Showing posts with label published. Show all posts
Showing posts with label published. Show all posts

Monday 20 April 2020

ALERT! SUPERB NEW BOOK PUBLISHED AND WAITING FOR ITS PLACE IN YOUR COLLECTION PLUS VINCENT AND THE MONSTER MASH PLUS 'BASKERVILLES' PART TWO!


FOLLOWING OUR POST of #VincentPrice singing of 'When Day Is Done' last week, this prompted quite a few messages at the FACEBOOK PCASUK FAN PAGE requesting this little ditty! Vincent sings, ladies dance and with some neat editing it works! Released back in 1977, this almost laid the path for a certain hit to come maybe? Vincent was far from the only one to record his own version of this 1962, Bobby 'Boris' Pickett hit. #TheBeachBoys, The Bonzo Dog Doo-Dah Band, Zacherle the Cool Ghoul and #TheMisfits also had a go. Even with the amazing Leon Russell providing the piano breaks on Pickett's recording, the BBC failed to see the funny side and banned the song for being ‘too morbid.’ in 62! You can catch VP and his 'Monster Mash'  at the PCASUk Fan Page : HERE!


HERE'S WHAT I WILL be spending my pocket money on tomorrow . . and if you love the work of #VincentPrice and are also interested in finding out about what made him tick and his time in the UK . . . . . you will too! I NEED a GOOD read and this one I know will be that and more! LOVE the cover art, Mark 😉


#VincentLeonardPrice JUNIOR DIED ON on 25 October 1993 from lung cancer, and complications of emphysema and Parkinson’s disease. His death left family, friends and fans with a great sense of loss, especially in Britain where The Times' obituary described him as ‘the king of modern horror movies.’ Price was significantly influential in Britain. When American International Pictures, who Price was under contract with, established a base in London in the sixties, most of his subsequent movies were made in the UK. His British output consolidated his popularity among fans, and provided him with many career defining performances.


THIS BOOK EXPLORES the British films of Vincent Price. From 'Masque of the Red Death' and 'The Tomb of Ligeia', through 'The Abominable Doctor Phibes' and 'Theatre of Blood', to 'The Monster Club' and 'Edward Scissorhands', author Mark Iveson leaves no stone unturned in his love and appreciation of Price’s work. A fascinating tribute to a man who can never be equalled or replaced.

YOU CAN ONLY ORDER YOUR COPY OF VINCENT PRICE : THE BRITISH CONNECTION: HERE! 


PRAISE FOR MARK IVESON'S PREVIOUS BOOK
 'CURSED HORROR STARS'
‘Fascinating and authoritative.’ 
The Consulting Detective

'A literate and pacey read. Informative and well researched.’
Amazon Reviewer

'Film stars and icons we all thought we knew! Who knew
they were so much more besides? Mark Iveson did!'
Marcus Brooks UK Peter Cushing Appreciation Society




OUR #WATCHWITHCUSHING! TODAY is PART TWO of 'The Hound of the Baskerville's' starring #PeterCushing and Nigel Stock as #SherlockHolmes and #DrWatson . .RIGHT NOW in our WATCH PARTY at the FACEBOOK PCASUK FAN PAGE.   IF you have any requests of things you would like to see posted here during our 'lock-down' #WatchingWithCushing, please let me know!, and I will try my best to share it at the Facebook PCASUK Fan Page. . . . Please keep safe and look after one another 😉Marcus


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 PCASUK FAN PAGE!

Friday 22 July 2016

TOM EDWARDS EYE ON THE FRANKENSTEIN SET



#frankensteinfriday : THIS LESSER SEEN PUBLICITY STILL from Hammer films, The Revenge of Frankenstein is one that has been rarely published, and yet for me it's one of the best stills from the whole Frankenstein / Hammer/Cushing series... stills photographer, Tom Edwards who worked for Hammer quite extensively from 1956 until 1966 and on most of Cushing features with the company at that time, is the eye behind this photograph!There's some fine skill and composition in this guillotine shot with Cushing. A shot like this, would have been passed over in the press office when selecting their press packs to sell the movies... but Cushing's expression and the subtle drama in this shot, certainly works for me.


Another Revenge of Frankenstein still from Tom Edwards. Again 
his framing technique serves the subject very well.


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