Showing posts with label kiss of the vampire. Show all posts
Showing posts with label kiss of the vampire. Show all posts

Monday 10 August 2020

CAST AND CREW ARRIVE TO START THE ROLLING OF 'THE SEVEN GOLEN VAMPIRES PLUS A FACE YOU'LL REMEMBER WITH AN ANNIVERSARY!

ABOVE: PETER CUSHING and movie mogul Run Run Shaw arriving to start work on Hammer films Kung Fu Vampire film, 'Legend of the Seven Golden Vampires'. Producer and CEO of Hammer Michael Careeras can be seen 'hiding' behind Cushing, with a look of a man stressed. It was a production where they knew it was going to be a challenge. But nothing could have prepared them, for what was to come. Director, Roy Ward Baker, in the background right...full of positivity, as you can see...can't wait to begin!😁😂 Personally, I LOVE the film. Hammer HAD to change the format of the Dracula film, it was becoming stale. Many complain about John Forbes-Robertson's Dracula, his make up and 'look'! But 'Legend' was produced with a style and concept, common to supernatural and Kung Fu films in Hong Kong. You don't go all the way from the UK to Hong Kong to make a Hammer film, that looks the same as, something that could have been made cheaper and easier at Elstree studio, just outside London!  Warner Bros was providing the backing for distribution, but insisted that the film also carry a character, like Dracula, someone well known  to the West, where the film would be seen. Hammer films, go to for the Count, Christopher Lee, wasn't up for the game, but Peter Cushing as Van Helsing was. Warner hated it and buried it. A real shame. So, there you have it... a Hammer Dracula Vampire film with Kung fu. If you get the chance, go along with it, for the ride... it IS different 😏😃 

HERE'S A FACE... if you are a Peter Cushing, Christopher Lee, Hammer film or indeed James Bond fan... you will certainly recognise... but his name?? Dudley Frederick Peter Butler-Madden, was born in Malaysia back in 1904. Became an actor and chopped the name to Peter Madden and went on to appear in many, many films and tv shows produced in the UK. 'Frankenstein Created Woman' in 1967, 'Frankenstein and the Monster from Hell' in 1973 both with Peter Cushing for Hammer films.  

PETER MADDEN'S Amicus film with Peter also in the cast was 'Dr Terror's House of Horrors in 1965. He held a bigger role for Hammer in 'Kiss of the Vampire' as the innkeeper Bruno in 1963. Madden also appeared in the UK cult television series 'The Prisoner' (1967) uncredited, he plays the sinister undertaker in the opening sequence! On television he was seen in 'Danger Man', 'Z-Cars', 'The Avengers', 'The Saint' and 'The Champions', 'Out of the Unknown', 'Steptoe and Son' in the episode 'Live Now P.A.Y.E. Later' and also played Inspector Lestrade opposite Douglas Wilmer’s 'Sherlock Holmes' in the 1965 BBC series. Madden even stepped into a role in 'From Russia With Love' the James Bond entry of 63 as Mac Adams. There is hardly a UK tv series of the 60's or 70's he did not appear in. A very busy and popular actor.. we always spot him.. even of we don;t recall his name. You are remembered on your birthday Peter! Happy Birthday to you! 😊
 
YOU'LL FIND DAILY POSTS and a whole lot of photographs, features including regular prize competitions, comments, opinions and conversation contributed from over 34 thousand followers and friends at the Facebook PCASUK Fan Page , open to everyone, whoever, where you are.. COME JOIN US!

Tuesday 9 October 2018

CAN YOU SOLVE THIS TOUGH QUESTION? PLUS 'THE BEAST MUST DIE' RARE PRESS STILLS


A REVAMP to our usual 'Cushing Tuesday Toughy' Banner.. but the questions are of course, just as tricky and maybe tough.DO have a go! Answer will be here on Friday. BUT if you want to join in the fun and think you have CRACKED IT, why not skip over to our FACEBOOK PCASUK FAN PAGE where this has just been posted too, and post your ANSWER in the post thread!? Good Luck!



'A PHOTOGRAPH FROM CUSHING'S 'THE BEAST MUST DIE' PLEASE!' is the request from ARTY FACE at the THE FACEBOOK PACS FAN PAGE! YUP! YOUR REQUEST AND WISH is granted, Arty! A RARELY seen press publicity photograph of Peter Cushing as Dr. Christopher Lundgren, in Amicus films, 'The Beast Must Die' from 1974. Interestingly, Around 1972, Robert (Jaws) Shaw expressed an interest in playing the lead role of Tom Newcliffe in this film. Shaw's career had turned a little quiet and the bills had not! Calvin Lockhart got the lead instead! Hammer films, Don (Kiss of the Vampire) Sharp was the first approached to be director. 


'THE BEAST MUST DIE' was eventually directed by Paul Annett, who seriously objected to producer Milton Subotsky's idea of the 'Werewolf Break' gimmick, where the audience were invited to guess 'who the werewolf is!' Subotsky actually hated the script and the film, and 'Beast' was the last horror film produced by Amicus, in which co-founder Subotsky had the involvement of producer...and it all went sadly pear shaped and sour. IS BEAST one of your FAV Cushing Amicus films? Me? I wish it was, but sadly not...


Friday 13 January 2017

HORRORS! ANOTHER BUMPER COMPETITION THIS WEEKEND!


PLEASE DO JOIN US FOR ANOTHER BUMPER PCAS COMPETITION 
THIS WEEKEND! 

HERE AT OUR WEBSITE AND OUR OFFICIAL
PCAS FACEBOOK FAN PAGE HERE

Tuesday 13 September 2016

NEWS FINAL CUT ANNOUNCES HAMMER COLLECTION FOR NOVEMBER


#TOOCOOLTUESDAY: Distributor FINAL CUT are all ready to release a 5 Disc Blu Ray Boxset featuring four classic Hammer films plus a disc of extras. The titles include: Brides of Dracula, Kiss of the Vampire, Captain Clegg, Curse of the Werewolf. These releases are presented as a Hammer Collection, following their single release over the past three years by FINAL CUT. The discs are REGION TWO(2)The Box Set is due for street date release of NOVEMBER 7th 2016. Look out for the PCAS Competition!!
MAKE YOUR PRE-ORDER HERE


JOIN US AT OUT FACEBOOK FAN PAGE RIGHT HERE

Wednesday 6 July 2016

UNIVERSAL FILMS ANNOUNCE EIGHT FILM BLU RAY BOX SET


UNIVERSAL STUDIOS HOME ENTERTAINMENT have announced  the release of their EIGHT HAMMER FILMS BLU RAY BOX SET for SEPTEMBER 13th 2016. The prints in this box set were what made Universal's THE FRANCHISE COLLECTION 'THE HAMMER HORROR SERIES' DVD BOX SET in 2005 the front runner for a long time in the US. Many UK Hammer fans bought the DVD set as an import and upgraded to a dual or non region DVD player in order to get these titles in their collection!



THE ARRIVAL OF THIS BOX SET now getting the BLU RAY treatment is good for US Hammer fans who over the past four years missed out on the release of many of these titles when they were released on BLU RAY in Europe. One hopes that ALL the titles in this set are going to be UPGRADED PRINTS, which brings us to one film in particular in the collection. At the time of the original release of this collection on DVD, 'The Brides of Dracula' print was by far the best print of the lot. THAT particular print we understand was was lost in a fire at SONY back in 2011, sadly affecting all subsequent releases of the film after that time. We have seen several BLU RAY releases though out Europe of this classic Cushing Hammer title on BLU RAY, but not one, was a mark up on the 2005 DVD release. So, maybe the benchmark of quality of all the other titles in this box set will be, as we have seen over the past five years in Europe, and sadly that will mean a below par print of 'BRIDES' too. I guess time will tell . . . 


MORE POSTS, MORE IMAGES, MORE NEWS, MUCH MORE
DAILY AT OUR Peter Cushing Appreciation Society FACEBOOK FAN PAGE : COME JOIN US CLICK HERE! 

Monday 25 November 2013

'THE TRIALS OF VAN HELSING' PART ONE: PCAS TAKES A LOOK AT PETER CUSHING'S ARCH VAMPIRE HUNTER


In 1956, while planning their new color version of Frankenstein, Hammer films decided to take a chance on offering the role of Baron Frankenstein to Peter Cushing.  Producer Anthony Hinds didn’t really think they stood much of a chance – Cushing was, after all, the biggest television star in the country – but much to his surprise, the actor jumped at the chance.  When the film, finally titled The Curse of Frankenstein, became a smash hit across the globe it was only natural that they would want to continue using Cushing in their films.  For Cushing, this resulted in much soul-searching: he knew that doing more than one horror film, especially in rapid succession, would likely typecast  him as a “horror actor” and wasn’t sure that he wanted to go down that particular road. 

 

However, on-going health problems with his beloved wife Helen necessitated extensive – and costly – testing and treatments.  Hammer Horror was on the rise and it offered Cushing a degree of financial stability that he hadn’t really encountered at this stage in the game.  The actor elected to throw “respectability” to the wind – and he would embrace a long and fruitful association with Hammer and the horror genre in general.  When the time came for the studio to make their seemingly inevitable color version of Dracula (which would be released in the U.S. as Horror of Dracula to help distinguish it from the 1931 version directed by Tod Browning and starring Bela Lugosi), it was every bit as inevitable that they would turn to Cushing to star.  He wasn’t really the right “type” to play Dracula himself, but the role of Van Helsing appeared to offer him a consolation prize.  The only problem was, the character as described by author Bram Stoker was an elderly Dutchman.  Producer Hinds and screenwriter Jimmy Sangster apparently toyed with the idea of sticking with the book and putting their star in a white wig, but Cushing had other ideas: he would play the role as a younger, more agile man.  It would prove to be a tremendous inspiration.


Much has been written about the resulting film over the years, but sooner than rehash the usual talk of Christopher Lee’s take on Dracula or director Terence Fisher’s elegant simplicity in realizing the material, let us consider what Peter Cushing brought to the table.  It’s well known that Cushing was not particularly enamored with the screenplays by Jimmy Sangster – least of all, the dialogue they contained.  A somewhat fussy and exceptionally dedicated actor, he would do his best to enliven the films he appeared in by working in unison with the directors, quietly making suggestions as to how to better develop the scenes and dialogue.  If Cushing had no problem shooting down the idea of playing Van Helsing a la Stoker, he was equally comfortable in making suggestions to Fisher about how to overcome some of the logical shortcomings present in Sangster’s scenario.  Sangster had written the climax with the idea of Van Helsing pulling a crucifix from his coat pocket and using it to force Dracula into the sunlight.  Cushing balked at this, however, rightly pointing out that he had already handed out several crucifixes and was in danger of coming across like a crucifix salesman!


He also felt the ending was a bit static and remembering a film from his youth, he suggested to Fisher that it might be more exciting if Van Helsing were to jump on the table in the Count’s library and use it to get a running start at jumping at the curtains, enabling him to flood the library with sunlight; he would then take two silver candlesticks and cross them together, using them to force his wounded foe into the light.  Fisher recognized a good idea when it was presented and wasn’t too proud to utilize it, and one of the most exciting finales in the history of the genre was formed.


Cushing was also ahead of the curve in recognizing that Van Helsing wasn’t entirely “all there.”  As he would later recall, anybody who doesn’t leave the house without a supply of crucifixes, holy water, stakes and hammers is hardly your average practicing physician!  As such, Cushing would play the role with an edge, making him different from Stoker’s conception and also a bit more ambiguous than other Van Helsings on film, like Edward Van Sloan (Dracula, 1931; Dracula’s Daughter, 1936), Herbert Lom (Jess Franco’s Count Dracula, 1970), Frank Finlay (the BBC’s superb Count Dracula, 1978) and his old friend Laurence Olivier (Universal’s big budget Dracula, 1979).  Cushing’s Van Helsing, especially in this first entry, is a steely adversary largely because he’ ever-so-subtly off his rocker.  This is most neatly summed up in the marvelous scene wherein the porter played by Geoffrey Bayldon (who would go on to co-star in such Cushing classics as Frankenstein Must Be Destroyed, 1969, and The House That Dripped Blood, 1970) gets flustered because he thought he had heard Van Helsing talking with someone when in fact the good doctor is all alone; the truth is, Van Helsing was recording on his Dictaphone, but he elects to alarm the nosy servant by proudly proclaiming that he was talking to himself.  It’s a rich moment of dark humor that stands in relief against the more wince-inducing comedic relief provided by George Benson late in the film.


Cushing’s Van Helsing is obsessive to a fault, barely taking time to provide much in the way of consolation to the uncomprehending people caught up in the drama.  His warmest moment occurs when he comforts the little girl (Janina Faye) who nearly became vampire fodder herself, and it could be that Cushing was insistent upon adding this in to soften the character just a little (it would seem that the controversial line he says about “teddy bears” was an ad lib on his part; the line elicits groans from some viewers because the term did not come into existence until well after the timeframe in which the film is set). 


The film was released to tremendous box office and mixed reviews in 1958 and would help to cement Cushing as the successor to Boris Karloff and Bela Lugosi.  A sequel would have seemed inevitable, yet it took a while to materialize.  Here again, the trials and tribulations in bringing what was eventually released as The Brides of Dracula to the screen can be read elsewhere (I wrote up a piece on the film for this very site HERE), but what Cushing brought to it again deserves special consideration.


As was par for the course with Cushing, he had issues with Jimmy Sangster’s original screenplay.  Indeed, he was so appalled by aspects of it that he asked to allow a friend, Edward Percy, to come in and do a proper dialogue polish.  Producer/co-writer Anthony Hinds allowed the request and also acquiesced to the actor’s desire for a new climax – as the original one devised by Sangster (wherein Van Helsing uses black magic to defeat the vampire) clashed with his conception of the character.  Hinds devised a new bit of derring-do for Cushing to perform and quietly pocketed the original ending with the hopes of dusting it off for a later project… which he would do, on The Kiss of the Vampire (1962).


Cushing would play the character as a bit softer this time around.  He’s a warmer, more approachable character and while he’s still fixated on eradicating evil, he seems less obsessive about it.  He even displays something of a romantic interest in the film’s damsel in distress (Yvonne Monlaur), which would have seemed unthinkable in the more tunnel-vision-oriented characterization present in Dracula.  The film withholds Cushing’s entrance until the second act, but from that point on he quietly dominates the proceedings – no mean feat when one considers the truly imposing work by David Peel as the effete Baron Meinster, Martita Hunt as his disgraced mother and Freda Jackson as the cackling nanny-turned-vampire-midwife.  Cushing’s attention to detail manifests itself throughout as does his propensity for juggling as many props as possible without calling too much attention to himself – a fetish of sorts which prompted director Val Guest to refer to him as “Props Peter.” 


Brides of Dracula would be another hit for Hammer, but curiously, they would elect to not bring Van Helsing back for future installments like Dracula Prince of Darkness (1965), Dracula Has Risen from the Grave (1968), Taste the Blood of Dracula (1969) and Scars of Dracula (1970).  The Van Helsing surrogates in these later films would range from Andrew Keir’s no-nonsense Father Sandor and Rupert Davies stern Monsignor to John Carson’s folklore-friendly Jonathan Secker and Michael Gwynn’s basically ineffectual village priest.  They were all fine in their respective roles, but one couldn’t help but wonder why it was that Cushing was no longer part of the franchise.  Things would change, however, when Hammer decided to “update” the franchise to the modern day…


Part Two Later This Week...
Written by: Troy Howarth
Banner and Images: Marcus Brooks



PART TWO of 'The Trials of Van Helsing' can be found: HERE



Remember to look and and like our FACEBOOK FAN PAGE: HERE
Related Posts Plugin for WordPress, Blogger...