NEWS: TWILIGHT TIME RELEASES SCREAM AND SCREAM AGAIN ON BLU RAY IN U.S : Amicus' only film to feature Peter Cushing, Vincent Price and Christopher Lee gets a Pre-order date of Wednesday, September 30th at 4 pm EST. Release Date: October 13th, 2015. REGION FREE.
Some very nice Special Features include: Isolated Score Track / Audio Commentary with Film Historians David Del Valle and Tim Sullivan / Gentleman Gothic: Gordon Hessler at AIP / An Interview with Uta Levka / Still Gallery / Radio Spot / Original Theatrical Trailer.
SYNOPSIS AND QUICK CRITIQUE: A killer is stalking women in London nightclubs and drinking their blood; a jogger wakes up in a hospital bed to find his limbs amputated one by one; and a ruthless psychopath seizes power in a totalitarian Eastern European state. Bewildering and exhilarating by turns, Hessler's adaptation of Peter Saxon's novel The Disorientated Man is an ambitious attempt to drag classic horror stars (Price, Lee, Cushing) and themes (Frankenstein, vampires) into a modern Swinging London of grooving dolly-birds, mauve silk shirts and political paranoia.
It's not entirely successful: the film's obsession with human partition, seen in the limb-lopped jogger, the vampiric Keith's torn-off hand and a freezer full of body parts, has its parallels in a narrative that is so fragmented as to be a near-incoherent patchwork of scenes that fail to make the most of their horror stars (Cushing's role is a cameo, and Lee and Price only meet for a brief confrontation at the climax) or the collision of styles ranging from generation-gap movie through mad science to '60s super-sleuth - as though John le Carré, his mind buzzing with topical events (Gary Powers's spy plane) and ambient fears (organ transplants, cyborg technology), had rewritten Frankenstein as a tribute to Bava's Diabolik (1968).
Our Full review and Full COLOUR STILLS Gallery : HERE
But, as Hessler avoids static camera set-ups in favour of hand-held cameras and rapid edits, even if the film is finally little more than a collection of dissociated set pieces, they're so bizarre and Adrenalin-charged that Scream remains enormously entertaining, trading on such extraordinary sequences as cyborg vampire Keith (Michael Gothard in a wonderful Austin Powers turn - "lovely mover", one of the habitués of the Busted Pot observes as Gothard shimmies to the sound of the Amen Corner) being chased around south London by police and tearing off his hand to escape, all fueled by a jazz score that kicks into high gear at the slightest provocation.
Part Two of our The Amicus Films Of Peter Cushing
features an in depth look at SCREAM AND SCREAM AGAIN
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CLICK : HERE