parody or straight melodrama. The effort turns out dismally where all that Sangster ends up doing is weakly echoing The Curse of Frankenstein in a plot that seems more interested in Frankenstein’s sexual dalliances than his medical obsessions. The sets seem flatly lit. Dave Prowse, the bodybuilder who later played Darth Vader in Star Wars (1977) and sequels, turns the monster into a mindless brute. The best thing about the film is Ralph Bates’s cold and arrogant Frankenstein but the rest of the show is dreary and dull.


THE SADDEST THING about The Horror of Frankenstein is that it comes from Jimmy Sangster who did such a fine job in tuning the script for Hammer’s The Curse of Frankenstein. There is such a gulf between The Curse of Frankenstein and the loose remake here in terms of quality with Sangster seeming to understand so little about what made the original work that the success of Curse can only be placed down to director Terence Fisher.



The other Hammer Frankenstein films are:– The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), The Evil of Frankenstein (1964), Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969) and Frankenstein and the Monster from Hell (1973).
REVIEW: Richard Scheib
IMAGES: Marcus Brooks




#FRANKENSTEINFRIDAY EVERY FRIDAY HERE AT OUR WEBSITE AND AT

RALPH BATES AND CUSHING: PASSING ON THE BATTON?

 
PETER CUSHING and Ralph Bates on the set during the making of Hammer's REBOOTING of their Frankenstein franchise. 'THE HORROR OF FRANKENSTEIN' seemed to be the answer the thought, to putting a little 'new blood' in the profitable series. They were wrong. The message came through loud and clear. They had TWICE tried to shoe horn another actor to play their most profitable characters. The 'hoodwinked' the cinema public with 'The Brides of Dracula', with David Peel playing Baron Meinster. The name was on the billboard and the screen...but there was no Dracula, and more to the point, no Christopher Lee. With 'The Horror of Frankenstein' there was no double cross. Hammer even allowed BBC television cameras onto the set of the film,they even went to the trouble of staging a photo-op of Bates shaking hands with Cushing, and had them chatting together on set! But, with 'Horror of..' director, Jimmy Sangster appearing to change track during production and presenting the revamped story of as a kind-of 'Curse of Frankenstein' black comedy... it spectacularly flopped. It was neither a true Frankenstein film nor a comedy.. sadly, it wasn't even a very well produced film.




 FEATURE COMING UP LATER TODAY
 
DURING ONE OF TIMES we met and interviewed Ralph Bates, the subject of 'Horror of Frankenstein came up. Bates had no doubt in his mind about his casting as the Baron. 'I don't think that was ever the real intention. I certainly didn't see it that way. It was a job, one I was happy to take, but to me it was another Hammer film, I didn't honestly think I was stepping into Peter's shoes. I mean, how could you? How could anyone? Peter has been very, very kind and helpful to me . He was extremely kind and went out of his way to help, at I time when I really needed it'. Ralph also had his own opinions about Hammer films, and two production in particular, 'The Horror of Frankenstein' and 'Lust For a Vampire'...but more that, in our next feature . . . 


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Friday 20 June 2014

#FRANKENSTEIN FRIDAY : CREATION MEETS CREATOR


#frankensteinfriday Peter Cushing and Michael Gwynn: Creation meets Creator! Michael Gwynn's fine performance as the pitiful Karl Immelmann tends to get over looked in the long list of #hammerfilm Frankenstein creations. He one of my personal favorites. How do you rate Gwynn's performance?

CAST:
Peter Cushing (Dr Victor Frankenstein/Stein), Francis Matthews (Hans Kleve), Michael Gwynn (Karl), Eunice Gayson (Margaret Conrad), Oscar Quitak (Dwarf Karl)

PRODUCTION:
Director – Terence Fisher, Screenplay – Jimmy Sangster, Additional Dialogue – H. Hurford Janes, Producer – Anthony Hinds, Photography – Jack Asher, Music – Leonard Salzedo, Makeup – Phil Leakey, Production Design – Bernard Robinson. Production Company – Hammer Films UK. 1958.

SYNOPSIS:
With the help of Karl, the crippled dwarf hangman, whom he promises a new body, Frankenstein escapes the gallows and they hang the officiating priest instead. Under the name Stein, Frankenstein sets up practice in the town of Karlsbruck, alternating between volunteer work at the poor hospital, which is a goldmine of parts to build up Karl’s new body, and private practice where his courtly charms draw him the devotion of the upper-classes. He is recognised by eager young Hans Kleve who forces Frankenstein to take him on as an assistant. Together they transplant Karl’s brain into the new patchwork body. The operation is successful but soon the body’s limbs return to their old crippled positions. Karl escapes and brings shame down on Frankenstein when he bursts in on a society function, crying “Frankenstein help me.”.

Saturday 7 June 2014

THE SIX FACES OF FRANKENSTEIN: BRAINS AND EYEBALLS

 
'Peter Cushing is immaculate in the role, and he clearly relishes the chance to play a bit of comedy here and there - just look at the scene wherein he confronts the sniveling, sex-crazed Burgomaster (David Huddelston, later to be frozen to death by The Abominable Dr. Phibes) and rants and raves about all the elegant furnishing and clothing the latter has pilfered from his estate. If Sangster saw the character as a villain in Curse, and a frustrated hero in Revenge, Evil presents him as a symbol of progress'. Troy Howarth

Read the whole feature HERE 
Peter Cushing is immaculate in the role, and he clearly relishes the chance to play a bit of comedy here and there - just look at the scene wherein he confronts the sniveling, sex-crazed Burgomaster (David Huddelston, later to be frozen to death by The Abominable Dr. Phibes) and rants and raves about all the elegant furnishing and clothing the latter has pilfered from his estate. If Sangster saw the character as a villain in Curse, and a frustrated hero in Revenge, Evil presents him as a symbol of progress. - See more at: http://petercushingblog.blogspot.co.uk/2013/02/hammer-film-productions-evil-of.html#sthash.DxCN8cmr.dpuf
Peter Cushing is immaculate in the role, and he clearly relishes the chance to play a bit of comedy here and there - just look at the scene wherein he confronts the sniveling, sex-crazed Burgomaster (David Huddelston, later to be frozen to death by The Abominable Dr. Phibes) and rants and raves about all the elegant furnishing and clothing the latter has pilfered from his estate. If Sangster saw the character as a villain in Curse, and a frustrated hero in Revenge, Evil presents him as a symbol of progress. - See more at: http://petercushingblog.blogspot.co.uk/2013/02/hammer-film-productions-evil-of.html#sthash.DxCN8cmr.dpuf
Peter Cushing is immaculate in the role, and he clearly relishes the chance to play a bit of comedy here and there - just look at the scene wherein he confronts the sniveling, sex-crazed Burgomaster (David Huddelston, later to be frozen to death by The Abominable Dr. Phibes) and rants and raves about all the elegant furnishing and clothing the latter has pilfered from his estate. If Sangster saw the character as a villain in Curse, and a frustrated hero in Revenge, Evil presents him as a symbol of progress. - See more at: http://petercushingblog.blogspot.co.uk/2013/02/hammer-film-productions-evil-of.html#sthash.DxCN8cmr.dpuf
Peter Cushing is immaculate in the role, and he clearly relishes the chance to play a bit of comedy here and there - just look at the scene wherein he confronts the sniveling, sex-crazed Burgomaster (David Huddelston, later to be frozen to death by The Abominable Dr. Phibes) and rants and raves about all the elegant furnishing and clothing the latter has pilfered from his estate. If Sangster saw the character as a villain in Curse, and a frustrated hero in Revenge, Evil presents him as a symbol of progress. - See more at: http://petercushingblog.blogspot.co.uk/2013/02/hammer-film-productions-evil-of.html#sthash.DxCN8cmr.dpuf
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